Monday, September 28, 2026

Paul McCartney - Solo Rockers (1969-2026) (A Mike Solof Guest Post)

I recently posted three compilation albums of rockers from the solo careers of the four ex-Beatles, and three more compilation albums of ballads from them. All of those were put together by guest poster Mike Solof. But when Mike made those, he discovered there were a lot more rockers and ballads by Paul McCartney than any of the other ex-Beatles, since he's had a long and very prolific career. So Mike decided to make an extra rockers album just of McCartney songs, as well as an extra ballads one. Here's the rockers.

All the songs are taken from studio albums or singles. There are no special edits done by Mike this time. 

By the way, note that the range of years given in the title, 1969-2026, is for the entire project. On this album, the actual range ins 1972 to 2007. As usual, see the mp3 tags for all the details. 

This album is an hour and two minutes long.

01 Junior's Farm (Paul McCartney)
02 Night Out (Paul McCartney)
03 Rinse the Raindrops (Paul McCartney)
04 Angry (Paul McCartney)
05 Beware My Love (Paul McCartney)
06 Used to Be Bad (Paul McCartney)
07 Rock Show (Paul McCartney)
08 Getting Closer (Paul McCartney)
09 Hi, Hi, Hi (Paul McCartney)
10 Jet (Paul McCartney)
11 Magneto and Titanium Man (Paul McCartney)
12 Fine Line (Paul McCartney)
13 Live and Let Die (Paul McCartney)
14 Ever Present Past (Paul McCartney)
15 Get Out of My Way (Paul McCartney)

https://pixeldrain.com/u/5rb7nkZK 

alternate:

https://bestfile.io/en/sD7pOUGHyzFduOl/file

Now that this is an album only featuring McCartney, there's no need for Mike to use AI to create images of imagined Beatles reunions. So this is a real photo of McCartney in concert. Mike selected the picture though, so I don't know what year it's from or other details. 

Newport Folk Festival, Fort Adams State Park, Newport, RI, 8-2-2008 - Trey Anastasio

Here's another album from the 2008 Newport Folk Festival. This time, it's a set by Trey Anastasio. It's the last one I am posting from August 2, 2008. For my purposes, that was the first day of the festival, and I have a similar number from the second day. However, there actually were a few performances from August 1st. It's just that I don't have the music from any of those.

Trey Anastasio is the lead singer, lead guitarist, and main songwriter for the band Phish. Up until the time of this concert, Anastasio spent most of his time with Phish. They released 11 studio albums up until 2008. But he also released six solo studio albums in that time. However, he rarely performed concerts as a solo act. For instance, according to the setlist.fm database, he did no more than four solo concert appearances in any year up to and including 2008. So this was a pretty rare solo acoustic concert for him.

Here is his Wikipedia entry:

https://en.wikipedia.org/wiki/Trey_Anastasio 

He mostly played Phish songs here. But five songs, "Let Me Lie," "If I Could Be a Sailor," "Sleep Again," "Peggy," and "Shine," were from solo projects. Two of those,  "If I Could Be a Sailor" and "Peggy," were performed in public for the first time at this concert. 

This album is 55 minutes long.

01 Brian and Robert (Trey Anastasio)
02 Farmhouse (Trey Anastasio)
03 talk (Trey Anastasio)
04 Water in the Sky (Trey Anastasio)
05 Let Me Lie (Trey Anastasio)
06 Bouncing Around the Room (Trey Anastasio)
07 Heavy Things (Trey Anastasio)
08 talk (Trey Anastasio)
09 If I Could be a Sailor (Trey Anastasio)
10 Mountains in the Mist (Trey Anastasio)
11 Sleep Again (Trey Anastasio)
12 Back on the Train (Trey Anastasio)
13 Peggy (Trey Anastasio)
14 Waste (Trey Anastasio)
15 Shine (Trey Anastasio)
16 Bathtub Gin (Trey Anastasio)
17 Wilson (Trey Anastasio)
18 Sample in a Jar (Trey Anastasio)
19 Chalk Dust Torture (Trey Anastasio)

https://pixeldrain.com/u/72RK7mZs

alternate:

https://bestfile.io/en/pZWVAmldtVUnRpn/file

The cover image is from this exact concert. 

Newport Folk Festival, Fort Adams State Park, Newport, RI, 8-2-2008 - Stephen & Damien Marley

Here's another album from the 2008 Newport Folk Festival. This time, it's a set by Stephen and Damien Marley.

Bob Marley is undoubtedly the greatest and most famous reggae musician of all time. Before he died of cancer in 1980, he had no fewer than eleven children. Some of them went on to music careers of their own, with Ziggy Marley being the most successful. But Stephen and Damien Marley, who are half-brothers, have had critical and commercial successes as well. For instance, Stephen has won eight Grammy Awards, and Damien has won four. The two of them started out as members of Ziggy Marley's band, the Melody Makers, but each of them eventually went solo. They have often teamed up, especially when going on tour.

Here's the Wikipedia entry for Stephen Marley:

https://en.wikipedia.org/wiki/Stephen_Marley

And here's the one for Damien Marley:

https://en.wikipedia.org/wiki/Damian_Marley 

This concert had a lot of covers of classic songs by Bob Marley, including "Roots, Rock, Reggae," "Duppy Conqueror," "Redemption Song," "No Woman, No Cry," "Three Little Birds," and "Could You Be Loved." But the rest were originals by Stephen and/or Damien. Probably the best known of those was "Welcome to Jamrock." It was a hit for Damien Marley in 2008, but it actually was written by both of them.

This album is an hour and three minutes long.

01 Introduction (Stephen & Damien Marley)
02 Roots, Rock, Reggae (Stephen & Damien Marley)
03 talk (Stephen & Damien Marley)
04 Chase Dem (Stephen & Damien Marley)
05 Duppy Conqueror (Stephen & Damien Marley)
06 Redemption Song (Stephen & Damien Marley)
07 talk (Stephen & Damien Marley)
08 Mind Control (Stephen & Damien Marley)
09 Hey Baby (Stephen & Damien Marley)
10 No Woman, No Cry (Stephen & Damien Marley)
11 Three Little Birds (Stephen & Damien Marley)
12 talk (Stephen & Damien Marley)
13 The Traffic Jam (Stephen & Damien Marley)
14 All Night (Stephen & Damien Marley)
15 talk (Stephen & Damien Marley)
16 Pimpa's Paradise (Stephen & Damien Marley)
17 The Mission (Stephen & Damien Marley)
18 Welcome to Jamrock (Stephen & Damien Marley)
19 Could You Be Loved (Stephen & Damien Marley)

https://pixeldrain.com/u/qJ8FFYGo

alternate:

https://bestfile.io/en/E3YjEsFGXpLAfmR/file

The cover image shows Stephen Marley, and it is from this exact concert. I wanted a photo showing both Stephen and Damien, but I couldn't find any good ones from this concert. 

Newport Folk Festival, Fort Adams State Park, Newport, RI, 8-2-2008 - She & Him

Here's another album from the 2008 Newport Folk Festival. This time, it's a set by the musical duo She and Him.

She & Him is an American musical duo consisting of Zooey Deschanel on vocals, piano, and ukulele, and M. Ward on guitar. They got a lot of attention starting with their debut album in 2008, because Deschanel was already an established movie star. But unlike a lot of movie stars putting out albums, this wasn't just a vanity side project. The duo has gotten consistent critical praise, and as I write this in 2026, they have been together for seven studio albums so far.

Here is their Wikipedia entry:

https://en.wikipedia.org/wiki/She_%26_Him 

Most of the songs performed here were originals, with the covers "You've Really Got a Hold on Me" and "The Garden Rose." Jim James, lead singer for My Morning Jacket, joined them for one song, "Magic Trick." 

Halfway through the set, the crowd was hit by a heavy rainstorm. But the concert continued anyway. This got referenced some in the banter between songs. 

This album is 51 minutes long. 

01 talk by emcee (She & Him)
02 talk (She & Him)
03 Black Hole (She & Him)
04 I Was Made for You (She & Him)
05 talk (She & Him)
06 Change Is Hard (She & Him)
07 Sentimental Heart (She & Him)
08 talk (She & Him)
09 You Really Got a Hold on Me (She & Him)
10 Take It Back (She & Him)
11 talk (She & Him)
12 The Garden Rose (She & Him)
13 talk (She & Him)
14 Lingering Still (She & Him)
15 Got Me (She & Him)
16 I Thought I Saw Your Face Today (She & Him)
17 Why Do You Let Me Stay Here (She & Him)
18 talk (She & Him)
19 Magic Trick (She & Him with Jim James)
20 talk (She & Him)
21 This Is Not a Test (She & Him)
22 talk (She & Him)
23 Sweet Darlin' (She & Him)

https://pixeldrain.com/u/Ehy36Ex2

alternate:

https://bestfile.io/en/QfiVg4Ig8lkpwDi/file

The cover image is from this exact concert. I wanted to use a photo showing both the "She" and the "Him," but I only found a few with Zooey Deschanel.

