Isle of Wight Festival, Afton Down, Isle of Wight, Britain, 8-27-1970 to 8-30-1970 - 8-30-1970: Part 2: Donovan

Back in 2023, I posted the vast majority of all the available music from the 1970 Isle of Wight festival. However, there were three sets I didn't post due to sound quality issues. This set by Donovan was one of them. I have now made some audio edits to get this to a decent state. But note that the sound quality is just okay, and worse than the vast majority of the recordings from this festival.

The problem here is that while most of the other publicly available recordings from this festival are soundboard bootlegs (or even official live albums), this one comes from an audience bootleg. And not even a particularly good one. There was a lot of wind blowing on the mike, airplanes flying overhead, nearby people talking, and other such problems that got onto the record. 

On the plus side, I write this in September 2026, and audio editing technology has improved a lot since I posted most of the other music from the festival in 2023. So I ran these songs through multiple filters, mostly using the MVSEP program, but also Izotope 10. That helped sometimes, but not all the time. It's better, for sure, and I consider it listenable, but if you have high standards, this probably isn't for you. There still are many problems I couldn't fix.  

For most of the concert, Donovan performed in solo acoustic mode. That was a lucky break for us, because it's easier to get a decent recording of that kind of music compared to a full band one. But for the last few songs, he switched to performing with his band at the time, Open Road. The last four songs in particular got really rocking, which meant the sound quality got even worse. So I decided not to include those, sorry.

Thing start off strong with "Catch the Wind." But that's just luck. It has the best sound quality of any song, because it was included on the album "Message to Love" that went with the film documentary of the same name. You'll notice a drop-off between that and everything else.

Another problem is there's no banter between songs, with one exception (track 21). That's because the person who recorded this paused the recordings between songs. This was a common bootleg recording style in this era, due to people wanting to save tape. The audience applause was generally cut off right in the middle as well for every song. But there were a few that escaped that problem. I used the few cases of having the applause die out, and then pasted those endings onto other songs, so all the applause come to natural ends. 

This album is 56 minutes long.

017 Catch the Wind (Donovan)
018 Henry Martin (Donovan)
019 Sailing Homeward (Donovan)
020 The Pee Song (Donovan)
021 talk (Donovan)
022 Hurdy Gurdy Man (Donovan)
023 Slow Down World (Donovan)
024 There Was an Old Lady Who Swallowed a Fly (Donovan)
025 The Garden (Donovan)
026 How Silly (Donovan)
027 Get Myself Together Somehow (Donovan)
028 Atlantis (Donovan)
029 Sand and Foam (Donovan)
030 There Is a Mountain (Donovan)
031 Train Whistle Blues (Donovan)
032 Mistaken Eternity (Donovan)
033 Season of the Witch (Donovan)

https://pixeldrain.com/u/uUHwRKtE 

alternate:

https://bestfile.io/en/He9B38q80uR8oYP/file

The cover image comes from this exact concert. 

The Isle of Wrght 1970 Festival Revisisted

In 2023, I posted the vast majority of all the music I could find from the 1970 Isle of Wight rock festival. It's a big one. In my opinion, it's right up there with the granddaddy of all rock festivals, Woodstock in 1969, in terms of the big name musicians and the musical quality of the festival. At that time, though, there were a few sets I didn't post, because the sound quality didn't meet my usual standards.

Now, I'm posting those missing bits. Specifically, I'm posting the sets by Donovan, Joan Baez, and Richie Havens. Most everything else I posted from the festival are from soundboard-level quality recordings. But for those three, we only have audience bootlegs, probably all recorded by the same person, since they sound similar. They all share the same problems. For instance, there was a lot of wind blowing against the microphones, which marred the recordings. There also were frequent airplanes flying overhead, sometimes quite loudly. There were people talking near to the taper. Worst of all, the sound quality of the recordings were just okay, probably due to mediocre tape recorders being used.

So that's why I didn't post these sets back then. But there has been a lot of improvement in audio editing technology in just the last three years. So I gave these a try. A big problem was the wind blowing on the microphone noises. Luckily, the audio editing program Izotope has a filter just to get rid of those exact kinds of noises. I ran most of the songs through that filter, and got rid of most of it (but not all!). I used other tricks, like separating out the lead vocals and boosting them over the muck. I also used MVSEP to reduce reverb and get rid of noise. 

The good news is, I consider these sets sound decent enough for me to post them now. But beware! There's still a lot of problems. One can only do so much with problematic source material. I'll post the Donovan, Joan Baez, and Richie Havens sets after posting this.

It so happens that all three of these sets are from the last day of the festival, August 30, 1970. If you're going to download some of them, I'd also suggest re-downloading the other sets from that day. The reason is, the Donovan set is the second one, so that becomes the new "Part 2," and all the sets after that are renumbered with their album titles. By the end of the day, there are nine parts instead of six. Furthermore, the song numbering for each part continues from the last part, so all that changes too. There ends up being 163 songs instead of 115, so there are lots of changes on all the sets from that day.

On top of that, I've made some minor changes to the cover art of some of the other albums, now that the technology for that has been improving as well. That includes changing some of the covers from the other days of the festival, specifically the sets by Chicago, Procol Harum, Ten Years After, John Sebastian, the Who, and Emerson, Lake and Palmer. So you might want to redownload those as well.

Norah Jones - Capitol Theatre, Port Chester, NY, 11-8-2015

Here's another album from the April 2026 leak of mono soundboard concerts from Port Chester, New York. I'm trying to prioritize these, because it seems most of them haven't been shared much, and the original leak has disappeared. This is a Norah Jones concert from 2015.

In 2015, Jones didn't really have an album to promote. Her most recent solo studio album at the time was "Little Broken Hearts," released in 2012. She would release "Day Breaks" in 2016. However, only two songs here are from that album ("Flipside" and "And Then There Was You"). So she performed songs from all over her career up until that point.

The music is unreleased. The sound quality is excellent. 

This album is an hour and 35 minutes long. 

01 What Am I to You (Norah Jones)
02 Out on the Road (Norah Jones)
03 I've Got to See You Again (Norah Jones)
04 Carnival Town (Norah Jones)
05 talk (Norah Jones)
06 Black (Norah Jones)
07 talk (Norah Jones)
08 It Must Have Been the Roses (Norah Jones)
09 talk (Norah Jones)
10 Chasing Pirates (Norah Jones)
11 Flipside (Norah Jones)
12 talk (Norah Jones)
13 Stuck (Norah Jones)
14 talk (Norah Jones)
15 Lonestar (Norah Jones)
16 And Then There Was You (Norah Jones)
17 Painter (Norah Jones)
18 Little Broken Hearts (Norah Jones)
19 talk (Norah Jones)
20 Don't Know Why (Norah Jones)
21 Miriam (Norah Jones)
22 Sinkin' Soon (Norah Jones)
23 talk (Norah Jones)
24 Don't Know What It Means (Norah Jones)
25 talk (Norah Jones)
26 Come Away with Me (Norah Jones)
27 talk (Norah Jones)
28 Sunrise (Norah Jones)
29 Creepin' In (Norah Jones)
30 How Many Times Have You Broken My Heart (Norah Jones)

https://pixeldrain.com/u/LUbwWwaE 

alternate: 

https://bestfile.io/en/7XUY4CydQNAjDoS/file

The cover image is from "Brian Fest," a tribute concert for Brian Wilson, at the Fonda Theater in Los Angeles, California, on March 30, 2015.

