Saturday, December 21, 2019

Gordon Lightfoot - Cafe Le Hibou, Ottawa, Canada, 1-27-1966

I have to admit that I'm not a big Gordon Lightfoot fan. When he's on, such as with a song like "If You Could Read My Mind" or "Early Morning Rain," he's amazing. And he has a lot of those songs. But I don't listen to his albums all the way through, since he has even more filler.

That said, I've posted a live album from him, and now I'm posting another, because I think they're exceptional. Here's the link to the previous one I posted, which dates to 1971:

https://albumsthatshouldexist.blogspot.com/2018/05/gordon-lightfoot-in-concert-1971.html

If you've been following this blog, you're probably noticed by now that I have a particular fondness for acoustic guitar performances. That 1971 concert I just linked to is an acoustic one, and this one is too.

But I think this one is even more remarkable than that one, due to a combination of its date and its sound quality. This concert is from the very start of 1966. There are very few bootlegs of any kind going that far back, and the ones that exist usually have poor sound. Yet this recording is a really fantastic sounding soundboard recording! Furthermore, I've added some bonus tracks from another concert in 1965, and that also is a really nice soundboard recording too.

That is particularly surprising because Lightfoot's musical career was just getting off the ground at the time. His first album "Lightfoot!" came out in January 1966, the exact same month as this recording. He'd been playing concerts and recording singles for years prior to that, but it wasn't until he released his first album when his popularity and reputation slowly grew. Thus, he wasn't very well known, and this concert had him playing in a small club. (For the 1965 bonus tracks, that's even more the case. You can hear from the applause that he played to a much smaller crowd.)

I like this concert a lot, even though I'm not a big Gordon Lightfoot fan, for a number of reasons. For one, I think his first album is his strongest album. That means he had a lot of excellent songs to play, even though it was still early in his career. For another, he had a lot of entertaining between song banter. It reminds me a lot of the four Joni Mitchell concerts from 1967 and 1968 I've posted here recently, where she talked before every song.

A third factor is that Lightfoot played some songs here that didn't appear on any of his albums, and they're really good too. Including the bonus tracks from the 1965 concert, the songs "Let's Get Together," Turn, Turn, Turn," "Old Blue, and "The Auctioneer" either were never released on album by him, or were only released much later.

Of course, "Turn, Turn, Turn" was a number one hit for the Byrds in 1965. But note that the 1965 concert this comes from took place months before that Byrds version was released. The song was well known already in folk music circles, because it had been written and performed by Pete Seeger, so Lightfoot's version is based on that and has nothing to do with the Byrds version.

Speaking of those Joni Mitchell concerts I mentioned above, I had a lot of trouble figuring out exactly when and where those were recorded. Turns out I had the same problem here. The bootleg I found claimed the show was from Ottawa, Canada, but didn't mention the specific venue. Other versions of this same bootleg claim it took place at the Riverboat in Toronto, Canada. When I first posted this, I decided that it probably took place at the Riverboat, mostly due to a reference that Lightfoot played at the Riverboat in Toronto on January 18, 1966, and continued to play there for the next two weeks. That means it was highly likely he was still playing there on January 27th.

However, I have since changed my mind, and changed the location to Ottawa. That's due to some comments he made at the start of the song "Piddling Pete," in which he mentioned both Ottawa and Toronto for the setting of the song. One could argue for either location based on those mentions alone. However, a commenter later mentioned that he also referred to Bell's Corners at the start of that song, which is the name of a specific Ottawa neighborhood. That's someone one would assume an Ottawa crowd would know, not a Toronto crowd. 

The location is still not 100 percent certain, but I found newspaper references that for the first few years of his career, before he hit it big, he always played in the Cafe Le Hibou in Ottawa. So I'm going with that until and unless something better comes along.

Regarding those 1965 bonus tracks, as I mentioned above, they come from a concert in mid-1965 that is also a great soundboard recording. (Specifically, it took place at La Cave, in Cleveland, Ohio, on May 8, 1965.) But I don't like that concert nearly as much, due to the fact that the recording quickly faded in and out and the starts and ends of the songs, cutting out nearly all of the talking between songs. Plus, there was a lot of overlap between the songs played in the 1966 concert and the 1965 one. So instead of presenting it in full, I've only included the interesting songs that aren't repeats of any of the songs from the 1966 show. Between the two concerts, one gets most of the really good songs Lightfoot had come up with by that point in his career. (In case you don't look at the mp3 tags, the 1965 concert goes from "Let's Get Together" until the end.)

The 1966 concert is fairly short, at only 38 minutes. But it's almost certainly complete. In fact, he mentioned towards the end how the time for his set was running out. Given that he wasn't a big star at the time, playing 30 minutes in a folk club as part of a bill with other artists on it seems to have been par for the course. The same thing happened to Joni Mitchell, for instance. (And, as a fellow Canadian, she played at the same venue a lot in the same time period.) The bonus tracks from the 1965 concert add another 20 minutes to make it a fuller listening experience.