Ben Folds Five - Capitol Theatre, Port Chester, NY, 10-9-2012

So far, I've posted about 27 concerts from the April 2026 leak of soundboards from the Capitol Theater in Port Chester. There's a lot more where that came from. I have at least 40 more I'm working on getting ready to post. Recently, a commenter named nytvf asked if that includes a Ben Folds Five concert. It does, and since I'm posting these in no special order and I got that request, I'm posting this one next.

Ben Folds Five, which actually consisted of three band members, not five, existed for seven years, from 1993 to 2000. During that time, they released three studio albums. Then band leader Ben Folds started putting out solo albums instead. But the band reunited in 2012 for another studio album, "The Sound of the Life of the Mind," an a supporting tour. Then the band broke up again. 

Not surprisingly, this concert mostly consists of songs from the band's four albums, especially their most recent ones. Ben Folds released three solo albums between 2000 and 2012, but only one song, "Landed," came from any of those. The album was definitely on Ben Folds Five songs. There also were no cover songs.

The music here is unreleased. The sound quality is excellent, with no problems. 

This album is an hour and 44 minutes long.

01 Michael Praytor, Five Years Later (Ben Folds Five)
02 talk (Ben Folds Five)
03 Missing the War (Ben Folds Five)
04 Hold That Thought (Ben Folds Five)
05 Jackson Cannery (Ben Folds Five)
06 talk (Ben Folds Five)
07 Selfless, Cold and Composed (Ben Folds Five)
08 talk (Ben Folds Five)
09 Erase Me (Ben Folds Five)
10 talk (Ben Folds Five)
11 Alice Childress (Ben Folds Five)
12 talk (Ben Folds Five)
13 Sky High (Ben Folds Five)
14 talk (Ben Folds Five)
15 Landed (Ben Folds Five)
16 Thank You for Breaking My Heart (Ben Folds Five)
17 Battle of Who Could Care Less (Ben Folds Five)
18 talk (Ben Folds Five)
19 Do It Anyway (Ben Folds Five)
20 talk (Ben Folds Five)
21 Brick (Ben Folds Five)
22 Draw a Crowd (Ben Folds Five)
23 Narcolepsy (Ben Folds Five)
24 Kate (Ben Folds Five)
25 Song for the Dumped (Ben Folds Five)
26 Army (Ben Folds Five)
27 talk (Ben Folds Five)
28 Magic (Ben Folds Five)
29 Underground (Ben Folds Five)

https://pixeldrain.com/u/aTvZuCob 

alternate:

https://bestfile.io/en/zlRusL45lOR4QuP/file

The cover image of Ben Folds is a photo from this exact concert.

The Youngbloods - Family Dog on the Great Highway, San Francisco, CA, 3-29-1970

Here's another concert from the great Bob Matthews collection I've been raving about recently. To quickly review, a sound engineer mostly working for the Grateful Dead for decades recorded many hundreds of concerts without anyone knowing, and now they're getting publicly released almost on a daily basis. So far, they are soundboards with excellent sound quality. This 1970 concert by the Youngbloods follows that same pattern.

I'm still trying to figure out the contours of the Matthews collection. The person who has it and is releasing it to the public, Charlie Miller, isn't giving many advance hints, but we can start to surmise some things from the concerts posted so far. One thing I'm learning is there are many very similar concerts getting posted. For instance, in the last week (writing this on September 27, 2026), all the posts have been of 1970 concerts by the Youngbloods. There were concerts from this venue on March 27th, 28th, and 29th. But there's also a Youngbloods concert at Santa Clara University, one from Berkeley Community Theater, and one from a club called Euphoria in San Rafael. Out of those six concerts, I only plan on posting this one, because they all have very similar set lists and this one is the longest, with the most songs performed. But it's interesting in that it suggests there are recordings from many venues, especially in the San Francisco Bay Area.

In 1969, the band released the album "Elephant Mountain." In my opinion, it's their best album. It's got a lot of critical praise. For instance, it was included in the popular book "1001 Albums You Must Hear Before You Die." Naturally, a lot of songs performed here are from that, as well as unreleased songs that would come out on their next albums. In late 1970, they would release a live album called "Rock Festival." The songs from that come from five different Bay Area venues. It's not clear which songs were from which venue, but at least one song came from this exact concert. So this could explain why this and other Youngbloods concerts are in the Bob Matthews collection, because the band was recording a lot of concerts with the intention of making a live album.

Weirdly, though, for this concert as well as the ones on the two previous nights at this venue, the song "Darkness, Darkness" wasn't performed. That was their biggest original hit song, which was released as a single in 1969 and then again in 1970. (It did better the second time.)

I've included all the songs and banter from this concert. However, there was a fair amount of dead air between songs, consisting either of guitar tuning or just near silence. I removed about ten minutes total of that.  

This album is an hour and 28 minutes long.

01 On Beautiful Lake Spenard [Instrumental] (Youngbloods)
02 Josiane (Youngbloods)
03 talk (Youngbloods)
04 Sugar Babe (Youngbloods)
05 Interlude [Instrumental] (Youngbloods)
06 It's a Lovely Day (Youngbloods)
07 Sweet Little Sixteen (Youngbloods)
08 talk (Youngbloods)
09 Hippie from Olema (Youngbloods)
10 talk (Youngbloods)
11 Quicksand (Youngbloods)
12 On Sir Francis Drake (Youngbloods)
13 Peepin' 'n' Hidin' [Baby What You Want Me to Do] (Youngbloods)
14 talk (Youngbloods)
15 Lovesick Blues (Youngbloods)
16 She's Long, She's Tall [She Weeps like a Willow Tree] (Youngbloods)
17 talk (Youngbloods)
18 Good Times (Youngbloods)
19 talk (Youngbloods)
20 Peace Song (Youngbloods)
21 Beautiful (Youngbloods)
22 Let's Get Together (Youngbloods)
23 talk (Youngbloods)

https://pixeldrain.com/u/BkdWkG7o

alternate:

https://bestfile.io/O05zchQobMARyuo/file

The cover image of lead singer Jesse Colin Young is a screenshot I took from a video of the band performing on an unknown TV show around 1969. 

Sunday, September 27, 2026

David Bowie - Aylesbury Friars Club, Aylesbury, Britain, 9-25-1971

Note that this David Bowie concert recording has been officially released, as part of the "Divine Symmetry" box set in 2022. However, I have done a lot of audio editing and added in some missing bits to make this a clear improvement over the released version, so I feel I'm justified in posting this. It is far and away the best live recording of Bowie prior to him becoming a big star with the "Ziggy Stardust" album in 1972. As such, I think it's a must have for any serious Bowie fan.

Bowie very rarely performed concerts prior to 1972, a fact he actually mentions in his banter between songs in this recording. So we're lucky to have this at all. The released version is a big sonic upgrade over the bootleg versions that had been circulating between. However, even that has issues. Most of it has soundboard-level quality. But there are issues, especially the song "Changes." That sounds only okay at the beginning of the song, then suddenly gets a lot better midway through. I couldn't make any improvements to that, and related issues.

However, there were some things I could improve. The main one was the parts that were left out. I checked the bootleg versions with the official version. The official version entirely excluded the song "Queen Bitch." I don't know why, but I'm guessing this was on a CD with some other songs, and there simply wasn't enough room to squeeze in the whole thing. That probably also explains why some of the banter between songs was removed as well. That's especially the case with the banter before "The Supermen," where two entire minutes were removed. There were other removals as well, for instance in front of "Oh, You Pretty Things." 

The first thing I did was restore the missing song and banter in their proper places. But that created a problem, because the sound quality difference between the official version and the bootleg version was stark. For the banter, luckily, I was able to close most of that gap. I ran it through the MVSEP program's de-reverb filter, and that helped. Then I took just the vocal parts of the banter tracks (which was most of them, aside from a little applause), and ran those through Adobe's vocal enhancer. That did wonders. Now, in my opinion, one can hardly tell the difference on the sourcing for the banter. I also did the same for the banter before "Changes," which sounded pretty bad on the official version.

It was harder to fix "Queen Bitch," since the bootleg version of the song was muddy. I did manage to use similar tricks to improve the clarity of the vocals somewhat. But still, at the end of the day, that one sounds worse than most of the rest of the songs. But it's still listenable, about on par with the problematic parts of "Changes" on the official version.

Bowie does a surprising number of cover versions here, by his usual standards ("Fill Your Heart," "Buzz the Fuzz," "Amsterdam," "Round and Round," and "I'm Waiting for the Man.") Maybe he was still uncertain how his own songs would go over with a concert audience. He needn't have worried, because the crowd loved him. You can especially hear that at the end, where he has to apologize because the audience didn't want him to stop but his band simply didn't have any other songs they'd practiced and were ready to play.

This album is 60 minutes long.