Billy Joel - WLIR Ultrasonic Concert Series, Ultrasonic Recording Studios, Hempstead, NY, 11-9-1971

Here's WLIR Ultrasonic Concert radio broadcast. This one features Billy Joel at the very start of his solo music career.

Joel struggled for a few years in various bands, including a stint in a heavy metal duo called Attila that he would prefer to forget. In 1971, he changed direction and released his first album, "Cold Spring Harbor," in singer-songwriter mode. I could be wrong, but I'm pretty sure this is the first live bootleg of him, from just after that album came out. The album didn't make much of a mark, being released on a small record label, so we're lucky to have this recording at all.

However, there's a big downside in that we only 19 minutes of that radio broadcast. That's probably all there is, since it's likely he had to share the program with one or more other musical acts, due to him not having a well known name at the time.

Nineteen minutes isn't very long for an album. So I asked musical friend Mike Solof for advice, since he's a big Billy Joel fan. He pointed me to another radio show Joel did about two months later, on January 29, 1972. It's a broadcast of a few songs from a club in San Francisco (going from tracks 10 to 15). A couple of songs were the same, so I didn't include them. But the other four were different, so this other song fills out this album to a reasonable length very nicely.

The last song, "Josephine," has "[Edit]" in its title. That's because a small chunk of the middle of the song was missing. Luckily, I was able to find another version and fill it in. And also, it was a pretty small missing piece. So hopefully you won't notice the problem.

The sound quality is very good. The music remains unreleased. 

This album is 37 minutes long.

01 talk (Billy Joel)
02 Everybody Loves You Now (Billy Joel)
03 talk (Billy Joel)
04 She's Got a Way (Billy Joel)
05 All American Blues (Billy Joel)
06 talk (Billy Joel)
07 Got to Begin Again (Billy Joel)
08 talk (Billy Joel)
09 Captain Jack (Billy Joel)
10 Travelin' Prayer (Billy Joel)
11 Long, Long Time (Billy Joel)
12 talk (Billy Joel)
13 Ballad of Billy the Kid (Billy Joel)
14 Josephine [Edit] (Billy Joel)

https://pixeldrain.com/u/QpWuSsxK

alternate:

https://bestfile.io/en/iLD5mPGM8GbAYAT/file

The cover photo shows Billy Joel at a piano with his band behind him. I don't know the details, but I would guess it's from around 1973. In all the photos I've seen of Joel in 1971 he has a mustache, so I added a mustache to his face here.

The Drive-By Truckers - Capitol Theatre, Port Chester, NY, 10-6-2017

I have to admit I'm not very familiar with the Drive-By Truckers. But I have a bootleg from them due to the April 2026 Capitol Theatre in Port Chester leak. This shown is very little known as an audio bootleg, so I thought I should share it.

Drive-By Truckers are an American rock band known for a mix of Southern rock, alternative country, and punk. They're also known for their lyrics, which often involves complex storytelling about the problems of the working class life. They've even been known to make entire concept albums. 

Being a political progressive myself, I especially like their political bent. Most of their songs aren't political. But at the time of this concert, their most recent album was one of their most overtly political. "American Band," released in 2016, addressed contemporary gun violence, race, and identity in the U.S. It probably was influenced by the rise of Donald Trump, although it came out a couple of months before he was elected president.

Here's their Wikipedia page, if you want to know more:

https://en.wikipedia.org/wiki/Drive-By_Truckers 

I found a high quality video of this concert, thanks to the leak mentioned above. There's a somewhat lower quality version of it available on YouTube. I did my usual thing of converting the video to audio and then chopping it into mp3s. The video I worked from was missing the first six songs, however. But luckily I found that other version on YouTube, so I used that to fill in the missing songs. 

This concert took place just four days after Tom Petty died. Clearly, the band members were big fans. They played one of his songs, "The Waiting," and sang the lyrics to another, "Southern Accents," on top of somewhat different original music. They also played a Ramones song, "The KKK Took My Baby Away." The rest are originals.

This album is two hours and 12 minutes long.

01 talk (Drive-By Truckers)
02 Guns of Umpqua (Drive-By Truckers)
03 Ramon Casiano (Drive-By Truckers)
04 Darkened Flags on the Cusp of Dawn (Drive-By Truckers)
05 72 [This Highway's Mean] (Drive-By Truckers)
06 Days of Graduation (Drive-By Truckers)
07 Ronnie and Neil (Drive-By Truckers)
08 Surrender Under Protest (Drive-By Truckers)
09 talk (Drive-By Truckers)
10 The Perilous Night (Drive-By Truckers)
11 A Ghost to Most (Drive-By Truckers)
12 The Living Bubba (Drive-By Truckers)
13 Panties in Your Purse (Drive-By Truckers)
14 The Waiting (Drive-By Truckers)
15 talk (Drive-By Truckers)
16 Filthy and Fried (Drive-By Truckers)
17 The Righteous Path (Drive-By Truckers)
18 Kinky Hypocrite (Drive-By Truckers)
19 The KKK Took My Baby Away (Drive-By Truckers)
20 Sink Hole (Drive-By Truckers)
21 talk (Drive-By Truckers)
22 Made Up English Oceans (Drive-By Truckers)
23 What It Means (Drive-By Truckers)
24 Birthday Boy (Drive-By Truckers)
25 Girls Who Smoke (Drive-By Truckers)
26 Marry Me (Drive-By Truckers)
27 Southern Accents - Ever South (Drive-By Truckers)
28 Three Dimes Down (Drive-By Truckers)
29 Let There Be Rock (Drive-By Truckers)
30 Zip City (Drive-By Truckers)
31 Hell No, I Ain't Happy (Drive-By Truckers)

https://pixeldrain.com/u/2NV1NYQS

alternate:

https://bestfile.io/en/oEhqH0kxU9iPJo1/file

The cover image is a screenshot I took from a video of this exact concert. 

Eric Clapton - Going Down Slow - Non-Album Tracks (1996-1998)

Recently, I decided to make a renewed effort to post more of my non-album tracks albums. I have a lot of these I made a long time ago. I tend to forget about posting them though because I get distracted by other music that's newer to me. As an example, I have several more of these albums for Eric Clapton's long career. So far, I've posted albums up until 1996. Here's the next one.

The main thing that happened musically to Clapton during the 1996 to 1998 time period is he released his studio album "Pilgrim" in 1998. I've already posted an alternate version of that one that cuts down on the overproduction that troubled it. 

There's one track here that later ended up as a bonus track on the "Pilgrim" album: "Theme from a Movie that Never Happened." However, it's an acoustic instrumental that doesn't have much in common with that album. Most of the other songs here are instrumentals or blues, or both.

"Rock Me Baby" is a duet with B.B. King from one of King's studio albums. "Angelica" and "What Else" come from a studio album as well. The rest are unreleased. Most of those are from concert bootlegs. See the mp3 tags for further details about sourcing.

This album is 46 minutes long.

