The Petersens - Home Concerts 2, Branson, MO, 4-24-2020 to 5-15-2020

A couple of weeks ago, I posted a collection of home concerts from the Petersens. You should read that post for more information about them. Basically, they're a family band that I like simply because they're very talented. Technically you could say the play "bluegrass," but I see it more as acoustic roots music, since they do all sorts of genres.

That other album I posted mainly consisted of one home concert, with a bunch of other songs performed here and there to flesh it out. This one gathers up the rest of the home concert material I've found that they've done during the coronavirus pandemic lockdown so far. It's about evenly split between two home concerts.

I've included all the songs they played during those two concerts. However, I've edited out some of the banter between songs if I felt it didn't have much replay value. Most of the stuff I cut was promotional in nature. I also edited some things to help make it sound like one long concert instead of two short ones.

The band is an overtly Christian one. They perform a fair number of religious songs as part of their repertoire. That has a limited appeal, and it doesn't appeal to me very much. For this album, they do three Christian songs: "Beaulah Land," "Prodigal Son," and "Father Along." However, they chose well, because those are really good songs that just happen to have religious themes to them. (By the way, the Byrds also did a very nice version of "Father Along.")

The Petersens do some original songs of their own. However, for home concerts like these, they've been very sparing with those. I believe only the first two songs here are originals. In my opinion, they hold their own with the classic covers they do.

This band certainly isn't "cutting edge" in any sense. They just play great "Americana" songs really well. If you've never heard them, and you probably haven't, I suggest you take a chance and give them a listen.

01 talk (Petersens)
02 No Roots (Petersens)
03 talk (Petersens)
04 California (Petersens)
05 talk (Petersens)
06 Gentle on My Mind (Petersens)
07 talk (Petersens)
08 Beulah Land (Petersens)
09 talk (Petersens)
10 Jolene (Petersens)
11 Shenandoah (Petersens)
12 talk (Petersens)
13 Blue (Petersens)
14 talk (Petersens)
15 Fields of Gold (Petersens)
16 talk (Petersens)
17 Prodigal Son (Petersens)
18 talk (Petersens)
19 Farther Along (Petersens)
20 talk (Petersens)
21 Carolina in the Pines (Petersens)

https://www.upload.ee/files/15328493/TPetersns_2020_HmeConcrts2BransnMO__4-24-2020_to_5-15-2020_atse.zip.html

The cover art is a screenshot taken from one of their home concerts. The four people seen are all siblings. Their mother is behind them playing stand-up bass. (You can see the bass, but not much of her.) There's another band member playing lead guitar who isn't a part of the family, but he was standing too far for the side for me to be able to include him.

Lucinda Williams - Long Way from Home - Non-Album Tracks (2009-2010)

I've been busy for the past week or so, but I hope to make up for that with some more posts in the next few days. Here's the next in my long series of stray tracks albums for Lucinda Williams.

Basically, if you liked the previous albums in this series, you'll like this one too. Five of the songs (tracks 3 through 7) are live performances of rare songs taken from bootlegs. The sound on those are all pretty good. The rest come from the usual mix of songs from soundtracks, tribute albums, duets on other peoples' albums, and the like. 

Nearly all of the songs are covers, including famous songs by the Beatles, Bob Dylan, the Rolling Stones, Hank Williams, Jimi Hendrix, the Kinks, and Jimmy Webb. (What great taste in music she has!) But I believe "Port Arthur (Difficult Child)" is an original, and "The Ballad of Lucy Jordan" might be one too.

She did the Hank Williams tune "Jambalaya (On the Bayou)" on her 1979 album "Ramblin'." But that's a little-known album for her, and this is a differently done version, so I decided to include it.

There's one bonus track, "Ball and Chain." It's a cover of a song Janis Joplin also liked to cover. It actually comes from the exact same concert recording of one of the songs I did include, "Port Arthur (Difficult Child)." But that song was done in a solo acoustic format, which is more forgiving to bad acoustics. This song was played with a full band, and there was a bit too much murk and echo for me.

01 Positively 4th Street (Lucinda Williams)
02 Don't Let Me Down (Susan Marshall & Lucinda Williams)
03 The Things that I Used to Do (Lucinda Williams)
04 Happy (Lucinda Williams)
05 Jambalaya [On the Bayou] (Lucinda Williams)
06 Angel (Lucinda Williams)
07 Port Arthur [Difficult Child] (Lucinda Williams)
08 Somebody Somewhere [Don't Know What He's Missin' Tonight] (Lucinda Williams)
09 The Ballad of Lucy Jordan (Lucinda Williams)
10 Long Way from Home (Lucinda Williams & Ray Davies)
11 Galveston (Jimmy Webb & Lucinda Williams)

Ball and Chain (Lucinda Williams)

https://www.upload.ee/files/16695523/LUCNDAWLLMS2009-2010_LngWayfrmHme_atse.zip.html

The cover art photo was taken at a concert in Denmark in 2009.

Tracy Chapman - Kulturpalast, Dresden, Germany, 11-20-2008

For a long time, I've been looking for a good bootleg Tracy Chapman concert that takes place after 1991. From 1988 to 1991, Chapman sold millions and millions of copies of her first two albums. But her popularity declined a lot after that, and I've found it next to impossible to find good concert bootlegs for those later years. Happily, a big Chapman fan recently contacted me and sent me this concert.

In my opinion, one big reason for Chapman's loss of popularity after her first two albums has to do with production. The later albums all had a boring "middle of the road" or "adult contemporary" gloss put on the songs that made them tend to sound the same. Whereas her early albums had much more of a stark, acoustic sound that fitted the songs a lot better. It turns out that in 2008, Chapman had a solo acoustic tour for the first time in nearly 20 years. This concert comes from that tour. As a result, it allows one to hear her later songs in a way that avoids the production issues.

This is an audience recording. But wait! It sounds great! Sometimes, a well recorded audience bootleg can sound every bit as good as a soundboard, and this is one of those times. The only snag was some volume issues. Namely, her voice was way too quiet in the talking between songs, and the audience clapping was way too loud at the end of songs. But I fixed both of those things by simply adjusting the volume levels for different parts of the recording.

The songs are a good mix between her early well known hits and her later stuff, which as I said above, sounds as good as the early stuff in this solo acoustic format. All of the songs are originals, except for the covers "Stand by Me" and "The House of the Rising Sun." The concert is an hour and 21 minutes long.

01 Across the Lines (Tracy Chapman)
02 talk (Tracy Chapman)
03 Sing for You (Tracy Chapman)
04 For My Lover (Tracy Chapman)
05 Crossroads (Tracy Chapman)
06 All That You Have Is Your Soul (Tracy Chapman)
07 talk (Tracy Chapman)
08 Baby Can I Hold You (Tracy Chapman)
09 The Promise (Tracy Chapman)
10 talk (Tracy Chapman)
11 Our Bright Future (Tracy Chapman)
12 Fast Car (Tracy Chapman)
13 talk (Tracy Chapman)
14 Stand by Me (Tracy Chapman)
15 The House of Rising Sun (Tracy Chapman)
16 talk (Tracy Chapman)
17 Give Me One Reason (Tracy Chapman)
18 Save Us All (Tracy Chapman)
19 Talkin' 'bout a Revolution (Tracy Chapman)
20 talk (Tracy Chapman)
21 She's Got Her Ticket (Tracy Chapman)
22 talk (Tracy Chapman)
23 Behind the Wall (Tracy Chapman)

https://www.upload.ee/files/15288240/TracyC_2008_KlturpalastDresdnGermany__11-20-2008_atse.zip.html

I couldn't find a photo from the exact concert in question for the covert art. However, this one is close in time. It comes from a concert in London that took place the same month as the Dresden one.

