Earthquake Relief Benefit, Cow Palace, Daly City, CA, 11-26-1989, Part 3 - Crosby, Stills & Nash

Here's Part 3 of the Cow Palace, Daly City 1989 Earthquake Relief Benefit concert. This part stars Crosby, Stills and Nash.

Note that Paul Kantner, a member of Jefferson Airplane/ Jefferson Starship, helped sing one song here, "Wooden Ships." He co-wrote the song with Crosby and Stills back in 1969. 

I have to say I'm pretty surprised Crosby, Stills and Nash didn't perform with Neil Young in this concert. Young had his own set in this same venue later in the evening. Crosby, Stills, Nash and Young were on relatively good terms at the time. They put out only their second studio album as a foursome in 1988, "American Dream." After the album had disappointing reviews, Young decided not to tour with CSN to promote it. However, he did play a few benefit concerts with them around this time. In fact, CSNY did a set together about this long at the Bridge School Benefit only a month before this, and they played three more concerts together in 1990. But then again, Young is well known to be very mercurial, and has been for his entire music career. Also, he did have a solo tour in Europe due to start less than two weeks later, so perhaps he wanted this to be a warm-up for that. 

This album is 47 minutes long. 

01 Wasted on the Way (Crosby, Stills & Nash)
02 Change Partners (Crosby, Stills & Nash)
03 talk (Crosby, Stills & Nash)
04 The Lee Shore (Crosby, Stills & Nash)
05 Just a Song Before I Go (Crosby, Stills & Nash)
06 Helplessly Hoping (Crosby, Stills & Nash)
07 Critical Mass - Wind on the Water (Crosby, Stills & Nash)
08 talk (Crosby, Stills & Nash)
09 Southern Cross (Crosby, Stills & Nash)
10 talk (Crosby, Stills & Nash)
11 Wooden Ships (Crosby, Stills & Nash with Paul Kantner)
12 Suite- Judy Blue Eyes (Crosby, Stills & Nash)
13 Teach Your Children (Crosby, Stills & Nash)

https://pixeldrain.com/u/JgqA12Um 

alternate:

https://bestfile.io/en/fnubcy1mlIeKN1l/file

The cover image is a screenshot I took from a video of this exact concert. From left to right: Crosby, Stills, and Nash.

Earthquake Relief Benefit, Cow Palace, Daly City, CA, 11-26-1989, Part 2 - Jesse Colin Young

Here's Part 2 of the Cow Palace, Daly City 1989 Earthquake Relief Benefit concert. This part stars Jesse Colin Young, formerly of the Youngbloods.

I explained the basics about these benefit concerts in the write-up to Part 1. Now that I've done that, I don't feel the need to write much about each musical act. I've talked about most of them elsewhere, and if I keep these write-ups short, I'll be able to post more, faster.

I do want to note though that I generally don't know the order of appearances for the concerts, with the exception of some of the biggest names. Only because those got mentioned in the couple of newspaper articles I could find. Here's one, in case you're curious:

https://www.latimes.com/archives/la-xpm-1989-11-28-ca-88-story.html

I'm frustrated not to know the order, because I remember taping a lot of these concerts off the radio at the time. Those tapes are long gone by now, for sure. But they were only the four or so hours of highlights that I mentioned in Part 1. For instance, I remember hearing Jesse Colin Young do "Let's Get Together," but not an entire set like this. Anyway, if you do know the order, or have any other recollections about these concerts if you attended them or otherwise heard them, please let us know.

This album is 26 minutes long.

01 talk (Jesse Colin Young)
02 Ridgetop (Jesse Colin Young)
03 talk (Jesse Colin Young)
04 Love that Can Last (Jesse Colin Young)
05 talk (Jesse Colin Young)
06 Sunlight (Jesse Colin Young)
07 We Can Make It Real (Jesse Colin Young)
08 talk (Jesse Colin Young)
09 T-Bone Shuffle (Jesse Colin Young)
10 talk (Jesse Colin Young)
11 Let's Get Together (Jesse Colin Young)

https://pixeldrain.com/u/AEeb4DrQ

alternate:

https://bestfile.io/en/BqCWkiIkRSwzreE/file

The cover image is a screenshot I took from a YouTube video of this exact concert. 

Earthquake Relief Benefit, Cow Palace, Daly City, CA, 11-26-1989, Part 1 - America, Aaron Neville, Eddie Money, and the Chambers Brothers

It's time for me to start posting another big collection of albums from a major rock festival. This time, it's from the Earthquake Relief Benefit, held in the San Francisco Bay Area in late 1989. I've found enough music to make 19 different albums! This actually was three concerts, all held on the same day, November 26, 1989. This is the first of six albums I'm posting that took place at the Cow Palace in Daly City, just south of San Francisco. 

This album gathers all the musical acts where I only had short sets. For the other five I have from this venue, each musical act gets their own set. The acts here are: the Chambers Brothers, America, Aaron Neville, and Eddie Money.

These concerts were a reaction to the Loma Prieta earthquake, which happened on October 16, 1989, at 5:04 P.M. (I know the time well, because I was just getting out of a college class in the area when the earthquake hit. We were all okay, but the building suffered structural damage and was later closed for retrofitting.) Famously, a game of the baseball World Series was just minutes from starting at Candlestick Park in San Francisco. It had to be cancelled, but tens of millions of people around the world found out about the earthquake as it happened due to the T.V. broadcast. Although the epicenter was about ten miles northeast of Santa Cruz, there was a lot of damage in San Francisco and Oakland, due to poor construction there. 63 people died, most of them in Oakland. The earthquake registered 6.9 on the Richter Scale. 

There was lots of damage throughout the Bay Area, and thousands of injuries. It so happened the Bay Area had a vibrant music scene, and probably the most altruistic (and well known) concert promoter in the country, Bill Graham. Graham leaped into action, and got these three benefits concerts to take place only ten days after the earthquake. They ended up raising about two million dollars to relief efforts. That was just a small amount compared to the billions needed, but it's nice to see that so many musical acts wanted to help out just the same. I would bet that even more would have liked to take part, but were tied up with concert tours or other obligations they couldn't get out of on such short notice.

Here's a Wikipedia entry about the earthquake:

https://en.wikipedia.org/wiki/1989_Loma_Prieta_earthquake

I understand about five hours of highlights from the different concerts were shown on a local T.V. station that night. The main way funds were raised was by people watching on T.V. and donating over the phone. But, for some reason, we have a lot more than just five hours of highlights. I'm posting about 15 hours of music in total. All of it has the excellent sound quality of a soundboard or FM radio bootleg. I think that's because a lot of it became part of Bill Graham's music archive, which later was made public through the company Wolfgang's Vault, then spread to various bootleg sites. You can find video footage of most of the acts on YouTube, although sometimes one has to dig deep.

However, I couldn't find all of the music acts. Some that were billed to perform at Cow Palace included Maria Muldaur, the Dynatones, Grace Slick, Paul Kantner, Joe Louis Walker, Narada Michael Walden, the Solid Senders, and the Brass Band. I'm pretty sure some or even all of these actually did perform, since I found some mentions of them. Maria Muldaur actually sings a duet with Aaron Neville on this album, but I believe she got her own set as well. And Paul Kantner later performed a song with Crosby, Stills and Nash, so it stands to reason he got his own set too, perhaps with former bandmate Grace Slick. If anyone knows for sure about these acts, and/or actually has the recordings, please let me know. However, according to the promotional material I found, at least I was able to find all of the best known acts.

In case you're curious, the act that performed the longest in this album was Eddie Money. His portion lasts 21 minutes. 

This album is an hour and six minutes long.

01 talk (Chambers Brothers)
02 People Get Ready (Chambers Brothers)
03 Love, Peace and Happiness (Chambers Brothers)
04 Tin Man (America)
05 I Need You (America)
06 Ventura Highway (America)
07 talk (America)
08 Sister Golden Hair (America)
09 A Horse with No Name (America)
10 Gypsy Woman (Aaron Neville)
11 Arianne (Aaron Neville)
12 Danny Boy (Aaron Neville)
13 Don't Know Much - Mickey Mouse Club Theme (Aaron Neville)
14 Amazing Grace (Aaron Neville & Maria Muldaur)
15 Two Tickets to Paradise (Eddie Money)
16 talk (Eddie Money)
17 If I Could Walk on Water (Eddie Money)
18 I Think I'm in Love (Eddie Money)
19 Take Me Home Tonight (Eddie Money)
20 Shakin' (Eddie Money) 

https://pixeldrain.com/u/nfMf7UtH

alternate:

https://bestfile.io/en/K8cwziMd6jr6UtZ/file

The cover image shows Aaron Neville at this exact concert, from a screenshot I took of a video. I picked an image of him simply because the image quality was better than the screenshots I could have taken of the other acts here.

Dana Gillespie - Hold on to Your Fire - Non-Album Tracks (1971-1976)

Recently, a commenter asked me if I still plan on posting more non-album tracks collections. Actually, I have lots of them that are already made. I just don't get around to posting them much because they're part of my music collection and I usually prioritize posting things I've recently discovered. But I'll try to get back to posting more of those. Back in 2020, I posted a non-album tracks collection by British singer-songwriter Dana Gillespie. It consisted of rare songs she did in the late 1960s. Finally, I'm back with a second such collection, from the early 1970s.