01 Roberta (Eric Clapton with Dr. John)
02 St James Infirmary (Eric Clapton & Dr. John)
03 Ruthie [Instrumental] (Eric Clapton & Legends)
04 Rock Me Baby (B. B. King & Eric Clapton)
05 I Got You [I Feel Good] [Instrumental] (Eric Clapton & Legends)
06 I Hardly Ever Do (Eric Clapton with Alan Darby)
07 Angelica [Instrumental] (T.D.F (Eric Clapton))
08 What Else [Instrumental] (T.D.F (Eric Clapton))
09 Going Down Slow (Eric Clapton with David Sanborn)
10 Theme from a Movie that Never Happened [Instrumental] (Eric Clapton)

https://pixeldrain.com/u/VnTn2Csj

alternate:

https://bestfile.io/VwH2gxYlIaahpJc/file

The cover image is a painting by David Lloyd Glover. 

Two "New" Kinks Songs from the 1960s!

I'm a massive Kinks fan. As I've said here before, they're my second favorite band, only behind the Beatles. And I think they were at their absolute best from about 1966 to 1970, when they were writing tons of songs, and when even their "bad" songs were pretty darn good. So I was delighted to discover two Kinks songs from 1969 have recently become publicly available: "Darling, I Respect You" and "Let's Take Off All Our Clothes." 

They haven't been officially released. Instead, a mysterious person or group called the "Johnny Kidd Fan Club" apparently gave them to Prof. Stoned, who runs a great music blog: http://profstoned.com/ He added them to an improved collection of Kinks BBC tracks which he released in mid-August 2026. I don't know who or what the Johnny Kidd Fan Club is, but they're doing some great work. In recent years, they've made public unreleased music from the Beatles, Jimi Hendrix, Fleetwood Mac, Cream, the Animals, and much more. May they keep up the good work!

Here's the known history behind these two songs. Ray Davies, the main songwriter for the Kinks, was commissioned to write songs for a six-episode 1969 BBC series called "Where Was Spring?" Apparently, he did five, and his versions (backed by the Kinks) were broadcast on each show weeks with animations made to fit the lyrics. All of the episodes have been lost, apparently, although some stills from the animations survive. Two of the Kinks were later officially released: "Where Did the Spring Go?" and "When I Turn Off the Living Room Light." The other three were considered lost, mostly. A version of "Darling, I Respect You" did make some bootlegs, but the sound quality was truly terrible, to the point that I found it unlistenable. Now, somehow, 56 years later (!), we have very good sounding versions of "Darling, I Respect You" and "Let's Take Off All Our Clothes." Only "We Are Two of a Kind" still remains completely unknown and unbootlegged.

There was a little bit of audience applause at the starts and ends of these songs, even though they're clearly studio versions. I surmise that's because each skit or scene in the BBC TV show ended with applause, and trailed into the next one. I used the MVSEP program to wipe out most of the clapping. 

Instead of posting links to just these two newly discovered songs, I've added them into a compilation of non-album tracks I made called "Where Was Spring" (named after the long-lost BBC TV show). You can find them here as tracks 3 and 11:

https://albumsthatshouldexist.blogspot.com/2018/04/the-kinks-where-was-spring-1969.html

You also can find them at Prof. Stoned blog, with lots of other top quality Kinks BBC material. 

Are these two songs long lost masterpieces? No. They're pretty slight and light. Each of them is only about two minutes long. But, as I said above, in the late 1960s, even "bad" Kinks songs were pretty good. So I'm very psyched to finally be able to enjoy these.

Diana Krall - Capitol Theatre, Port Chester, NY, 3-12-2015

Here's yet another concert from the April 2026 leak of dozens of concerts from the Capitol Theatre in Port Chester, New York. Nobody else seems to be posting these anymore, but I have dozens more I want to post. This one is a concert by jazz pianist Diana Krall.

This concert was part of a tour to support her 2015 album "Wallflower." It was released earlier that month, and this was probably one of the first concerts of that tour, if not the very first. 

The recording of this concert seems to have been very obscure. Even months after the leak mentioned above, I couldn't find it on any of the usual bootleg sites. Heck, setlist.fm doesn't even have this concert listed in their very big database. So hopefully this post will change that. 

Like all the recordings from that leak, the sound quality is excellent, although the recording is only in mono. I found a video of this concert (from the leak) then converted it to audio and chopped it into mp3s. The video is too big to share here (7 GB!) but I'm sharing it via SoulseekQT. 

This album is an hour and 42 minutes long.

01 We Just Couldn't Say Goodbye (Diana Krall)
02 There Ain't No Sweet Man that's Worth the Salt of My Tears (Diana Krall)
03 talk (Diana Krall)
04 On the Sunny Side of the Street (Diana Krall)
05 talk (Diana Krall)
06 Just like a Butterfly that's Caught in the Rain (Diana Krall)
07 Temptation (Diana Krall)
08 talk (Diana Krall)
09 The Night We Called It a Day (Diana Krall)
10 The Frim-Fram Sauce (Diana Krall)
11 talk (Diana Krall)
12 A Case of You (Diana Krall)
13 talk (Diana Krall)
14 I'm Gonna Sit Right Down and Write Myself a Letter (Diana Krall)
15 California Dreamin' (Diana Krall)
16 talk (Diana Krall)
17 Sorry Seems to Be the Hardest Word (Diana Krall)
18 talk (Diana Krall)
19 Operator [That's Not the Way It Feels] (Diana Krall)
20 Just You, Just Me (Diana Krall)
21 'Deed I Do (Diana Krall)
22 talk (Diana Krall)
23 Wallflower (Diana Krall)
24 I'm a Little Mixed Up (Diana Krall)
25 talk (Diana Krall)
26 If I Take You Home Tonight (Diana Krall)
27 I'll String Along with You (Diana Krall)
28 Ophelia (Diana Krall)

https://pixeldrain.com/u/QQFg8GwT

alternate:

https://bestfile.io/en/3RFLj2d7PDfEY8Z/file

The cover image is a screenshot I took from a video of this exact concert.

Beck - Outside Lands Music Festival, Golden Gate Park, San Francisco, CA, 8-8-2025

So what has Beck been up to lately? As I write this in September 2026, he hasn't released a new studio album since 2019, the longest gap of his career so far. The good news is, a new album is coming out later this month, called "Ride Lonesome." It's in his more quiet style, like his albums "Sea Change" and "Morning Phase." But this is the first album he's done with a full orchestra.

It turns out he's been experimenting playing with orchestras for a while now, and this concert has been part of that. In the summer of 2025, he performed a short tour of only nine concerts, and in each one he was backed by a full orchestra. This was the last concert of that tour, and he was backed by the Berkeley Symphony while performing in San Francisco. (I think the last two songs were done with just his usual band and not the orchestra, however.)

I looked for the best sounding recording from this tour. I wouldn't have posted anything if none of them sounded that good. But luckily, this concert was professionally recorded for a webcast. As I often do, I found a video version, then converted it to audio and chopped it into mp3s.