Emmylou Harris, Vince Gill & Rodney Crowell - Opry Livestream, Grand Ole Opry House, Nashville, TN, 8-1-2020

Here's a home concert that took place just a few days ago. This is somewhat different than the usual home concert in that three stars got together on the same stage and played a bunch of songs as an acoustic trio (with one more musician joining them to add flourishes on mandolin and other instruments). All three are long-time country stars: Emmylou Harris, Vince Gill, and Rodney Crowell.

I must admit that I'm not a really big fan of most country music, so I don't know much about Gill or Crowell. I'm mainly interested in this for Harris. As far as I can tell, she hasn't done any home concert appearances during the coronavirus pandemic, until this show. This is part of a weekly series called "Opry Livestream" that has been put on by the Grand Ole Opry in lieu of their usual regular concerts in Nashville, Tennessee. If you're a country music fan, search YouTube for "Opry Livestream" and you'll find a bunch of their other 2020 home concerts, which generally feature two or more country stars playing together.

This concert is 47 minutes long. For the entire duration, all three stars stayed on stage and strummed their guitars. Each one took turns singing, but the others often joined in, especially Harris, who is reknowned for her harmony vocals. They also talked with each other quite a lot between songs. If you listen to that, it's clear that that all three have been close friends for a long time, dating all the way back to the 1970s. Harris and Crowell did two albums together in recent years as well.

In putting this album together, I cut out a bunch of interruptions by various Opry announcers, which were basically commercials. I suspect those were added in later in any case. The sound quality is just fine. The only disappointment I have is that the last song ends abruptly. In the YouTube recording, it came to a sudden halt to make room for another one of those announcements/commercials. I faded it out instead to make the ending less jarring.

01 If I Could Only Win Your Love (Emmylou Harris, Vince Gill & Rodney Crowell)
02 talk (Emmylou Harris, Vince Gill & Rodney Crowell)
03 Oklahoma Borderline (Emmylou Harris, Vince Gill & Rodney Crowell)
04 talk (Emmylou Harris, Vince Gill & Rodney Crowell)
05 Still Learning How to Fly (Emmylou Harris, Vince Gill & Rodney Crowell)
06 talk (Emmylou Harris, Vince Gill & Rodney Crowell)
07 Old Yellow Moon (Emmylou Harris, Vince Gill & Rodney Crowell)
08 talk (Emmylou Harris, Vince Gill & Rodney Crowell)
09 Song for the Life (Emmylou Harris, Vince Gill & Rodney Crowell)
10 talk (Emmylou Harris, Vince Gill & Rodney Crowell)
11 Bluebird Wine (Emmylou Harris, Vince Gill & Rodney Crowell)
12 talk (Emmylou Harris, Vince Gill & Rodney Crowell)
13 Even Cowgirls Get the Blues (Emmylou Harris, Vince Gill & Rodney Crowell)
14 talk (Emmylou Harris, Vince Gill & Rodney Crowell)
15 'Til I Gain Control Again (Emmylou Harris, Vince Gill & Rodney Crowell)
16 talk (Emmylou Harris, Vince Gill & Rodney Crowell)
17 You Can't Say We Didn't Try (Emmylou Harris, Vince Gill & Rodney Crowell)
18 talk (Emmylou Harris, Vince Gill & Rodney Crowell)
19 Leaving Louisiana in the Broad Daylight (Emmylou Harris, Vince Gill & Rodney Crowell)

https://www.upload.ee/files/15291741/EmmylouH_2020_OpyLvestreamGrandOleOpyHouseNshvilleTN__8-1-2020_atse.zip.html

For the cover art, I took a screenshot from the video.

Paul McCartney & Carl Perkins - Old Friends from Montserrat (1993-1997)

Paul McCartney and the other Beatles were heavily influenced by Carl Perkins, best known for his 1956 hit "Blue Suede Shoes." In 1993, while McCartney was passing through Nashville, Tennessee, while on tour, he visited Perkins. They talked and played some songs on acoustic guitar. The encounter was filmed and parts of it were later shown on video. If you're a fan of McCartney, Perkins, or both, this album sourced from that video is a real treat.

There has been a bootleg floating around for many years called "Old Friends from Montserrat." I've used that title, though I've made some minor changes here and there in the content. (The video added in some songs that were just McCartney playing, whereas I've boiled it down to just the McCartney-Perkins collaborations.)

The bulk of this album, the part with McCartney and Perkins talking and playing guitars in 1993, is rather short, at only 21 minutes. But it's a case of quality over quantity. This type of interaction between McCartney and one of his musical heroes is priceless, in my opinion. As the original bootleg does, I've added a few more related items at the end. There are two songs taken from a 1997 concert in London that benefitted the victims of a hurricane that hit the island on Montserrat. That was the last significant concert involving Perkins, who died in early 1998. One song mainly features Perkins singing and the other mainly features McCartney singing, but they were on stage together.

I end the album with "My Old Friend," a song Perkins wrote and performed with McCartney on Perkins' 1996 album "Go Cat Go." The two of them also played it together earlier in the album, during their 1993 acoustic sessions.

With the extra songs, the album totals 32 minutes. That's still short, but like I said, it's quality over quantity.

01 Your True Love (Paul McCartney & Carl Perkins)
02 talk (Paul McCartney & Carl Perkins)
03 Get It (Paul McCartney & Carl Perkins)
04 My Old Friend (Paul McCartney & Carl Perkins)
05 talk (Paul McCartney & Carl Perkins)
06 Maybellene (Paul McCartney & Carl Perkins)
07 talk (Paul McCartney & Carl Perkins)
08 Lend Me Your Comb (Paul McCartney & Carl Perkins)
09 Wake Up Little Susie (Paul McCartney & Carl Perkins)
10 Matchbox (Paul McCartney & Carl Perkins)
11 talk (Paul McCartney & Carl Perkins)
12 talk (Paul McCartney & Carl Perkins)
13 Les Paul Guitar Picking Thing [Instrumental] (Paul McCartney & Carl Perkins)
14 talk (Paul McCartney & Carl Perkins)
15 Blue Suede Shoes (Paul McCartney & Carl Perkins)
16 talk (Paul McCartney & Carl Perkins)
17 Kansas City - Hey, Hey, Hey, Hey (Paul McCartney with Carl Perkins)
18 Blue Suede Shoes (Carl Perkins with Paul McCartney)
19 My Old Friend (Paul McCartney & Carl Perkins)

https://www.upload.ee/files/16696786/PALMCCRTNYCRLPRKNS1993_OldFrindsfrmMntserrt_atse.zip.html

The original bootleg has a cover art photo that only features McCartney. I found that inappropriate. Instead, I took a screenshot from the 1993 video of McCartney and Perkins together. Then I added my own text to that.

Richard Thompson with Zara Phillips - Bloody Noses Release - Home Concert, Montclair, NJ, 7-5-2020

Early in July 2020, Richard Thompson released an EP of six new songs called "Bloody Noses." It's been a very low-profile release, done digitally only for now. I could hardly find any reviews of it on the Internet. That said, it's excellent. All the songs seem timeless, like they could have been written and released at any point in his long career. All of them are also done in solo acoustic format, no doubt due to logistical difficulties during the coronavirus pandemic.

To celebrate and promote the EP, Thompson did this home concert with his romantic and musical partner Zara Phillips. The first six songs played are the six songs from the EP. Then he played one old song ("Lucky in Life, Unlucky in Love"). He finished off with "When the Saints Rise Out of Their Graves," which is a song he hasn't released yet. He explained that he's saving it for the next album he does with a band, since he wants to flesh out the sound for it.

So you effectively get all the songs from the new EP, plus one more new one! Thompson joked that he was deliberately making a mistake while playing each song to encourage people to buy the EP. But seriously, after you give this a listen, please do consider buying the EP. Since he can't go out on tour, he needs to make some money in some other way.