First, here's the link to the earlier collection:

https://albumsthatshouldexist.blogspot.com/2020/11/dana-gillespie-light-up-various-songs.html

At the time of the start of the music here, she had released two albums in the late 1960s, mostly consisting of her own songs. Both were well received, but neither of them were hits. Around 1970, she started musically collaborating with David Bowie, whom she had known since about 1965. She was signed to his record company and management team. Bowie even wrote a song for her, "Andy Warhol," and they performed it together on the BBC in 1971. 

The first five songs here are demos she recorded in 1971. This was half of an album with her songs on one side and Bowie's songs on the other. About 500 copies were made and circulated in the music industry to help both of them get record deals. Bowie's songs were redone for his album "Hunky Dory." These versions come from a later archival compilation called "What Memories We Make."

However, Gillespie didn't release another album out until 1973, because she got involved playing a major role (Mary Magdelene) in the first London production of the play "Jesus Christ Superstar." That kept her busy through 1972, and a soundtrack was released in 1973. Tracks 6 and 7 here are from that. 

When she finally released her next album, "Weren't Born a Man," it was a very good one. I recommend it if you haven't heard it yet. Bowie and his guitarist Mick Ronson technically produced it. But in fact, they were too busy with their careers, having turned into big stars since Bowie started collaborating with Gillespie in 1971. But Bowie did have some involvement, for instance, playing on and producing that album's version of "Andy Warhol." 

In 1974, she released another album, "Ain't Gonna Play No Second Fiddle." This was also was good, but didn't get much traction. It showed her moving more in a blues direction. Unfortunately, she began having trouble with her record company. She got stuck in a dispute, and was unable to release any more records. Her next album wouldn't come out until 1982. From that point on, she went all in on the blues, and put out many more albums in the blues style. Tracks 8 through 14 are from 1973 and 1974, and mostly consist of songs she wanted to put out on her next album. Those didn't come out until the "What Memories We Make" compilation mentioned above.

While having a music career, Gillespie also was pursuing a movie career. She certainly had the looks to be a big star. When she was blocked from making more records, she spent most of the rest of the 1970s as an actress. She landed some prominent roles, but never became a big star in that field either. The last song here is from a 1976 movie. 

One final thing. Here's an article from the Guardian about Gillespie's very interesting life. It's worth a read:

https://www.theguardian.com/music/2021/aug/12/bowie-bed-hopping-and-the-blues-the-wild-times-of-dana-gillespie

This album is 58 minutes long.

01 Mother, Don't Be Frightened (Dana Gillespie)
02 Andy Warhol (Dana Gillespie)
03 Never Knew (Dana Gillespie)
04 All Cut Up on You (Dana Gillespie)
05 Lavender Hill (Dana Gillespie)
06 Everything's Alright (Dana Gillespie with Stephen Tate & Paul Nicholas)
07 I Don't Know How to Love Him (Dana Gillespie)
08 Hold on to Your Fire (Dana Gillespie)
09 Man Size Job (Dana Gillespie)
10 Stoke the Engine (Dana Gillespie)
11 Goin' Crazy with the Blues (Dana Gillespie)
12 Say Goodnight to the Night (Dana Gillespie)
13 Do the Spin (Dana Gillespie)
14 Gone at the Game (Dana Gillespie)
15 Celandine's Blues (Dana Gillespie)

https://pixeldrain.com/u/LAAK3hDd 

alternate:

https://bestfile.io/en/I0tgLutyB6aSxSK/file

The cover image is from a 1968 movie called "The Lost Continent." The original picture I found was in black and white, but I colorized it. She also had some dirty smudges on her skin, which I removed in Photoshop. 

Hudson Ford - Ebbets Field, Denver, CO, 7-1974

I'm rather bummed to post this, because this might finally be the end of the line for posting Ebbets Field radio broadcasts. I thought I was done after posting over 70 albums, and then a couple of people came forward with some uncirculated bootlegs. First came a Wendy Waldman one, which I posted a couple of days ago. Now this Hudson Ford one, by an anonymous contributor. 

Hudson Ford was a band that primarily consisted of the singer-songwriter duo of Richard Hudson and John Ford. They got their start as members of the band Elmer Gantry's Velvet Opera, with Hudson on drums and Ford on bass. But that band broke up before the end of the 1960s. Around 1970, the two of them joined the Strawbs. They had a growing role in that band with their singing and songwriting. Their biggest success as a songwriting duo was the Strawbs song "Part of the Union," which went all the way to Number Two in the British singles chart in early 1973. But their growing role in the band put them in conflict with Dave Cousins, who wrote and sang most of the band's songs. 

In the middle of 1973, Hudson and Ford left the Strawbs to form their own band. At this point, Hudson switched from playing drums to guitar, and sang more lead vocals with Ford. They put out an album by the end of 1973, "Nickelodeon." It included "Pick Up the Pieces," which made it to the Top Ten in the British singles chart.

At the time of this concert, the band hadn't yet released their second album, "Free Spirit," but they were close. So they played a couple of songs from that album here, and talked about it coming out soon. However, they didn't play "Burn Baby Burn." That would be their second and final hit. They would put out three more albums after that, before breaking up in late 1977.

Here's their Wikipedia entry:

https://en.wikipedia.org/wiki/Hudson_Ford

This recording contained a fair amount of hiss. However, I was able to remove almost all of it with the use of the MVSEP audio editing program.

By the way, I don't know the exact date of this concert. But they only had one series of shows at this venue, in late July 1974, so it has to have been that month. For four nights, they were the opening act for the band Goose Creek Symphony, which explains why this recording is rather short. 

Here's yet another plea for people to come forward with more of these Ebbets Field radio broadcasts. The recent posts of this album and the Wendy Waldman one show there are more of these bootlegs out there. Let's bring them back into the public domain so they can be appreciated after all these years! 

This album is 46 minutes long.

01 Crying Blues (Hudson Ford)
02 talk (Hudson Ford)
03 Angels (Hudson Ford)
04 talk (Hudson Ford)
05 Dark Lord (Hudson Ford)
06 talk (Hudson Ford)
07 Free Spirit (Hudson Ford)
08 talk (Hudson Ford)
09 I Don't Want to Be a Star (Hudson Ford)
10 talk (Hudson Ford)
11 Pick Up the Pieces (Hudson Ford)
12 talk (Hudson Ford)
13 I Don't Understand (Hudson Ford)
14 Revelations (Hudson Ford) 

https://pixeldrain.com/u/C69YarN2

alternate:

https://bestfile.io/en/sRS3xzQxFtKHChJ/file

The cover image shows Hudson Ford on the "Top of the Pops" TV show in Britain in 1974.

Bob Dylan - Capitol Theatre, Port Chester, NY, 6-13-2017

Here's a really great find: Bob Dylan a soundboard concert from 2017! I only had three soundboard-level quality concert recordings from him prior to finding this one. (The others are one from 2009 and two from 2025, and I've already posted those at this blog.) This is from the Capitol Theater in Port Chester leak that happened in April 2026.

Actually, it's kind of from that. When that leak first emerged, this Dylan concert was listed, but the download link to it didn't work. That frustrated a lot of people, since it was the most desired one of all. It turns out this concert started to publicly circulate a month or two later, and missed it until now (August 2026). Better late than never.

The sound quality is excellent, and someone named Bennyboy remixed it. Note though that the sound is in mono, like nearly all the other bootlegs from that leak.

There's one thing I didn't like about this recording, though I'm not sure if it's what actually happened in the concert or was a limitation of the bootleg. That's the fact that there was usually only a second or two of applause between songs. I strongly suspect some of that applause was cut off, because it doesn't seem reasonable the band would play song after song with barely a pause. There was some applause near the end, so I patched in little bits between some of the other songs to give more reasonable breaks between songs. 

This concert took place during a time when Dylan released several albums of traditional pop standards from the pre-rock and roll era. First, he released "Shadows in the Night" in 2015, then "Fallen Angels" in 2016, and then "Triplicate" in 2017, which actually was a triple album. So he included some of these covers in this concert, though just a few. Here are the covers, with the original songwriters in parantheses: 

I Could Have Told You (Jimmy Oliver)  
Melancholy Mood (Vick R. Knight, Sr. & Walter Schumann) 
Stormy Weather (Harold Arlen & Ted Koehler)
All Or Nothing At All (Arthur Altman & Jack Lawrence) 
That Old Black Magic (Harold Arlen & Johnny Mercer)
Autumn Leaves (Joseph Kosma & Johnny Mercer)

Five more of the songs are originals from his 2012 album "Tempest." 

This album is an hour and 47 minutes long. 