01 talk (David Bowie)
02 Fill Your Heart (David Bowie)
03 talk (David Bowie)
04 Buzz the Fuzz (David Bowie)
05 Space Oddity (David Bowie)
06 talk (David Bowie)
07 Amsterdam (David Bowie)
08 talk (David Bowie)
09 The Supermen (David Bowie)
10 talk (David Bowie)
11 Oh, You Pretty Things (David Bowie)
12 Eight Line Poem (David Bowie)
13 talk (David Bowie)
14 Changes (David Bowie)
15 talk (David Bowie)
16 Song for Bob Dylan (David Bowie)
17 talk (David Bowie)
18 Andy Warhol (David Bowie)
19 talk (David Bowie)
20 Queen Bitch (David Bowie)
21 Looking for a Friend (David Bowie)
22 talk (David Bowie)
23 Round and Round (David Bowie)
24 talk by emcee (David Bowie)
25 talk (David Bowie)
26 I'm Waiting for the Man (David Bowie)
27 talk (David Bowie)
28 talk by emcee (David Bowie)

https://pixeldrain.com/u/TD1x3zsQ

alternate: 

https://bestfile.io/kPGLJZKfsIP9WOa/file

The cover image is from a concert poster for this exact concert. I cropped it to get it to fit into a square space. I also added in the number "1971," since I always want to include the date, month, and year for all the concerts I post. 

Saturday, September 26, 2026

Jesse Colin Young - Live at the Record Plant, Record Plant, Sausalito, CA, 7-27-1975

I was planning on posting a newly discovered Youngbloods concert bootleg from the Bob Matthews collection today. However, when I put that in my Youngbloods folder, I noticed this one there, which I thought I'd posted a while back. So I'll post this one first and hopefully get to the Youngbloods one tomorrow. This is Jesse Colin Young, the lead singer and main songwriter for the Youngbloods, performing for the Live at the Record Plant radio show in 1975.

The Youngbloods broke up in 1972. Jesse Colin Young then had a fairly successful solo career for the rest of the 1970s. For instance, "Songbird," the 1975 album he was on tour to support when this concert took place, made it to Number 26 in the U.S. albums chart. 

With his song selection, Young leaned heavily on songs from that album plus his two prior solo studio albums. He avoided the better known Youngbloods songs, only playing one song first done by that band, "Sugar Babe."

It's been a while since I edited this album. But if I recall, there was some hiss, which I got rid of using the MVSEP program. 

This music remains unreleased. The sound quality is close to excellent. 

This album is 54 minutes long.

01 Sugar Babe (Jesse Colin Young)
02 Songbird (Jesse Colin Young)
03 Motorhome (Jesse Colin Young)
04 Song for Juli (Jesse Colin Young)
05 Miss Hesitation - Hesitation Blues (Jesse Colin Young)
06 Mornin' Sun (Jesse Colin Young)
07 Before You Came (Jesse Colin Young)
08 Ridgetop (Jesse Colin Young)
09 Lafayette Waltz - Jambalaya [On the Bayou] (Jesse Colin Young)
10 Let Your Light Shine (Jesse Colin Young)

https://pixeldrain.com/u/j2Z5WgFj

alternate:

https://bestfile.io/kBr6zuaM0MWn0GY/file

The cover image shows Young performing at the Greek Theatre, in Berkeley, California, on August 16, 1975. 

Newport Folk Festival, Fort Adams State Park, Newport, RI, 8-2-2008 - Richie Havens

Here's another album from the 2008 Newport Folk Festival. This time, it's a set by Richie Havens.

The presence of Havens at this festival was a musical reminder of the festival's long history. He'd previously performed in the 1965, 1966, and 1968 editions of the festival. 

This time, he performed mostly in solo acoustic mode, as was his usual style.

This album is 42 minutes long.

01 talk (Richie Havens)
02 All Along the Watchtower (Richie Havens)
03 Paradise (Richie Havens)
04 Dreaming Way Down Deep (Richie Havens)
05 My Love Is Alive (Richie Havens)
06 Woodstock (Richie Havens)
07 Lives in the Balance (Richie Havens)
08 Freedom (Richie Havens)
09 talk (Richie Havens)
10 Maggie's Farm - Won't Get Fooled Again (Richie Havens)

https://pixeldrain.com/u/f8GafBYf

alternate: 

https://bestfile.io/4kJabR8p6iq5AzH/file

The cover image is from this exact concert. 

Newport Folk Festival, Fort Adams State Park, Newport, RI, 8-2-2008 - Jim James

Here's another album from the 2008 Newport Folk Festival. This time, it's a set by Jim James. He's the lead singer and main songwriter for the band My Morning Jacket.

At the time of this festival, James hadn't put out any solo albums yet. He'd put out a solo EP of cover songs in 2009, though, and then the first of several solo albums starting in 2013. So, not surprisingly, he played all My Morning Jacket songs, with the exception of "When You Are Who You Are."

Here's his Wikipedia page:

https://en.wikipedia.org/wiki/Jim_James

This album is an hour and four minutes long.

01 Tonight I Want to Celebrate with You (Jim James)
02 Sec Walkin (Jim James)
03 It Beats 4 U (Jim James)
04 Stage Banter (Jim James)
05 Wonderful [The Way I Feel] (Jim James with M. Ward)
06 talk (Jim James with M. Ward)
07 Golden (Jim James with M. Ward)
08 Look at You (Jim James with M. Ward)
09 Librarian (Jim James)
10 Bermuda Highway (Jim James)
11 The Way that He Sings (Jim James)
12 What a Wonderful Man (Jim James)
13 When You Are Who You Are (Jim James)
14 Hopefully (Jim James)
15 Smokin from Shootin (Jim James)
16 Gideon (Jim James)
17 Anytime (Jim James)

https://pixeldrain.com/u/jkpNG9XX

alternate:

https://bestfile.io/en/Z5Ia1VneNviqWrg/file

The cover image is from this exact concert.

Newport Folk Festival, Fort Adams State Park, Newport, RI, 8-2-2008 - The Cowboy Junkies

Here's another album from the 2008 Newport Folk Festival. This time, it's a set by the Cowboy Junkies.

As I said in my previous write-up, I'm going to try to keep these write-ups short for the festival. But since I haven't posted anything from this band before, here's their Wikipedia page:

https://en.wikipedia.org/wiki/Cowboy_Junkies

I have to say I'd thought this band was a one-trick pony, playing all their songs in a slow, sleepy style. But I was pleasantly surprised that there was a good amount of musical variety here, and even some rocking at times.

This album is 53 minutes long.

01 Miles from Our Home (Cowboy Junkies)
02 I Don't Get It (Cowboy Junkies)
03 talk (Cowboy Junkies)
04 Follower 2 (Cowboy Junkies)
05 My Little Basquait (Cowboy Junkies)
06 Those Final Feet (Cowboy Junkies)
07 Just Want to See (Cowboy Junkies)
08 Working on a Building (Cowboy Junkies)
09 Good Friday (Cowboy Junkies)
10 talk (Cowboy Junkies)
11 Murder Tonight in the Trailer Park (Cowboy Junkies) 

https://pixeldrain.com/u/ZhpULCm2

alternate:

https://bestfile.io/en/ex58qcldyrBjXdA/file 

The cover photo of the band's lead singer Margo Timmins is from this exact concert.

Newport Folk Festival, Fort Adams State Park, Newport, RI, 8-2-2008 - The Black Crowes

The Newport Folk Festival is one of the oldest and most respected music festivals in the world. It began in 1959 and continues to this day, although it was inactive from 1970 to 1984. If all that music from these festivals were publicly available, that would be really incredible. Unfortunately, most festivals either weren't recorded or the recordings haven't been made public, with the exception of the 1968 festival (which I've posted), and the 1969 one (which I plan on posting), plus this one, from 2008. Here's the first act I'm posting from the first day of the two-day festival, the Black Crowes.

There's a ton of great music I want to post at the blog, but it seems I'm always falling behind. Making the cover art and writing the write-ups definitely slows me down. So I'll try to keep the write-ups for this festival as brief as I can.

For decades, the festival focused on folk music. But by 2008, the management changed, and the new management wanted to increase the crowds by including some non-folk acts. As you'll see with the albums I post from this festival, they definitely succeeded with their approach. The Black Crowes here are an example of the change, since they're much more of a rock act than a folk act.

Apparently, the new management also had the idea of broadcasting parts of this festival on the radio, which is how we have these great sounding recordings. I've found enough for 13 albums. But there are even more I wish I could have included. Perhaps some weren't broadcast on the radio because the music acts didn't agree, or perhaps they did and I just can't find them. Either way, here are the missing ones:

The Avett Brothers
Jakob Dylan
Steve Earle
Over the Rhine
Cat Power
Son Volt
Brian Wilson 

If you have any of these sets, let me know and I'll post them too. By the way, the ones I'm posting are in no special order, since I couldn't figure out the chronological order. I did get some clues, but it's confusing because there were two stages going at once much of the time. 

Here's a newspaper review of the 2008 festival as a whole:

The Boston Globe 

The Black Crowes started their set with a couple of acoustic cover songs in a nod to the folk traditions of the festival. But then they continued with their usual rocking style. 