In terms of sound quality, this album sounds just fine. Thompson has gotten over the sound quality issues that marred his first couple of 2020 home concerts. The album is 42 minutes long.

01 talk (Richard Thompson)
02 As Soon as You Hear the Bell (Richard Thompson)
03 talk (Richard Thompson)
04 She's a Hard Girl to Know (Richard Thompson)
05 talk (Richard Thompson)
06 If I Could Live My Life Again (Richard Thompson)
07 talk (Richard Thompson)
08 The Fortress (Richard Thompson with Zara Phillips)
09 talk (Richard Thompson with Zara Phillips)
10 Survivor (Richard Thompson with Zara Phillips)
11 talk (Richard Thompson with Zara Phillips)
12 What's Up with You (Richard Thompson with Zara Phillips)
13 talk (Richard Thompson with Zara Phillips)
14 Lucky in Life, Unlucky in Love (Richard Thompson with Zara Phillips)
15 talk (Richard Thompson with Zara Phillips)
16 When the Saints Rise Out of Their Graves (Richard Thompson with Zara Phillips)
17 talk (Richard Thompson with Zara Phillips)

https://pixeldrain.com/u/RL5rVsrS

 

alternate:

 

https://bestfile.io/en/qi0idsDgpRokPkX/file

The album cover art is a screenshot from the exact home concert in question. In January 2025, I upgraded the image with the use of the program Krea AI.

Grace Potter - Twilight Hour, Volume 2 - Home Concert, Topanga, CA, 5-4-2020 to 5-11-2020

About a month ago, I published the a home concert by Grace Potter. It was the first of bunch, and this is the second. You might want to read what a wrote there for some general information. In short, she's been performing home concerts that are roughly an hour long once a week for most of the coronavirus lockdown. For this album, I had to combine two such home concerts for there to be enough material for an album. This one is an hour and two minutes long.

Sometimes for her home concerts, Potter has performed mostly or entirely her own songs. But for these two shows, nearly all the songs are covers. There are two originals towards the end. Some were performed solo, but the vast majority were played with a small band, generally just a drummer and lead guitarist, plus Potter on keyboards or guitar.

For these shows, Potter clearly was just winging it most of the time. I had to cut out a lot of songs because she only tested the waters, typically playing just one verse. For instance, for the second show, she played portions of the following songs, which I didn't include: "That's Alright Mama," "I Can't Stand the Rain," "Stacey's Mom," "Bohemian Rhapsody," "Grandma's Hands," "You Really Got Me," "Whipping Post," and "What a Wonderful World." I hope she returns to full versions of those later!

I only included the songs that were done in full and clearly worked. No doubt, a lot of these have been done by her and her band in concert in the past, because they sounded good. Others were done for the first time. For the second show, which is comprised of songs 11 through 17, most of the songs were about mothers in some way, because the show took place close to Mother's Day. I'm guessing that more of those were done for the first time.

Anyway, if you haven't heard Grace Potter before, this is a good time to jump on board, due to her mostly doing classic songs that you're probably familiar with. Hopefully you'll discover that she's an excellent vocalist, but also a talented instrumentalist, and she has great taste in music.

01 Into the Mystic - Van Morrison
02 Jolene - Dolly Parton
03 Out on the Weekend - Neil Young
04 Gold Dust Woman - Fleetwood Mac
05 White Rabbit - Jefferson Airplane
06 When Doves Cry - Prince
07 Whole Lotta Love - Led Zeppelin
08 Ring of Fire - Mystery Train - Chitty Chitty Bang Bang - Johnny Cash / Elvis Presley / Sherman Brothers
09 Love the One You're With - Stephen Stills
10 Wild Horses - Rolling Stones
11 Every Heartbeat - Grace Potter
12 True Fine Mama - Little Richard
13 Come to Mama - Ann Peebles
14 Mama Told Me Not to Come - Randy Newman / Three Dog Night
15 Big White Gate - Grace Potter
16 That's the Way - Led Zeppelin
17 Tell Mama - Etta James

Here's the usual song list:

01 Into the Mystic (Grace Potter)
02 Jolene (Grace Potter)
03 Out on the Weekend (Grace Potter)
04 Gold Dust Woman (Grace Potter)
05 White Rabbit (Grace Potter)
06 When Doves Cry (Grace Potter)
07 Whole Lotta Love (Grace Potter)
08 Ring of Fire - Mystery Train - Chitty Chitty Bang Bang (Grace Potter)
09 Love the One You're With (Grace Potter)
10 Wild Horses (Grace Potter)
11 Every Heartbeat (Grace Potter)
12 True Fine Mama (Grace Potter)
13 Come to Mama (Grace Potter)
14 Mama Told Me Not to Come (Grace Potter)
15 Big White Gate (Grace Potter)
16 That's the Way (Grace Potter)
17 Tell Mama (Grace Potter)

https://www.upload.ee/files/15328325/GraceP_2020_TwilghtHourVolme2HmeConcrtTopangaCA__5-4-2020_to_5-11-2020_atse.zip.html

For some, but not all of Potter's home concerts, she had made some promotional artwork using a chalkboard in her house. The mother-themed show of May 11, 2020 had such artwork made for it. I enjoy her artistic style, so I used that for the cover. I made a few minor changes to the lower half, changing the date mentioned from "May 11" to "May 4 - 11," and removing some other text.

Jimi Hendrix - Highway Chile - Non-Album Tracks (1966-1967)

It's important to note that I have already posted this album. But I'm posting it again because I've made some major changes, and I want to be sure that every Jimi Hendrix fan notices this version. I've doing a revision of the Hendrix stray tracks albums I did up until his Band of Gypsys period, so once I finish that, I'll delete the original version.

So what's different? I added five early Hendrix songs, and to make room for them, I kicked a similar number of songs to the next album in this stray tracks series. I feel these five songs are an important but almost totally forgotten part of Hendrix's musical legacy, so some explanation about them is in order.

The standard story of Hendrix musical origins, which I believed until recently, goes like this: Hendrix spent several years as a sideman in a variety of soul music bands, playing for the Isley Brothers, Little Richard, and many others. Eventually, he hooked up with little-known soul singer Curtis Knight, who gave him more of a spotlight, letting him solo more and even occasionally sing lead. But Hendrix's musical career was still going nowhere until Chas Chandler, former bassist for the Animals, discovered him playing in a New York City club, decided to manage him, and sent him to start anew in England. Hendrix recorded his first single, "Hey Joe," with his new band the Experience, and soon was a superstar. After he became famous, his recordings with Curtis Knight were endlessly rereleased and repackaged, but were generally totally shitty, and only suckers would ever buy them. His career began with "Hey Joe," and anything prior to that is basically worthless.

Like I said, that's what I thought. But it turns out the truth is more complicated than that. I remember reading somewhere that Hendrix's very first songwriting effort was the song "Stone Free," which he quickly wrote when the single "Hey Joe" (which is a cover) needed a B-Side. Not true at all. It turns out that Hendrix's songwriting began years before. Many of the songs he did after he was famous actually got started during his time with Curtis Knight, or possibly even earlier. For an eye-opening look at this earlier part of his career, I suggest this live collection I made:

https://albumsthatshouldexist.blogspot.com/2020/03/jimi-hendrix-with-curtis-knight-squires.html

It cuts out all the songs sung by Knight and keeps only the one sung by Hendrix. You'll see a lot of songs (mostly covers) that Hendrix often did in concert later, such as "Killing Floor," "Bleeding Heart," "Driving South," and so on, further showing the continuity of his music before and after he moved to England and became a star.

Anyway, most of the recordings Hendrix did with Knight are bad. Knight was a soul singer of limited talent who's only true claim to fame is his brief connection to Hendrix. Most of the songs are generic versions of famous soul songs that were done much better by others, or originals that were second-rate knock-offs of more famous songs. But in among that are a number of Hendrix originals, mostly instrumentals, that show off both Hendrix's emerging songwriting talent as well as his lead guitar prowess. Those instrumentals make up most of the extra five songs I've added to this album. I think they're all worthy of being heard alongside his more famous stray tracks material, also included on this album. I figure they've remained obscure almost entirely due to record company rights issues.