It's interesting to hear his songs performed in this different way. He must have enjoyed this enough to make his next album with an orchestra. (He did a 2024 tour with orchestras as well.) One nice thing also is that he performed a cover he'd never done prior to this tour, "Montague Terrace (In Blue)," which was originally done by Scott Walker. Unfortunately, on most of the other concerts in this tour, he did two other cover songs, "Tarantula" by Colourbox, and "It's Raining Today," also by Scott Walker, but for some reason he skipped them for this concert. "Everybody's Gotta Learn Sometime" is also a cover of 1980s hit by the Korgis. Beck has covered it a lot in the past, including doing a version for a 2004 movie soundtrack.

The music here is unreleased. The sound quality is excellent. 

This album is an hour and 17 minutes long.

01 Golden Age (Beck)
02 talk (Beck)
03 Everybody's Gotta Learn Sometime (Beck)
04 Lonesome Tears (Beck)
05 Wave (Beck)
06 Tropicalia (Beck)
07 talk (Beck)
08 Blue Moon (Beck)
09 talk (Beck)
10 Lost Cause (Beck)
11 The New Pollution (Beck)
12 talk (Beck)
13 Ramona (Beck)
14 Paper Tiger (Beck)
15 talk (Beck)
16 Montague Terrace [In Blue] (Beck)
17 Phase [Instrumental] (Beck)
18 Morning (Beck)
19 talk (Beck)
20 Waking Light (Beck)
21 talk (Beck)
22 Where It's At (Beck)
23 talk (Beck)
24 Devil's Haircut (Beck)
25 Loser (Beck)

https://pixeldrain.com/u/8YkgxrZT

alternate:

https://bestfile.io/en/VTqGWioNLdNeXwo/file

The cover image is a screenshot I took from a video of this exact concert.

Earthquake Relief Benefit, Oakland-Alameda County Coliseum Arena, Oakland, CA, 12-6-1989 - The Grateful Dead

Here, finally, is the last of the 20 albums I'm posting from the Earthquake Relief Benefits. Up until now, all the albums I posted were of concerts that took place at three different San Francisco Bay Area venues on November 26, 1989. However, the Grateful Dead wanted to be a part of this benefit project, but they were already booked to perform elsewhere on that date. So they had this concert about two weeks later instead.

I double checked, and there were no opening acts. The Dead did a typical full concert for them, with an intermission.

I've been mentioned in my write-ups how many of the musical acts in these benefit concerts had peaks of popularity in the late 1960s and/or early 1970s, then broke up or went through hard times for much of the 1980s, only to have a revival at the end of the 80s. The Dead fit that mold as well. They never stopped touring or stopped being popular, due to all that touring. However, they went a long time in the 1980s without recording a studio album, from 1980 to 1987. Then, when they did release an album in 1987, "In the Dark," it turned out to be an unexpected hit for them. It reached the Top Ten in the U.S. album chart, the only album of theirs that ever did that. And one song, "Touch of Grey," also made the Top Ten in the singles chart, also the only time they ever did that. Then, in late 1989, they released another album, "Built to Last," which also did fairly well.

However, the Dead beat to their own drum, and didn't do typical album promotion. Only three of the songs they performed here were from their recently released album ("Just a Little Light," "Victim or the Crime," and "Standing on the Moon"). 

One nice thing about this concert is that saxophonist Clarence Clemons, who usually played for Bruce Springsteen, joined the band for six songs towards the end of the second set. 

This album is two hours and 28 minutes long.

01 talk (Grateful Dead)
02 Shakedown Street (Grateful Dead)
03 Walking Blues (Grateful Dead)
04 Friend of the Devil (Grateful Dead)
05 Queen Jane Approximately (Grateful Dead)
06 Jack-A-Roe (Grateful Dead)
07 Just a Little Light (Grateful Dead)
08 Victim or the Crime (Grateful Dead)
09 Don't Ease Me In (Grateful Dead)
10 Scarlet Begonias (Grateful Dead)
11 Sugar Magnolia (Grateful Dead)
12 Ship of Fools (Grateful Dead with Clarence Clemons)
13 Terrapin Station (Grateful Dead with Clarence Clemons)
14 Drums [Instrumental] (Grateful Dead)
15 Space [Instrumental] (Grateful Dead)
16 The Wheel (Grateful Dead)
17 All Along the Watchtower (Grateful Dead with Clarence Clemons)
18 Standing on the Moon (Grateful Dead with Clarence Clemons)
19 Sunshine Daydream (Grateful Dead with Clarence Clemons)
20 talk (Grateful Dead with Clarence Clemons)
21 Black Muddy River (Grateful Dead with Clarence Clemons) 

https://pixeldrain.com/u/a4R2vRoc

alternate:

https://bestfile.io/8yjb0FspNjhOuxN/file

The cover image is from this exact concert, but with caveats. It's actually two separate images, one of Bob Weir and the other of Jerry Garcia. By putting them together in Photoshop like I did, I hope it looks like they're looking at each other. Also, the originals of both were in black and white, but I colorized them.

Earthquake Relief Benefit, Henry J. Kaiser Auditorium, Oakland, CA, 11-26-1989, Part 10 - John Fogerty

Here's Part 10 of the 1989 Earthquake Relief Benefit concert in Oakland, California. This is a set by John Fogerty. This is the final album from this concert. But there's one more album I plan on posting relating to these concerts.

It's starting to get uncanny, because here we have another case of a career revival of a musical act popular in the late 1960s and/or early 1970s. I wonder if promoter Bill Graham planned the musical acts for this Oakland concert deliberately. In any case, John Fogerty was the singer-songwriter behind Creedence Clearwater Revival (CCR). But that band broke up in 1972, and he didn't release any solo albums between 1975 and 1985. But he came back strong with "Centerfield" in 1985 and "Eye of the Zombie" in 1986. "Centerfield" in particular was a critical and commercial smash, reaching Number One in the U.S. album chart.

Fogerty's set mostly consisted of classic CCR hits. But he included two hits from "Centerfield," "Rock and Roll Girls" and "Centerfield."

By the way, note that I have no proof of the order of acts at this Oakland concert. I just used logic to make educated guesses. For instance, I think it's pretty obvious that Bonnie Raitt and John Fogerty would have been the two biggest acts, so they would have gone last. I don't know which one of those would have closed the show. Raitt's latest album was the bigger hit at the time. However, Fogerty had all those timeless CCR hits, so I would have put him on last if I was the one planning the concert.

This album is 35 minutes long. 

01 talk (John Fogerty)
02 Born on the Bayou (John Fogerty)
03 talk (John Fogerty)
04 Green River (John Fogerty)
05 talk (John Fogerty)
06 Down on the Corner (John Fogerty)
07 talk (John Fogerty)
08 Lookin' Out My Back Door (John Fogerty)
09 Rock and Roll Girls (John Fogerty)
10 Centerfield (John Fogerty)
11 Midnight Special (John Fogerty)
12 Fortunate Son (John Fogerty)
13 Bad Moon Rising (John Fogerty)
14 talk (John Fogerty)
15 Proud Mary (John Fogerty)
16 talk (John Fogerty)

https://pixeldrain.com/u/EEQwgyA7

alternate:

https://bestfile.io/bia4PsNa6LNkBRS/file

The cover image is a screenshot I took from a video of this exact concert. 