This album is an hour and 20 minutes long.

01 talk (Black Crowes)
02 Girl from the North Country (Black Crowes)
03 He Was a Friend of Mine (Black Crowes)
04 talk (Black Crowes)
05 Whoa Mule (Black Crowes)
06 Polly (Black Crowes)
07 Poor Elijah - Tribute to Johnson - Things Get Better (Black Crowes)
08 Wiser Time (Black Crowes)
09 Movin' On Down the Line (Black Crowes)
10 Goodbye Daughters of the Revolution (Black Crowes)
11 Jealous Again (Black Crowes)
12 Oh Josephine (Black Crowes)
13 Thorn in My Pride (Black Crowes)
14 talk (Black Crowes)
15 talk by emcee (Black Crowes)

https://pixeldrain.com/u/sPKcdPgu

alternate:

https://bestfile.io/epSvZ9Y4QypvtTP/file

The cover image is from this exact concert. I took the font style and logo at the top from the festival's promotional material.

The Staple Singers - Hampton Jazz Festival, Hampton Coliseum, Hampton, VA, 6-29-1973

The Staple Singers were a family music group that existed for a long time, from the early 1950s until the 1990s. They were decently popular all through the 1950s and 1960s (Bob Dylan was a big fan of their early work), but their acoustic mix of gospel and folk limited their appeal. Then, in the early 1970s, they moved in more of a mainstream soul direction, and were rewarded with four big classic hits: "Respect Yourself," "I'll Take You There," "If You're Ready (Come Go with Me)" and "Let's Do It Again." Here's a soundboard bootleg concert from their peak early 1970s period.

Although the Staple Singers toured a lot, there are surprisingly few live recordings from this time, either officially released or bootleg. There are three official live albums from them. One is very early, 1964, and the other two are quite late, 1980s or after. Quality bootlegs are few and far between. This is the only worthy one I've found from the 1970s that has at least some of their big hits. "Respect Yourself" and "I'll Take You There" are here, but the other two hits mentioned above hadn't been released yet. 

The Staple Singers always had a gospel element to them. Personally, I'm not religious and don't like preachy music. But while there's a gospel number here, I'm perfectly okay with it.

By the way, there was one song at the start that I've removed: "Are You Sure." The reason I removed it is because the recording only had the last minute of it, and I couldn't find any good way to patch in the rest. 

As an aside, weird fact: the band members were all from the Staples family, with the key members being Pop Staples as lead guitarist and Mavis Staples as the usual lead vocalist. Yet for some reason they called themselves the "Staple Singers" instead of the "Staples Singers."

Here's their Wikipedia entry: 

https://en.wikipedia.org/wiki/The_Staple_Singers

This album is 40 minutes long. 

01 Be What You Are (Staple Singers)
02 talk (Staple Singers)
03 I Like the Things about Me (Staple Singers)
04 Respect Yourself (Staple Singers)
05 Don't Break My Heart (Staple Singers)
06 I'll Take You There (Staple Singers)
07 talk (Staple Singers)
08 And the Lord Will Hear (Staple Singers)

https://pixeldrain.com/u/z2dNw5BG 

alternate: 

https://bestfile.io/en/VeBDNnozv75XmBU/file

The cover image comes from an appearance on the "In Concert" ABC TV Show on November 14, 1973.

The Joy of Cooking - Family Dog at the Great Highway, San Francisco, CA, 8-2-1970

Yesterday, I posted a concert of the Joy of Cooking performing at the Family Dog at the Great Highway on August 1, 1970. This time, it's the same band at the same venue, but the next night, on August 2, 1970. The set list is fairly different, so I suggest getting both concerts. This is another previously known soundboard, coming to us thanks to the gradual release of the Bob Matthews collection.

Like I mentioned yesterday, I think this is a really underrated band. If you like music from this era, I strongly recommend you give this a listen.

As an aside, the person who is releasing the Matthews collection, Charlie Miller, hasn't dropped many hints of what's coming. But he has already posted a few concerts from the Family Dog at the Great Highway venue, and I noticed yesterday that he posted a photo of some reels of Dan Hicks and His Hot Links concerts still coming from there. It seems increasingly likely that we'll be getting more music from that venue (though his collection is sourced from many other venues as well). 

So I looked up the venue at setlist.fm. It was only in operation for about a year, from June 1969 to December 1970. Here's a list of all the musical acts that performed there during that time, and the number of concerts they did in parentheses. This list very well may be incomplete, but it should give us a general idea. I checked bootleg sharing sites, and it seems all of this music has been unheard by the public so far, with the exception of a bunch of concerts by the Grateful Dead (and spin-off acts like Mickey and the Hartbeats, and Ron "Pigpen" McKernan), a few by Commander Cody and His Lost Planet Airmen, and two by Jefferson Airplane. Let's hope we can hear a lot more of these in the months to come: 

New Riders of the Purple Sage (18)
Grateful Dead (16)
Charlie Musselwhite (9)
Commander Cody & His Lost Planet Airmen (9)
The Elvin Bishop Group (8)
Jefferson Airplane (7)
A.B. Skhy (6)
It’s a Beautiful Day (5)
Big Brother & the Holding Company (5)
Quicksilver Messenger Service (4)
Albert Collins (4)
The Velvet Underground (4)
Hot Tuna (4)
The Sons of Champlin (4)
Harvey Mandel (3)
The Fourth Way (3)
The Kinks (3)
Poco (3)
The Golden Toad (3)
Lonnie Mack (3)
David LaFlamme (3)
The Congress of Wonders (3)
Danny Cox (3)
The Rhythm Dukes (3)
Zoot Money (3)
Canned Heat (3)
The Youngbloods (3)
Dan Hicks and His Hot Licks (2)
Kaleidoscope (2)
Steve Miller Band (2)
Joy of Cooking (2)
Ron "Pigpen" McKernan (1)
Tower of Power (1)
Johnny Mars (1)
The New Lost City Ramblers (1)
Cleveland Wrecking Co. (1)
The Charlatans (1)
Floating Bridge (1)
Santana (1)
Brewer & Shipley (1)
Mickey & the Hartbeats (1)
Aum (1)
Beggars Opera (1)
Womb (1) 

This album is 40 minutes long.

01 Laugh, Don't Laugh [Instrumental Version] (Joy of Cooking)
02 Red Wine at Noon (Joy of Cooking)
03 Piece of Paper (Joy of Cooking)
04 talk (Joy of Cooking)
05 Laugh, Don't Laugh (Joy of Cooking)
06 Did You Go Downtown (Joy of Cooking)
07 talk (Joy of Cooking)
08 Bad Luck Blues (Joy of Cooking)

https://pixeldrain.com/u/evCm7bY2

alternate:

https://bestfile.io/en/XRcG30Y7eRjRdrz/file

Like I mentioned in the Joy of Cooking post I made yesterday, I could find almost no photos of this band playing in concert. However, I found a YouTube video of them from around 1970, and I took some screenshots. The one I posted yesterday, highlighted one of their lead singers, Toni Brown, on keyboards. This one shows the back of Brown, but has more of a highlight on the other lead singer, guitarist Terry Garthwaite. I used the Ask Gemini program to improve the image quality.  

Friday, September 25, 2026

Links Are Getting Fixed

I've noticed a lot of download links are dying (as I write this in September 2026). This is because the download services I use let the links go dead if nobody downloads a particular file within a certain time period. (I just checked, and for Bestfile it's 25 days, for upload.ee it's 50 days, and for Pixeldrain it's two months.) For the last couple of weeks, I've been slowly but surely fixing a lot of dead links as I move away from using upload.ee, where most of the dead links are.

I've been reluctant to do this just because it's a big pain in the butt (and this is a labor of love blog I only do due to my love of music and wanting to share it). I realized though the main thing holding me back is I've been adding two download links per album, Bestfile and Pixeldrain. I really like Pixeldrain. They make it very easy to do batch uploads. But with Bestfile, one can only upload five files at a time. Even then, about half of the time, the upload doesn't work and I have to do it again. This can turn uploading hundreds of albums into a really unpleasant chores. There have been rare times when I've had to upload an album five or six times before Bestfile succeeded with it. By contrast, Pixeldrain never fails.

So I realized that I'm probably never going to get around to uploading all those old albums with Bestfile, due to the bad and inconsistent upload system. I decided instead to only use Pixeldrain links for previously posted albums. But for newly posted ones, I'll still use both Pixeldrain and Bestfile, because I know some people have trouble with Pixeldrain for whatever reason.

Here's how things stand. I have over two thousand albums with Pixeldrain and Bestfile links. I had about another two thousand with upload.ee links. In the past weeks, I've replaced 500 of those with Pixeldrain links. I haven't done that in any special order, but I'm tackling certain bands first (often just because they're easy). For instance, I've done Belle and Sebastian, the Byrds, Aimee Mann, Beck, CSN(Y), Elton John, Joni Mitchell, Led Zeppelin, Morgan James, the Indigo Girls, the Velvet Underground, Van Morrison, and a lot more. Plus, I've done all the "various artists" albums, which mostly consist of rock festivals. So if you've been having trouble with download links for any of those, give them another try. 