However, the first song is actually Hendrix's first lead vocal on record, not another instrumental, and it especially needs to be heard by any Hendrix fan. Actually, it's kind of his first lead vocal. I did some editing to make it that way, so that needs to be explained as well. Another early collaborator with Hendrix was Lonnie Youngblood. In 1966, Youngblood released a single called "Wipe the Sweat." It started out with Youngblood singing lead vocals, but then halfway through it switched to Hendrix doing most of the singing. The B-side was an instrumental version, with some great lead guitar from Hendrix. So I cut out the Youngblood vocals, started with the Hendrix vocals instead, and then stitched on Hendrix's lead guitar from the B-side. The result is a fun "new" Hendrix song, one that he co-wrote.

All the songs here are in chronological order, at least as close as I could get it. I think I moved "No Such Animal" after the "Hey Joe" single songs so there wouldn't be three instrumentals in a row. But note the final instrumental with Knight, "Hush Now," actually comes after "Hey Joe" and other singles. That's because in the summer of 1967, after Hendrix already was a superstar, he went back and recorded some more with Knight! That blows the simple notion of his career starting with "Hey Joe" and all Knight stuff being shit that is easily ignored right out of the water.

Are any of these five newly added obscure songs great? No, but they're all good, and I think one can appreciate them in a new light hearing them surrounded by Experience songs instead of other Curtis Knight songs. People at the time would have sat up and taken notice at Hendrix's guitar prowess based on those instrumentals alone, had they been presented in the right way at the time.

As for the other songs that make up the rest of this stray tracks collection, they only include some of the greatest songs of all time! Not just "Hey Joe," but also "Purple Haze," "Stone Free," "The Wind Cries Mary," and more. These are the A- and B-sides from the "Are You Experienced?" era of his career. In the US, some of those songs made the album, but they didn't in Britain, and I'm basing everything off the British album versions. A couple other early songs, "Mr. Bad Luck," and "Taking Care of No Business," were recorded around the time of those album sessions, but not released until much later. Note that both of those songs are examples of songs that were written by Hendrix well before the Experience, back in the Curtis Knight time period, or earlier.

Anyway, I hope you'll find this album an enjoyable musical listen, even as it bridges the gap between the Curtis Knight recordings and the Experience recordings. To sum up what I said above, although Hendrix did essentially get famous overnight with the "Hey Joe" single, his musical maturation was a gradual process, and the seeds of his greatness were evident in some of the recordings with Knight, most especially the instrumentals that he wrote.

This album is almost exactly 45 minutes long, which is an ideal length for albums from that era.

01 Wipe the Sweat [Edit] (Jimi Hendrix with Lonnie Youngblood)
02 Hornet's Nest [Kato's Special] [Edit] [Instrumental] (Jimi Hendrix with Curtis Knight)
03 Knock Yourself Out [Flying On Instruments] [Edit] [Instrumental] (Jimi Hendrix with Curtis Knight)
04 Hey Joe (Jimi Hendrix)
05 Stone Free (Jimi Hendrix)
06 No Such Animal [Instrumental] (Jimi Hendrix with Curtis Knight)
07 Purple Haze (Jimi Hendrix)
08 51st Anniversary (Jimi Hendrix)
09 The Wind Cries Mary (Jimi Hendrix)
10 Highway Chile (Jimi Hendrix)
11 Mr. Bad Luck [Look Over Yonder] (Jimi Hendrix)
12 Taking Care of No Business (Jimi Hendrix)
13 Hush Now [Edit] [Instrumental] (Jimi Hendrix with Curtis Knight)

 

https://www.upload.ee/files/15119368/JimiH_1966-1967_HighwyChile_atse.zip.html

I used the same cover for my earlier version of this album. It shows Hendrix with the rest of the Experience some time in 1967.

Linda Ronstadt & Emmylou Harris - Warfield Theatre, San Francisco, CA, 9-10-1999

I imagine you'd heard of Linda Ronstadt and Emmylou Harris, two great singers with long careers. The two of them joined up with Dolly Parton and put out a couple of albums as a trio, including one in early 1999. Then, later in 1999, Ronstadt and Harris put out their only album as a duo, called "Western Wall: The Tuscon Sessions." After the album came out, the two of them went on tour, but it seems they only did a small number or shows. Unfortunately, Ronstadt's voice began deteriorating around 2000, and she ended her music career around 2009. That means there won't be any other Ronstadt and Harris concerts other than the few ones in late 1999.

So we're lucky that we have a bootleg of their concert collaboration at all. But we're even luckier that this bootleg recording sound absolutely fantastic! I'm guessing the show might have been professionally recorded for a possible live album, because it sounds that good. The only snag with it is that the soundboard is so excellent that one could barely hear the audience at all. To compensate for that, I've boosted the cheering after each song, to make it sound like a typical live album.

In terms of musical content, the two singers stayed on stage for the entire concert and generally sang harmonies on each other's songs. They were backed up by a top-notch band. They leaned heavily on their new album "Western Wall," playing pretty much every song from it. They also did songs from the most recent trio album, "Trio II," as well as songs from earlier in their careers. Overall, the song list is pretty different from typical song lists of when they did concerts on their own, even from that general era.

The concert is fairly long, at two hours and ten minutes. If you're a fan of either singer, you should check this out. But I think they sound even better together than they do on their own. Too bad their collaboration didn't last longer, probably due to Ronstadt's vocals problems.

01 Loving the Highwayman (Linda Ronstadt & Emmyou Harris)
02 For a Dancer (Linda Ronstadt & Emmyou Harris)
03 Raise the Dead (Linda Ronstadt & Emmyou Harris)
04 talk (Linda Ronstadt & Emmyou Harris)
05 Icy Blue Heart (Linda Ronstadt & Emmyou Harris)
06 The Blue Train (Linda Ronstadt & Emmyou Harris)
07 Valerie (Linda Ronstadt & Emmyou Harris)
08 talk (Linda Ronstadt & Emmyou Harris)
09 It Doesn't Matter Anymore (Linda Ronstadt & Emmyou Harris)
10 talk (Linda Ronstadt & Emmyou Harris)
11 Blue Bayou (Linda Ronstadt & Emmyou Harris)
12 talk (Linda Ronstadt & Emmyou Harris)
13 1917 (Linda Ronstadt & Emmyou Harris)
14 Green Pastures (Linda Ronstadt & Emmyou Harris)
15 talk (Linda Ronstadt & Emmyou Harris)
16 Orphan Girl (Linda Ronstadt & Emmyou Harris)
17 talk (Linda Ronstadt & Emmyou Harris)
18 Telling Me Lies (Linda Ronstadt & Emmyou Harris)
19 talk (Linda Ronstadt & Emmyou Harris)
20 All I Left Behind (Linda Ronstadt & Emmyou Harris)
21 talk (Linda Ronstadt & Emmyou Harris)
22 Get Up John (Linda Ronstadt & Emmyou Harris)
23 talk (Linda Ronstadt & Emmyou Harris)
24 Hello Stranger (Linda Ronstadt & Emmyou Harris)
25 talk (Linda Ronstadt & Emmyou Harris)
26 Sweet Spot (Linda Ronstadt & Emmyou Harris)
27 He Was Mine (Linda Ronstadt & Emmyou Harris)
28 talk (Linda Ronstadt & Emmyou Harris)
29 Sisters of Mercy (Linda Ronstadt & Emmyou Harris)
30 talk (Linda Ronstadt & Emmyou Harris)
31 This Is to Mother You (Linda Ronstadt & Emmyou Harris)
32 talk (Linda Ronstadt & Emmyou Harris)
33 Falling Down (Linda Ronstadt & Emmyou Harris)
34 Goin' Back to Harlan (Linda Ronstadt & Emmyou Harris)
35 talk (Linda Ronstadt & Emmyou Harris)
36 [Talk to Me Of] Mendocino (Linda Ronstadt & Emmyou Harris)
37 Heart like a Wheel (Linda Ronstadt & Emmyou Harris)
38 talk (Linda Ronstadt & Emmyou Harris)
39 Wheels (Linda Ronstadt & Emmyou Harris)
40 Born to Run (Linda Ronstadt & Emmyou Harris)
41 talk (Linda Ronstadt & Emmyou Harris)
42 Feels like Home (Linda Ronstadt & Emmyou Harris)
43 Rose of Cimarron (Linda Ronstadt & Emmyou Harris)
44 talk (Linda Ronstadt & Emmyou Harris)
45 Pancho and Lefty (Linda Ronstadt & Emmyou Harris)
46 talk (Linda Ronstadt & Emmyou Harris)
47 High Sierra (Linda Ronstadt & Emmyou Harris)
48 talk (Linda Ronstadt & Emmyou Harris)