Earthquake Relief Benefit, Henry J. Kaiser Auditorium, Oakland, CA, 11-26-1989, Part 9 - Bonnie Raitt

Here's Part 9 of the 1989 Earthquake Relief Benefit concert in Oakland, California. This is a set by Bonnie Raitt. There's just one more album from this concert after this one.

The theme of musical comebacks continues in a big way with this set. Bonnie Raitt had a fair amount of success for most of the 1970s, but her music career was in slow decline for most of the 1980s. She had trouble even getting one of her albums released. But then, in 1989, she had one of the biggest and most successful music career revivals of all time, thanks to her album "Nick of Time." It hit Number One on the U.S. album chart, sold five million copies, and won the Album of the Year Grammy. Rolling Stone magazine has even listed it as one of the top 500 albums of all time. That turned her into a superstar, and she went on to have many more successful records.

This concert is a roughly even mix between "Nick of Time" songs and songs from earlier in her career. 

This album is 48 minutes long. 

01 talk (Bonnie Raitt)
02 About to Make Me Leave Home (Bonnie Raitt)
03 talk (Bonnie Raitt)
04 Green Lights (Bonnie Raitt)
05 talk (Bonnie Raitt)
06 Have a Heart (Bonnie Raitt)
07 talk (Bonnie Raitt)
08 Nick of Time (Bonnie Raitt)
09 Love Me like a Man (Bonnie Raitt)
10 Give It Up or Let Me Go (Bonnie Raitt)
11 talk (Bonnie Raitt)
12 Thing Called Love (Bonnie Raitt)
13 talk (Bonnie Raitt)
14 Love Letter (Bonnie Raitt)
15 talk (Bonnie Raitt)
16 Three Time Loser (Bonnie Raitt)
17 Willya Wontcha (Bonnie Raitt)
18 talk (Bonnie Raitt)

https://pixeldrain.com/u/AmmZ85ae

alternate:

https://bestfile.io/en/TocaycPjwp64GeU/file

The cover image is a screenshot I took from a video of this exact concert. 

Earthquake Relief Benefit, Henry J. Kaiser Auditorium, Oakland, CA, 11-26-1989, Part 8 - Etta James

Here's Part 8 of the 1989 Earthquake Relief Benefit concert in Oakland, California. This is a set by Etta James.

Writing these write-ups, it's uncanny how many of the musical acts in this concert had early success in the 1960s and/or 1970s and then went through hard times in the 1980s. That was definitely the case for Etta James. Most of the 1980s was a lost decade for her musically, largely due to drug addiction and alcoholism problems. But she managed a comeback in 1988 with her album "Seven Year Itch." The title refers to the fact that she didn't even have a record contract for seven years. But the album was a critical success, and got a Grammy nomination.

Two of the songs here are from the "Seven Year Itch" album: "Breaking Up Somebody's Home" and "Come to Mama." The rest are older classics.

This album is 36 minutes long.

01 Love and Happiness (Etta James)
02 Breaking Up Somebody's Home (Etta James)
03 talk (Etta James)
04 I'd Rather Go Blind (Etta James)
05 Come to Mama (Etta James)
06 talk (Etta James)
07 At Last - Trust in Me (Etta James)
08 Sunday Kind of Love (Etta James)

https://pixeldrain.com/u/GDXzUdaL

alternate:

https://bestfile.io/en/09INBwivqSSBZUG/file

For the vast majority of musical acts in this concert, I was able to find video footage so I could take screenshots for the cover art. But that wasn't the case for Etta James. So for this cover, I used a screenshot I took of a concert she did for the Montreux Jazz Festival in 1989.

Earthquake Relief Benefit, Henry J. Kaiser Auditorium, Oakland, CA, 11-26-1989, Part 7 - Tower of Power

Here's Part 7 of the 1989 Earthquake Relief Benefit concert in Oakland, California. This is a set by Tower of Power.

Tower of Power had a series of hits in the 1970s. But, like a lot of other musical acts in this concert, they had some hard times in the 1980s. They only put out two albums, one in 1981 and the other in 1987, and neither one made the U.S. album charts. I believe at this time their lead singer was Tom Bowes, who had just joined the band earlier that year.

Their set concentrated on the 1970s hits, with no songs from their 1987 album. 

This album is 28 minutes long. 

01 talk (Tower of Power)
02 Believe It (Tower of Power)
03 A Little Knowledge [Is a Dangerous Thing] (Tower of Power)
04 talk (Tower of Power)
05 You're Still a Young Man (Tower of Power)
06 You Got to Funkifize (Tower of Power)
07 Down to the Nightclub [Bump City] (Tower of Power)
08 What Is Hip (Tower of Power)

https://pixeldrain.com/u/yofGw9vh

alternate:

https://bestfile.io/en/37BA88UyrJNQFJ3/file

The cover image is a screenshot I took from a video of this exact concert.

Earthquake Relief Benefit, Henry J. Kaiser Auditorium, Oakland, CA, 11-26-1989, Part 6 - Taj Mahal with Bobby McFerrin

Here's Part 6 of the 1989 Earthquake Relief Benefit concert in Oakland, California. This is a set by Taj Mahal. He was joined by Bobby McFerrin on vocals for the last three songs.

Up until now, most of the musical acts in the Oakland benefit concert hadn't been popular since the late 1960s and/or early 1970s, and some of them had only recently reunited. But now we start to get into some more popular acts. 

However, Taj Mahal also had some "wilderness years." He didn't release any new music from 1977 to 1987. He kept a low profile while living in Hawaii. However, he released a well-received comeback album in 1987, "Taj," and has steadily released new albums ever since then.

Bobby McFerrin probably was more famous at this time. That was largely due to his song "Don't Worry, Be Happy," which was a Number One hit in the U.S. in 1988. However, he avoided singing that song here and just assisted Taj Mahal in singing some blues classics. 

This album is 34 minutes long.

01 talk by Bill Graham (Taj Mahal)
02 Big Legged Mamas Are Back in Style Again (Taj Mahal)
03 Easy Rider (Taj Mahal)
04 Fishing Blues (Taj Mahal)
05 Light Rain (Taj Mahal & Bobby McFerrin)
06 Sweet Home Chicago (Taj Mahal & Bobby McFerrin)
07 talk (Taj Mahal & Bobby McFerrin)
08 Blue Light Boogie (Taj Mahal & Bobby McFerrin)

https://pixeldrain.com/u/yqmJpLFi

alternate: 

https://bestfile.io/en/QwAS2LsOZWQ2O3D/file

The cover image shows Taj Mahal (wearing a white hat) and Bobby McFerrin. It's a screenshot I took from a video of this exact concert. 

Earthquake Relief Benefit, Henry J. Kaiser Auditorium, Oakland, CA, 11-26-1989, Part 5 - Big Brother & the Holding Company

Here's Part 5 of the 1989 Earthquake Relief Benefit concert in Oakland, California. This is a set by Big Brother and the Holding Company.

As I mentioned in an earlier write-up, many of the musical acts in these benefit concerts had their most popular years in the late 1960s and/or early 1970s, but broke up or went into commercial decline after that. This is another case. Big Brother and the Holding Company came to fame in the 1960s primarily due to their lead singer Janis Joplin. But she broke up with them in 1969, and then died in 1971. The band stayed together for a little while without Joplin, releasing albums in 1970 and 1971. But they broke up in 1972.

