Showing posts with label 1991. Show all posts
Showing posts with label 1991. Show all posts

Thursday, February 19, 2026

Covered: Billy Steinberg & Tom Kelly: 1980-2019

I don't keep a close eye on music news, but yesterday I happened to hear that songwriter Billy Steinberg died. Specifically, he died on February 16, 2026, at the age of 75. That probably doesn't mean anything to most people, because I don't think he's very well known as far as songwriters go. But it meant something to me, because I had already made a "Covered" album of the songs he and songwriting partner Tom Kelly made. (It's one of several dozen "Covered" albums I've made but haven't gotten around to posting yet.) Due to his death, I decided to post this sooner rather than later.

Steinberg and Kelly wrote a lot of hits from the 1980s to the 2000s that you probably know without ever knowing who wrote them. Even though they were male, somehow they had the most success with females covering their songs. They had five Number One hits in the U.S., all sung by women: "Like a Virgin" by Madonna (1984), "True Colors" by Cyndi Lauper (1986), "Eternal Flame" (co-written with Susanna Hoffs and recorded by the Bangles in 1989), "So Emotional" by Whitney Houston (1987), and "Alone" by Heart (1987).

Billy Steinberg was born in Fresno, California, though his family moved to Palm Springs when he was a teenager. After graduating from college, he formed a band called Billy Thermal. However, they didn't have any success, and one album they recorded around 1980 wasn't released until decades later, after he made a name for himself as a songwriter. He had his first songwriting success with "How Do I Make You," which was a hit for Linda Ronstadt in 1980.  

Tom Kelly was born in a small town in Illinois in 1952. He went to a college in that state, but dropped out to pursue a music career. He was a backing musician for Dan Fogelberg in 1976 and 1977. He also did a lot of session work, for instance singing backing vocals on Toto albums. He had his first songwriting success with "Fire and Ice," a minor hit for Pat Benatar in 1981.

Both Steinberg and Kelly independently had songs on Benatar's 1981 album, "Precious Time." They met at a party that year, and soon began writing together. Previously, both of them had written lyrics and music. But they soon fell into a pattern where Steinberg generally wrote the lyrics while Kelly wrote the music. Their really big break as a songwriting team was "Like a Virgin" by Madonna. After that, they were in high demand. What's on this album is just the cream of the crop of the many dozens of songs they wrote for well-known musical acts.

Their partnership continued very fruitfully until the mid-1990s. At that point, Kelly tired of songwriting and dropped out of the music business. He'd already had enough success to live on the royalties he'd made. However, Steinberg kept going with new songwriting partners. From the mid-1990s until the mid-2000s, he mostly wrote with Rick Newels, who already was a successful professional songwriter. From the mid-2000s to about the mid-2010s, he mostly wrote with Josh Alexander.

Steinberg had a lot of songwriting success after he stopped working with Kelly. But I listened to his big hits and, to be honest, didn't like them very much after about 2000. They suffer the same problems as most popular pop music since about 2000: formulaic and forgettable. So I generally didn't include most of those. To be honest, even a lot of their earlier stuff was formulaic and forgettable, but sometimes, in fact many times, they had some real winners.

But in case you're curious, Steinberg's biggest later hits include "I Turn to You" by Melanie C (2000), "Love Doesn't Have to Hurt" by Atomic Kitten (2003), "Too Little Too Late" by JoJo (2006), "Don't Hold Your Breath" by Nicole Scherzinger (2011), and "Give Your Heart a Break" by Demi Lovato (2012). After that, the hits petered out, although some older songs keep getting rerecorded and making the charts again, especially "Alone" and "I Drove All Night." For instance, Alyssa Reid went all the way to Number Two in the British charts with "Alone" in 2012, although it was titled "Alone Again" and had the now practically obligatory rap section.

I'm not a fan of Whitney Houston's version of "So Emotional." But since it was a massive Number One hit, I wanted to include it in some form. I found a radically different cover version by Jon McLaughlin from 2019 that I like much better, so I used that instead. Had it not been for that song, this album would end in 2000.

Here are their Wikipedia pages: 

Billy Steinberg - Wikipedia

Tom Kelly (musician) - Wikipedia  

That album is an hour and ten minutes long. 

01 How Do I Make You (Linda Ronstadt)
02 Fire and Ice (Pat Benatar)
03 Like a Virgin (Madonna)
04 Sex as a Weapon (Pat Benatar)
05 True Colors (Cyndi Lauper)
06 Eternal Flame (Bangles)
07 Alone (Heart)
08 In Your Room (Bangles)
09 I Touch Myself (Divinyls)
10 My Side of the Bed (Susanna Hoffs)
11 I Drove All Night (Roy Orbison)
12 Night in My Veins (Pretenders)
13 Lucky Love [Acoustic Version] (Ace of Base)
14 I'll Stand by You (Pretenders)
15 Falling into You (Celine Dion)
16 California (Belinda Carlisle)
17 One and One (Edyta Gorniak)
18 Everytime It Rains (Ace of Base)
19 The Consequences of Falling (k.d. lang)
20 So Emotional (Jon McLaughlin)

https://pixeldrain.com/u/4xNLLW9p 

alternate: 

https://bestfile.io/uxa5jlpb5sQPr8t/file

I don't know the details of the cover photo. But that's Tom Kelly on the left and Billy Steinberg on the right. There are patches of white in Steinberg's hair, which went completely white in later photos of him. 

Sunday, January 18, 2026

Kevin Gilbert - Covers (1986-1996) (A Mike Solof Guest Post)

Here's the third and last album that make up guest poster Mike Solof's collections of his favorite songs from the music career of Kevin Gilbert. The first two albums focused on original songs, but this one consists entirely of cover versions.

As I mentioned in my write-up for the first album in this series, Gilbert often mixed a catchy pop sensibility in his songs with the musical complexity of prog rock. As a result, he especially liked prog rock type bands that also had some pop appeal. Probably his favorite band of all was Genesis. In fact, he was such a Genesis fan that he once performed the entirety of the Genesis double album "The Lamb Lies Down on Broadway" in concert! This album contains three Genesis covers, as well as some other prog rock songs that are almost never covered by anyone, such as "Siberian Khatru" by Yes and "Karn Evil 9" by Emerson, Lake, and Palmer. And yet we can see Gilbert's pop side as well, with covers of songs like "The Joker" by the Steve Miller Band and "If I Fell" by the Beatles. Definitely interesting stuff here.

As usual, Mike has included a PDF in the download zip that has more information and photos and such. But note that it's the same PDF as in the other two Kevin Gilbert albums he put together. 

This album is 60 minutes long.

Here's a list of the original musical acts for each of the songs here: 

01 Suite- Judy Blue Eyes - Crosby, Stills and Nash
02 Firth of Fifth - Genesis
03 The Joker - Steve Miller Band
04 Rendezvous 602 - U.K.
05 Back in NYC - Genesis
06 Kashmir - Led Zeppelin
07 Rocket Man - Elton John (with Pink Floyd intro)
08 Siberian Khatru - Yes
09 If I Fell - Beatles
10 Karn Evil 9 - Emerson, Lake & Palmer
11 The Musical Box - Genesis 

And here's the usual song list: 

01 Suite- Judy Blue Eyes (Toy Matinee)
02 Firth of Fifth (Kevin Gilbert & Mickey Sorey)
03 The Joker (Kevin Gilbert)
04 UK Suite [Rendezvous 6-02 - Danger Money - Caesar's Palace Blues] (Kevin Gilbert & Mickey Sorey)
05 Back in N.Y.C. (Kevin Gilbert)
06 Kashmir (Kevin Gilbert)
07 Rocket Man (Toy Matinee)
08 Siberian Khatru (Kevin Gilbert)
09 If I Fell (Toy Matinee)
10 Karn Evil 9 (Kevin Gilbert)
11 The Musical Box (Giraffe)

https://pixeldrain.com/u/mvhs6yEL

alternate:

https://bestfile.io/en/o1G0R8xtPXiJqQL/file

I believe I found the cover image in an Instagram post. It had some distracting things on it, like some text added on top. But I wiped that out using Photoshop. I don't know exactly when or where it's from. 