As usual, I'm probably way too verbose with these write-ups. But the bottom line is, this is a great performance with great sound quality, and it's a real treasure to have such a recording all the way from the start of 1966. Even if you're like me and you're not a big Lightfoot fan, this is a very solid album that definitely deserves to be released. In fact, I like it more than any of his official albums.

01 Early Morning Rain (Gordon Lightfoot)
02 I'm Not Sayin' (Gordon Lightfoot)
03 talk (Gordon Lightfoot)
04 Changes (Gordon Lightfoot)
05 talk (Gordon Lightfoot)
06 Piddling Pete (Gordon Lightfoot)
07 talk (Gordon Lightfoot)
08 Ballad of Yarmouth Castle (Gordon Lightfoot)
09 talk (Gordon Lightfoot)
10 If You Got It (Gordon Lightfoot)
11 talk (Gordon Lightfoot)
12 The Auctioneer (Gordon Lightfoot)
13 talk (Gordon Lightfoot)
14 Echoes of Heroes (Gordon Lightfoot)
15 talk (Gordon Lightfoot)
16 Old Blue (Gordon Lightfoot)
17 Let's Get Together (Gordon Lightfoot)
18 Turn, Turn, Turn [To Everything There Is a Season] (Gordon Lightfoot)
19 Ribbon of Darkness (Gordon Lightfoot)
20 The Way I Feel (Gordon Lightfoot)
21 Steel Rail Blues (Gordon Lightfoot)
22 For Lovin' Me (Gordon Lightfoot)

https://www50.zippyshare.com/v/Ise92Tqd/file.html

The photo I chose for the cover art was taken at the Riverboat in Toronto, Canada. It comes from January 1967, not January 1966. So it's not a perfect match for place or time, but it's in the right ballpark for both. If Lightfoot was wearing a suit in 1967, as he is in the photo, then he almost certainly dressed and looked just like that in 1966 as well.

I hate using black and white instead of color for my album covers, so some months after I first posted this album, I colorized the photo.

10 comments:

  1. Thanks. Your write-ups are always both entertaining and informative. I can't wait to give it a listen.

    ReplyDelete
  2. "I have to admit that I'm not a big Gordon Lightfoot fan. When he's on, such as with a song like "If You Could Read My Mind" or "Early Morning Rain," he's amazing. And he has a lot of those songs. But I don't listen to his albums all the way through, since he has even more filler."

    Argh, heresy! Burn him at the stake!

    Sorry, just sayin'. Lightfoot was my first "mature artist" that I fell in love with as a teenager and I own all his albums. There is effectively some filler, but hey, you're a huge Tom Petty fan so how do you get through his albums?

    Anyway, thanks for this, as ever, and merry Christmas!

    ReplyDelete
    Replies
    1. Glad you like him so much. I've noticed Canadians tend to like him a lot more, probably because his songs were played a lot more there. Are you Canadian?

      Re: Petty, I have to admit he has some filler too. I haven't kept all his songs on all his albums. But I feel he has a lot of albums that are solid all the way through. "Damn the Torpedoes," "Full Moon Fever," and "Wildflowers" are three popular examples.

      Delete
  3. In terms of really solid top-to-bottom Lightfoot albums, "If You Could Read My Mind", "Old Dan's Record" (which is woefully unknown and underrated, having yielded no hits), "Sundown" and "Summertime Dream" come to mind. I agree that most other albums are quite spotty.

    The sound quality on these is, as you promised, fantastic for such old recordings. Is there a way you can post the entire Cleveland concert or would these just be duplicates of the songs from the Riverboat?

    I'm a citizen of the world, but I'm not Canadian, eh!? ;-)

    ReplyDelete
  4. Hey Paul, I've tried to find the Cleveland bootleg elsewhere, but no dice (all links dead). I count five songs that aren't duplicates

    Song Of The Groundhog
    Long River
    Gossip Calypso
    Sixteen Miles
    Nova Scotia Farewell

    I imagine the first one is a humorous novelty song and the last one is on the 71 concert, but I am quite partial to "Sixteen Miles (To Sixteen Lakes)" from his debut album (which I'm not a huge fan of, as it's a tad too trad folk for me).

    So, if it's not too much of a bother, could you post that concert, or the rest of the tracks mentioned above, if only here in the comments section? I'd be much obliged.

    ReplyDelete
    Replies
    1. You can get that here:

      http://tela.sugarmegs.org/_asxtela/asxcards/GordonLightfoot1965-05-08LaCaveClevelandOH.html

      https://ia600208.us.archive.org/11/items/GordonLightfoot1965-05-08LaCaveClevelandOH/GordonLightfoot1965-05-08LaCaveClevelandOH.mp3?cnt=0

      You can download from the second link by clicking on the three dots.

      Delete
  5. Why would Gord mention a Ottawa suburb (Bell's Corners) for a Toronto audience at the Riverboat? It was recordered at a coffee house in Ottawa
    called the l'Hibou in 1966

    ReplyDelete
    Replies
    1. Hmmm. Good point. Where in the recording does he mention that? And is there a reason you're sure that's the venue?

      Delete
    2. It took me a while, but I looked into this some more, and changed the venue to Ottawa. So thanks for your tip.

      Delete