And that's how things stayed until 1987. A reunited band contained most of the original members, including Sam Andrew, Peter Albin, Dave Getz, and James Gurley. But obviously there was no Joplin anymore. Instead, Michel Bastian was chosen to replace her lead vocals. 

For this concert, they chose to play some of the songs most closely associated with Joplin, including the band's biggest hit, "Piece of My Heart." Whether you consider this band should have kept going without Joplin is up to you.

This album is 25 minutes long.

01 talk (Big Brother & the Holding Company)
02 Combination of the Two (Big Brother & the Holding Company)
03 Summertime (Big Brother & the Holding Company)
04 Ball and Chain (Big Brother & the Holding Company)
05 Piece of My Heart (Big Brother & the Holding Company)

https://pixeldrain.com/u/QMUdkuu4

alternate:

https://bestfile.io/en/w01CgS237PPhA01/file

The cover image of Michel Bastian is a screenshot I took from a video of this exact concert. 

Earthquake Relief Benefit, Henry J. Kaiser Auditorium, Oakland, CA, 11-26-1989, Part 4 - Cold Blood

Here's Part 4 of the 1989 Earthquake Relief Benefit concert in Oakland, California. This is a set by Cold Blood.

Cold Blood was another band at this concert that was most popular in the late 1960s and early 1970s. In this case, they released albums between 1969 and 1976, and then broke up. The main star of the band was lead singer Lydia Pense. She suspended her music career for most of the 1980s. However, she revived the band in 1988, which was fortunate timing for appearing at this concert.

This album is 22 minutes long. 

01 talk by emcee (Cold Blood)
02 You Got Me Hummin' (Cold Blood)
03 I Just Want to Make Love to You (Cold Blood)
04 Baby I Love You (Cold Blood)
05 Down to the Bone (Cold Blood)

https://pixeldrain.com/u/FTveeJfd

alternate:

https://bestfile.io/en/7SMyRs4d0h8YXFS/file

The cover image of Lydia Pense is a screenshot I took of a video from this exact concert.

Earthquake Relief Benefit, Henry J. Kaiser Auditorium, Oakland, CA, 11-26-1989, Part 3 - Quicksilver Messenger Service

Here's Part 3 of the 1989 Earthquake Relief Benefit concert in Oakland, California. This is a set by the band Quicksilver Messenger Service.

Technically speaking, this band was billed as the "New Quicksilver Messenger Service." Unfortunately, that's because there wasn't much left from the original band in the late 1960s and early 1970s. According to Wikipedia, the only original member still in the band at this time was Gary Duncan, on lead guitar and vocals. The other members were Michael Lewis on keyboards, John Bird on guitar and vocals, Bobby Vega on bass, and Greg Errico on drums. But at least Duncan was one of the band's leaders back in their heyday. Another key leader, John Cipollina, had been estranged from the band since 1975. He also died earlier in 1989.

I don't know where most of these songs aren't well known songs from when the band was most popular. This version of the band released an album in 1986, but none of these songs are from that album either. Instead, most of them would be released on the albums "Shape Shifter Vols. 1 and 2," which wouldn't be released until 1996.

This album is 23 minutes long.

01 talk (Quicksilver Messenger Service)
02 Bubba Jeans (Quicksilver Messenger Service)
03 Holiday (Quicksilver Messenger Service)
04 What Did You Do to Yo Do (Quicksilver Messenger Service)
05 Time to Shine (Quicksilver Messenger Service)
06 Gangster Purple (Quicksilver Messenger Service)

https://pixeldrain.com/u/kMwRaX9c

alternate: 

https://bestfile.io/neFTDUqqUv5Ru7v/file

The cover image is a screenshot I took from a video of this exact concert.

Earthquake Relief Benefit, Henry J. Kaiser Auditorium, Oakland, CA, 11-26-1989, Part 2 - Dan Hicks

Here's Part 2 of the 1989 Earthquake Relief Benefit concert in Oakland, California. This is a set by Dan Hicks.

I want to make a general point that many of the musical acts in the Earthquake Benefit Concerts were popular in the late 1960s and/or early 1970s, and went in commercial decline after that. But these concerts gave them at least one more last hurrah on a big stage. I'm sure this had a lot to do with the fact that the promoter of these benefit concerts, Bill Graham, was most active as a promoter in the San Francisco Bay Area in that same earlier time period.

Dan Hicks is a good example of this. He was the leader of the band Dan Hicks and His Hot Licks from 1967 to 1973. After that, he kept a low musical profile until he had a minor comeback in the late 1980s.

Here's his Wikipedia page:

https://en.wikipedia.org/wiki/Dan_Hicks_(singer) 

This is a pretty short set, but it appears to be the entire thing. 

This album is 18 minutes long. The music is unreleased, like all the other music from these benefit concerts.

01 talk by emcee (Dan Hicks)
02 Up, Up, Up (Dan Hicks)
03 The Buzzard Was Their Friend (Dan Hicks)
04 talk (Dan Hicks)
05 I Scare Myself (Dan Hicks)
06 talk (Dan Hicks)
07 Long Come a Viper (Dan Hicks)

https://pixeldrain.com/u/iQXyR5Sq

alternate: 

https://bestfile.io/en/ONvCumaav2qTa4t/file

The cover image is a screenshot I took of a video from this exact concert. 

Earthquake Relief Benefit, Henry J. Kaiser Auditorium, Oakland, CA, 11-26-1989, Part 1 - Caribbean Allstars, Pete Escovedo, and Dinosaurs

On November 26, 1989, there were three Earthquake Relief Benefit concerts in the San Francisco Bay Area. Recently, I posted albums from the concerts in Daly City (near San Francisco) and Watsonville (close to Santa Cruz). Now, I'm starting to post albums from the third concert, in Oakland. I've found more music from this concert than the other two, enough for ten albums. 

I don't know the correct chronological order of the performers, so I made up my own order. For this first one, I gathered together three short performances. For all the other albums, I have one musical act per album.

The three acts here are the Caribbean Allstars, Pete Escovedo, and Dinosaurs. I had never heard of any of them before, to be honest.  

I know next to nothing about the Caribbean Allstars. They apparently don't have a Wikipedia entry. Pete Escovedo is a percussionist. He was a member of Santana, led the Latin big band Azteca, and has released many solo albums. He also is the father of the famous drummer and singer Sheila E.

Here's his Wikipedia page:

https://en.wikipedia.org/wiki/Pete_Escovedo

Dinosaurs was a band that consisted of musicians from various 1960s and 1970s Bay Area bands. They only released one album, in 1988, cleverly called "Dinosaurs." The band existed from 1982 into the 1990s. The membership of this band changed over the years. At the time of this concert, it consisted of Barry 'The Fish' Melton on guitar and vocals (from Country Joe and the Fish), Peter Albin on bass and vocals (from Big Brother and the Holding Company), Merle Saunders on keyboards and vocals, Papa John Creach on violin (from Hot Tuna), and Spencer Dryden on drums (from Jefferson Airplane).