Saturday, January 17, 2026

Kevin Gilbert - Rarities (1985-1996) (A Mike Solof Guest Post)

Here's the second out of three "best of" albums guest posted Mike Solof has made for singer-songwriter Kevin Gilbert. The first album, "Originals," focuses on Mike's favorite songs that were on Gilbert's studio albums (including albums for bands he led, such as Toy Matinee). This one digs deeper. 

Considering that Gilbert's music career only lasted about ten years, he created a remarkable amount of music. He only put out a few albums in his lifetime. But since his death in 1996, a couple dozen more albums have come out! Gilbert was one of those musicians, like Prince, who played practically every instrument he could get his hands on, and was always writing and creating. So there was a ton of rare material for Mike to draw on when making this album. (As usual, look to the mp3 tags for all the details on the sources of the songs.)

One interesting highlight of this album is "Leaving Las Vegas." That was a big hit for Sheryl Crow. But Gilbert co-wrote it, as well as co-writing most of the songs on Crow's debut album, "Tuesday Night Music Club." The two of them were romantically linked for a while, and Crow was a member of Gilbert's band for a time.  

Like Mike always does with his guest posts, he's created a PDF file with additional comments and photos and so forth. In this case, the PDF is the same for all three Gilbert "best of" albums he made.  

This album is 59 minutes long. 

01 National Public Radio (Kevin Gilbert)
02 Things She Said [Jazz Version] (Kevin Gilbert)
03 Circling Winds (Kevin Gilbert)
04 Goodbye L.A. (Kevin Gilbert)
05 Suit Fugue [Dance of the A & R Men] [Early Mix] (Kevin Gilbert)
06 God's Been Tapping My Phone (Kevin Gilbert)
07 Queen of Misery (Toy Matinee)
08 KMTT Jingle (Kevin Gilbert)
09 Leaving Las Vegas (Kevin Gilbert)
10 Tea for One [Sax Mix] (Kevin Gilbert)
11 Something Nice for My Dog (Kevin Gilbert)
12 Late for Dinner [Dark Mix] (Kevin Gilbert)
13 Souvenir (Kevin Gilbert)
14 Finally Over You (Kevin Gilbert)
15 All Fall Down [Toto Version] (Kevin Gilbert)

https://pixeldrain.com/u/N98cVBGz

alternate: 

https://bestfile.io/en/pzxlRnsVOmw60ea/file

I don't know the details of where or when the cover image is from. It was selected by Mike. 

Thursday, January 8, 2026

Covered: Tom Waits, Volume 1: 1973-1994

It's high time I post more for the "Covered" series, highlighting great singer-songwriters. This time, we're looking at the songs of Tom Waits. Enough material has been found for four volumes. Here's the first one. As with all albums in this series, the focus is on cover versions, instead of versions done by the songwriter.

First off, I've gotta say I wouldn't be posting this now had it not been for the help of musical friend Fabio from Rio. It was he who suggested making Covered albums for Waits. I would have wanted to tackle him eventually, but that probably would have been well into the future. I have an issue with Waits: I can't stand his voice. As a result, even though it's easy for me to see he's a very talented songwriter, I haven't been that familiar with his songs. But Fabio is a big fan. He sent me literally hundreds of Waits cover versions, with recommendations on the best ones. I went through that and narrowed it down quite a lot. Hopefully this will make a strong collection that can turn the curious on to Waits' music.

Fabio from Rio helped with all aspects of putting this together. He even wrote the write-ups for the four volumes for Waits. So first I'm posting the relevant Wikipedia page:

Tom Waits - Wikipedia 

And now, take it away, Fabio (and a big thanks to him for all his work on this!):

For the general public, Tom Waits is "that guy with the raspy wino voice and the weird songs. Wasn't he one of the convicted fellows in that offbeat Jim Jarmusch movie?" A few music aficionados may also know him as the writer of songs like Springsteen's "Jersey Girl" or Rod Stewart's "Downtown Train", but that is usually where the story ends.

What many are not aware of is that Waits is widely recognized by his peers and by musical experts as an exceptional and influential songwriter. He is praised for his unique voice, vivid storytelling, poetic lyrics, and innovative musical style that blends genres like blues, jazz, vaudeville, and experimental rock. Waits is also known for creating three-dimensional characters and detailed narratives, often exploring life on the fringes. His lyrics are celebrated for their specificity, humor, melancholy, and ability to evoke strong moods, often drawing comparisons to Beat poets and Mark Twain.

Waits is a "songwriters' songwriter," with songs covered by literally hundreds of artists, many of them great composers themselves. He has been subject to many tributes. While searching for tracks for that project, I collected about three dozen different albums fully dedicated to his songs, and around 400 assorted covers, adding up to almost 1,200 tracks and 80-plus hours of music!

I initially selected about 220 different tunes (an almost fully comprehensive "Tom Waits songbook" that would comprise about 15 hours) which Paul wisely helped reduce to around 60 tracks across four volumes. We could have another four or eight volumes with additional top-notch Tom Waits songs - there is enough quality material for that - but I feel this reduced version is just the right size for a first dive into Tom Waits vast catalog. I hope you enjoy it!

Some listeners may find Waits' music difficult to approach due to his peculiar tone (which, contrary to popular belief, was not destroyed by booze and cigarettes, but was conscientiously cultivated as a vocal persona, as he mentioned in some interviews). The fact that some of his more experimental work sounds like monkeys loose in a crystal store doesn't help either. For those, a "Covered" collection focusing on his more melodic output is a great starting point, where one may discover the essence of Waits' music (often through soothing, frequently female, voices).

This first volume includes performances from a long range of years (1973 to 1994), but most of the songs here were composed during Waits' early and middle phases (the seventies and early eighties). His first albums feature piano-led ballads, romantic melancholy, and a relatively smooth, crooning voice. The character is that of a late-night drifter, nostalgic and tender. As his career progressed, Waits' voice grew tougher (both literally and figuratively) and his narratives darker and more cinematic. His late seventies and early eighties albums introduced sardonic humor, social misfits, and a sharper sense of irony, while still rooted in jazz, blues, and cabaret traditions.

Waits started as a folk singer/songwriter in the early seventies, with heavy jazz influences, when his voice was still not so rough. You can hear this in the first selection of this collection, "Rosie," from his 1973 first album. It's the only song in these four volumes that is the composer's own interpretation. He also first caught the ear of the public with an early cover of "Ol' 55" by The Eagles (which we skipped in favor of Sarah McLachlan's 1993 version, which both Paul and myself prefer). Other famous interpreters at the first volume are Johnny Cash and Marianne Faithfull (with songs Tom composed specifically for them), and also 10,000 Maniacs, Elvis Costello, Crystal Gayle and Canned Heat, which showcases the full range of styles and performers reached by Waits' compositions.

---

Thanks again, Fabio. I'll just add that there were only a few cases where Waits wrote hit songs, so we weren't tied down much by that factor. ("Downtown Train" is probably his biggest hit, thanks to the 1989 Rod Stewart version, included here.) And often, his songs didn't get a lot of covers until many years after they were written. So if you don't see some of his songs you really like from this era, wait before you judge. There's a good chance those songs could show up on one of the later volumes.

This album is 54 minutes long. 