01 Things Have Changed (Bob Dylan)
02 Don't Think Twice, It's All Right (Bob Dylan)
03 Highway 61 Revisited (Bob Dylan)
04 Beyond Here Lies Nothin' (Bob Dylan)
05 I Could Have Told You (Bob Dylan)
06 Pay in Blood (Bob Dylan)
07 Melancholy Mood (Bob Dylan)
08 Duquesne Whistle (Bob Dylan)
09 Stormy Weather (Bob Dylan)
10 Tangled Up in Blue (Bob Dylan)
11 Early Roman Kings (Bob Dylan)
12 Spirit on the Water (Bob Dylan)
13 Love Sick (Bob Dylan)
14 All or Nothing at All (Bob Dylan)
15 Desolation Row (Bob Dylan)
16 Soon After Midnight (Bob Dylan)
17 That Old Black Magic (Bob Dylan)
18 Long and Wasted Years (Bob Dylan)
19 Autumn Leaves (Bob Dylan)
20 Blowin' in the Wind (Bob Dylan)
21 Ballad of a Thin Man (Bob Dylan)

https://pixeldrain.com/u/fcdja4Gq

alternate:

https://bestfile.io/en/DPZwQhBMIdL2VL3/file

The cover image is a concert from this exact concert. The original was rectangular in shape, like most posters. I was able to crop out some less essential parts at the top and the bottom. That included cutting out the name of the venue, which was in very big letters at the top. I put that information in small letters at the bottom instead. 

John Carpenter - John Carpenter Presents: Trailers of the Mind... It's All in Your Head! (1974-1994) (A Mike Solof Guest Post)

Here's another guest post by Mike Solof. He really outdid himself this time, with this collection of John Carpenter's movie music. 

Mike is a big fan of the movies of John Carpenter, who is especially renowned in the horror genre. But it turns out Carpenter composed the music for nearly all of his movies, and Mike is a fan of that music as well. His original plan was to collect his favorite songs from most of Carpenter's movies, and post that. However, some of the songs had spoken dialogue from the movies over them, and others did not. I thought that was an imbalance, and asked him if he could add in some more dialogue. Mike took that suggestion and ran with it. He labored many, many hours carefully adding dialogue, until all the songs here are a mix of music and that dialogue. In so doing, he created something new: songs from the movies with dialogue that helps set an ominous mood and reminds you of key movie scenes. He spent a long time getting the timing of the words and music to be to his satisfaction.

In case you're not familiar with Carpenter's name, you'd probably recognize many of his movies, such as "Halloween," "The Thing," "The Fog," Escape from New York," "Christine," "They Live," and many more. Personally, I'm not into the horror movie genre. But even I found this an interesting listen.  

If you want to know more, as usual, please read the PDF that Mike wrote and added to the download zip. 

01 The Fog [Prologue - The Curtain Rises] (John Carpenter)
02 Dark Star - Hello Bomb [Mike's Mix 2026] (John Carpenter)
03 Assault on Precinct 13 - This Is a Goddamn Seige [Mike's Mix 2026] (John Carpenter)
04 Assault on Precinct 13 - Hey, This Is Regular Vanilla [Mike's Mix 2026] (John Carpenter)
05 Halloween - The Evil Has Gone [Mike's Mix 2026] (John Carpenter)
06 Halloween - Halloween Theme [Death Has Come to Your Little Town] [Mike's Mix 2026] (John Carpenter)
07 The Fog - There's Something in the Fog [Mike's Mix 2026] (John Carpenter)
08 The Fog - We're Honoring Murderers [Mike's Mix 2026] (John Carpenter)
09 Escape from New York - I Heard You Were Dead [Mike's Mix 2026] (John Carpenter)
10 Halloween 2 - You Don't Know What Death Is [Mike's Mix 2026] (John Carpenter)
11 Halloween 3 - The Hills Ran Red with Blood [Mike's Mix 2026] (John Carpenter)
12 The Thing - Weird and Pissed Off [Mike's Mix 2026] (John Carpenter)
13 Christine - Show Me [Mike's Mix 2026] (John Carpenter)
14 Prince of Darkness - This Is Not a Dream [Mike's Mix 2026] (John Carpenter)
15 They Live - I've Got One that Can See [Mike's Mix 2026] (John Carpenter)
16 In the Mouth of Madness - The Curtain Closes [Mike's Mix 2026] (John Carpenter)

https://pixeldrain.com/u/Z6EV9Jbp

alternate: 

https://bestfile.io/en/6HM3OKjRehmqVD2/file

The cover art is a graphic made by someone named Tyler Champion. The original was in just two tones. I colorized it with the help of the Kolorize program. Then I added the text at the top and bottom.

Wendy Waldman - Ebbets Field, Denver, CO, 4-3-1975

I've very excited to be posting this. I've posted over 70 Ebbets Field radio broadcasts, until I couldn't find any more to post. But there are credible reports of at least 100 other radio broadcasts from this venue. I'm eager to find more, since they all have excellent sound quality, and usually were of talented performers. I'm glad to say that I got a couple of responses to my plea for more of these recordings. Here's one, from Paul Newton. It's a set by singer-songwriter Wendy Waldman.

Chances are pretty good that you've never heard of Wendy Waldman before. That was the case for me before I started working on these Ebbets Field shows. But sometimes finding success in the music business is more about lucky breaks than musical talent. That seems to be the case here. She put out a bunch of albums in the 1970s and after, but never made a commercial mark. Yet after listening to this, I realized Waldman is a talented songwriter and also a very good singer. 

One way you can tell she's a good songwriter is the fact that her songs have been covered by over 70 musical acts. Those include: Garth Brooks, Aaron Neville, Kenny Rogers, Alison Krauss, Linda Ronstadt, Robert Smith of The Cure, Kathy Mattea, Maria Muldaur, Kim Carnes, Melissa Manchester, Vanessa Williams, the Nitty Gritty Dirt Band, Percy Sledge, and many more. Yet, she got so little exposure as a performer that I couldn't find any decent TV performances or even photographs of her in concert in the 1970s. To make the cover, I had to take a screenshot of a TV performance where she was back-up singer in a Linda Ronstadt concert. 

Here's the Wikipedia entry for Waldman:

https://en.wikipedia.org/wiki/Wendy_Waldman

In 1970, Waldman was a founding member of the band Bryndle. Unfortunately, they only released a single and then broke up, since they couldn't get a record company to release a full album from them. But the other band members were Andrew Gold, Karla Bonoff, and Kenny Edwards. Gold and Bonoff in particular went on to have a lot of success in the 1970s. Much later, Byrndle reunited and finally released albums in 1995 and 2001.

At the time of this concert, Waldman had just released her third album, cleverly titled "Wendy Waldman." It never bothered the record charts, like her other albums, sadly.

This bootleg recording generally sounds very good. However, there was a problem: the song "Wild Bird" got cut off halfway through, and the first half of the next song, "Train Song" was also missing. I managed to patch this, though the results weren't great. For "Wild Bird," I couldn't find any live versions. So I took the studio album version, used the MVSEP program to strip it down to solo acoustic, and then used that to fill in the missing part. For "Train Song," I was surprised to find another live version, from another rare bootleg, from 1974. So I used the banter from before that song, edited somewhat, and then the live version for that missing part. Unfortunately, both of these edits aren't that good, due to the lack of material to work from. I think it's extremely obvious when the edits happen, especially for "Train Song," which suddenly goes from an acoustic performance to a full-band one. But I figure it's better to have these patches than only partial versions of these songs.  

Thanks again to Paul Newton for digging this up and sharing it. If you have other Ebbets Field broadcasts I haven't posted, please share them! Hopefully, by sharing this, hundreds of people will finally start to appreciate Waldman's music after not knowing about her for all these years.

This album is 47 minutes long. 

01 Listen to Your Own Heart (Wendy Waldman)
02 Cold Back on Me (Wendy Waldman)
03 talk (Wendy Waldman)
04 North Woods Man (Wendy Waldman)
05 talk (Wendy Waldman)
06 Green Rocky Road (Wendy Waldman)
07 talk (Wendy Waldman)
08 Come On Down (Wendy Waldman)
09 Explain It (Wendy Waldman)
10 talk (Wendy Waldman)
11 Baby Don't You Go (Wendy Waldman)
12 Secrets (Wendy Waldman)
13 Wild Bird [Edit] (Wendy Waldman)
14 talk (Wendy Waldman)
15 Train Song [Edit] (Wendy Waldman)
16 talk by emcee (Wendy Waldman)
17 talk (Wendy Waldman)
18 Western Lullaby (Wendy Waldman)
19 talk by emcee (Wendy Waldman)

https://pixeldrain.com/u/EKtXj1yR

alternate:

https://bestfile.io/en/WeksnnvRkrCI44n/file

As mentioned above, the cover image is a screenshot I took of Waldman when she was a back-up singer for a Linda Ronstadt TV appearance. I don't know exactly when or where, but the song was "You're No Good," and it almost certainly was from the late 1970s.

Al Green - Capitol Theater, Port Chester, NY, 10-25-2012

Here's an Al Green concert from 2012. It's part of the Capitol Theatre in Port Chester mono soundboard leak that happened in April 2026. So the sound quality is excellent here, and the performance is very good as well. 

In my opinion, Al Green is out of the greats of soul music. He had a really great run for most of the 1970s. But after that, he disappeared from popular music for a long time, due to him becoming a preacher and putting out a bunch of gospel albums. He slowly got back to secular music, and released three well received secular albums between 2003 and 2008 (and no new material since then). Still, he's kept a relatively low profile since the 1970s.