https://pixeldrain.com/u/6fCN4fjB

alternate:

https://bestfile.io/en/mDjFeunARiPOtwd/file

The cover art photo isn't the best photo of Ronstadt and Harris together. I found better. But I'm using it because it comes from the exact concert in question, which I consider a nice lucky break. Ronstadt has the dark hair. I used the Krea AI program to improve it, at least.

Melissa Etheridge - The Eagles Tribute - Home Concert, Los Angeles, CA, 5-3-2020

Since the start of July 2020, Melissa Etheridge's home concerts have continued, but behind a pay wall. If she thinks she can make some money that way, I don't want to undermine her. So I won't be posting anything from after that time, unless her policy changes. But I still have some material from before she made that change. Here's another one.

As you can see from the title, it's a tribute to the Eagles. There's about 22 minutes of music, plus another 15 minutes of talking, for a total of 40 minutes. Etheridge has some interesting stories to tell, especially since she's met and performed with Eagle Don Henley.

There's not much else to say other than if you enjoyed the previous Melissa Etheridge concerts I've posted, you should enjoy this one too. The sound quality is the same as on the earlier ones, which means it's very good.

01 talk (Melissa Etheridge)
02 Desperado (Melissa Etheridge)
03 talk (Melissa Etheridge)
04 The Boys of Summer (Melissa Etheridge)
05 talk (Melissa Etheridge)
06 Intro to Peaceful Easy Feeling (Melissa Etheridge)
07 Peaceful Easy Feeling - Take It Easy - Peaceful Easy Feeling (Melissa Etheridge)
08 talk (Melissa Etheridge)
09 Intro to Witchy Woman (Melissa Etheridge)
10 Witchy Woman (Melissa Etheridge)
11 talk (Melissa Etheridge)
12 Lyin' Eyes (Melissa Etheridge)
13 talk (Melissa Etheridge)
14 Take It to the Limit (Melissa Etheridge)

https://www.upload.ee/files/15289556/MelissaE_2020f_EaglsTributeHomeConcrtLsAngelesCA__5-3-2020_atse.zip.html

Instead of the usual screenshot of Etheridge performing at the home concert in question, I thought it would be more interesting if I could find a photo of her with one or more of the Eagles. I did. This photo is of her with Don Henley at a 2002 MusicCares concert honoring Billy Joel.

Fleetwood Mac - Live and Rare, Volume 2 (1968-1970)

Yesterday, I posted "Live and Rare, Volume 1." This is more of the same. It's the second and final album dealing with songs Fleetwood Mac played in concert during the Peter Green years that are officially unreleased and were only recorded on rough sounding bootlegs.

As I wrote for that previous volume, beware that the sound is far from perfect. That said, it's very listenable. I make these albums mainly for myself, and I'm not going to put up with something that sounds like crap. Like I wrote yesterday, these often are good sounding songs from otherwise rough sounding bootlegs.

How is that possible? One way is that it often is harder to record vocals well than the instrumentation. And four of the songs this time around are instrumentals. As I explained with that earlier volume, many of these instrumentals have no easily identifiable name. It's likely for at least some of them that they were spontaneous blues jams with no name at all. So I came up with my own names, using the town names. (I had to add the year for two of them, since there are two from Stockholm, Sweden in different years.)

This album ends in early 1970 because that's when Peter Green left the group. Also, when he left, the variety of songs the band played in concert was drastically reduced. I think the live improv instrumentals came to a halt as well.

Both this volume and the previous one are about 50 minutes long.

01 Goin' Down Slow (Fleetwood Mac)
02 San-Ho-Zay [Instrumental] (Fleetwood Mac)
03 Stockholm '69 Improv [Instrumental] (Fleetwood Mac)
04 Gothenburg Improv [Instrumental] (Fleetwood Mac)
05 If You Let Me Love You (Fleetwood Mac)
06 All Over Again [I've Got a Mind to Give Up Living] (Fleetwood Mac)
07 It Takes Time (Fleetwood Mac)
08 Stockholm '70 Improv [Instrumental] (Fleetwood Mac)

https://www.upload.ee/files/15115838/FleetwodMc_1968i-1970_LiveandRreVolume2_atse.zip.html

As with the cover art for Volume 1, I didn't have a lot of great photos of the entire Fleetwood Mac band, so I decided to use one of lead guitarist Peter Green, at a further tribute to his recent passing (which happened a few days ago as I write this).

Fleetwood Mac - Live and Rare, Volume 1 (1967-1968)

As I wrote yesterday, legendary guitarist Peter Green died just a few days ago. To further commemorate his passing, I have some more music to post from the time he led Fleetwood Mac.

Be warned that this album isn't for everyone. It contains interesting rare songs performed live that didn't fit anywhere else in my music collection. All of them are officially unreleased. But generally speaking, these songs come from audience bootlegs, so the sound quality isn't up to my usual standards. Some are rougher than others. That said, all of them pass my listenability test, or I wouldn't bother including them.

It's truly remarkable how many different songs Fleetwood Mac performed in concert back in their Peter Green-led years. All of these, I believe, never appeared on any official albums, and most of them only show up on one or a couple of different bootlegged concerts. (There are even more that I wish I could have included, but the sound quality was too poor, or they didn't get bootlegged at all.)

In some cases here, these songs happened to be the best from some fairly bad sounding bootlegs. For instance, there might have been a bootleg where the vocals were recorded badly, but an instrumental from it sounds just fine. The first three songs are all like that. They come from 1967, a year of no decent sounding Fleetwood Mac bootlegs, but for some reason these songs stood out in terms of sounding listenable.

I'll follow this with a second and final "Live and Rare" volume. I have to admit that there are some instrumentals on them with names that I can't identify. It could be they were just blues jams that never had a name in the first place. In such cases, I came up with my own name, using the town they were performed in. There's only one such case here, the song I call "Windsor Improv."

The last song, "All Over Again (I've Got a Mind to Give Up Living)," is kind of a bonus track. I have a different version on "Live and Rare, Volume 2." This one is from 1969, so it doesn't fit with the other songs here from 1967 and 1968. But Peter Green's slow blues guitar playing on "All Over Again" is always amazing, so I want to have every decent sounding version the band did in my collection. Thus, I've stuck one on here, instead of having two versions on "Volume 2."

Finally, thanks to my musical associate MZ for his assistance with this album. He helped me find some of the rare versions here, and also used his sound editing skills to make them more listenable.