01 Rosie (Tom Waits)
02 Foreign Affair (Manhattan Transfer)
03 Jersey Girl (Bruce Springsteen)
04 Is There Any Way Out of This Dream (Crystal Gayle)
05 I Hope that I Don't Fall in Love with You (10,000 Maniacs)
06 Strange Weather (Marianne Faithfull)
07 Downtown Train (Rod Stewart)
08 Gun Street Girl (Canned Heat)
09 San Diego Serenade (Nanci Griffith)
10 Tom Traubert's Blues [Waltzing Matilda] (Rod Stewart)
11 More than Rain (Elvis Costello & Brodsky Quartet)
12 Ol' 55 (Sarah McLachlan)
13 Down There by the Train (Johnny Cash)

https://pixeldrain.com/u/FBZaqvMS

alternate:

https://bestfile.io/IJ5fbwJ3YDrAHXl/file

The cover photo was taken in Chicago, Illinois, on May 30, 1986.

Tuesday, January 6, 2026

Dan Fogelberg - Best of Live: 1974-1995 (A Mike Solof Guest Post)

I just posted a "best of" album guest poster Mike Solof made of his favorite studio tracks by singer-songwriter Dan Fogelberg. He wanted to divide his music up into a studio best of and a live best of, so here's the companion live best of.

Mike is a really big fan of Fogelberg's music and is making these to help me, and others like you, better enjoy his music. As he usually does, Mike made a PDF with more information and pictures, which is included in the download zip. I encourage you to give that a look. It's the exact same one as for the studio best of.

For the studio best of, all the songs are officially released, and usually from his studio albums. For this one, most of the songs come from official live albums as well. But four of the songs here come from bootlegs. Specifically, tracks 10, 11, 13, and 16. But they're excellent sounding ones, just as good as the live albums.

By the way, Fogelberg's last concert was for the "PBS Soundstage" concert in 2003. (He died of cancer in 2007 at the age of 56.) I would really like to post that here, but I've only found a few songs from it on YouTube. If anyone has all of it, please let me know. Thanks. 

This album is an hour and 13 minutes long. 

01 Songbird (Dan Fogelberg)
02 The Power of Gold (Dan Fogelberg)
03 Blow Wind Blow (Dan Fogelberg)
04 Hard to Say (Dan Fogelberg)
05 Innocent Age (Dan Fogelberg)
06 Looking for a Lady (Dan Fogelberg)
07 Once upon a Time (Dan Fogelberg)
08 Make Love Stay (Dan Fogelberg)
09 The Chauvinist Song (Dan Fogelberg)
10 Morning Sky (Dan Fogelberg)
11 Someone's Been Telling You Stories (Dan Fogelberg)
12 Part of the Plan (Dan Fogelberg)
13 talk (Dan Fogelberg)
14 Song from Half Mountain (Dan Fogelberg)
15 Souvenir (Dan Fogelberg)
16 To the Morning (Dan Fogelberg)
17 Here Comes the Sun (Dan Fogelberg)

https://pixeldrain.com/u/9q7tK9se

alternate:

https://bestfile.io/en/QZQOzX6EPddIoQh/file

As with the cover to the studio album, Mike picked this one. I don't know exactly where or when it comes from. 

Wednesday, October 8, 2025

Richard Thompson - BBC Sessions, Volume 7: In Concert, Town and Country Club, London, Britain, 8-18-1991

Months ago, I posted a poll about posting more albums from people's favorite musical acts. I've been distracted by a lot of things since then, including new polls, but I want to keep going back to that. So here's another BBC album from one of the top voters from that poll, Richard Thompson.

This is a concert from 1991, the year Thompson released the studio album "Rumour and Sigh." It got a lot of critical acclaim, and I believe its probably his best solo album. This concert heavily leans into that album, with eight songs out of the 13 songs coming from it. Note also this was performed with a full band.

There was one problem with this recording, and that was the very common problem of the lead vocals being too low in the mix. So, as usual, I fixed that with the use of the UVR5 audio editing program.

When I first posted this album, I posted a version that was a little under an hour long, and I thought that was all there was. But a commenter sent me a different version that was missing two songs ("Backlash Love Affair" and "1952 Vincent Black Lightning"), but also had two other songs I didn't have ("Oh I Swear" and "Crash the Party"). I compared the different versions and found that it was definitely the same concert, with the exact same banter and so forth. But it seems the BBC played different versions at different times with different edits. I did my best to put everything together to create the longest version yet available.   

The music here is unreleased, and the sound quality is close to excellent.

This album is an hour and 11 minutes long. The BBC edited down a longer concert to fit in an hour-long radio show slot. But this is longer than an hour, since it comes from two slightly different versions.

UPDATE: On November 8, 2025, I updated the mp3 download file. The music is exactly the same. But I found an earlier volume in this series that I'd missed, so the volume number changed. That meant the title, cover art, and mp3 tags changed too.

01 Read about Love (Richard Thompson)
02 Backlash Love Affair (Richard Thompson)
03 Gypsy Love Songs (Richard Thompson)
04 talk (Richard Thompson)
05 Keep Your Distance (Richard Thompson)
06 talk (Richard Thompson)
07 Tear Stained Letter (Richard Thompson)
08 talk (Richard Thompson)
09 Oh I Swear [Edit] (Richard Thompson & Shawn Colvin)
10 talk (Richard Thompson)
11 talk (Richard Thompson)
12 1952 Vincent Black Lightning (Richard Thompson)
13 talk (Richard Thompson)
14 I Misunderstood (Richard Thompson)
15 I Feel So Good (Richard Thompson)
16 Valerie (Richard Thompson)
17 Mother Knows Best (Richard Thompson)
18 Mystery Wind (Richard Thompson)
19 Crash the Party (Richard Thompson)

https://pixeldrain.com/u/UCp6Hn3M

alternate:

https://bestfile.io/en/MHJelbd9TAV387n/file

The cover photo was taken at the Warfield Theater in San Francisco, California, on July 17, 1991.

Wednesday, August 27, 2025

Various Artists - Songwriters Special, Austin City Limits, University of Texas at Austin, Austin, TX, 9-11-1991

I recently stumbled across this on YouTube. I thought it was pretty interesting, so I decided to post it straight away. It's a special episode of the Austin City Limits TV show from 1991, called "Songwriters Special." It's basically a songwriters' circle, with four different musical acts taking turns: Nanci Griffith, Mary Chapin Carpenter, the Indigo Girls, and Julie Gold.

I found a blog post by Julie Gold about this concert. She said that Nanci Griffith was selected as the host, and Griffith got to pick the other musical acts. However, each of the acts played the same number of songs (three), and then everyone joined in on the finale, a cover of "No Expectations" by the Rolling Stones.

Chances are you haven't heard of Julie Gold, because her music career has been very low profile. However, she was chosen because she was the songwriter behind Griffith's biggest hit, "From a Distance," which she performed here. She also wrote a song appearing on Griffith's next album at the time, called "Heaven." She would go on to write several more songs covered by Griffith.

Here's the Wikipedia entry about her:

Julie Gold - Wikipedia 

This album remains unreleased. The sound quality is pretty good. I downloaded the YouTube video, converted it to audio format, and broke it into mp3s. 

This album is 55 minutes long. 