I've been hesitant to post any post-1970s Al Green concerts because even though he's mostly gone back to performing his 1970s soul hits, he still does some religious material. That's not to appealing to a hopeless heathen like myself. But luckily, on this concert, he kept that to two songs, "Amazing Grace" and "Nearer My God to Thee," and both of those are perfectly fine songs, in my book.

The song list below is a bit misleading. It shows him doing a whole run of classic soul songs, from "I Can't Help Myself (Sugar Pie Honey Bunch)" to "You Are Everything." But don't get too excited, because actually, all of those are just snippets, usually only about 15 to 20 seconds long. However, all the other songs here are full length, including an unexpected cover of Roy Orbison's "Oh, Pretty Woman" earlier in the concert.  

This album is an hour and 15 minutes long.

01 It Ain't No Fun to Me (Al Green)
02 talk (Al Green)
03 Take Me to the River (Al Green)
04 talk (Al Green)
05 How Can You Mend a Broken Heart (Al Green)
06 talk (Al Green)
07 Oh, Pretty Woman (Al Green)
08 Amazing Grace (Al Green)
09 Nearer My God to Thee (Al Green)
10 talk (Al Green)
11 Love and Happiness (Al Green)
12 talk (Al Green)
13 For the Good Times (Al Green)
14 talk (Al Green)
15 Here I Am [Come and Take Me] (Al Green)
16 talk (Al Green)
17 I Can't Help Myself [Sugar Pie Honey Bunch] (Al Green)
18 My Girl (Al Green)
19 Bring It on Home to Me (Al Green)
20 [Sittin' On] The Dock of the Bay (Al Green)
21 Wonderful World (Al Green)
22 You Are Everything (Al Green)
23 Tired of Being Alone (Al Green)
24 talk (Al Green)
25 I'm Still in Love with You (Al Green)
26 Let's Stay Together (Al Green)

https://pixeldrain.com/u/X4njcrop

alternate:

https://bestfile.io/en/O8vKJMhrDy26WW9/file

The cover image is from the Greek Theatre Los Angeles, California, on July 19, 2012.

Prince - Rock Over Germany, Flugplatz, Luneburg, Germany, 9-3-1993

Why oh why have I never posted a Prince album until now?! It's a major oversight, considering he's a musical great with lots of really interesting unreleased material. The main reason was I had heard his legal team came down particularly hard on any copyright issue. But I've been almost entirely free of the copyright police for the past year plus, for whatever reason. So I figure, what the heck, I'll post this and take my chances.

I have to admit that, probably like a majority of Prince's fans, I haven't closely followed his entire career. If you look at the crowd-sourced ratings of the albums he released in his lifetime, all the really highly rated ones are from between 1979 and 1995. So I figure 1993 is a good time for a concert from him, as it can be kind of a greatest hits of his best songs from his most popular and creative era. This is the best sounding concert I found from that year. It's a soundboard. 

At the time of this concert, Prince's most recent album was released in late 1992. It was his second album with his band at the time, the New Power Generation. I wish I could tell you the album name, but the "title" was an unpronounceable symbol. However, it later generally became known as "Love Symbol." (By the end of 1993, Prince claimed this symbol was his new name, due to a dispute he was having with his record company. The media responded by generally calling him "The Artist Formerly Known as Prince." He returned to calling himself "Prince" in 2000, when he finally was able to change record companies.) 

Anyway, Prince didn't release a new studio album in 1993. This was very unusual for him, since he was extremely prolific. However, on September 10, 1993, he released a double album greatest hits collection called "The Hits." If you check the concert date, that was one week after this concert. He played two songs that were first released on that greatest hits: "Pope" and "Peach."

There's just a couple of notes about the songs performed. When you see "When Doves Cry" in the song list, don't get too excited. It's only about ten seconds of the introductory chords before switching to another song. However, he played nearly all of his other big hits he'd had up until that time. A few other songs also are short snippets. 

And "talk by Mayte" is a spoken message entirely in German. I don't know what was said, since I don't speak German. But I do know who Mayte is. She joined his backing band, the New Power Generation, in 1992, when she turned 18 years old. She was born and raised in Germany, which explains her speaking in German to the German audience. She and Prince married in 1996 and stayed married for four years.

The music is unreleased. The sound quality is excellent. 

This album is an hour and 41 minutes long. 

01 My Name Is Prince (Prince)
02 Sexy MF - Love 2 the 9's (Prince)
03 The Beautiful Ones (Prince)
04 Let's Go Crazy (Prince)
05 Kiss (Prince)
06 Irresistible Bitch (Prince)
07 She's Always in My Hair (Prince)
08 Raspberry Beret (Prince)
09 The Cross (Prince)
10 Sign O' the Times (Prince)
11 Purple Rain (Prince)
12 Thunder - When Doves Cry (Prince)
13 Nothing Compares 2 U (Prince)
14 And God Created Woman [Instrumental] (Prince)
15 Diamonds and Pearls (Prince)
16 Venus de Milo [Instrumental] (Prince)
17 I Love U in Me (Prince)
18 Strollin' (Prince)
19 Scandalous (Prince)
20 talk (Prince)
21 Girls and Boys (Prince)
22 Arabic Intro [Instrumental] (Prince)
23 7 (Prince)
24 talk by Mayte (Prince)
25 1999 (Prince)
26 Baby I'm a Star (Prince)
27 Rock the House - America [Instrumental] (Prince)
28 D.M.S.R. (Prince)
29 Gett Off (Prince)
30 Pope (Prince)
31 It's Gonna Be a Beautiful Night [Instrumental Version] (Prince)
32 Peach (Prince)

https://pixeldrain.com/u/dUa3ZiAE

alternate:

https://bestfile.io/xBuo7cZdXDWdtAu/file

The cover image is the only one I could find that I knew for sure is from this exact concert.

Cheap Trick - Capitol Theatre, Port Chester, NY, 9-26-2015

Here's another concert recording from an April 2026 leak of dozens of concerts that took place at the Capitol Theatre, in Port Chester, New York. Like all the others from that leak, this is an excellent soundboard bootleg, though the sound is in mono. This concerts features the band Cheap Trick. 

This recording hasn't been publicly available before, at least not in this curated form. It was available in the raw form of the original leak, but those files have mostly disappeared from the Internet by now, as far as I can tell.

Cheap Trick had their commercial heyday in the late 1970s and early 1980s. But they've kept going, and are still going today, as I write this in 2026. Unlike a lot of bands that have been around a very long time, they haven't turned only into an oldies act. In fact some of their better rated albums (judging by the crowd-sourced rateyourmusic.com) are some later ones, such as "Rockford," released in 2006. 

This concert features a mix of older and newer (for 2015) songs, plus two covers, "The 'In' Crowd" and "I'm Waiting for the Man."

By the way, I took stock of how things are going with the posting of these Port Chester soundboard concerts. At first, a couple dozen, at least, were posted by others, saving me most of the work. But it seems those efforts have stopped. So I'm going to try to post the rest. I count about 30 more that interest me. It'll be a while though, since I have to chop single sound files into individual mp3s for most of these, just like I did for this one. 

This album is an hour and 32 minutes long.

01 Intro (Cheap Trick)
02 Hello There (Cheap Trick)
03 Come On, Come On (Cheap Trick)
04 Big Eyes (Cheap Trick)
05 talk (Cheap Trick)
06 Lookout (Cheap Trick)
07 California Man (Cheap Trick)
08 talk (Cheap Trick)
09 Tonight It's You (Cheap Trick)
10 talk (Cheap Trick)
11 If You Want My Love (Cheap Trick)
12 On Top of the World (Cheap Trick)
13 talk (Cheap Trick)
14 Borderline (Cheap Trick)
15 Baby Loves to Rock (Cheap Trick)
16 Daddy Should Have Stayed in High School (Cheap Trick)
17 talk (Cheap Trick)
18 The 'In' Crowd (Cheap Trick)
19 I'm Waiting for the Man - Heroin (Cheap Trick)
20 talk (Cheap Trick)
21 The Flame (Cheap Trick)
22 I Want You to Want Me (Cheap Trick)
23 Dream Police (Cheap Trick)
24 talk (Cheap Trick)
25 Long Time No See Ya (Cheap Trick)
26 Surrender (Cheap Trick with Jesse Malin)
27 talk (Cheap Trick)
28 Goodnight (Cheap Trick)

https://pixeldrain.com/u/SSRjYRZZ

alternate:

https://bestfile.io/NnBM2eHNwNPDj0k/file

The cover image is a screenshot I took of a video of this exact concert. 

Gentle Giant - WLIR Ultrasonic Concert Series, Ultrasonic Recording Studios, Hempstead, NY, 10-7-1975

I've got a friend who really likes the British prog rock band Gentle Giant. They are one of his very favorite prog rock bands. After hearing him talk about them, I noticed I had one of their concerts in my very big pile of music I want to post, because it's part of the "Ultrasonic Recording Studios" radio broadcast series. So here it is.

The concert is well timed if you're a Gentle Giant fan. Looking at the crowd-sourced ratings of their albums on rateyourmusic.com, their first seven albums, released 1970 to 1977, all got very high ratings, and then there was a drop-off. This concert took place shortly after the release of their seventh album, "Free Hand." This concert consists of three songs from that album, plus songs from five previous albums.