01 Evil Woman Blues (Fleetwood Mac)
02 Windsor Improv [Instrumental] (Fleetwood Mac)
03 I'm Goin' Home (Fleetwood Mac)
04 Bleeding Heart [Edit] (Fleetwood Mac)
05 Don't Know Which Way to Go (Fleetwood Mac)
06 The Sky Is Crying (Fleetwood Mac)
07 Too Late to Cry (Fleetwood Mac)
08 Crossroads (Fleetwood Mac)
09 Call It Stormy Monday (Fleetwood Mac)
10 All Over Again [I've Got a Mind to Give Up Living] (Fleetwood Mac)

https://www.upload.ee/files/15115676/FleetwodMc_1967f-1968_LiveandRreVolume1_atse.zip.html

Good photos of Fleetwood Mac from 1967 or 1968 are very rare, and I've used just about all of the decent ones I could find. Since Peter Green died recently, and he was the leader of the band back then, I decided to honor him by featuring him on this cover. I don't know when or where this photo is from exactly, but I'm guessing it's from around 1968.

Norah Jones - Home Concerts 6, New York City, 6-12-2020 to 6-22-2020

Here's the next in a long series of Norah Jones home concerts. She continues to play about four songs a week in this format. May she keep it up forever! ;)

There's not much to say for this one. If you liked the previous five home concert albums of hers I've posted, you'll like this one too. The sound is perfectly good except for one thing: for many of these songs, the vocals are rather low in the mix. She's on piano for this, and I'm guessing that she kept her face too far from the microphone. But that's just a minor blemish.

Most of the songs are from her most recent album, or previous albums. But there's one very off the wall cover: "Song of the Highest Tower." This was first done by the Cut Worms in 2018. As usual, Jones makes the song her own.

By the way, I want to keep posting more of Jones's home concerts, and I will, but I've run into a snag. While I was on vacation earlier this month (July 10th), she gave a mini-concert that I missed. Instead of posting her performance on her YouTube channel, as usual, she gave a concert for "Amazon Live." She played four songs: "To Live," "Flame Twin," "I'm Alive," and "It's Gonna Be." Unfortunately, it seems Amazon only had this up for a few days, and it has since disappeared. If you have a recording of this show, please let me know so I can keep posting without having a big gap.

This album is 45 minutes long.

01 To Live (Norah Jones)
02 Hurts to Be Alone (Norah Jones)
03 Heartbroken Day After (Norah Jones)
04 I'm Alive (Norah Jones)
05 What Am I to You (Norah Jones)
06 After the Fall (Norah Jones)
07 Stumble on My Way (Norah Jones)
08 talk (Norah Jones)
09 Song of the Highest Tower (Norah Jones)
10 talk (Norah Jones)
11 Those Sweet Words (Norah Jones)
12 Thinking about You (Norah Jones)
13 talk (Norah Jones)

 

https://www.upload.ee/files/15634019/NorahJ_2020_HomeCncerts6__6-12-2020_to_6-22-2020_atse.zip.html

For the album cover, I took a screenshot from the first home concert here.

Fleetwood Mac - BBC Sessions, Volume 4: 1969

First off, sadly, I have to report that Peter Green died a few days ago, on July 25, 2020, of natural causes. He was 73 years old. He was a true musical giant in my opinion, one of the greatest lead guitar players of all time. He will be missed, even though most of his musical reputation rests on his years with Fleetwood Mac, from 1967 to 1970.

Only four of the 12 songs on it are officially released. Three more are from "On Air," but that's a dubious "grey market" release. However, I think you'll find there's very little sound quality difference between the released ones and the rest. 

 

The three "On Air" sourced songs are by Chicken Shack, the blues band Christine McVie was in shortly before she joined Fleetwood Mac. I've only included songs from this band where McVie was the lead vocalist.  

 

All of the BBC performances come from just three sessions, and probably the released and unreleased versions ultimately come from the same recorded versions.

There are four songs not from the BBC. Two of these ("San-Ho-Zay" and the "Blue Suede Shoes" medley) come from a Dutch radio show. I'm not a stickler that all songs on a BBC compilation have to actually come from the BBC - I figure other radio or TV show appearances are fair game as well. 

There's nothing wrong sonically with the bonus track, "Albatross." The only reason it's a bonus track is because I have another version of the band playing the song on an earlier album in this BBC series. There are remarkably few instances of the band playing the same song twice on the BBC, so any duplicates are downgraded to bonus tracks.

This album is 40 minutes long, not including the bonus track.

 

UPDATE: On September 26, 2025, I redid the mp3 download file. I'm not sure why, but I had a couple of songs out of chronological order between this album and Volume 4. So I moved some songs from here to there, and from there to here.  

 

01 San-Ho-Zay [Instrumental] (Fleetwood Mac)
02 Blue Suede Shoes - Whole Lotta Shakin' Goin' On - Blue Suede Shoes (Fleetwood Mac)
03 Can't Believe You Wanna Leave (Fleetwood Mac)
04 Blues with a Feeling (Fleetwood Mac)
05 Tallahassee Lassie (Fleetwood Mac)
06 Early Morning Come (Fleetwood Mac)
07 Heavenly (Fleetwood Mac)
08 I'd Rather Go Blind (Christine McVie & Chicken Shack)
09 Hey Baby (Christine McVie & Chicken Shack)
10 Get like You Used to Be [Edit] (Christine McVie & Chicken Shack)
11 Man of the World (Fleetwood Mac)
12 Jumping at Shadows (Fleetwood Mac)
13 Linda [Edit] (Fleetwood Mac)

Albatross [Instrumental] (Fleetwood Mac)

 

https://pixeldrain.com/u/N1MxEjZV

 

alternate:  

 

https://bestfile.io/en/mW0PYTajKJFlKOo/file

I'm not sure exactly when or where the cover art photo is from. But given their appearance, and especially the inclusion of Danny Kirwan (who joined in 1968), I think it's likely it's from 1969.

 

In 2025, I improved the detail of the image with the use of the Krea AI program. 

Manfred Mann - Ha Ha Said the Clown - Non-Album Tracks (1967)

I've got tons of albums from different bands to post, but Manfred Mann is on a fast track, so here's the next stray tracks album from them.

Manfred Mann didn't release a studio album at all in 1967. I think this was a big mistake, and must have cost the band popularity and credibility. Recall that 1967 was a time of rapidly and drastically changing musical trends. You had to keep up or be left behind. (Some bands, like the Dave Clark Five, Herman's Hermits, and the Searchers, fell way behind around 1967.) As it so happens, Manfred Mann had enough new material for not one but two new studio albums in 1967, and they had hit singles then as well, so their lack of an album that year is even more of a mystery.

I have some songs recorded in 1967 on the last stray tracks album I posted here ("Semi-Detached Suburban Mr. James"), and more on the next album in this series. But all of the songs on this album date from 1967. I have it in rough chronological order by recording date, from January to August 1967.

The big hit song this time around is "Ha Ha Said the Clown." It was a Top 5 song in Britain, and hit Number 1 in some European countries, but it didn't chart at all in the US. Although it's a nice song, it's also a lightweight one, and fare badly with a lot of masterpieces coming out in 1967. Songs like this one help explain why the band got the reputation as a poppy singles band.

Happily, the album has more substance. True, some of the other songs are in the same vein as "Clown," but the band was still showing off its rhythm and blues and/or jazzy chops, as well as dabbling with psychedelic sounds. Six of the songs here were released as A- or B-sides. Two more come from BBC sessions, and for both of those I edited to songs to remove the BBC DJ's talking over the intros. Another song only came out as an album bonus track years later.

That leaves three songs that still remain officially unreleased: "Golden Flower," "She Once Was My Love," and "Rainbow Eyes." This is puzzling to me, because I think they sound just as good as any of the other songs on the album. Luckily, all three come from a bootleg with sterling sound quality, so they sound exactly as good as the released tracks. The song "She Once Was My Love" was a rather messed up take, with the song breaking down and then restarting more than once, as well as having some vocal flubs. But I edited it to make it sound coherent and mistake-free.