01 It's a Hard Life Wherever You Go (Nanci Griffith)
02 talk (Nanci Griffith)
03 You've Never Had It So Good (Mary Chapin Carpenter)
04 talk (Nanci Griffith)
05 talk (Indigo Girls)
06 Hammer and a Nail (Indigo Girls)
07 talk (Nanci Griffith)
08 From a Distance (Julie Gold)
09 talk (Nanci Griffith)
10 Late Night Grande Hotel (Nanci Griffith)
11 talk (Mary Chapin Carpenter)
12 I Am a Town (Mary Chapin Carpenter)
13 talk (Indigo Girls)
14 Fare Thee Well (Indigo Girls)
15 Heaven (Julie Gold)
16 talk (Nanci Griffith)
17 Listen to the Radio (Nanci Griffith)
18 talk (Mary Chapin Carpenter)
19 I Feel Lucky (Mary Chapin Carpenter)
20 talk (Indigo Girls)
21 Jonas and Ezekiel (Indigo Girls)
22 talk (Julie Gold)
23 Temporary Worker (Julie Gold)
24 talk (Nanci Griffith)
25 No Expectations (Nanci Griffith, Mary Chapin Carpenter, the Indigo Girls & Julie Gold)

https://pixeldrain.com/u/CR4CKJX5

alternate:

https://bestfile.io/sAVcPay4fNv5Hl8/file

I got lucky with the cover art. I found a photo taken backstage of all the musical acts at this concert. The original version of the photo was black and white, but I found a colorized version. It had issues though, so I recolorized it. I looked at the YouTube video of the concert to get in the general ballpark of the colors of the clothes they were wearing. 

From left to right, that's Amy Ray, Emily Saliers, Julie Gold, Nanci Griffith, and Mary Chapin Carpenter.

Saturday, August 9, 2025

Richard Thompson - BBC Sessions, Volume 6: 1988-1991

I had a weird dream last night (as I write this in October 2025). In the dream, I heard the song "Al Bowlly's in Heaven" by Richard Thompson, but I noticed a famous Queen song was basically the same song, just with different words and very different production. I don't think it's true that any Queen song resembles that one, but it was a fun was to be reminded what a fantastic song "Al Bowlly's in Heaven" is. And it also reminded me that it's time to post another Richard Thompson album. So here's the next BBC album from him. This one is a collection of BBC studio sessions, all solo acoustic.

Everything here remains unreleased. The first five songs are from an appearance on the Andy Kershaw Show in 1988. Tracks 6 through 9 are from another 1988 radio show, the Richard Skinner Show. "She Moved through the Fair" is a live cut from the "Folk on Two" radio show. The remaining songs, tracks 11 through 16 are from a 1992 radio show called "Kaleidoscope."

Unfortunately, "Al Bowlly's in Heaven" isn't on here, but it is on the "BBC Sessions, Volume 2" album I've posted here. That's probably the greatest song about war-related PTSD ever written. Most of the songs here are from his albums at the time, like 1988's "Amnesia" and 1991's "Rumour and Sigh." But there are a few rarities and older ones as well.

This album is 48 minutes long. 

UPDATE: On November 8, 2025, I updated the mp3 download file. The music is exactly the same. But I found an earlier volume in this series that I'd missed, so the volume number changed. That meant the title, cover art, and mp3 tags changed too. 

01 Killerman Gold Posse (Richard Thompson)
02 Waltzing's for Dreamers (Richard Thompson)
03 Pharoah (Richard Thompson)
04 Push and Shove (Richard Thompson)
05 Killing Jar (Richard Thompson)
06 Turning of the Tide (Richard Thompson)
07 talk (Richard Thompson)
08 Two Left Feet (Richard Thompson)
09 Valerie (Richard Thompson)
10 She Moved through the Fair (Richard Thompson)
11 I Feel So Good (Richard Thompson)
12 1952 Vincent Black Lightning (Richard Thompson)
13 The Choice Wife [Instrumental] (Richard Thompson)
14 I Misunderstood (Richard Thompson)
15 Don't Let a Thief Steal into Your Heart (Richard Thompson)
16 God Loves a Drunk (Richard Thompson)

https://pixeldrain.com/u/xJM8VVUy

alternate: 

https://bestfile.io/en/wL8TMxaJTATURtx/file

The cover photo is from 1992. That's all I know about it. 

Tuesday, June 3, 2025

Covered: Will Jennings, Volume 2: 1988-1999

Here's "Volume 2" celebrating the songwriting of Will Jennings.

With "Volume 1," I showed that Jennings co-wrote many popular hits in the late 1970s and all through the 1980s. His winning streak continued through all of the 1990s in this volume.

Jennings co-wrote five Number One hits in the U.S. in Volume 1. He only co-wrote two in this volume: "Roll with It" and "My Heart Will Go On." But it was a fluke "Tears in Heaven" only reached Number Two (held back by "Save the Best for Last" by Vanessa Williams), since it was one of the top five best selling singles of the year. Rolling Stone Magazine also put it on their list of the top 500 songs of all time.

I found an article that talked a bit about Jennings' involvement with "Tears in Heaven." Eric Clapton wrote the music and lyrics for the first verse, with lyrics about the tragic and untimely death of his young son. However, he got stuck at that point. He'd been impressed with Jennings being involved co-writing many hits for Steve Winwood, so Clapton recruited him to help. Jennings not only wrote the lyrics of the other verses, he wrote both the music and lyrics of the bridge. So that's a good example showing that while he was best known for his lyric writing, he was capable with music composition too.

The biggest hit here, though, has to be "My Heart Will Go On," the theme song for the blockbuster "Titanic" movie. It was a Number One song in the U.S., Britain, and over twenty more countries. It was the best selling single of 1998, and is currently listed as the tenth best selling single of all time, as I write this in 2025! It basically won all the awards, including Academy Award for Best Original Song, Grammy Award for Song of the Year, Grammy Award for Record of the Year, and Golden Globe Award for Best Original Song. 

The music to the song was written by James Horner. He didn't write many other big hits, but he did the scores to well over 100 movies. Originally, director James Cameron just wanted the theme song to be an instrumental. But Horner felt it needed lyrics, so he secretly got Jennings to write the lyrics, since he'd worked with Jennings on a few songs previously. After Cameron heard it, he wasn't keen on having vocals. But he was under intense pressure from the movie studio to make a profit since "Titanic" was the most expensive movie ever made up until that point. So Cameron ultimately gave the okay, and was glad he did, since the song helped make the movie the top grossing film of all time up until then.

After that though, Jennings didn't have many more hits. No doubt, at that point, he could have retired and slept on a hill of money from his "My Heart Will Go On" profits alone. He did have some more music projects into the early 2000s, but seems to have retired by about 2005. He died in 2024 at the age of 80.

As with "Volume 1," all the songs here are the original versions, which were usually hits. I could have included many more lesser hits, but I generally wanted to limit these volumes to the bigger hits, which usually were the best songs. 

This album is 57 minutes long. 

01 Roll with It (Steve Winwood)
02 If We Hold On Together (Diana Ross)
03 Don't You Know What the Night Can Do (Steve Winwood)
04 Many a Long and Lonesome Highway (Rodney Crowell)
05 Holding On (Steve Winwood)
06 The Blues Come Over Me (B.B. King)
07 Tears in Heaven (Eric Clapton)
08 What Kind of Love (Rodney Crowell)
09 Help Me Up (Eric Clapton)
10 My Heart Will Go On [Love Theme from Titanic] (Celine Dion)
11 I Want to Spend My Lifetime Loving You (Tina Arena & Marc Anthony)
12 Please Remember Me (Tim McGraw)

https://pixeldrain.com/u/3Pu5JVo1 

alternate: 

https://bestfile.io/en/XOU3PDIFFAyEJhE/file

The cover photo is from 1999. In full picture, Jennings is holding a Grammy Award in his hands.

Tuesday, March 18, 2025

Suzanne Vega - BBC Sessions, Volume 4: 1991-2023

Here's another album of Suzanne Vega performing for the BBC. This time, it's a collection of studio sessions.