Here's the band's Wikipedia entry: 

https://en.wikipedia.org/wiki/Dinosaurs_(band) 

This album is 48 minutes long.

01 talk by emcee (Caribbean Allstars)
02 Paths to Greatness (Caribbean Allstars)
03 Oh What a Situation (Caribbean Allstars)
04 talk by emcee (Pete Escovedo)
05 Charango Sunrise [Instrumental] (Pete Escovedo)
06 Modern Dance [Instrumental] (Pete Escovedo)
07 talk (Dinosaurs)
08 Dance (Dinosaurs)
09 talk (Dinosaurs)
10 Built for Comfort (Dinosaurs)
11 talk (Dinosaurs)
12 John's Other (Dinosaurs)
13 talk (Dinosaurs)

https://pixeldrain.com/u/zoMZCJVS 

alternate:

https://bestfile.io/en/rrnI7S2KOQTTw8Y/file

The cover image is of one of the Caribbean Allstars singers. This is taken from a video of this exact concert.  

Graham Nash - Capitol Theater, Port Chester, NY, 7-15-2017

Here's another concert that comes from the April 2026 leak of soundboard bootlegs from the Capitol Theater in Port Chester, New York. This one is an acoustic show starring Graham Nash of Crosby, Stills and Nash. He was backed up only by Shane Fontayne on lead guitar and backing vocals.

Due to that leak mentioned above, I was able to find a video file of this concert. I converted the video to audio, and chopped them into mp3s. Like most files from that leak, the sound quality is excellent, but in mono.

Unfortunately, according to setlist.fm, the video is missing the first six songs. (Everything here prior to "King Midas in Reverse.") But since I found a list of what those songs were, I looked around to see if there were good versions from another concert. It turns out there is a pretty good audience bootleg from Perth, Britain, on July 28, 2018. All of those six missing songs were played, but in different order. I repositioned them in the correct order, including some banter that fit. Since the source for these is an audience boot with lesser sound, I took some extra steps to improve the sound quality for those. I ended up running the songs through the MVSEP program a couple of times each to get rid of unwanted crowd noise and reverb. Now, those six songs sound better, though still not quite as good as the rest.

In 2016, Nash released the solo album "This Flight Tonight." It was his first solo album in 14 years, and, in my opinion, one of his best. He played just four songs from that album. He also did some unexpected rarities. I was especially pleased to see that he did a couple of Hollies songs "On a Carousel" and "Carrie Anne" that he has very rarely done during his long post-Hollies career. ("King Midas in Reverse" is also originally a Hollies song, but he's played that one a lot more over the years.)

This album is one hour and 51 minutes long. 

01 On a Carousel - Carrie Anne (Graham Nash)
02 talk (Graham Nash)
03 Marrakesh Express (Graham Nash)
04 I Used to Be a King (Graham Nash)
05 talk (Graham Nash)
06 Immigration Man (Graham Nash)
07 talk (Graham Nash)
08 Sleep Song (Graham Nash)
09 talk (Graham Nash)
10 Myself at Last (Graham Nash)
11 talk (Graham Nash)
12 King Midas in Reverse (Graham Nash)
13 talk (Graham Nash)
14 Wasted on the Way (Graham Nash)
15 Military Madness (Graham Nash)
16 talk (Graham Nash)
17 Wind on the Water (Graham Nash)
18 talk (Graham Nash)
19 A Day in the Life (Graham Nash)
20 talk (Graham Nash)
21 talk (Graham Nash)
22 Simple Man (Graham Nash)
23 talk (Graham Nash)
24 Taken at All (Graham Nash)
25 talk (Graham Nash)
26 Lady of the Island (Graham Nash)
27 talk (Graham Nash)
28 Golden Days (Graham Nash)
29 talk (Graham Nash)
30 Mississippi Burning (Graham Nash)
31 talk (Graham Nash)
32 Back Home (Graham Nash)
33 talk (Graham Nash)
34 Cathedral (Graham Nash)
35 talk (Graham Nash)
36 Our House (Graham Nash)
37 Chicago (Graham Nash)
38 talk (Graham Nash)
39 Blackbird (Graham Nash)
40 talk (Graham Nash)
41 Teach Your Children (Graham Nash)

https://pixeldrain.com/u/ibE3x7YN 

alternate:

https://bestfile.io/en/sS1lfWNIk0DlnIb/file

The cover image is a screenshot I took of this exact concert.

The Pretty Things - WLIR Ultrasonic Concert Series, Ultrasonic Recording Studios, Hempstead, NY, 3-10-1975

Here's another in the WLIR Ultrasonic radio broadcast series. This time, it's a 1975 concert by the Pretty Things.

I love the music of the Pretty Things in general, but I think they had a decline from about 1973 to 1976, before breaking up (for the first time). They went in more of a glam rock/ hard rock direction, which would have been fine if they wrote great songs, but in my opinion they didn't. But in any case, 1975 is when they happened to do an Ultrasonic concert, so here we are. They were promoting their album "Silk Torpedo," which was released about two months earlier.

They generally played songs from that album and other recent albums. But for the last two songs, they went back to some of their earliest songs. ("(Get Your Kicks On) Route 66" is a cover, but they did it from the mid-1960s).

The music here is unreleased. The sound quality is very good, but not excellent. 

This album is an hour and three minutes long.

01 Singapore Silk Torpedo (Pretty Things)
02 talk (Pretty Things)
03 Dream-Joey (Pretty Things)
04 talk (Pretty Things)
05 Belfast Cowboys (Pretty Things)
06 talk (Pretty Things)
07 It's Been So Long (Pretty Things)
08 talk (Pretty Things)
09 Bridge of God (Pretty Things)
10 talk (Pretty Things)
11 Havana Bound (Pretty Things)
12 Come Home Momma (Pretty Things)
13 talk (Pretty Things)
14 It Isn't Rock 'n' Roll (Pretty Things)
15 talk (Pretty Things)
16 Rosalyn (Pretty Things)
17 talk (Pretty Things)
18 [Get Your Kicks On] Route 66 (Pretty Things)

https://pixeldrain.com/u/USXzCwAj

alternate:

https://bestfile.io/en/63GYPBUJjBHoCIO/file

The cover image is from a concert at the New Victoria Theatre in London, some time in 1975.

Dolly Parton - Hollywood Bowl, Los Angeles, CA, 7-23-2011

A couple of days ago as I write this, another musical great passed away. Dolly Parton died on August 25, 2026, at the age of 80. She was more than just a great country singer and songwriter; by all accounts she was a nice person who gave many millions to charitable causes. She will be missed.

After hearing she had died, I looked around to see what music I could post of hers that would be interesting. I found an ALD recording of this concert that apparently hasn't been shared much until now. ALD stands for "assistive learning device." By U.S. law, big concert venues must provide these devices for concert-goers who are hard of hearing. Sometimes, clever people manage to record the live signal going to these devices. This is one of those cases.

Typically, ALD recordings are excellent, very similar to soundboard recordings. However, one flaw is that they often don't have much of the audience cheering. That was very much the case for this one. In addition, when Parton spoke between songs, sometimes her voice was quite faint. So I ran every song through the MVSEP audio editing program. I separated out the crowd noise, and then drastically boosted it at the ends of songs. I also simply boosted the vocals of her banter, sometimes making adjustments line by line. I boosted those so much that it often resulted in a lot of hiss. So I then made more audio edits to get rid of the hiss.  