This album is fairly short at 35 minutes, but that was how long such albums typically were in those days. By luck, the last song ends with a bit of a reprise of the first song. It's brief and a bit subtle, but it's there.

01 Ha Ha Said the Clown (Manfred Mann)
02 I Love You (Manfred Mann)
03 Feeling So Good (Manfred Mann)
04 The Nitty Gritty [Edit] (Manfred Mann)
05 Golden Flower (Manfred Mann)
06 She Once Was My Love [Edit] (Manfred Mann)
07 Sweet Pea [Instrumental] (Manfred Mann)
08 One Way (Manfred Mann)
09 Rainbow Eyes (Manfred Mann)
10 Hound Dog [Edit] (Manfred Mann)
11 So Long, Dad (Manfred Mann)
12 Funniest Gig (Manfred Mann)

https://www.upload.ee/files/16696647/MANFRDMNN1967_HaHaSadClwn_atse.zip.html

For the cover art, I chose from one of several different versions of the "Ha Ha Said the Clown" single. I made a few changes. For instance, I removed the title of the B-side, which was written right below the title of the A-side. I also moved the location of the record company logo.

Chrissie Hynde with James Walbourne - Dylan Lockdown (2020)

UPDATE: The link for this album has been removed, because all the songs here, plus one more, has been officially released as the album "Standing in the Doorway: Chrissie Hynde Sings Bob Dylan."

 

So what has Chrissie Hynde of the Pretenders been up to since the coronavirus lockdown began? She's made a couple of recorded appearances, but they've been short and unremarkable. But she's taken a different approach: together with Jame Walbourne, who has been lead guitarist for the Pretenders since 2008, she's done a series of Bob Dylan covers. Instead of the common acoustic approach during the lockdown, she's worked up full band versions of each song, then released then on the Internet once a week.

Her Dylan versions are excellent. What I particularly like is that she's generally selected less covered songs, including a couple of downright obscure ones. She also picked some of my all-time Dylan favorites, especially "Blind Willie McTell." There are only eight songs, but it totals up to 46 minutes, which is an ideal album length.

I've been collecting her Dylan songs each week. I was going to wait longer before posting, because I didn't know how many covers she'd do. But with this week's song, she mentioned it was the last song of the Dylan series.

If you're at all a Chrissie Hynde/Pretenders fan, or a Bob Dylan fan, you should give this a listen. Lots of artists have officially released albums consisting entirely of Dylan covers. For whatever reason, Hynde decided to release this de facto new studio album on the Internet for free.

01 In the Summertime (Chrissie Hynde with James Walbourne)
02 You're a Big Girl Now (Chrissie Hynde with James Walbourne)
03 Standing in the Doorway (Chrissie Hynde with James Walbourne)
04 Sweetheart like You (Chrissie Hynde with James Walbourne)
05 Blind Willie McTell (Chrissie Hynde with James Walbourne)
06 Love Minus Zero-No Limit (Chrissie Hynde with James Walbourne)
07 Don't Fall Apart on Me Tonight (Chrissie Hynde with James Walbourne)
08 Tomorrow Is a Long Time (Chrissie Hynde with James Walbourne)

I was planning on making my own cover art for this album, as usual. But when Googling for a picture of Chrissie Hynde and James Walbourne together, I stumbled across some album art a person named spunky2018 made for the Dylan lockdown series. So even though I found some pictures of them together, I've used this one instead. I like how spunky2018 made it in the style of an old Dylan album.

The Petersens - Home Concerts 1, Branson, MO, 4-7-2020 to 7-17-2020

I was looking for something on YouTube the other day and stumbled across the Petersens. I liked them enough to post this album. One way they came up was because they've performed with the Reina del Cid and Toni Lundgren duo. If you like that duo, this is very much in the same vein. Technically, the Petersens are considered bluegrass, but I generally am not a fan of bluegrass yet I'm a fan of this. It's more like they play roots music in the folk, country, singer-songwriter type genres, with some bluegrass touches, such as banjo, mandolin, and fiddle.

The Petersens are very much a family band. As far as I can tell, the band consists of a mother, son, three daughters, plus one non-family member. So you get a fuller sound than Reina del Cid and Toni Lundgren, though they generally play the same kind of songs. The Petersens are based in Branson, Missouri, which is kind of a country music entertainment mecca, and seem to spend most of their time playing concerts there. But they've put up some home concert videos during the coronavirus lockdown, with some of them getting millions of hits. I'm sure there are oodles of family bands playing music like this all over the US and beyond, but the Petersens stand out due to their talent.

As I write this, they've done three home concerts of 20 to 30 minutes each that have been posted on YouTube, plus various single songs posted there as well. This album gathers one of the home concerts and all of the stray single songs into an album that hopefully sounds like one coherent concert. I plan on posting another album by them that consists of the other two home concerts combined. I've arranged things so that both albums end up being between 45 and 50 minutes long.

I have to admit that I'm not a fan of most gospel music. The Petersens are a Christian band and play a fair number of gospel/religious songs. But because I'm not a fan of that kind of stuff, I left off a few songs of that type. None of the songs on this album are gospel songs. Here's what you get instead, by the original artists:

01 When You Say Nothing at All - Keith Whitley / Alison Krauss
02 If I Needed You - Townes Van Zandt / Emmylou Harris & Don Williams
03 You Can't Make Old Friends - Kenny Rogers
05 Southern Nights - Glen Campbell
07 Amarillo by Morning - George Strait
09 She's Got You - Patsy Cline
11 Swallowtail Jig [Instrumental] - Irish traditional
13 Moments - Petersens original
15 Take Me Home, Country Roads - John Denver
16 I Feel the Blues Moving In - Del McCoury
17 Carolina in My Mind - James Taylor
18 Landslide - Fleetwood Mac

As you can see, most of the songs are classic hits, especially country classics. The Petersens do occasionally write their own songs, but only one of them appears on this album. I have a couple more originals on the other album of theirs I plan on posting. I've found their originals generally hold up to the high standards of the covers they do.

Here's the usual song list:

01 When You Say Nothing at All (Petersens)
02 If I Needed You (Petersens)
03 You Can't Make Old Friends (Petersens)
04 talk (Petersens)
05 Southern Nights (Petersens)
06 talk (Petersens)
07 Amarillo by Morning (Petersens)
08 talk (Petersens)
09 She's Got You (Petersens)
10 talk (Petersens)
11 Swallowtail Jig [Instrumental] (Petersens)
12 talk (Petersens)
13 Moments (Petersens)
14 talk (Petersens)
15 Take Me Home, Country Roads (Petersens)
16 I Feel the Blues Moving In (Petersens)
17 Carolina in My Mind (Petersens)
18 Landslide (Petersens)

https://www.upload.ee/files/15635016/TPetersns_2020_HmeConcrts1BransnMO__4-7-2020_to_7-17-2020_atse.zip.html

Although there the Petersens have six members in their band, the cover art photo only shows three of them, the three daughters. I watched their video of "Landslide," and I thought it looked really nice with the flowers in their hair and the river in the background, so I took a screenshot of that. For the cover art of the other album I plan on posting, I'll include the other band members as well.

Richard Thompson with Zara Phillips - Folk on Foot - Home Concert, Montclair, NJ, 5-25-2020

I've posted a couple of Richard Thompson 2020 home concerts. He did another one in early July that's especially nice. But before I post that one, I want to post this earlier one.

I hesitated to post it, because the actual concert for the ("Folk on Foot" festival) was rather short, at only 24 minutes. But I've managed to find a few more songs he did here and there around the same time, increasing the length to 32 minutes (if you don't count the bonus track). That's still pretty short, but enough to post as an album.