As you can see from the title, this deals with a very long chronological era, 22 years, from 1991 to 2023. So this is a grab bag of lots of different things. Everything here is unreleased, except for tracks 5 and 6, which came out on a B-side to the song "99.9F" in 1992.

The first four songs are from a concert at the 1991 Cambridge Folk Festival. Maybe the BBC broadcast more of her performance, but I could only find these songs. I removed the applause at the ends of the songs using the MVSEP program, like I did with a few other live songs on this album.

The next four songs, tracks 5 to 8, are from a 1992 studio session. As mentioned above, two of them were released on a B-side. Tracks 9 to 11 are from an appearance on a BBC TV show in 1993. Track 12, an acappella version of "Tom's Diner," is from another BBC TV show, in 1994. Tracks 13 and 14 are from yet another BBC TV show, "Later... with Jools Holland," in 1997. 

After that, there's a very big chronological jump, to 2014, for track 15. That's from the BBC Folk Awards show that year. Then track 16, "Marlene on the Wall," is from the Glastonbury Festival in 2022. She did a whole set, but if there's a worthy recording of it, I couldn't find it. This is the one song the BBC posted on YouTube. Finally, the last three songs are from a 2023 BBC "Piano Room" session. That includes a cover of the Blondie classic "Dreaming," plus a song Vega wrote about the Ukraine war that started in 2021, "Last Train from Mariupol." And there's a second version of "Tom's Diner." I included both because they're very different from each other, with this one being backed by an orchestra.

There probably are some other BBC sessions from this 22 year time period that I'd missed. (Plus I didn't find anything interesting from before 1991.) If you have them, please let me know and I'll add them in.

This album is an hour and two minutes long.

01 Cracking (Suzanne Vega)
02 Predictions (Suzanne Vega)
03 talk (Suzanne Vega)
04 Men Will Be Men (Suzanne Vega)
05 Rock in This Pocket (Suzanne Vega)
06 In Liverpool (Suzanne Vega)
07 Gypsy (Suzanne Vega)
08 When Heroes Go Down (Suzanne Vega)
09 As a Child (Suzanne Vega)
10 talk (Suzanne Vega)
11 Blood Makes Noise (Suzanne Vega)
12 Tom's Diner [Acappella Version] (Suzanne Vega)
13 Birth-day [Love Made Real] (Suzanne Vega)
14 Headshots (Suzanne Vega)
15 Horizon [There Is a Road] (Suzanne Vega)
16 Marlene on the Wall (Suzanne Vega)
17 Dreaming (Suzanne Vega)
18 Last Train from Mariupol (Suzanne Vega)
19 Tom's Diner [Orchestral Version] (Suzanne Vega)

https://pixeldrain.com/u/cmnEdZ25

alternate:

https://bestfile.io/MoxcFP0aYONvO36/file

The cover photo was taken near the Gorge Amphitheatre in George, Washington, during a Lilith Fair tour on July 5, 1997.

Tuesday, February 25, 2025

Alison Moyet - BBC Sessions, Volume 2: In Concert, Town and Country Club, London, Britain, 7-17-1991

Here's another Alison Moyet BBC concert album from 1991.

I posted a 1984 Moyet BBC concert back in 2022. Since there was just the one, that didn't have "BBC Sessions, Volume 1" in the name. But at the same time I'm posting this one, I'm making that "Volume 1." It seems Moyet hasn't toured that much, and live bootlegs from her are very rare, so I highly suspect there won't be a "Volume 3."

Moyet isn't very well known in the U.S., but she's had a lot more success in Britain. In 1991, she released the album "Hoodoo," which just about reached the Top Ten in Britain, but didn't even make the Top 100 in the U.S. This concert was naturally was part of a tour to promote that album.

The changes are good this was edited down from a longer concert by the BBC. So maybe that's why it didn't include her three big Top Ten hits since the 1984 concert I previously posted: "Is This Love," "Weak in the Presence of Beauty," and "Love Letters." However, it does include a nice version of the Aretha Franklin classic, "Chain of Fools," which Moyet had not yet released on album at the time.

I got very lucky with this recording. Most of it is unreleased. And the version I found started in the middle of the first song, "It Won't Be Long." But it turns out five songs from it were included as bonus tracks to a deluxe edition of the "Hoodoo" album, and one of them happened to be that song. So I used that version instead of the incomplete one I had.

Here's the link to the now renamed 1984 BBC concert mentioned above:

https://albumsthatshouldexist.blogspot.com/2022/11/alison-moyet-bbc-in-concert-dominion.html

This album is 58 minutes long.

01 It Won't Be Long (Alison Moyet)
02 Ordinary Girl (Alison Moyet)
03 Only You (Alison Moyet)
04 Hoodoo (Alison Moyet)
05 talk (Alison Moyet)
06 Rise (Alison Moyet)
07 talk (Alison Moyet)
08 Wishing You Were Here (Alison Moyet)
09 Never Too Late (Alison Moyet)
10 Chain of Fools (Alison Moyet)
11 Find Me (Alison Moyet)
12 talk (Alison Moyet)
13 [Meeting with My] Main Man (Alison Moyet)
14 talk (Alison Moyet)
15 Ne Me Quittez Pas (Alison Moyet)
16 Without You (Alison Moyet)
17 Don't Go (Alison Moyet)

https://pixeldrain.com/u/5yuKbNRd

alternate:

https://bestfile.io/en/E9NhyvXWVLNzNsW/file

All I know about the cover photo is that it is said to date to 1991.

Thursday, February 20, 2025

Maria McKee - BBC Sessions, Volume 1: In Concert, University of Manchester Students' Union, Manchester, Britain, 3-23-1991

Generally speaking, I'm focusing only on posting BBC albums from musical acts where I've already posted at least some BBC albums from them already. But I'm making an exception here since I just put this together and it feels like a very long time since I've posted any music from the great Maria McKee. Besides, I have posted a BBC album by her 1980s band Lone Justice.

A live album has been released called "Live at the BBC." It is made up of selections from two BBC concerts she did, one in 1991 and the other in 1993. I thought that was all there was available, but I recently found a pretty good audience bootleg of the 1991 concert. So I used all the recordings from the official album that I could, since those have better sound quality. Then I filled in the missing songs from the audience boot. (In case you're curious, the songs from the live album are tracks 1, 2, 3, 9, 12, 13, and 17. Together, they make up about 30 minutes of this album.)

To improve the audience boot-sourced songs, I ran them through the MVSEP audio editing program, and removed all of the crowd noise, except for a little at the starts of songs and the usual cheering at the ends of songs. So basically I got rid of all the ambient noise during songs. That helped some, but still, the songs from the official live album sound better. Also, I think the person who taped this had the unfortunate habit of turning the recording off as soon as each song ended. I'm guessing this from the way the cheering sometimes got suddenly cut off, as well as the lack of any banter between songs, except for once near the end. So that's not ideal, but at least we got this much.

My favorite era of McKee's music was early in her solo career, when she was more steeped in roots music, like soul and country. So this is prime McKee for me.

This album is an hour and 14 minutes long.

01 I've Forgotten What It Was in You [That Put the Need in Me] (Maria McKee)
02 Am I the Only One [Who's Ever Felt This Way] (Maria McKee)
03 Shelter (Maria McKee)
04 A Real Life Story (Maria McKee)
05 Panic Beach (Maria McKee)
06 Wheels (Maria McKee)
07 Hold Me (Maria McKee)
08 This Property Is Condemned (Maria McKee)
09 Show Me Heaven (Maria McKee)
10 Breathe (Maria McKee)
11 Break It Up (Maria McKee)
12 I Found Love (Maria McKee)
13 A Good Heart (Maria McKee)
14 This World Is Not My Home (Maria McKee)
15 Sweet Sweet Baby [I'm Falling] (Maria McKee)
16 Ways to Be Wicked (Maria McKee)
17 Drinkin' in My Sunday Dress (Maria McKee)
18 Nobody's Child (Maria McKee)
19 talk (Maria McKee)
20 I've Got a Feeling (Maria McKee)

https://pixeldrain.com/u/cDKbZZSi

alternate:

https://bestfile.io/en/v9cj2VqvhF2swbz/file

The cover photo is a screenshot I took from an appearance on the "Kenny Live" TV show in 1991. I improved it a bit with the Krea AI program.