Personally, I wasn't that taken with this music. Their songs don't stick in my mind. However, there's no denying they had lots of musical talent. By the way, my friend was raving about an Eber Pinheiro remix and remaster of the Gentle Giant album "In a Glass House," which was officially released earlier this year. So if you're a fan of this band, you should check that out.  

The music here is unreleased. The sound quality is excellent. 

This album is an hour and ten minutes long. 

01 Intro Tape [Instrumental] (Gentle Giant)
02 Cogs in Cogs (Gentle Giant)
03 Proclamation (Gentle Giant)
04 Funny Ways (Gentle Giant)
05 talk (Gentle Giant)
06 The Runaway (Gentle Giant)
07 Experience (Gentle Giant)
08 talk (Gentle Giant)
09 The Boys in the Band (Gentle Giant)
10 Raconteur Troubadour (Gentle Giant)
11 Knots (Gentle Giant)
12 The Advent of Panurge (Gentle Giant)
13 talk (Gentle Giant)
14 So Sincere (Gentle Giant)
15 talk (Gentle Giant)
16 Free Hand (Gentle Giant)
17 talk (Gentle Giant)
18 Just the Same (Gentle Giant)

https://pixeldrain.com/u/9Ja5zZk8

alternate:

https://bestfile.io/m3ZAzBoWKhqLmVJ/file

The cover image shows the band performing at Volkshaus, Zurich, Switzerland, on November 27, 1975. Thanks to a commenter named Ineluctable, I know who is in the picture. From left to right: Gary Green, Ray Shulman, and Kerry Minnear.

Various Artists - Les Paul & Friends, Brooklyn Academy of Music, New York City, 8-18-1988

Les Paul never liked rock and roll all that much, but he is one of the key people who made rock and roll what it is nonetheless. I'll explain more about his massive influence on music further down below. But first, this was a tribute concert to honor Paul when he was still in good enough health to perform. He was 73 years old at the time of this concert, but he would go on to live another 21 years before dying in 2009. A lot of musical stars showed up to honor him and perform music with him: Eddie Van Halen, B. B. King, Carly Simon, Steve Miller, Rita Coolidge, David Gilmour, Stanley Jordan, and the Stray Cats.

I think Les Paul isn't as well known as he should be today, because he made his considerable mark on music before the rock and roll era ever began. Here's the intro to his Wikipedia entry: 

"Les Paul was an American jazz, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid-body electric guitar... and served as inspiration for the Gibson Les Paul. While he is mainly known for jazz and popular music, he had an early career in country music. In the 1950s, he and his wife, singer and guitarist Mary Ford, made numerous recordings, selling millions of copies. Paul is credited with many recording innovations. His early experiments with overdubbing, delay effects such as tape delay, phasing, and multitrack recording were among the first to attract widespread attention. His licks, trills, chording sequences, fretting techniques, and timing set him apart from his contemporaries and inspired many guitarists of the present day. Among his many honors, Paul is one of a handful of artists with a permanent exhibit in the Rock and Roll Hall of Fame. [He] is the only inductee in both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame."

In this concert, Paul played lead guitar on some instrumentals by himself. He also served as the emcee, introducing the guest stars. He then played guitar for some of the guest stars as well.

This is that was broadcast on the Cinemax TV channel. Maybe this is all of it, or maybe there was more, I don't know. You can find the video of this on YouTube. However, this has never been officially released in any audio format. 

This album is exactly one hour long. 

01 How High the Moon [Instrumental] (Les Paul)
02 talk (Les Paul)
03 Lover [When You're Near Me] [Instrumental] (Les Paul)
04 talk (Les Paul & Eddie Van Halen)
05 Echo Tribune - Back Pain Boogie [Instrumental] (Eddie Van Halen)
06 talk (Les Paul)
07 Every Day I Have the Blues (B.B. King)
08 talk (Les Paul & B.B. King)
09 It Happens (Carly Simon)
10 talk (Les Paul & Carly Simon)
11 talk (Les Paul)
12 God Bless the Child (Steve Miller)
13 talk (Les Paul)
14 Am I Blue (Rita Coolidge)
15 Somewhere Over the Rainbow [Instrumental] (Les Paul)
16 talk (Les Paul)
17 It's Been a Long, Long Time [Instrumental] (Les Paul)
18 Deep in the Blues [Instrumental] (David Gilmour)
19 talk (Les Paul & David Gilmour)
20 talk (Les Paul & Stanley Jordan)
21 Georgia on My Mind [Instrumental] (Stanley Jordan)
22 talk (Les Paul & Waylon Jennings)
23 I Really Don't Want to Know (Waylon Jennings)
24 Blue Suede Shoes (Stray Cats & Everyone)
25 How High the Moon [Instrumental] (Everyone)
26 Vaya con Dios [Instrumental] (Everyone)

https://pixeldrain.com/u/JHeRRgbe

alternate:

https://bestfile.io/en/bI4yBNMPj5h56H8/file

I assume the cover photo was taken either before or after the concert. From left to right, top row: B.B. King, Waylon Jennings, and Eddie Van Halen. In the middle is Les Paul. Left to right, bottom row: Stanley Jordan and Steve Miller.

Oh, by the way, I have some very good choices for the cover art. In addition to the one I chose, I've included two more in the download zip. One shows Les Paul with Eddie Van Halen, and the other shows most of the big name stars playing together for the finale. 

Herbie Hancock & the Headhunters - WLIR Ultrasonic Concert Series, Ultrasonic Recording Studios, Hempstead, NY, 10-1-1973

I recently posted a couple of concert albums by Chick Corea and his band Return to Forever, and John McLaughlin and his band the Mahavishnu Orchestra (as I write this in August 2026). I'm not into that kind of jazz. But I do want to post all the worthy concerts from certain concert series, and I know other people do like this kind of music. So here's a Herbie Hancock concert from that same time period, the early 1970s, as part of the WLIR Ultrasonic Concert Series.

Hancock has to be one of the most famous jazz musicians of all time. A lot of that has to do with his 1973 album "Head Hunters." On this album, he switched styles, combining instrumental jazz with funk more than he had on any previous album. Here's what the Wikipedia entry about the album has to say about how it was received by the public: "The album was a commercial and artistic breakthrough for Hancock, crossing over to funk and rock audiences and bringing jazz-funk and jazz fusion to mainstream attention, peaking at number 13 on the Billboard 200. Today the album is regarded as a landmark of fusion and has influenced artists in numerous other genres." In fact, it went Platinum, and became the best selling jazz album of all time, up until that point.

That album was released on October 26, 1973. This concert took place on October 1st. So Hancock had his new band, the Head Hunters, and his new funk-jazz style, but I guess the audience wasn't familiar with his style until they heard it in this concert.  

The sound quality is excellent. However, there was a problem with the recording in that there was a lot of hiss. But that kind of thing is easily fixed these days. I ran all the songs through the MVSEP audio editing program, and got rid of most of the hiss. I'm assuming this sounds better than any previous versions of this bootleg. 

This album is 57 minutes long. 

01 talk by emcee (Herbie Hancock & the Headhunters)
02 The Spook Who Sat by the Door [Instrumental] (Herbie Hancock & the Headhunters)
03 talk (Herbie Hancock & the Headhunters)
04 Butterfly [Instrumental] (Herbie Hancock & the Headhunters)
05 Sly [Instrumental] (Herbie Hancock & the Headhunters)
06 Chameleon [Instrumental] (Herbie Hancock & the Headhunters)

https://pixeldrain.com/u/vaEwA778

alternate:

https://bestfile.io/en/80bsDdTfQjnBjjZ/file

The cover image of Hancock is from an unknown concert in 1973.

Various Artists - The Night that Changed America- A Grammy Salute to the Beatles, Convention Center, Los Angeles, CA, 1-27-2014

I've posted a bunch of tribute concerts to musical greats, but I've missed this one until now. On February 9, 1964, the Beatles performed on the "Ed Sullivan" TV show in the U.S. This concert was meant to honor the 50th anniversary of that performance. It was filmed on January 27, 2014, but was broadcast nationally on February 9, 2014, which was 50 years to the exact day. The main highlight was that the two surviving Beatles, Paul McCartney and Ringo Starr, performed separately and together. But many other big names also played cover versions of their favorite Beatles songs.

That 1964 episode of the "Ed Sullivan Show" was the highest rated T.V. program in the history of the U.S. up until that point. It installed a massive wave of Beatlemania in the U.S. (The wave had already hit Britain and other countries in 1963.) As I've read about the history of rock and roll, I've noticed many later stars credited this T.V. show for inspiring them to become musicians. That's a list that includes Billy Joel, Tom Petty, John Fogerty, Kenny Loggins, Bruce Springsteen, Ann and Nancy Wilson, Chrissie Hynde, and many, many more. Here's a very good article that lists many music stars and their recollections about that show:

https://ultimateclassicrock.com/beatles-ed-sullivan-rock-stars-remember/

Getting this album ready to post was a little difficult, because the applause at the ends of songs was often cut off for commercial breaks. Also, there were some non-musical sections I cut out. For instance, there were video montages of the lives of each of the four Beatles. I did a lot of work to get the songs to transition from one to another naturally, usually by adding in more applause. Comedian Eric Idle had a lot of funny things to say, but those were all lead-ups to the video montages, so that got cut as well. However, you'll note a lot of other famous non-musicians introduced some of the musical acts.

