Saturday, December 28, 2019
Bruce Springsteen - Cover Songs, Volume 20, 2014
The reason the sound quality is so good is because all of the songs have been officially released. As I've mentioned previously, Springsteen has released dozens of concerts in recent years, but they're download-only and fairly obscure. For some reason, he's probably released more from 2014 than any other year, so it's a breeze for me to pick songs with high sound quality.
Now, as for the content, Springsteen does some really unexpected songs here! Typically, he's played loads of classic soul and rock hits, especially from the 1960s. For instance, he's done just about every "frat rock" hit there is, and that's exemplified by his cover of "Louie, Louie" on this album. But for this album, he did a version of "Stayin' Alive" by the Bee Gees, of all things! And just as strange, but in a different way, is his cover of Lorde's huge 2013 hit "Royals." What makes that unique is that he's almost always covered songs from decades past, but that song was only about a year old when he covered it. (I'm glad he did, because I think it's a great song.)
The first half of the songs here are from a tour of Australia and New Zealand, and many of these unexpected song choices are him tipping his hat to those countries. For instance, the Bee Gees grew up in Australia, so he played "Stayin' Alive" there. Similarly, he did "Friday on My Mind" as a tribute to the Australian band the Easybeats, who wrote it. And Lorde is from New Zealand, so he played "Royals" there.
01 Spill the Wine (Bruce Springsteen)
02 [Love Is like A] Heat Wave (Bruce Springsteen)
03 Friday on My Mind (Bruce Springsteen)
04 Drinkin' Wine Spo-Dee-O-Dee (Bruce Springsteen)
05 Stayin' Alive (Bruce Springsteen)
06 Royals (Bruce Springsteen)
07 May I (Bruce Springsteen)
08 Burning Love (Bruce Springsteen)
09 [I Can't Get No] Satisfaction (Bruce Springsteen)
10 Mustang Sally (Bruce Springsteen)
11 Louie, Louie (Bruce Springsteen)
12 Brown Eyed Girl (Bruce Springsteen)
One reason Springsteen has a legendary reputation as a concert performer is his interaction with the audience. For this album cover, I chose a photo that would exemplify that. The photo is of a random girl who was invited to the stage to dance with him in 2014.