Sunday, January 19, 2025

The Bee Gees - BBC Sessions, Volume 5: In Concert, Wembley Arena, London, Britain, 7-7-1991

At first, I wasn't going to post this, because I had already posted a BBC concert by the Bee Gees from 1989, just two years earlier. But I figure it's better to err on the side of posting more music, not less. Besides, on closer inspection I realized there actually is a pretty different set list here, helped by the fact that this is a considerably longer concert, about half an hour longer than the 1989 one. So here you are.

In March 1991, the Bee Gees released the studio album "High Civilization." So naturally this concert was to help promote that. The album was criticized for its dense production. The Wikipedia entry on the album says its "hard, loud percussion ensured that the drums and beats are loud in the mix, pushing the Bee Gees' vocal harmonies further back. The album favors a dance style with electronic instruments and studio effects, such as programmed drums and synthesizers..." One newspaper review at the time said the vocals were "mixed into oblivion." So this concert is a good chance to hear those songs with less of those trendy production techniques, if only because they're hard to reproduce in concert.

This album is unreleased. Apparently, the concert was broadcast not just in Britain as typical for the BBC, but to many other countries, according to the between-song banter. So the group must have given it their all. A big chunk of the middle of it was largely performed in acoustic mode.

I know of one more BBC concert after this, from 2001, so I plan on posting that soon.

This album is an hour and 44 minutes long.

01 Tragedy (Bee Gees)
02 You Win Again (Bee Gees)
03 I've Gotta Get a Message to You (Bee Gees)
04 talk (Bee Gees)
05 Juliet (Bee Gees)
06 House of Shame (Bee Gees)
07 talk (Bee Gees)
08 The Only Love (Bee Gees)
09 When He's Gone (Bee Gees)
10 talk (Bee Gees)
11 To Love Somebody (Bee Gees)
12 Ghost Train (Bee Gees)
13 How Can You Mend a Broken Heart (Bee Gees)
14 One (Bee Gees)
15 High Civilization (Bee Gees)
16 Words (Bee Gees)
17 Stayin' Alive (Bee Gees)
18 talk (Bee Gees)
19 Morning of My Life (Bee Gees)
20 And the Sun Will Shine (Bee Gees)
21 World (Bee Gees)
22 Too Much Heaven (Bee Gees)
23 Heartbreaker (Bee Gees)
24 Holiday (Bee Gees)
25 Saved by the Bell (Bee Gees)
26 Run to Me (Bee Gees)
27 New York Mining Disaster 1941 (Bee Gees)
28 Lonely Days (Bee Gees)
29 Dimension (Bee Gees)
30 I Started a Joke (Bee Gees)
31 Massachusetts (Bee Gees)
32 Secret Love (Bee Gees)
33 Jive Talkin' (Bee Gees)

https://pixeldrain.com/u/KdoX3NqQ

alternate:

https://bestfile.io/QOb7Taf08725Lyu/file

The cover photo is from a concert in Wembley in 1991. But I don't know if it's from this one or a different one, since the band played there multiple times that year.

Wednesday, October 30, 2024

Covered: Giorgio Moroder, Volume 2: 1983-1991

Here's the second and last Covered series album for Italian producer and songwriter Giorgio Moroder.

Moroder's commercial heyday was probably the late 1970s through the mid-1980s. So this generally deals with the second half of that. All the songs here are from 1983 to 1986 except for the last one, which is from 1991.

As I mentioned in Volume One, Moroder found great success composing the music for popular movies, and that continued well into the 1980s. For instance, he won Academy Awards and Golden Globes for the song "Flashdance... What a Feeling" in 1983, and "Take My Breath Away" in 1986. Both songs also hit Number One in the U.S. singles charts, as well as Number One in many other countries around the world. 

Perhaps it isn't too surprising that his music was so popular in the 1980s, because he'd been one of the main pioneers of using synthesizers for dance music in the 1970s, and in the 1980s synth-based danceable music was everywhere. But tastes gradually changed, especially with the rise of grunge starting in 1991. Perhaps in response to that, he effectively retired in 1993. 

For two decades, he didn't release any music. But he started a minor comeback in 2013, working with Daft Punk (who were heavily influenced by him) and putting out a solo album in 2015. He is still alive as I write this in 2024, but presumably his hit-making days are behind him, since he's 84 years old.

This album is 45 minutes long.

01 Flashdance... What a Feeling (Irene Cara)
02 Scarface [Push It to the Limit] (Paul Engemann)
03 Rush Rush (Debbie Harry)
04 Why Me (Irene Cara)
05 Together in Electric Dreams (Philip Oakey & Giorgio Moroder)
06 Here She Comes (Bonnie Tyler)
07 The NeverEnding Story (Limahl & Beth Anderson)
08 Love Kills (Freddie Mercury)
09 I Feel Love (Bronski Beat)
10 Danger Zone (Kenny Loggins)
11 Take My Breath Away (Berlin)
12 Love's Unkind (Sophie Lawrence)

https://www.upload.ee/files/17327897/COVRDGIGRIOMRDR1983-1991Vlume2_atse.zip.html

alternate:

https://pixeldrain.com/u/sSkZMqR1

The cover photo shows Moroder in 1987. I don't know the details. I used Krea AI to improve it a bit.

Tuesday, October 22, 2024

Covered: William 'Mickey' Stevenson & Ivy Jo Hunter: 1962-1991

The Covered series albums highlighting great songwriters keep coming. (I have dozens more in the pipeline!) This time, it's obscure Motown songwriters again. But in this case it's a songwriting team, William 'Mickey' Stevenson and Ivy Jo Hunter.

Once again, I'd be surprised if you've heard of these people. Stevenson is probably a little bit better known, because he was one of the main leaders of the Motown Records company. He joined Motown in 1959, the year the company was founded, and quickly became the head A&R person. That meant he was in charge of finding and recruiting new talent. But it seems most everyone who worked at Motown had musical aspirations - that's why they worked there instead of somewhere else. For instance, several famous singers got started as secretaries there. Stevenson fancied himself a singer, but he failed his audition. So instead he turned his attention to writing and producing songs while still leading the A&R department.

Hunter joined Motown a few years later, in 1963. He was trained in orchestral music, mainly playing trumpet and keyboards. He started out as a session musician, but he soon developed a talent for songwriting. Early on, Stevenson and Hunter became a songwriting team. They almost always shared songwriting credits 50-50, even though most of the time one or the other actually wrote the song alone. It seems Hunter did most of the songwriting, but I don't know the breakdowns of who wrote what exactly. (However, I do know their best known classic hit, "Dancing in the Street," was a genuine collaboration between them, with Marvin Gaye contributing as well.)

Generally speaking, this songwriting duo was considered second tier, and usually only wrote and/or produced songs for less famous Motown acts. The really big acts got songs from the most successful songwriters, like Smokey Robinson and the Holland-Dozier-Holland team. In some cases though, they did songs before famous acts got really famous, for instance writing songs for Marvin Gaye and the Four Tops before they really hit it big.