Meanwhile, I'll keep plugging away fixing more links. However, one reason it's taking time is that, while I'm at it, I'm also reviewing the cover art and making improvements when I see ones I don't like. Usually that's because of low-res/ blurry issues. Previously, I had been using Krea AI, but I'm too cheap to play and now they only allow four free uses per 24 hours. But recently I've discovered Ask Gemini does a really great job improving and/or colorizing images, and I can do at least a couple dozen per day. So if you dig through albums posted from previous years, you may find some cover changes, hopefully for the better. Gemini has a habit of wanting to make content changes while it's upgrading the detail level. But I've learned how to give extremely detailed and specific instructions to stop it from doing that.

I hope in a couple of months, maybe sooner, virtually all of the links will be working again, and with cover art I'm happy with. Knock on wood. If there are some musical acts where you want the links fixed sooner rather than later, please let me know and I'll see what I can do.

The Joy of Cooking - Family Dog at the Great Highway, San Francisco, CA, 8-1-1970

Here's another previously unknown fantastic sounding bootleg from the Bob Matthews collection. This time, it's a concert by the Joy of Cooking. (Technically, their name doesn't include the "the".) If you're not familiar with them, I'm not surprised. They only had one minor hit in the early 1970s, in the U.S., and that didn't get close to the Top Forty. But if you like music from this time period, you really should check them out. I think they're excellent. I've been wanting to post something from them for a long time, but just never got around to it. This new release gives me the perfect opportunity.

Here's the intro to their Wikipedia entry:

"Joy of Cooking was an American music ensemble formed in 1967 in Berkeley, California. Associated with the hippie culture, the band's music combined rock and roll with folk, blues, and jazz. The band released three studio albums on Capitol Records in the early 1970s as well as a minor hit single in 1971, "Brownsville." Led by guitarist Terry Garthwaite and pianist Toni Brown, who both shared lead vocals, Joy of Cooking was a rare example of a rock band fronted by women."

I can't emphasize that last point enough. There were quite a few musical acts led by women in the early 1970s, especially in soul music or the singer-songwriter genre. But there were very few in the rock genre. Garthwaite and Brown wrote songs, were excellent singers, and were very talented at their instruments to boot. In my opinion, they should have been much more popular than they were. Maybe part of the problem, in addition to the usual sexism in the industry, is that they weren't around for long. They only released three albums together, in 1970, 1971, and 1972. Garthwaite and Brown did tour together some after that into the late 1970s, and put out a couple other albums together also, but they lost a lot of momentum because they didn't keep using the Joy of Cooking name.

Note this album is relatively short, because they were the opening act for It's a Beautiful Day. (Let's hope the Bob Matthews collection releases that too.) But they returned to perform again one night later, and that also has been newly released. A good number of the songs are different, so I plan on posting that one here as well.

I didn't have to edit much here. The sound is fantastic, as good as you could hope for from that era. 

This album is 43 minutes long.

01 Brownsville - Mockingbird (Joy of Cooking)
02 First Time, Last Time (Joy of Cooking)
03 Too Late, but Not Forgotten (Joy of Cooking)
04 Piece of Paper (Joy of Cooking)
05 talk (Joy of Cooking)
06 If Some God [Sometimes You Gotta Go Home] (Joy of Cooking)
07 Red Wine at Noon (Joy of Cooking)
08 Pilot (Joy of Cooking)
09 Laugh, Don't Laugh (Joy of Cooking)

https://pixeldrain.com/u/67WGgHF8

alternate:

https://bestfile.io/en/oKPPiV6noM9PI11/file 

The cover image shows Toni Brown. There are very few images of the band in concert. Luckily, I did find a YouTube video of them performing "Brownsville" for a TV station. I took this screenshot from that. It was rather low-res, so I used the Ask Gemini program to improve the detail level.

Van Morrison - Medicine Ball Caravan, Antioch College Golf Course, Yellow Springs, OH, 8-21-1970

Here's another album from what I am now calling the Bob Matthews collection. Hopefully, these are just the first out of hundreds more bootlegs to be released from that collection. I also posted some albums from the "Medicine Ball Caravan" concert in Canterbury, Britain. As I mentioned in previous write-ups, that was the final concert in a short Medicine Ball Caravan, with the ultimate goal of making a movie and soundtrack from it. There were about half a dozen concerts across the U.S. before that concert in Britain, and this is from one of them. It's a pristine soundboard of Van Morrison in his absolute prime, a few months after the release of his classic "Moondance" album.

This isn't as exciting as some other recent releases from the Bob Matthews collection, because this performance had already been released as a soundboard. In fact, I was planning on posting it in a few days, inspired by the other Medicine Ball Caravan releases, when I saw this got posted. This is the same music as the existing version, but with markedly better sound quality. Both versions are soundboards, but the other one had probably passed through different hands, with copying and loss of quality along the way. By contrast, this sounds like it was locked in a vault from then until now, which is probably more or less exactly what happened, thanks to sound engineer Bob Matthews. So even if you have this already, please do get this version instead.

It was known Matthews was involved the audio of the British concert mentioned above. It was said to have unusually good sound for an outdoor concert as a result. But the fact that this has also been released from the Matthews collection leaves open the exciting possibly that we'll get recordings of some or most of the rest of the short tour. As I mentioned in a previous write-up, that could mean sets by B.B. King, Doug Kershaw, Hot Tuna, Alice Cooper, Stoneground, possibly Joni Mitchell (there are conflicting accounts of that), and unknown others. Time will tell, hopefully soon.

One can tell that this performance (at a random golf course in Ohio, apparently!) was done primarily for the film footage. At one point after "Crazy Love," a voice got on the microphone and explained there was a short pause in order to change film reels. That makes me wonder where the heck is the footage of this concert, not to mention the rest of the tour? What came out in the movie was generally very disappointing, with many great musical acts, including Morrison, not included at all. I haven't seen it, but people say that only a couple of songs performed by B.B. King were impressive. Let's hope the footage of this prime Van Morrison concert still exists in the vaults somewhere.

Morrison was a couple of months away from releasing his second album in 1970, the classic "His Band and Street Choir." So a couple of songs here are from that ("I've Been Working" and "Domino"), with most of the rest from "Moondance." Note that there's a verse of "Domino" that didn't make it onto the album version.

I made a couple of improvements. The first five seconds or so of "Brown Eyed Girl" was missing. Luckily, that was a repeated riff, so I was able to patch in the missing bit from elsewhere. That's why that one song has "[Edit]" in its title. Also, the audience applause was rather low in the mix. Not nearly as low as in the British Medicine Ball Caravan concert, but still, I used MVSEP to remix all the songs, boosting the applause. I also cut out some dead air between songs. 

This album is 36 minutes long. 

01 Brown Eyed Girl [Edit] (Van Morrison)
02 Moondance (Van Morrison)
03 Crazy Love (Van Morrison)
04 talk (Van Morrison)
05 Come Running (Van Morrison)
06 I've Been Working (Van Morrison)
07 Domino (Van Morrison)
08 Cyprus Avenue (Van Morrison)
09 talk by emcee (Van Morrison)

https://pixeldrain.com/u/AtAuwJUi

alternate:

https://bestfile.io/en/hSaP7PRp8r7NTst/file 

I don't know where the cover image is from, but I got the impression that it's from around 1969, give or take a year. The original was in black and white. But I used the Ask Gemini program to colorize it.

Chris Cornell - Capitol Theatre, Port Chester, NY, 6-25-2016

Here's another concert from the April 2026 Port Chester soundboard leak. With the newer and even more exciting Bob Matthews collection leak happening, with close to one new release per day, I want to make more of an effort to get these posted so I can focus on fewer things at once. So here's a solo acoustic concert from Chris Cornell.

Cornell is best known for being the lead singer and songwriter for the bands Soundgarden and Audioslave. I must admit that I never got into either of those bands, although I've really liked some songs. I guess I'm just not big on grunge in general. That said, I was very surprised at how much I enjoyed this. I'm much more of a solo acoustic music kind of guy, and that's all this is, although Cornell was backed by a second musician. 

Everyone knows that Cornell had a great voice. But I was impressed with his songs in this format. And he did some interesting covers of some very famous musical acts ("Nothing Compares 2 U" by Prince, "Thank You" by Led Zeppelin, "The Times They Are A-Changin'" by Bob Dylan, "Billy Jean" by Michael Jackson, and "A Day in the Life" by the Beatles). In fact, I'm so impressed that this makes me want to hear more of his music. And that rarely happens to me with this type of music. I guess I should have known that the guy who wrote "Black Hole Sun" was an uncommonly good songwriter, because that's a totally classic song, and one with an unusual melody and chord structure. 

This concert took place in 2016, which is less until his death by suicide in May 2017. While that death is certainly tragic, the silver lining for this album is this is a good summary of his entire music career.