I had extra trouble with the last song. For some reason, bursts of static came through repeatedly. I used both the MVSEP and UVR5 programs to use different noise-cleaning tools. I'm glad to say that got rid of nearly all of the problem. But that's why that one song has "[Edit]" in its title.

This fixing of the songs took a lot of work, but it was my way of paying tribute to the great Dolly Parton. Hopefully, this now will be considered one of her best, and best sounding, concert bootlegs. The concert took place during her tour for her 2011 album "Better Day." A New York Times newspaper review of that album praised her "almost ageless" vocals, and you can hear that vocal quality in this concert too. That album was well received by critics, but only sold moderately in the U.S. However, it Britain, it became her highest charting album, reaching Number One on the country chart there, and in the Top Ten in the main pop chart.

This album is two hours and 17 minutes long. 

01 Light of a Clear Blue Morning (Dolly Parton)
02 Walking on Sunshine (Dolly Parton)
03 Better Get to Livin' (Dolly Parton)
04 talk (Dolly Parton)
05 Jolene (Dolly Parton)
06 talk (Dolly Parton)
07 Rocky Top (Dolly Parton)
08 Mule Skinner Blues [Instrumental] (Dolly Parton)
09 talk (Dolly Parton)
10 Help (Dolly Parton)
11 Shine (Dolly Parton)
12 Stairway to Heaven (Dolly Parton)
13 talk (Dolly Parton)
14 My Tennessee Mountain Home (Dolly Parton)
15 talk (Dolly Parton)
16 Precious Memories (Dolly Parton)
17 talk (Dolly Parton)
18 Coat of Many Colors (Dolly Parton)
19 talk (Dolly Parton)
20 Smoky Mountain Memories (Dolly Parton)
21 talk (Dolly Parton)
22 Son of a Preacher Man (Dolly Parton)
23 talk (Dolly Parton)
24 Better Day (Dolly Parton)
25 talk (Dolly Parton)
26 Together You and I (Dolly Parton)
27 talk (Dolly Parton)
28 Holding Everything (Dolly Parton)
29 talk (Dolly Parton)
30 Rappin' Dolly (Dolly Parton)
31 talk (Dolly Parton)
32 He Will Take You Higher (Dolly Parton)
33 talk (Dolly Parton)
34 He's Everything (Dolly Parton)
35 talk (Dolly Parton)
36 White Limozeen (Dolly Parton)
37 talk (Dolly Parton)
38 Best of Both Worlds (Dolly Parton)
39 talk (Dolly Parton)
40 The Sacrifice (Dolly Parton)
41 talk (Dolly Parton)
42 In the Meantime (Dolly Parton)
43 talk (Dolly Parton)
44 Little Sparrow (Dolly Parton)
45 River Deep, Mountain High (Dolly Parton)
46 talk (Dolly Parton)
47 Here You Come Again (Dolly Parton)
48 Islands in the Stream (Dolly Parton)
49 9 to 5 (Dolly Parton)
50 talk (Dolly Parton)
51 I Will Always Love You (Dolly Parton)
52 Light of a Clear Blue Morning [Reprise] [Edit] (Dolly Parton)

https://pixeldrain.com/u/Qw9MQQtM

alternate:

https://bestfile.io/en/78uu4bJr1gpxzBY/file 

The cover image is from this exact concert.

Earthquake Relief Benefit, Watsonville High School Football Field, Watsonville, CA, 11-26-1989, Part 3 - Santana

Here is the third and final album from the 1989 Earthquake Relief Benefit concert in Watsonville, California. This is a Santana set. 

As I mentioned in a previous write-up, the Watsonville population is about 80 percent ethnically Hispanic. So it made sense to have acts like Los Lobos and Santana, who were popular with the Hispanic community. As a nice bonus, Cesar Rosas and David Hildago, the two main singer-songwriters in Los Lobos, played with Santana on a couple of songs near the end of this concert. They can't be heard singing very much, but they traded lead guitar solos with Carlos Santana. Jorge Santana, brother of Carlos, joined in on a couple of other songs as well.

Note that music from a third concert in Oakland that was also part of this benefit effort will be coming soon. 

This album is an hour and 58 minutes long.

01 Angels All Around Us (Santana)
02 Spirits Dancing in the Flesh (Santana)
03 For Those Who Chant [Instrumental] (Santana)
04 It's a Jungle Out There (Santana)
05 Soweto [Africa Libre] [Instrumental] (Santana)
06 Full Moon [Instrumental] (Santana)
07 Black Magic Woman - Gypsy Queen (Santana with Jorge Santana & Carlos Hernandez)
08 Oye Como Va (Santana with Jorge Santana & Carlos Hernandez)
09 She's Not There (Santana)
10 Jingo (Santana)
11 Goodness and Mercy [Instrumental] (Santana)
12 Choose (Santana)
13 Toussaint L'Overture (Santana)
14 talk (Santana)
15 Mandela [Instrumental] (Santana)
16 Europa [Earth's Cry, Heaven's Smile] [Instrumental] (Santana)
17 talk (Santana)
18 The Healer [Instrumental] (Santana with Los Lobos)
19 We Don't Have to Wait [Instrumental] (Santana with Los Lobos)
20 Soul Sacrifice - Aranjuez [Instrumental] (Santana with Los Lobos)
21 Blues Jam [Instrumental] (Santana with Los Lobos)
22 Cloud Nine [Instrumental] (Santana)
23 talk by emcee (Santana)

https://pixeldrain.com/u/QMeE1Ke6

alternate:

https://bestfile.io/en/HwNDgtavbjNAdMi/file

The cover image is a screenshot of Carlos Santana I took from a video of this exact concert.

Earthquake Relief Benefit, Watsonville High School Football Field, Watsonville, CA, 11-26-1989, Part 2 - Los Lobos

Here's Part 2 of the 1989 Earthquake Relief Benefit concert in Watsonville, California. This is a Los Lobos set.

Los Lobos had a Number One hit in the U.S. in 1986 with their cover of "La Bamba." So they were near the peak of their popularity around this time.

This album is 50 minutes long.

01 talk (Los Lobos)
02 Anselma (Los Lobos)
03 I'm Gonna Be a Wheel Someday (Los Lobos)
04 Georgia Slop (Los Lobos)
05 Will the Wolf Survive (Los Lobos)
06 Evangeline (Los Lobos)
07 My Baby's Gone (Los Lobos)
08 Someday (Los Lobos)
09 Let's Say Goodnight (Los Lobos)
10 Ay te Dejo en San Antonio (Los Lobos)
11 Volver, Volver (Los Lobos)
12 I Got Loaded (Los Lobos)
13 Don't Worry Baby (Los Lobos)
14 talk (Los Lobos)
15 La Bamba (Los Lobos)
16 Shakin' Shakin' Shakes (Los Lobos)

https://pixeldrain.com/u/GpZQ8BJA

alternate:

https://bestfile.io/en/F9DC1rCrInmiKba/file

The cover image is a screenshot I took from a video of this exact concert.