Surprisingly, not only has this concert never been officially released in any audio format, it hasn't been released on video either (although some "grey market" versions exist). The sound quality is excellent. 

This album is an hour and 23 minutes long. 

01 talk (LL Cool J)
02 All My Loving (Maroon 5)
03 talk (LL Cool J)
04 Ticket to Ride (Maroon 5)
05 talk (Stevie Wonder)
06 We Can Work It Out (Stevie Wonder)
07 talk (Joe Walsh, Jeff Lynne & Dhani Harrison)
08 Something (Joe Walsh, Jeff Lynne & Dhani Harrison)
09 talk (Kate Beckinsale)
10 In My Life (Ed Sheeran)
11 Don't Let Me Down (John Mayer & Keith Urban)
12 Yesterday (Katy Perry)
13 talk (LL Cool J)
14 Revolution (Imagine Dragons)
15 talk (Dave Grohl)
16 Hey Bulldog (Dave Grohl & Jeff Lynne)
17 talk (Kate Beckinsale)
18 The Fool on the Hill (Eurythmics)
19 talk (Alicia Keys & John Legend)
20 Let It Be (Alicia Keys & John Legend)
21 talk (Anna Kendrick)
22 Here Comes the Sun (Pharrell Williams & Brad Paisley)
23 While My Guitar Gently Weeps (Gary Clark Jr., Joe Walsh & Dave Grohl)
24 talk (Jeff Bridges)
25 Matchbox (Ringo Starr)
26 talk (Ringo Starr)
27 Boys (Ringo Starr)
28 Yellow Submarine (Ringo Starr)
29 talk (Sean Penn)
30 Birthday (Paul McCartney)
31 talk (Paul McCartney)
32 Get Back (Paul McCartney)
33 talk (Paul McCartney)
34 I Saw Her Standing There (Paul McCartney)
35 talk (Paul McCartney)
36 Sgt. Pepper's Lonely Hearts Club Band (Paul McCartney)
37 With a Little Help from My Friends (Paul McCartney & Ringo Starr)
38 talk (Paul McCartney & Ringo Starr)
39 Hey Jude (Paul McCartney & Ringo Starr)

https://pixeldrain.com/u/m1LQbH9L

alternate:

https://bestfile.io/en/IxtME1FVAp1xf6w/file

The cover image of Paul McCartney and Ringo Starr is from this exact concert.

Suzi Quatro - Live at the Record Plant, Record Plant, Sausalito, CA, 3-25-1975

Now that I've finished posting everything from the Ebbets Field radio broadcasts (aside from a couple of possible stragglers), I want to focus more on posting other on-going series, like concerts from the Record Plant, Ultrasonic, Midnight Special, and the bottomless well of BBC recordings. So here's another Record Plant recording. This one features a musical act new to this blog, Suzi Quatro.

Quatro was a pioneer for being a female rock and roll star in the 1970s when there weren't many. As an American, she started out in the late 1960s as part of an all-female band called the Pleasure Seekers. They didn't have much commercial success. But they gained the attention of British producer Mickie Most, who was only interested in Suzi Quatro. He brought her to England and connected her with the hit-making songwriting duo Nicky Chinn and Mike Chapman. They would go on to write most of her hits. Her first big hit was "Can the Can," which went all the way to Number One in Britain in 1973. More hits followed, until about 1980.

However, while Quatro had many hits in Britain and other countries around the world, she only had limited success in the U.S. At the time of this concert, she'd had almost no success there at all. But in 1977, she got a key repeat guest role as the character "Leather Tuscadero" on the popular T.V. show "Happy Days," which finally got her a lot of attention the U.S. That led to her having one big hit in the U.S. in 1978, "Stumblin' In." 

This concert must have been part of a tour to try to help break her in the U.S. in 1975. Interestingly, she didn't play her songs that had been big hits in Europe, like "Can the Can," "Devil Gate Drive," "Daytona Demon," and "48 Crash." She did play her latest single at the time, "Your Mama Won't Like Me," but that only made it to Number 31 in Britain and didn't chart in the U.S. at all.

Here's her Wikipedia entry, if you want to know more:

https://en.wikipedia.org/wiki/Suzi_Quatro

By the way, if anyone knows the name of the instrumental that ends this recording, please tell me (if it has a name), so I can add that in. 

This album is 39 minutes long. 

01 talk (Suzi Quatro)
02 All Shook Up (Suzi Quatro)
03 talk (Suzi Quatro)
04 I Bit Off More than I Could Chew (Suzi Quatro)
05 talk (Suzi Quatro)
06 Your Mama Won't Like Me (Suzi Quatro)
07 Michael (Suzi Quatro)
08 talk (Suzi Quatro)
09 You Can Make Me Want You [But You Can't Make Me Love You] (Suzi Quatro)
10 talk (Suzi Quatro)
11 Glycerine Queen (Suzi Quatro)
12 talk (Suzi Quatro)
13 Shakin' All Over (Suzi Quatro)
14 Instrumental (Suzi Quatro)

https://pixeldrain.com/u/1PjDAx5M

alternate:

https://bestfile.io/en/3vPs3YTEVGUwLNM/file

The cover image shows Quatro on the "Top of the Pops" BBC TV show in London, in October 1974.

Children of the Americas Radiothon, United Nations Building, New York City, 11-18-1989, Part 3 - Crosby, Stills & Nash

Here is the third and final part of the 1989 "Hungerthon" benefit concert held at the United Nations building in New York City. This one is a set by Crosby, Stills and Nash.

I've posted the 1988 Hungerthon at this blog as well. (It's the only other one I can find, at least so far.) In that one, Crosby, Stills and Nash were the final act as well, the main headliner. But in that concert, their set only lasted 36 minutes. This time, their set was over an hour and a half, which was probably about as long as their typical concerts in that era.

In 1988, Crosby, Stills, Nash and Young released only their second studio album as a foursome, "American Dream." Frankly, it was a big disappointment. But in my opinion, most of the songs were strong. The album was ruined by inappropriate production (which was all too common a problem in the 1980s), plus being too long, and other issues like that. They only played a few new songs here: "House of Broken Dreams," "Tracks in the Dust," and "Got It Made." In my opinion, they were just as strong as the other songs. I wish they would have played more. For the most part, they stuck to their classics (plus a cover version of "Midnight Rider"), all performed in acoustic mode.  

Like the first two parts of this concert, the sound quality is excellent, due to it being broadcast on a radio station at the time. However, like those other parts, there were a lot of interruptions by DJs asking for donations between songs. (It was a radiothon fund raising benefit concert, after all.) I got rid of all that. I also did a lot of work between songs, repairing the parts ruined by the DJ talk, and patching in more audience applause instead. I think it has a pretty good flow now.   

One minor problem appeared with "Almost Cut My Hair:" the intro through to the very first line of lyrics was missing. Probably, this was due to a DJ who kept talking after the song started. I found a different version of the song from the same time period (from a Crosby solo concert, actually) and patched that in. So that's why that song has "[Edit]" in its title. But really, I could have put that in nearly all the titles, due to all the editing I did to fix applause issues.

This album is an hour and 39 minutes long. 

45 talk by emcee (Crosby, Stills & Nash)
46 Wasted on the Way (Crosby, Stills & Nash)
47 Change Partners (Crosby, Stills & Nash)
48 talk (Crosby, Stills & Nash)
49 Blackbird (Crosby, Stills & Nash)
50 talk (Crosby, Stills & Nash)
51 The Lee Shore (Crosby, Stills & Nash)
52 talk (Crosby, Stills & Nash)
53 Just a Song Before I Go (Crosby, Stills & Nash)
54 talk (Crosby, Stills & Nash)
55 Helplessly Hoping (Crosby, Stills & Nash)
56 talk (Crosby, Stills & Nash)
57 4+20 (Crosby, Stills & Nash)
58 Wind on the Water (Crosby, Stills & Nash)
59 talk (Crosby, Stills & Nash)
60 House of Broken Dreams (Crosby, Stills & Nash)
61 talk (Crosby, Stills & Nash)
62 Tracks in the Dust (Crosby, Stills & Nash)
63 talk (Crosby, Stills & Nash)
64 Almost Cut My Hair [Edit] (Crosby, Stills & Nash)
65 talk (Crosby, Stills & Nash)
66 Guinnevere (Crosby, Stills & Nash)
67 talk (Crosby, Stills & Nash)
68 Midnight Rider (Crosby, Stills & Nash)
69 talk (Crosby, Stills & Nash)
70 Got It Made (Crosby, Stills & Nash)
71 talk (Crosby, Stills & Nash)
72 Southern Cross (Crosby, Stills & Nash)
73 Wooden Ships (Crosby, Stills & Nash)
74 talk (Crosby, Stills & Nash)
75 Our House (Crosby, Stills & Nash)
76 talk (Crosby, Stills & Nash)
77 Suite- Judy Blue Eyes (Crosby, Stills & Nash)
78 talk (Crosby, Stills & Nash)
79 Teach Your Children (Crosby, Stills & Nash)
80 talk (Crosby, Stills & Nash)
81 Daylight Again - Find the Cost of Freedom (Crosby, Stills & Nash)

https://pixeldrain.com/u/qGQAeset

alternate:

https://bestfile.io/en/iSu0l8oEHTccKyW/file

As I mentioned with the previous parts of this concert, I couldn't find any actual photos of musicians performing at the concert. However, I did find some related artwork. In this case, I found a concert poster for the concert that was signed by Crosby, Stills and Nash. You can see their scribbles on the silverware in the image. I couldn't find the name of the artist who made the poster.