There are only two problems with this recording, one I could fix and one I couldn't. I couldn't fix the fact that it's all in mono. The other problem was that the last song, "Higher Truth," came to a sudden stop about a minute before the song ended. I found another version of the song (from a concert in Manchester the same year) and used that to patch up the ending. That's why that one song has "[Edit]" in the title.

This album is two hours and 24 minutes long.

01 talk (Chris Cornell)
02 Before We Disappear (Chris Cornell)
03 Can't Change Me (Chris Cornell)
04 talk (Chris Cornell)
05 'Til the Sun Comes Back Around (Chris Cornell)
06 talk (Chris Cornell)
07 Nothing Compares 2 U (Chris Cornell)
08 talk (Chris Cornell)
09 Nearly Forgot My Broken Heart (Chris Cornell)
10 talk (Chris Cornell)
11 The Times They Are A-Changin' Back (Chris Cornell)
12 talk (Chris Cornell)
13 Halfway There (Chris Cornell)
14 talk (Chris Cornell)
15 Josephine (Chris Cornell)
16 Fell on Black Days (Chris Cornell)
17 Thank You (Chris Cornell)
18 talk (Chris Cornell)
19 Getaway Car (Chris Cornell)
20 talk (Chris Cornell)
21 Doesn't Remind Me (Chris Cornell)
22 River of Deceit (Chris Cornell)
23 Blow Up the Outside World (Chris Cornell)
24 Let Your Eyes Wander (Chris Cornell)
25 The Last Remaining Light (Chris Cornell)
26 talk (Chris Cornell)
27 Wide Awake (Chris Cornell)
28 talk (Chris Cornell)
29 Say Hello 2 Heaven (Chris Cornell)
30 talk (Chris Cornell)
31 Billie Jean (Chris Cornell)
32 Scream (Chris Cornell)
33 talk (Chris Cornell)
34 Rusty Cage (Chris Cornell)
35 talk (Chris Cornell)
36 Black Hole Sun (Chris Cornell)
37 Hunger Strike (Chris Cornell)
38 talk (Chris Cornell)
39 Wooden Jesus (Chris Cornell)
40 A Day in the Life (Chris Cornell)
41 talk (Chris Cornell)
42 I Am the Highway (Chris Cornell)
43 talk (Chris Cornell)
44 Seasons (Chris Cornell)
45 talk (Chris Cornell)
46 Higher Truth [Edit] (Chris Cornell)

https://pixeldrain.com/u/dX4SvfaH

alternate:

https://bestfile.io/en/5a0aXLNL30k3H7k/file 

The cover image apparently comes from this exact concert. I say "apparently" because I'm not entirely sure about the source. But it's from this 2016 tour, at least.

Thursday, September 24, 2026

John Lennon, Paul McCartney, George Harrison & Ringo Starr - Solo Ballads, Volume 3 (1969-2026) (A Mike Solof Guest Post)

Here's the third and last of three albums collecting ballads from the solo careers of the ex-Beatles John Lennon, Paul McCartney, George Harrison and Ringo Starr. I've also finished posting a similar series of three albums of rockers from them. All of these were put together by guest poster Mike Solof. But we're not quite done. Because McCartney has been so prolific, he gets an extra album of rockers and another extra album of ballads.

Once again, pretty much everything here comes from studio albums. "Mama You've Been on My Mind" is an exception, since it's a demo version that came out as a bonus track. But Mike made new mixes of four songs. A couple of them were at my request. The thinking is some of these songs were a bit too rocking to fully qualify as ballads. So the mixes strip the songs down some more.

This album is one hour long.

31 [I Want To] Come Home (Paul McCartney)
32 King of Broken Hearts [Mike's Mix 2026] (Ringo Starr)
33 Jealous Guy [Ultimate Mix] (John Lennon)
34 Warm and Beautiful (Paul McCartney)
35 Life Itself (George Harrison)
36 Love Is (Ringo Starr)
37 Happy with You (Paul McCartney)
38 Out the Blue (John Lennon)
39 Sat Singing [Mike's Mix 2026] (George Harrison)
40 Early Days (Paul McCartney)
41 Photograph [Mike's Mix 2026] (Ringo Starr)
42 Only Love Remains (Paul McCartney)
43 Imagine [Mike's Mix 2022] (John Lennon & Julian Lennon)
44 Mama You've Been on My Mind [Demo] (George Harrison)
45 As Far as We Can Go (Ringo Starr)
46 Tragedy (Paul McCartney)

https://pixeldrain.com/u/tCJixTR6

alternate:

https://bestfile.io/en/88IHsZeczEOLSre/file

Mike Solof sure does love imagining what the Beatles would have looked like if they all were still alive. Here's another cover image Mike made using an AI program. It's in the same style as the two previous albums in the ballads series.

Elton John - Rock in Rio, Parque Olimpico, Rio de Janeiro, Brazil, 9-7-2026

Here's a concert from earlier this month (writing this in September 2026). Elton John performed in front of over 100,000 in Rio de Janeiro, Brazil as the headline act for the 2026 Rock in Rio Festival. Luckily for us, it was broadcast on local radio and TV, so we have an excellent sounding version.

This concert wasn't on my radar screen to be posted. However, a frequent contributor to this blog, Fabio from Rio, is from, well, Rio. He actually attended this concert and enjoyed it, and then encouraged me to post it. So twist my arm, here we are. 

Since Fabio attended this concert, I thought that instead of the usual blah blah blah from me, we could have Fabio give his report on how the concert went. I asked him, and he kindly obliged. So here's Fabio impression of the concert experience. Take it away, Fabio: 

This was not my first time attending an Elton John performance. He is a "frequent flyer" to Brazil (he has been around here a dozen times, maybe) and I had already attended three or four of his concerts in Rio, the first one 31 years ago, in 1995, in a much smaller venue. This time around, since I was told it could really be his "last one ever," I decided at the last minute to go.

Attending the Rock in Rio Festival is far more than just going to a concert; it is a true, immersive experience. The festival grounds practically transform into a massive amusement park, packed with dozens of entertainment options. You could easily spend hours wandering between a movie theater, pop-up pubs, and dedicated stages featuring dance and acrobatic performances. The musical diversity is dizzying, spanning everything from traditional Brazilian music, instrumental sets, jazz, funk, and mainstream pop, all the way to electronic beats blasting until 3:00 AM. They even have a massive Ferris wheel and a zip line over the crowd. Oh, and there are also a couple of "rock" acts to justify the festival's title.  

As I mentioned, wanting to take it all in, I made sure to arrive early. My goal was to explore the vast venue without immediately getting tethered to the main stages. Since I was wandering around, I deliberately ignored a few big-name shows (at least that's what they were hyping). I followed my ears and ended up catching a fantastic blues cover band, a stunning ballet performance on stilts, and a brilliant set by the legendary Brazilian singer-songwriter Gilberto Gil, among a couple other nice acts.

As the night progressed, it was time for the main event: Mr. Reginald K. Dwight. About an hour before the scheduled start of the show, I managed to squeeze my way through the sea of people and get to a reasonably good spot, but even then, Elton felt incredibly far away. In practice, I ended up watching most of his spectacular performance on the gigantic video screens flanking the stage. It was a fascinating yet slightly surreal experience: feeling the raw energy of a massive crowd all around me while, technically, watching the artist on a screen.  

The concert was really enjoyable: excellent sound, good setlist (all his main hits and a couple of deep cuts), incredible musicianship from the entire band, and Elton was clearly happier than a pig in the mud (or as we say in Brazil, "happier than a chick in the garbage can"). He addressed the crowd half a dozen times, including complaining a bit about the cold weather. We had an unusually cool night - around 18 degrees C (64 degrees F) which, for a Brazilian, and apparently for Elton too, is almost Game of Thrones' North Wall-level freezing. Elton later told the press that he felt it was one of his best performances of later years, and that the night was simply incredible. 

--- 

The only thing I want to add to that has to do with the sound quality. The vast majority of this apparently comes from the version broadcast on TV. That's a lucky thing, because the radio version was constantly interrupted by very annoying DJ (the morning "shock jock" types) speaking in rapid-fire Portuguese between almost every song. However, the TV version was lacking the encore of the last three songs. So I used the radio version for that, carefully getting rid of the DJ talk along the way. I also checked that version for differences, and found some more of John's banter between songs. So I added in those bits from the other source as well.

This album is two hours and 11 minutes long.