Stevenson got pushed out of his key A&R job in 1966, apparently because Eddie Holland wanted the job, and company head Berry Gordy wanted to appease Holland, since he was part of the company's top songwriting team, Holland-Dozier-Holland. Stevenson stayed a couple more years, but got a job as the head of MGM's soul and R&B section in 1969. However, he had far less success as a songwriter after leaving Motown, or perhaps he didn't write as many songs. 

After Stevenson was gone, Hunter lost influence in the company, since he wasn't adept at playing company politics like Stevenson was. He was pushed out altogether around the time Motown moved their headquarters to Los Angeles in 1972. He stayed in the music industry for many years afterwards, mostly as a producer, but didn't have nearly the same success he had while working for Motown. (I'm repeatedly astounded by how Motown practically seemed to be trying to lose most of their talented people around that time. Gordy moved the company to L.A. because he wanted to get involved with making movies and TV shows. That had limited success at best, but it blew up the company's Detroit hit-making machine.)

Here's the Wikipedia entry about Stevenson:

William Stevenson (songwriter) - Wikipedia

and here's the entry for Hunter:

Ivy Jo Hunter - Wikipedia 

Furthermore, I randomly came across this article about Hunter, which is worth checking out:

The Ivy Jo Hunter Story by Rob Moss - Soul Source (soul-source.co.uk)

As I write this in 2024, Stevenson is still alive at the age of 87. But Hunter died in 2022 at the age of 82.

As usual, the songs are in rough chronological order by year. But while most of the choices are the original hit versions, a few are not. That's because some songs were written with other Motown songwriters I'm also highlighting in the Covered series, especially Sylvia Moy. In order to avoid having the same versions of the same songs on different albums, I've tried to use alternate versions whenever they existed and were worthy. So "He Was Really Sayin' Somethin'," "You've Been in Love Too Long," "Loving You Is Sweeter than Ever," "Playboy," and "It Takes Two" are later versions. 

Aside from those five, most of the rest are Motown recordings, but there are a couple exceptions. "Devil with the Blue Dress" was a Motown song at first, but the non-Motown band Mitch Ryder & the Detroit Wheels had a big hit with it in 1966, so I used that version. And "Footsteps Following Me" was a very late effort. It was written by Stevenson and Hunter in 1991 for a British company that was trying to revive the Motown glory days. It was minor hit there.

This album is an hour and 22 minutes long.

01 Beechwood 4-5789 (Marvelettes)
02 Stubborn Kind of Fellow (Marvin Gaye)
03 Jamie (Eddie Holland)
04 Hitch Hike (Marvin Gaye)
05 Fire (Gino Parks)
06 Pride and Joy (Marvin Gaye)
07 Oh Lover (Marvin Gaye & Mary Wells)
08 Dancing in the Street (Martha & the Vandellas)
09 My Smile Is Just a Frown [Turned Upside Down] (Carolyn Crawford)
10 Lucky Lucky Me (Marvin Gaye)
11 Needle in a Haystack (Velvelettes)
12 Once Upon a Time (Marvin Gaye & Mary Wells)
13 Danger Heartbreak Dead Ahead (Marvelettes)
14 Ask the Lonely (Four Tops)
15 I'll Always Love You (Spinners)
16 I'll Keep Holding On (Marvelettes)
17 Nothing's Too Good for My Baby (Stevie Wonder)
18 Devil with the Blue Dress - Good Golly, Miss Molly (Mitch Ryder & the Detroit Wheels)
19 It Should Have Been Me (Gladys Knight & the Pips)
20 Behind a Painted Smile (Isley Brothers)
21 You (Marvin Gaye)
22 She Said Yes (Wilson Pickett)
23 Loving You Is Sweeter than Ever (Band)
24 You've Been in Love Too Long (Bonnie Raitt)
25 Sweet Understanding Love (Four Tops)
26 Playboy (Charity Brown)
27 He Was Really Sayin' Somethin' (Bananarama with Fun Boy Three)
28 It Takes Two (Tina Turner & Rod Stewart)
29 Footsteps Following Me (Frances Nero)

https://www.upload.ee/files/17294328/COVRDSTEVNSNHUNTR1962-1991_atse.zip.html

alternate:

https://pixeldrain.com/u/r927G5gd

That's William 'Mickey' Stevenson on the left, wearing a tie, with Ivy Jo Hunter on the right.

I had a very difficult time finding decent photos of Stevenson and Hunter when they were young. Both pictures used in making the cover art were colorized by the Palette program. The Hunter one was especially rough, but I used the Krea AI program to enhance it.

Monday, February 26, 2024

Chris Isaak - Acoustic, Volume 1: 1989-1996

I'm a big fan of acoustic music, and one thing I like about Chris Isaak is that he's always had an acoustic side to his music. It hasn't fully shown up that much on his studio albums, but I've found enough for three albums of acoustic versions. This is the first one.

Everything here is officially unreleased. The first song is from 1989. The next big chunk, tracks two through ten, are from a 1991 appearance on the Dutch radio show "2 Meter Sessies." Tracks 11 through 13 are from a 1994 appearance on a Los Angeles radio show called "Music Hall." Then tracks 14 through 17 are from another appearance on that show a year later. The last song is from an appearance on an Australian TV show in 1996. So the vast majority of these are from in-person radio station performances. All the songs were essentially done in studio conditions, with no audience noise.

This album is 42 minutes long. 

01 Vaya Con Dios [Edit] (Chris Isaak)
02 Wicked Game (Chris Isaak)
03 Undo the Right (Chris Isaak)
04 Leavin' It All Up to You (Chris Isaak)
05 I'm Not Waiting (Chris Isaak)
06 La Tumba Sera el Final (Chris Isaak)
07 Solitary Man (Chris Isaak)
08 Western Stars (Chris Isaak)
09 Leah (Chris Isaak)
10 Pretty Papers (Chris Isaak)
11 Guess Things Happen that Way (Chris Isaak)
12 Sweet Leilani (Chris Isaak)
13 Nobody Else but Me (Chris Isaak)
14 Cryin' (Chris Isaak)
15 You're the Only Good Thing [That's Happened to Me] (Chris Isaak)
16 Forever Blue (Chris Isaak)
17 Baby Did a Bad, Bad Thing (Chris Isaak)
18 Think of Tomorrow (Chris Isaak)

https://www.upload.ee/files/16323372/CHRSISK1989-1996AcsticVlum1_atse.zip.html

I don't know any details about the cover photo, except it was taken in 1991.

Thursday, January 18, 2024

The Allman Brothers Band - BBC In Concert, Hammersmith Odeon, London, Britain, 6-25-1991

It seems that just about anyone who is anyone in the music world performed for the BBC at least once (though sometimes the recordings didn't survive). A case in point is the Allman Brothers Band. They're so closely associated with the U.S., and especially the South, that it seems surprising they toured Europe at all. But here we are, with an unreleased BBC concert in London in 1991.

This happens to be a particularly good time for a BBC concert from them, in my opinion. Sure, their peak years were in the early 1970s, especially while Duane Allman was still alive. But they were still a solid band for decades after that. The 1980s were kind of a lost decade for them. But they reunited in the late 1980s and put out a good new album in 1990, "Seven Turns," and another one in 1991, "Shades of Two Worlds." Their creativity slowed way down after that, with only two more new studio albums for the remaining fifteen or so years the band stayed together. The band also lost a lot when Dickey Betts was kicked out in 2000, apparently after a few years of causing problems.

But in 1991, the band was still firing on all cylinders, and proud to play their new songs. Six of the 14 songs here are from their 1990 or 1991 albums, and they're all pretty good.

The sound quality is excellent, as you'd expect from the BBC. And while the BBC often edited concerts down to an hour or so, this time they didn't, since the concert is nearly two hours long.

This album is an hour and 56 minutes long.