I have to admit I altered this art in a significant way. Originally, it was a different shape, fitting a rectangular poster. But I squished it down vertically in order to fit into the square space needed for an album cover.

Children of the Americas Radiothon, United Nations Building, New York City, 11-18-1989, Part 2 - Michael Hedges

Here's Part 2 of the 1989 "Hungerthon" concert benefit that took place inside the United Nations in New York City. This time, it's a short set by Michael Hedges.

I'm a big fan of the music of Michael Hedges. I think he was a great guitarist, but also very underrated as a singer. I'm surprised this is the first time I'm posting any music from him. I'll have to post more from him soon. He died far too young in 1997, due to a motorcycle accident.

Anyway, you know who else was a big fan of Hedges' music at this time? Crosby, Stills and Nash. Spoiler alert: the third and final part of this concert is a Crosby, Stills and Nash set. I figure they had their choice of opening acts, and chose Hedges. You can hear them go out of their way to compliment him in some of their banter between songs, showing just how much they were trying to boost him. In particular, there was a natural affinity between the music of Crosby and Hedges, since they both preferred to write weird songs with weird guitar tunings.

Note that, in Part 1, all the musical acts performed in the United Nations waiting room, a lobby just outside the General Assembly room. The crowd in that part of the concert was relatively small, as you could hear from the amount of cheering at the ends of songs. But for the Hedges and Crosby, Stills and Nash sets, they apparently played inside the General Assembly room itself, to a much larger audience.

The sound quality of this set is excellent, because it was broadcast on a local radio station. However, since this was a fundraising "radiothon," a DJ tended to speak during the applause in between the songs to remind the audience to donate money and so forth. I cut all that out. But that also meant the applause was often cut off. I managed to patch in more applause so the transitions between songs sound natural (I hope). There might be a little bit of his banter that got cut off, I don't know. 

Note that most of the songs here are original instrumentals, done solo acoustic. However, he did include two covers of famous songs, "Pinball Wizard" and "She Drives Me Crazy," plus one original with vocals, "Woman of the World." 

This album is 35 minutes long. 

31 talk by emcee (Michael Hedges)
32 Pinball Wizard (Michael Hedges)
33 talk (Michael Hedges)
34 Rickover's Dream [Instrumental] (Michael Hedges)
35 talk (Michael Hedges)
36 Ritual Dance [Instrumental] (Michael Hedges)
37 talk (Michael Hedges)
38 She Drives Me Crazy (Michael Hedges)
39 Aerial Boundaries [Instrumental] (Michael Hedges)
40 talk (Michael Hedges)
41 The Rootwitch [Instrumental] (Michael Hedges)
42 Woman of the World (Michael Hedges)
43 talk (Michael Hedges)
44 Silent Anticipations [Instrumental] (Michael Hedges)

https://pixeldrain.com/u/e4Qkzvn5

alternate: 

https://bestfile.io/tLh5IFq39cEcGql/file

As I mentioned in my write-up for Part 1, I couldn't find any photos of any of the musical acts performing at this concert. I could have used a photo of Michael Hedges from a different concert instead. However, I have artwork for the Part 1 and Part 3 covers, so I thought a different kind of cover was called for here as well. Since the concert took place inside the famous U.N. General Assembly, I decided to use a photo of that.

Children of the Americas Radiothon, United Nations Building, New York City, 11-18-1989, Part 1 - Warren Zevon, Graham Parker, Ten Years After, Etc...

Back in 2024, I posted a 1988 "Hungerthon" concert that took place at the United Nations (U.N.) building in New York City. This seems to have been a yearly event for some time. I couldn't find anything about the other years, but I found most or all of the 1989 concert, which also took place at the U.N. building. I found enough for three parts. Here's "Part 1."

It seems this concert took place in two stages on the same day. In the first stage, a bunch of less famous acts performed in the United Nations waiting room. This is a smaller venue, just outside of the General Assembly, where the U.N. diplomats meet and vote. These acts, all the ones included here, played to a relatively small crowd. I'm not sure if I have all of these acts. I did find a mention on the Internet that Poco also performed, but I couldn't find a recording of their set. So it's possible there were others I missed as well. If anyone has more, please let me know.

All the music here was broadcast live on a local radio station, which is why we have this with excellent sound quality. The downside though was that since it was a "radiothon" meant to raise money, there were very frequent appeals for donations. The phone number to call was pitched often, practically between every song. So I carefully edited all that out, since those appeals and that phone number are now defunct. I also had to do a lot of editing of the applause, because talkative DJs typically spoke mere moments after each song ended. But I think I was able to patch in enough applause, from spots where some applause was allowed, to make this sound coherent.

Also, for most of these musical acts, there were interviews, usually lasting a few minutes, right in the middle of each performance. I cut all those out. I want this to have replay value, and those interviews weren't so interesting. Most of these performances are solo acoustic in nature, but not all of them.

By the way, here's the link to the 1988 United Nations concert:

https://albumsthatshouldexist.blogspot.com/2024/06/various-artists-children-of-americas.html 

If anyone has these concerts from any other years (with worthy sound quality), please let me know and I'll try to post those as well.

As far as I know, these recordings have been very rare. I haven't seen them on any of the usual bootleg sharing sites. So hopefully this posting will get the music to a wider audience. 

This album is an hour and 45 minutes long.

01 Dance with Me Baby (Southside Johnny)
02 Little Calcutta (Southside Johnny)
03 talk (Southside Johnny)
04 Trapped Again (Southside Johnny)
05 The Horses (Rickie Lee Jones)
06 talk (Rickie Lee Jones)
07 On Saturday Afternoons in 1963 (Rickie Lee Jones)
08 Roland the Headless Thompson Gunner (Warren Zevon)
09 talk (Warren Zevon)
10 Boom Boom Mancini (Warren Zevon)
11 Splendid Isolation (Warren Zevon)
12 talk (Warren Zevon)
13 Werewolves of London (Warren Zevon with Paul Schaffer)
14 Rock and Roll Music to the World (Ten Years After)
15 Victim of Circumstance (Ten Years After)
16 I'm Going Home (Ten Years After)
17 talk (Ten Years After)
18 Choo Choo Mama (Ten Years After)
19 Drown in My Own Tears (David Bromberg)
20 talk (David Bromberg)
21 Summer Wages (David Bromberg)
22 Testify (David Bromberg)
23 Big Man on Paper (Graham Parker)
24 talk (Graham Parker)
25 Green Monkeys (Graham Parker)
26 talk (Graham Parker)
27 Slash and Burn (Graham Parker)
28 talk (Richie Havens)
29 They Dance Alone (Richie Havens)
30 Lives in the Balance (Richie Havens)

https://pixeldrain.com/u/8Widw8qm

alternate:

https://bestfile.io/vYQYdYY00B8VCzb/file

I couldn't find ANY photos of any musicians performing in this concert. However, I did find some art relating to it, so I used that. The cover image here is from a T-shirt with a design created by famous artist Peter Max, especially for this concert. The text at the bottom is mostly the same, but I made some changes, especially adding all the text in red.

Various Artists (Including Bruce Springteen & Jon Bon Jovi) - Sgt. Patrick King Memorial Fund Benefit, Count Basie Theater, Red Bank, NJ, 1-31-1998, Part 2

Here's the second part of a three-hour long benefit concert starring Bruce Springsteen and Jon Bon Jovi, as well as Southside Johnny, Little Steven, Clarence Clemons, Richie Sambora, and more. For more details about this concert and what it was for, check out the write-up for "Part 1."

This is a unique concert that's kind of a merger of Springsteen's E Street Band and Bon Jovi. Clearly, they were all having fun playing each other's songs. Note, for instance, Bruce Springsteen and Jon Bon Jovi dueting on the big Bon Jovi hit "Wanted Dead or Alive."

The music here is unreleased. The sound quality is excellent, because we have a soundboard source for this one. 

This album is an hour and 27 minutes long. 

25 I've Been Working Too Hard - Little Queenie (Southside Johnny & Jon Bon Jovi)
26 talk (Bruce Springsteen)
27 I Don't Want to Go Home (Everyone)
28 talk (Jon Bon Jovi)
29 It's Been a Long Time (Bruce Springsteen, Southside Johnny & Little Steven)
30 talk (Jon Bon Jovi)
31 Wanted Dead or Alive (Jon Bon Jovi & Bruce Springsteen)
32 Backstreets (Bruce Springsteen)
33 Forever (Little Steven)
34 Livin' on a Prayer (Jon Bon Jovi)
35 Badlands (Bruce Springsteen)
36 I Played the Fool (Southside Johnny & Jon Bon Jovi)
37 Keep the Faith (Bon Jovi)
38 Born to Run (Bruce Springsteen)
39 talk (Jon Bon Jovi)
40 Rockin' All Over the World (Everyone)
41 Treat Her Right (Everyone)
42 talk (Everyone)
43 Thunder Road (Everyone)
44 talk (Bruce Springsteen & Jon Bon Jovi)

https://pixeldrain.com/u/dsobQX48

alternate:

https://bestfile.io/en/C01Ye3N2LvrYw3Q/file

The cover image was taken backstage at this exact concert. From right to left: Bruce Springsteen, Little Steven, Danny DeVito, Southside Johnny, and Jon Bon Jovi.