01 Funeral for a Friend - Love Lies Bleeding (Elton John)
02 talk (Elton John)
03 Bennie and the Jets (Elton John)
04 I Guess That's Why They Call It the Blues (Elton John)
05 Philadelphia Freedom (Elton John)
06 talk (Elton John)
07 The One (Elton John)
08 Tiny Dancer (Elton John)
09 Sacrifice (Elton John)
10 Honky Cat (Elton John)
11 Rocket Man [I Think It's Going to Be a Long, Long Time] (Elton John)
12 Levon (Elton John)
13 Sorry Seems to Be the Hardest Word (Elton John)
14 Someone Saved My Life Tonight (Elton John)
15 Have Mercy on the Criminal (Elton John)
16 talk (Elton John)
17 Candle in the Wind (Elton John)
18 Goodbye Yellow Brick Road (Elton John)
19 talk (Elton John)
20 Sad Songs [Say So Much] (Elton John)
21 talk (Elton John)
22 Don't Let the Sun Go Down on Me (Elton John)
23 Crocodile Rock (Elton John)
24 Saturday Night's Alright for Fighting (Elton John)
25 I'm Still Standing (Elton John)
26 talk (Elton John)
27 Cold Heart (Elton John)
28 talk (Elton John)
29 Skyline Pigeon (Elton John)
30 talk (Elton John)
31 Your Song (Elton John)

https://pixeldrain.com/u/HM1acHif

alternate: 

https://bestfile.io/en/Rox5dzGV7ruzI7T/file

The cover image was put together by Fabio using an AI program. But the photo is a real, unaltered photo from this exact concert. (I double checked.) 

The AI helped with the text and layout and so forth. Fabio still uses CDs, and makes CDs of bootlegs he likes. So he made a back cover for himself, again using the assistance of AI. I don't know how many people might find such a thing useful. But what the heck, here it is if anyone wants it.

Wednesday, September 23, 2026

Mott the Hoople - Medicine Ball Caravan, Charlton Park, Bishopsbourn, Britain, 8-31-1970

Here's another excellent soundboard from the Bob Matthews collection that was previously unknown and unavailable to the public until now (as I write this in September 2026). As I've explained in previous posts, Bob Matthews was a sound engineer for the Grateful Dead and other bands, and hundreds of concert recordings he'd kept are now getting released. This one features Mott the Hoople.

I just posted concerts by Al Stewart and the Faces prior to this one. All three come from the same 1970 Medicine Ball Caravan rock festival. I've given a long explanation about just what the Medicine Ball Caravan was. In short, it was a concert tour across the U.S., culminating in this lone concert in Britain, to make the raw material for a movie. The movie came out in 1971, but it was a flop for various reasons.

At the time of this concert, Mott the Hoople were not well known. They had released their first album, the cleverly titled "Mott the Hoople," in 1969. They were on the cusp of releasing their second one, "Mad Shadows," which would come out a couple of weeks later. But these albums only sold moderately, and would provide no hits. The band wouldn't become well known until 1972, with their big hit "All the Young Dudes," followed by more hits.

As far as I know, this is the only concert recording of this band with sound quality this excellent. There is a BBC concert from later in 1970, but even that one doesn't sound as good as this one. So this is a very big find for fans of the band.

I'm getting the impression that the recordings from this festival all share the flaw of having the audience recorded way too quietly. So just like I did with the Al Stewart and Faces sets, I used the MVSEP program to greatly boost the volume of the cheering at the ends of songs. It should have the appropriate level of audience reaction for a concert now. 

So far, a Stoneground set from this festival has also been made public in recent days. I'm going to wait on posting that though, to see what else comes out of this festival before posting that, because we only have part of the set. There may be other partial sets I could pair it with, for instance. Besides, I doubt there would be a demand for the relatively unknown Stoneground like there is for some other bands.

On a somewhat different note, this is the first Mott the Hoople album I've posted, so here's the band's Wikipedia link:

https://en.wikipedia.org/wiki/Mott_the_Hoople

This album is 42 minutes long.

01 talk (Mott the Hoople)
02 Darkness, Darkness (Mott the Hoople)
03 talk (Mott the Hoople)
04 Laugh at Me (Mott the Hoople)
05 talk (Mott the Hoople)
06 Rock and Roll Queen (Mott the Hoople)
07 talk (Mott the Hoople)
08 Thunderbuck Ram (Mott the Hoople)
09 talk (Mott the Hoople)
10 Half Moon Bay (Mott the Hoople)
11 talk (Mott the Hoople)
12 Keep A-Knockin' (Mott the Hoople)

https://pixeldrain.com/u/gRn6WHJW 

alternate: 

https://bestfile.io/en/nRUKP72tpNcC4BC/file

The cover image shows the band's lead singer Ian Hunter at Birmingham Town Hall in Birmingham, Britain, on December 26, 1970.

The Faces - Medicine Ball Caravan, Charlton Park, Bishopsbourn, Britain, 8-31-1970

Yesterday, I posted about an amazing newly revealed treasure trove of hundreds of bootlegs starting to be made public. I'm going to call it the "Bob Matthews Bootleg Collection" and add a label with that name to help you find all the albums I post from there. Here's a short 1970 concert by the Faces from that collection. There had never been any public audio recording of this, and now we have a pristine soundboard!

As I mentioned in my write-up yesterday to an Al Stewart set from this same concert, Bob Matthews was a long-time sound engineer for the Grateful Dead and related bands from about 1966 until the mid-1980s. He died in 2021, and now, in 2026, another person named Charlie Miller has his collection of unreleased music and is in the process of making it public. It seems Matthews almost entirely worked in the San Francisco Bay Area, but there was a rare exception of him going to Britain to help record this concert for reasons I'll explain in a minute. So that's why we now have this recording.

This concert was part of an unusual music project called the "Medicine Ball Caravan." It was conceived by radio DJ Tom Donahue. Even though his DJ career began way back in 1949, he was sympathetic to the growing "hippie" counterculture movement in the late 1960s. For instance, he helped pioneer "underground" rock played on FM stations starting in 1967. He came up with an idea to get a collection of rock bands, and various associated hippies, and have them travel around the U.S. performing concerts in unusual places, and possibly clashing with mainstream America. The entire thing would be professionally filmed and made into a movie. At the time, the "Woodstock" movie had just been released and was doing very good business, so a movie company agreed to fund this project.

Originally, the headlining band for this tour was supposed to be the Grateful Dead, which would have been amazing. However, they backed out at the last minute and the much less well known band Stoneground took its place. But Bob Matthews (the one mentioned above with the treasure trove of bootleg recordings) was a sound engineer for the Dead at the time, so that's how he came to be involved. 

The concert tour went ahead as planned, but it was a fiasco. The film crew was French, and they barely spoke English, so there were a lot of problems with that right there. But it seems they also were hippies who soon discovered LSD and other drugs. Apparently, they were high and incompetent nearly the entire tour. The film the shot was a mess. Martin Scorsese was brought in to try to make something out of the footage. He would later go on to become a very famous movie director, but his movie career was just getting started. He was chosen because he'd been an editor on the "Woodstock" movie mentioned above. He tried his best for many months, but the original movie was so bad that there wasn't much he could do. The movie came out in 1971 under the name "Medicine Ball Caravan," but it was a flop and was quickly forgotten. 

A soundtrack came out at the same time, but it was rather short, with a mix of live versions from the tour and some previously released studio versions. It had a few good moments, especially a couple of live songs by B.B. King, but it lacked big names. It was a quickly forgotten flop as well.

However, the tour definitely had some musical highlights. As far as I can tell, there were only about half a dozen concerts across the U.S. But in addition to Stoneground, each concert tended to have other musical acts join in. Some acts that played sets at one of the concerts include Van Morrison, B.B. King, Doug Kershaw, Hot Tuna, and Alice Cooper. Some accounts say Joni Mitchell played a set, but I haven't seen any evidence of this at the official Joni Mitchell website, which has thorough details of all her concerts. So I'm not sure of that, but it's an exciting possibility. Furthermore, just today as I write this in mid-September 2026, the person releasing the Bob Matthews bootlegs released the Van Morrison set from a concert in Ohio that was part of this tour. That suggests to me that Matthews was involved in recording part or all of the whole tour, so we may have other great previously unheard music from it to look forward to.

That finally brings me to this concert. For some reason, after having a few concerts across the U.S., the idea was to have one final Medicine Ball Caravan concert in Britain. Stoneground came over from the U.S. to play in it, but most of the other bands were British. In my opinion, it was a pretty impressive line-up: the Faces, Al Stewart, Mott the Hoople, Edgar Broughton, Caravan, Shawn Phillips, and some lesser known bands like Daddy Longlegs, Silver Meter, and Formerly Fat Harry. The headliner was Pink Floyd! Already as I write this, sets from the Faces, Al Stewart, Mott the Hoople, and Stoneground have been released from the Bob Matthews collection in recent days. Apparently, most of the rest exists and is coming soon (with only two missing reels), including the Pink Floyd set! The curator of the collection, Charlie Miller, has posted a photo of all the Pink Floyd reels. That's very exciting for Pink Floyd fans because there are no known audio recordings of this Pink Floyd set, not even any with terrible sound quality. But this recording will be a pristine soundboard!

This entire concert was "professionally filmed" in order to be used in the movie. Although it was done by the same French film crew mentioned above, so I use the word "professionally" very loosely. However, for some reason, none of the footage from this concert made it into the movie. Perhaps the bands didn't give their permission and/or the film crew completely messed it up. I wonder if the footage still exists, and if so, will it ever be made public. (So far, there's no mention of the Bob Matthews collection containing video, only audio.)