01 Don't Want You No More - It's Not My Cross to Bear (Allman Brothers Band)
02 Statesboro Blues (Allman Brothers Band)
03 talk (Allman Brothers Band)
04 Blue Sky (Allman Brothers Band)
05 talk (Allman Brothers Band)
06 Low Down Dirty Mean (Allman Brothers Band)
07 talk (Allman Brothers Band)
08 End of the Line (Allman Brothers Band)
09 Loaded Dice (Allman Brothers Band)
10 Southbound (Allman Brothers Band)
11 Jessica [Instrumental] (Allman Brothers Band)
12 Good Clean Fun (Allman Brothers Band)
13 talk (Allman Brothers Band)
14 Gambler's Roll (Allman Brothers Band)
15 talk (Allman Brothers Band)
16 In Memory of Elizabeth Reed [Instrumental] (Allman Brothers Band)
17 One Way Out (Allman Brothers Band)
18 talk (Allman Brothers Band)
19 Kind of Bird [Instrumental] (Allman Brothers Band)
20 Whipping Post (Allman Brothers Band) 

https://pixeldrain.com/u/v7de1yrm

alternate:

https://bestfile.io/en/vQsnmYkgKKj3Zwp/file

alternate:

https://www.imagenetz.de/bCxS7

It's really hard to find a photo of all the key members of the Allman Brothers Band on stage, since they usually were spread apart from each other. It's even harder to find such a photo specifically from 1991. I did find one, taken at a rather unusual angle. Not the greatest, so let me know if you have something better. This was taken at a concert in Dinkelsbuhl, Germany, in June 1991.

Sunday, December 17, 2023

Eric Clapton - Hoodoo Man - Non-Album Tracks (1988-1992)

It's been a year since I last posted an Eric Clapton stray tracks album. I have to admit that I still have lost a lot of enthusiasm for his music ever since he came out strongly against the Covid vaccine. But I have a bunch more of these stray tracks albums by him, so I might as well keep posting them.

Five of the songs here have been officially released. "This Kind of Life" is from a Brendan Croker album. "That Kind of Woman" was actually written by George Harrison, but never recorded by him. Clapton did it for a charity benefit album called "Nobody's Child." "Border Song" was done for "Two Rooms," a tribute album to Elton John and Bernie Taupin. Finally, "The Stilt House" went on the "Lethal Weapon 2" soundtrack and "Runaway Train" went on the "Lethal Weapon 3" soundtrack. 

That leaves five unreleased songs. "Forever" is a studio outtake. The other four are from concert bootlegs. Generally speaking, their sound is very good.

This album is 47 minutes long.

01 A Remark You Made [Instrumental] (Eric Clapton)
02 Forever (Eric Clapton)
03 This Kind of Life (Brendan Croker & Eric Clapton)
04 The Stilt House [Instrumental] (Eric Clapton, David Sanborn & Michael Kamen)
05 That Kind of Woman (Eric Clapton)
06 Bad Boy (Eric Clapton)
07 Sweet Home Chicago (Eric Clapton, Buddy Guy, Steve Tyler & Others)
08 Border Song (Eric Clapton)
09 Hoodoo Man (Eric Clapton)
10 Runaway Train (Elton John & Eric Clapton)

https://pixeldrain.com/u/1Dczg8u9

alternate:

https://bestfile.io/en/v7Z7Py8ZEd2zVv0/file

The cover photo seems to be from a promo photo shoot taken around 1989.

Saturday, December 2, 2023

David Gilmour - On TV and Radio, Volume 2: 1987-2006

I started out trying to make a series of BBC albums for Gilmour, but I discovered too much interesting non-BBC stuff to leave out. That's particularly the case with this volume, in which only tracks 5 and 6 were recorded for an unreleased 2002 BBC studio session.

A majority of the songs here are from DVDs. "Deep in the Blues" is from a tribute concert to guitar pioneer Les Paul, that was later put out on DVD. "Don't" is very unusual compared to Gilmour's usual style. It's a cover of a Leiber and Stoller song that was performed by Elvis Presley, and was done at a tribute concert in 2001. It later showed up on the DVD "David Gilmour in Concert," even though it didn't really fit with the rest of the music from that. Tracks 7 through 9 are from a 2004 concert called "The Strat Pack," that was a tribute to a guitar, the Stratocraster, rather than a person. That too came out on DVD. 

That leaves just a few songs. "Ah, Robertson, It's You" was played on the "Saturday Night Live" TV show in 1987. Since it was never released, I guess there's some controversy about the song title, and some call it "Song for My Sara" instead. "On the Turning Away" was done for an Amnesty International benefit concert, which is fitting considering the subject matter of the song. "Dominos" was a bonus track on some editions of Gilmour's "Live in Gdansk" album, even though it was recorded in Paris.

Note that trcks 3, 5, 7, 8, and 9 were original done for Pink Floyd albums. And while "Dominos" was never a Pink Floyd song per se, it was written by Syd Barrett, the first lead singer of Pink Floyd.

This album is 56 minutes long.

01 Ah, Robertson, It's You [Song for My Sara] [Instrumental] (David Gilmour)
02 Deep in the Blues [Instrumental] (David Gilmour)
03 On the Turning Away (David Gilmour)
04 Don't (David Gilmour)
05 Fat Old Sun (David Gilmour)
06 Smile (David Gilmour)
07 Marooned [Instrumental] (David Gilmour)
08 Coming Back to Life (David Gilmour)
09 Sorrow (David Gilmour)
10 Dominoes (David Gilmour)

https://www.upload.ee/files/16010870/DavdGlmour_1987-2006_OnTVndRdioVolum2_atse.zip.html

The cover photo was taken at the Secret Policeman's Third Ball in London, Britain, on March 26, 1987.

Sunday, November 26, 2023

Kirsty MacColl - BBC Sessions, Volume 1: 1981-1994

One month ago as I write this in November 2023, a Kirsty MacColl box set called "See That Girl" was released. It was a big one, consisting of eight CDs. I'm going to have to make some minor changes to a bunch of her albums I've posted here due to newly released songs on that.

Thanks to that box set, I feel this is a good time to post all her BBC material. It turns out that two concerts I've already posted were broadcast by the BBC, so I'm renaming them as Volume 2 and 4 in this series. That leaves this one and Volume 3 for all the BBC studio sessions.

In 2003, a compilation album of BBC studio sessions was released, called "What Do Pretty Girls Do." That's pretty much made obsolete by the box set. However, there are a few performances on that album that didn't make it to the box set. Most songs here are from the box set, but three are from "What Do Pretty Girls Do." In addition, one song here, "Soho Square," was done on a BBC TV show but was somehow overlooked by both of those albums.

This album is 50 minutes long.

01 I Don't Wanna Play House (Kirsty MacColl)
02 Queen of the High Teas (Kirsty MacColl)
03 You Can Have My Husband (Kirsty MacColl)
04 Don't Come the Cowboy with Me (Kirsty MacColl)
05 What Do Pretty Girls Do (Kirsty MacColl)
06 Don't Run Away from Me Now (Kirsty MacColl)
07 Still Life (Kirsty MacColl)
08 A New England (Kirsty MacColl & Billy Bragg)
09 There's a Guy Works Down the Chip Shop Swears He's Elvis (Kirsty MacColl)
10 Walk Right Back (Kirsty MacColl)
11 Darling, Let's Have Another Baby (Kirsty MacColl & Billy Bragg)
12 Soho Square (Kirsty MacColl)
13 Angel (Kirsty MacColl)
14 My Affair (Kirsty MacColl)
15 Bad (Kirsty MacColl)

https://www.upload.ee/files/15984074/KirstyMacC_1981-1994_BBSessonsVolum1_atse.zip.html

The cover is a publicity photo from 1981.