Various Artists (Including Bruce Springteen & Jon Bon Jovi) - Sgt. Patrick King Memorial Fund Benefit, Count Basie Theater, Red Bank, NJ, 1-31-1998, Part 1

Here's a really interesting concert that's a pinnacle of New Jersey rock and roll. It mainly stars Bruce Springsteen and Jon Bon Jovi (of Bon Jovi), but also Southside Johnny, Little Steven, Richie Sambora, Patti Scialfa, and Clarence Clemons, as well as other members of Bon Jovi and Springsteen's E Street Band. They shared the stage in various combinations for the entire duration of this long concert. In fact, since it's three hours long, I broke it up into two parts. Here's the first half.

This was a benefit to raise money for the family of police officer Sgt. Patrick King. In November 1997, he was shot to death by a fugitive while he was on duty. He was the most decorated police officer in the history of his town, Long Beach, New Jersey. Apparently, Jon Bon Jovi was the instigator in making this concert happen. I don't know how much money the concert raised for King's family, but even before the concert began, the performers donated over $100,000.

A local newspaper review for the concert said "The energy on stage was matched - if not exceeded - by the audience, which was an interesting mix of police officers, Bon Jovi Fan Club members, and at least one celebrity, Geraldo Rivera. The audience alternated between a 'Bruuuuuce' chant and squeals for Bon Jovi." 

Since this concert features Springsteen, that means it's included in a great on-line database called Brucebase. The webpage for this concert contains all kinds of interesting information, including a bunch of photos and the newspaper review I just quoted. Here's the link:

http://brucebase.wikidot.com/gig:1998-01-31-count-basie-theatre-red-bank-nj

The music here is unreleased. The sound quality is excellent. 

This album is an hour and 27 minutes long.

01 talk (Danny DeVito)
02 This Time It's for Real (Everyone)
03 Two Hearts (Bruce Springsteen & Steven Van Zandt)
04 talk (Bruce Springsteen)
05 Bad Medicine (Jon Bon Jovi & Southside Johnny)
06 Until the Good Is Gone (Steven Van Zandt & Bruce Springsteen)
07 Tenth Avenue Freeze-Out (Bruce Springsteen & Jon Bon Jovi)
08 talk (Southside Johnny)
09 Broke Down Piece of Man (Southside Johnny & Jon Bon Jovi)
10 talk (Jon Bon Jovi)
11 Hard Times Come Easy (Richie Sambora)
12 talk (Bruce Springsteen)
13 Loves Glory (Patti Scialfa)
14 There Goes My Baby (Southside Johnny)
15 This Time Baby's Gone for Good (Bruce Springsteen, Southside Johnny & Steven Van Zandt)
16 talk (Jon Bon Jovi)
17 You Give Love a Bad Name (Jon Bon Jovi & Bruce Springsteen)
18 The Promised Land (Bruce Springsteen)
19 All I Needed Was You (Southside Johnny & Steven Van Zandt)
20 Someday I'll Be Saturday Night (Jon Bon Jovi & Southside Johnny)
21 talk (Bruce Springsteen)
22 Bobby Jean (Bruce Springsteen)
23 Blood on Blood (Jon Bon Jovi)
24 The Fever (Bruce Springsteen & Southside Johnny)

https://pixeldrain.com/u/ikoNfr75

alternate:

https://bestfile.io/en/CxUEzitNbTGQXAi/file

The cover image is from this exact concert. It shows Bruce Springsteen (in front) and Jon Bon Jovi. 

Blue Mink - BBC Sessions, Volume 2: 1970-1974

Here is the second and last of BBC sessions albums for the British band Blue Mink.

As mentioned in the write-up for "Volume 1," Blue Mink was fairly popular in Britain in the early 1970s, having six Top Ten hits there. However, they never had any commercial success in the U.S. During the time period of this album, they had three big British hits: "The Banner Man," "Stay with Me," and "Randy." This has versions of the first two, but not "Randy."

Everything here is officially unreleased. Like "Volume 1," nearly all of it comes from BBC studio sessions, thanks to an anonymous friend who send the music to me. There are only two exceptions. "The Banner Man" comes from the "Whittaker's World of Music" BBC TV show, and "By the Devil (I Was Tempted)" comes from the "Cilla" BBC TV Show. 

The great thing about all the BBC sessions sources is the sound quality is excellent. The downside is BBC DJs were still in the habit of talking over the starts and ends of songs. So I had to fix that in the usual way, using the MVSEP audio editing program. That's why many of the songs have "[Edit]" in their titles.

Blue Mink's commercial success petered out after 1973. They had no songs that made the charts in 1974, and they broke up at the end of that year. But actually, except for the last song, which is from 1974, all the others here are from 1971 and 1972, when they were more popular. They may well have had more BBC sessions after 1972. However, around that time, the BBC began switching to just playing the record versions of songs. I'm not interested in posting that. So that's probably why their BBC appearances stopped after that, other than the occasional BBC TV show appearance.

This album is 48 minutes long. 

01 Mind Your Business [Edit] (Blue Mink)
02 Our World (Blue Mink)
03 Cat House [Edit] (Blue Mink)
04 Everybody's Singing like Now [Edit] (Blue Mink)
05 Live with Life [Edit] (Blue Mink)
06 Something [Edit] (Blue Mink)
07 We Have All Been Saved [Edit] (Blue Mink)
08 The Banner Man (Blue Mink)
09 Sunday (Blue Mink)
10 Count Me In [Edit] (Blue Mink)
11 Mayday [Edit] (Blue Mink)
12 Wacky, Wacky, Wacky (Blue Mink)
13 Just Goes to Show (Blue Mink)
14 Stay with Me (Blue Mink)
15 By the Devil [I Was Tempted] (Blue Mink)

https://pixeldrain.com/u/sYPYVgLE

alternate:

https://bestfile.io/en/EFQfVAaI75iIVz4/file

The cover image shows the band performing on an unknown TV show in April 1971. The image focuses on the band's two lead singers, Roger Cook and Madeline Bell.

Maria Muldaur - Sprague Hall, Yale University, New Haven, CT, 12-2-1972

I recently posted a couple of Maria Muldaur albums. Based on some comments, it looks like those got a pretty good reaction. So when I stumbled across this concert the other day, I decided to post it right away.

One other reason I posted this is because it turns out that it was the opening act for a Bonnie Raitt concert I posted at this blog ages ago. You can find that here:

https://albumsthatshouldexist.blogspot.com/2019/09/bonnie-raitt-sprague-hall-yale.html

Given that Muldaur was the opening act, it now makes sense that she joined Raitt for the last three songs in Raitt's set. I have the impression that Muldaur and Raitt are friends, and their musical paths have crossed many times over the years. Also note that she was backed by two musicians, with David Nichtern on guitar and Freebo on bass. I believe Freedo played bass in Raitt's set as well. 

This concert took place near the very start of Muldaur's solo career. She had been a professional singer since the early 1960s, mostly as part of Jim Kweiskin and the Jug Band. Then she married Geoff Muldaur in 1969, and put out two albums with him. However, they got divorced in 1972, around the time their second album came out. So Maria launched her solo career with some touring in late 1972, then released her first solo album in 1973. That would contain the big hit "Midnight at the Oasis." At this time, she must have been relatively unknown.

This album is 49 minutes long.

01 talk (Maria Muldaur)
02 Me and My Chauffeur Blues (Maria Muldaur)
03 talk (Maria Muldaur)
04 Richland Woman Blues (Maria Muldaur)
05 talk (Maria Muldaur)
06 Earl's Crab Shack (Maria Muldaur)
07 talk (Maria Muldaur)
08 Lover Man [Oh, Where Can You Be] (Maria Muldaur)
09 talk (Maria Muldaur)
10 My Blues (Maria Muldaur)
11 talk (Maria Muldaur)
12 When I Was a Cowboy (Maria Muldaur)
13 talk (Maria Muldaur)
14 I Never Did Sing You a Love Song (Maria Muldaur)
15 talk (Maria Muldaur)
16 The Day Is Past and Gone (Maria Muldaur)
17 talk (Maria Muldaur)
18 Nobody's Fault but Mine (Maria Muldaur)
19 talk (Maria Muldaur)
20 Honey Babe Blues (Maria Muldaur)

https://pixeldrain.com/u/RgxDcdPW

alternate:

https://bestfile.io/en/kAGz63H1ZAJegiu/file

The cover image is from an unknown concert in 1974. For the cover at the top, I decided to try something I've never done in Photoshop before, which is having that program turn a daytime photo into a nighttime one. This is because I figure this concert must have taken place at night, since this was the opening act of the late show. But in case you don't like that effect, or just want to stick with the original, here's the daytime version as well.