Here's a good article about the entire Medicine Ball Caravan story:

https://ultimateclassicrock.com/medicine-ball-caravan/

And here's a fan site that has collected accounts about this concert by people who attended it:

https://www.ukrockfestivals.com/medicine-ball-caravan.html

From that, I learned only about 800 people attended the concert, despite the impressive line-up. In part, that was due to the fact that it took place on the same weekend as the 1970 Isle of Wight concert, which had many more big name music acts and was attended by about half a million people. But I don't think that disappointed the people who put on the concert very much, because they chose a venue that only held about 1,500 people anyway. I think their main intention was to get good film footage, not sell a lot of tickets.  

It's great that we have this previously unknown and unheard Faces recording, because there are very few concert recordings with this sound quality from this early in their career. They had only released one album so far, "First Step." Lead singer Rod Stewart wasn't a big star yet. In fact, they were so little known that they were still billed as the Small Faces for this concert, even though they'd changed their name and lead singers in 1969. 

Here's what one attendee said about this Faces performance: "The big surprise was The Faces. They stumbled on stage dressed in their purple velvet suits. I think Rod Stewart's suit was white velvet. Within ten minutes they tore the place apart with a truly brilliant set."

This recordings sounds fantastic, but it had one big problem: very little of the audience cheering could be heard. Luckily though, there was some there, just very quiet. I used the MVSEP program to split the songs into crowd noise and everything else, then I massively increased the volume of the crowd cheering at the ends of songs. It sounds like normal crowd responses now, although you can still tell they were playing to a pretty small crowd.

I'm going to keep posting all the good music from this festival as it comes out. The Mott the Hoople set is coming next. I don't know the order of the music acts, nor do I know just what still might come out. Perhaps when it's all made public I'll rename them a bit and put them in some chronological order. 

This album is 42 minutes long.

01 I Don't Want to Discuss It (Faces)
02 talk (Faces)
03 Maybe I'm Amazed (Faces)
04 talk (Faces)
05 Devotion (Faces)
06 talk (Faces)
07 Around the Plynth (Faces)
08 Gasoline Alley (Faces)
09 Around the Plynth [Reprise] (Faces)
10 talk (Faces)
11 It's All Over Now (Faces)
12 I Feel So Good (Faces)

 https://pixeldrain.com/u/25Gbqoib

alternate: 

https://bestfile.io/en/il9Vw8oTy3M1p4C/file

The cover image is from an unknown concert in 1970. We can tell it's not this one though, since the clothes don't match the description of the eyewitness account mentioned above. The original was in black and white, but I used the Ask Gemini program to colorize it. From right to left: Rod Stewart (he's crouched way down in light blue pants), Ronnie Lane, and Ronnie Wood.

Tuesday, September 22, 2026

Al Stewart - Medicine Ball Caravan, Charlton Park, Bishopsbourn, Britain, 8-31-1970

This is an extraordinary concert recording if you're an Al Stewart fan. But even if you're not, you should read this write-up, because this hopefully is the start of something really big and great in the world of bootleg recordings. So let me explain that first, and then I'll talk about this specific recording.

Last week (as I write this in mid-September 2026), I posted a 1970 Jefferson Airplane concert, which had never been publicly available with that sound quality before. I mentioned that it sounded like that could be the start of a really big leak of hundreds of high quality bootlegs from long ago. Since then, I've learned a lot more about this. I want to share this with you, because it has the potential to be the best news when it comes to bootlegs in decades!

The key to all this is a person named Bob Matthews. He was a key member of the support staff for the Grateful Dead. He went to high school with band member Bob Weir, and because the band's first roadie, back in 1966. From all the way back then, he got involved with recording the band. He stayed associated with the Dead in various roles all the way through the mid-1980s. I guess around that time he drifted away and got involved with some telecommunications job. He died in 2021.

But he was not just involved with the Dead; he had musical links to many other bands. For instance, he was a sound engineer on various Dead albums from "Aoxomoxoa" in 1969 to "Go to Heaven" in 1980, but he also worked on albums by New Riders of the Purple Sage, Hot Tuna, Jerry Garcia, Robert Hunter, Stoneground, Grace Slick, Paul Kantner, Barry Melton, and others. He even was a bass player in New Riders of the Purple Sage in 1969. He also had a key role in a company called Alembic, which started in 1969 and made high-end electronic equipment and musical instruments for many famous musicians. In short, this is someone who was a very connected insider in the music industry.

Recently, another person with many long-time links to the Dead, Charlie Miller, was given custody of Matthews' bootleg recordings, which Miller says number about 1,000 concerts. A lot of those are of the Dead, but apparently a majority are not. Miller is working with some other people to release all of this material to the public for free. He started a few weeks ago, and so far he has released about 20 recordings. If you want to see these as they come out, he has a Facebook page where he is posting download links called "Charlie Miller's Google Drive Links." I've noticed not everything he releases comes out there, actually, but most do. Some others are getting posted at the Guitars101 bootleg sharing site.

So far, here are the musical acts that he has released bootlegs for: the Grateful Dead, the Joy of Cooking, Jefferson Airplane, Dan Hicks and His Hot Licks, Mickey Hart, the Faces, Al Stewart (this recording), Stoneground, Mott the Hoople, and the Youngbloods. Most of them so far are from 1970, and a lot of them are from a small Bay Area concert venue called the Family Dog on the Great Highway, which was only in existence from 1969 to 1970. We don't know what else Miller has and plans on releasing. He's only dropped a few hints. But I've looked at the musical acts that played at the Family Dog on the Great Highway at that time, and it's an intriguing list that includes multiple shows by the Kinks, the Velvet Underground, the Steve Miller Band, Canned Heat, Big Brother and the Holding Company (with Janis Joplin), It's a Beautiful Day, Elvin Bishop, New Riders of the Purple Sage, Commander Cody, Albert Collins, Quicksilver Messenger Service, and many, many more. The idea of getting pristine, previously unknown soundboard concert recordings from the likes of these bands after all this time boggles my mind! 

And that's just one possible lead. Probably, most of the music is related to the Dead and the San Francisco Bay Area music scene. But a lot of bands from all over the world passed through there. One thing I found out is that Matthews was involved in the recording of the infamous Altamont festival in 1969, headlined by the Rolling Stones, Crosby, Stills, Nash and Young, the Grateful Dead, Jefferson Airplane, and others. He is said to have had soundboard recordings of that entire festival, which he would sometimes play for visitors to his house. A few years ago, a soundboard of the Flying Burritos Bros. set from that festival somehow became available. Perhaps it was an early leak from the Matthews trove?

So if you like music from the late 1960s until the mid-1980s, the time Matthews was involved in the music industry, hold on to your hats. Hopefully, there will be a steady release of hundreds of recordings in the months and years to come. I'm going to try to select the ones that interest me the most, make further edits if need be, and post them here. Normally, previously unknown recordings of this sound quality from this era are made public once in a blue moon. But so far, Charlie Miller seems to be releasing something new every couple of days!

This Al Stewart concert was part of a 1970 rock festival in England called the "Medicine Ball Caravan." In fact, there was an entire tour by that name that year. There's a long, tangled story about the tour and this concert in it, so I'll save that for the write-up of the next album from it.

Since this write-up is getting too long already, let me finally focus on this recording. The sound quality is fantastic, which is mind-blowing for its era. I'm pretty sure this now becomes the earliest publicly available concert recording by Stewart period, unless you count short radio and TV performances. In 2022, Stewart released a massive box set called "The Admiralty Lights," which was over 50 CDs in size. I'm sure this would have been included had Stewart had access to it back in 2022. That indicates to me that Matthews sat on his trove of recordings until his death, so nobody really knows what other treasures may be hidden in there, other than maybe Charlie Miller and a few people working with him now to get them to the public.

But this recording had a noticeable flaw, which was that there was almost no audible crowd noise. As I've said in other write-ups, this is a common problem for soundboards when they record everything on stage very well, but at the expense of capturing cheering from the crowd. Luckily, there was a little crowd noise. So I used the MVSEP program on all the songs to bring it up to a reasonable level.

This album is 33 minutes long. 

01 Electric Los Angeles Sunset (Al Stewart)
02 talk (Al Stewart)
03 Old Compton Street Blues (Al Stewart)
04 talk (Al Stewart)
05 In Brooklyn (Al Stewart)
06 talk (Al Stewart)
07 Zero She Flies (Al Stewart)
08 talk (Al Stewart)
09 Small Fruit Song (Al Stewart)
10 talk (Al Stewart)
11 Maybe Someday She Will Come Along (Al Stewart)

https://pixeldrain.com/u/5zmYzYi3

alternate:

https://bestfile.io/en/SUVxJqLqlXmjp1f/file

The cover image is from a concert at the Marquee club in London in June 1972. The original was in black and white, but I colorized it with the use of the Ask Gemini program. For the unusual font type, I got the text at the top from a poster of the movie made about the Medicine Ball Caravan. (That's a long story in and of itself.) I then had Ask Gemini make the rest of the tricky font in the same style.