In terms of song selection, most of these are fairly obscure choices from his extensive catalog. I believe only three of them ("Keep Your Distance," "If I Could Live My Life Again," and "I Want to See the Bright Lights Tonight") are repeats from the other three 2020 home concerts of his that I've posted already. And no more songs are repeats from the early July 2020 show mentioned above that I'll be posting soon.

The sound quality is very good in general. The only exception is the bonus track, "Jack O' Diamonds." That is one of the extras, generally done for various benefit concerts or Internet shows. Unfortunately, "Jack O' Diamonds" was badly recorded, with the vocals way down low and way too much reverb.

01 The Sun Never Shines on the Poor (Richard Thompson)
02 talk (Richard Thompson)
03 Sloth (Richard Thompson)
04 talk (Richard Thompson)
05 Stony Ground (Richard Thompson)
06 talk (Richard Thompson with Zara Phillips)
07 Keep Your Distance (Richard Thompson with Zara Phillips)
08 talk (Richard Thompson with Zara Phillips)
09 She Never Could Resist a Winding Road (Richard Thompson with Zara Phillips)
10 talk (Richard Thompson with Zara Phillips)
11 I Want to See the Bright Lights Tonight (Richard Thompson with Zara Phillips)
12 One Door Opens (Richard Thompson)
13 talk (Richard Thompson)
14 If I Could Live My Life Again (Richard Thompson)
15 A Heart Needs a Home (Richard Thompson with Zara Phillips)

Jack O' Diamonds (Richard Thompson)

https://www.upload.ee/files/15271085/RichrdT_2020c_FlkonFootHomeConcrtMontclairNJ__5-25-2020_atse.zip.html

The cover art photo is a screenshot from the exact concert in question. I wanted to use a photo of both Thompson and Zara Phillips, but they were too far apart for a good picture.

Elle Cordova & Toni Lindgren - Sunday Mornings with Elle and Toni, Volume 2: 2016-2017

A few weeks ago, I posted the first of many albums I plan on posting featuring acoustic cover versions by Elle Cordova and Toni Lindgren. Don't feel bad if you've never heard of them. I hadn't until last month, and they're not that well known. But Elle Cordova is a talented songwriter (check out her original albums), and together they do really nice, mellow versions of great songs from a wide variety of genres.

As with the last album I posted, most of these songs are fairly well known, but they also have some unexpected choices that work out well. For instance, if you look at their general roots rock vibe, you wouldn't expect a Beyonce song, but they play one here. Ditto with a Prince song. They also do a song by David Rawlings, who I'd never heard of before. So it's a good mix of the familiar and less familiar.

Note that the first album I posted in this series dealt with the years 2013 to 2015, and this one deals with 2016 to 2017. In fact, there was only one song from 2015 on the previous album, and there is over a year and a half gap between the last song on that album and the first one here. Partially, that's because they did some original songs during that time for their weekly YouTube releases, which don't fit the covers format here. But it also seems they suspended their weekly releases for a while. Happily, since they've resumed in 2016, they've been doing it consistently all the way until the present day.

This album is 45 minutes long.

Here is a list of the original artists for each song:

01 Jambalaya (On the Bayou) - Hank Williams
02 Tennessee Waltz - Patti Page
03 English Tea - Paul McCartney
04 I Just Don't Think I'll Ever Get Over You - Colin Hay
05 XO - Beyonce
06 Mountain Dew - traditional
07 Doctor My Eyes - Jackson Browne
08 I Will Always Love You - Dolly Parton / Whitney Houston
09 Step into Christmas - Elton John
10 When You Were Mine - Prince
11 Tonight I'll Be Staying Here with You - Bob Dylan
12 Ruby - David Rawlings
13 Rollin' in My Sweet Baby's Arms - traditional

Here is the usual song list:

01 Jambalaya [On the Bayou] (Elle Cordova & Toni Lindgren)
02 Tennessee Waltz (Elle Cordova & Toni Lindgren)
03 English Tea (Elle Cordova & Toni Lindgren)
04 I Just Don't Think I'll Ever Get Over You (Elle Cordova & Toni Lindgren)
05 XO (Elle Cordova & Toni Lindgren)
06 Mountain Dew (Elle Cordova & Toni Lindgren)
07 Doctor My Eyes (Elle Cordova & Toni Lindgren)
08 I Will Always Love You (Elle Cordova & Toni Lindgren)
09 Step into Christmas (Elle Cordova & Toni Lindgren)
10 When You Were Mine (Elle Cordova & Toni Lindgren)
11 Tonight I'll Be Staying Here with You (Elle Cordova & Toni Lindgren)
12 Ruby (Elle Cordova & Toni Lindgren)
13 Rollin' in My Sweet Baby's Arms (Elle Cordova & Toni Lindgren)

https://www.upload.ee/files/17363678/ELLECRDVATNILINDRN2016-2017SndyMrnngswthEllTniVlum2_atse.zip.html

alternate:

https://pixeldrain.com/u/8vsczDtf

The cover photo comes from a YouTube video recorded in Las Vegas in 2017. Fittingly for the location, they did the song "The Gambler." Unfortunately, I felt I couldn't include this version due to the poor sound quality, thanks to it being recorded in a crowded location. It was almost the only one I had to completely reject due to sound quality issues. But don't worry, because they did another version later that was recorded much better, so that appears on a later album in this series.

Larkin Poe - Yet Even Still More Tip O' the Hat - Various Cover Versions (2020)

I am so very, very glad to post this album. I've been steadily collecting Larkin Poe's "Tip O' the Hat" video performances since the start of 2020, waiting for enough to make up an album that's about 45 minutes in length, and I finally have enough.

If you haven't listened to any of these "Tip O' the Hat" albums, what are you waiting for? They're great. I'm a big fan of acoustic music, and it's fun hearing these sisters do acoustic versions of what are often full band songs, even including hard rockers like "Iron Man" by Black Sabbath or "Carry On Wayward Son" by Kansas.

Like the previous albums in this series, most of the songs are classic hits, but there are a few unexxpected choices, such as "Highland Wedding" or "Stealin'." Once again, I'm impressed by their musical tastes.

This is the list of the original artists that made each song famous:

01 Stealin' - traditional / Grateful Dead
02 Sharp Dressed Man - ZZ Top
03 Highland Wedding [Instrumental] - Steve Morse
04 Ramblin' Man - Allman Brothers Band
05 Iron Man - Black Sabbath
06 Kokomo Blues - Mississippi Fred McDowell
07 Southern Cross - Crosby, Stills and Nash
08 Ballad of Curtis Loew - Lynyrd Skynyrd
09 Man of Constant Sorrow - traditional / Stanley Brothers
10 Rocky Mountain Way - Joe Walsh
11 Nights in White Satin - Moody Blues
12 Carry On Wayward Son - Kansas
13 The Dance - Garth Brooks
14 Bell Bottom Blues - Derek & the Dominos
15 Lean on Me - Bill Withers

As an aside, when this album series started, I named the first one "Tip O' the Hat," then the second one "More Tip O' the Hat," then "Still More Tip O' the Hat." Things kind of got out of control with "Yet Still More Tip O' the Hat" and this one, "Yet Even Still More Tip O' the Hat." I'm having silly fun with the increasingly long-winded titles. If you have any suggestions on what I should name the next one, please let me know.

Here's the usual song list:

01 Stealin' (Larkin Poe)
02 Sharp Dressed Man (Larkin Poe)
03 Highland Wedding [Instrumental] (Larkin Poe & Mike Seal)
04 Ramblin' Man (Larkin Poe)
05 Iron Man (Larkin Poe)
06 Kokomo Blues (Larkin Poe)
07 Southern Cross (Larkin Poe)
08 Ballad of Curtis Loew (Larkin Poe)
09 Man of Constant Sorrow (Larkin Poe)
10 Rocky Mountain Way (Larkin Poe)
11 Nights in White Satin (Larkin Poe)
12 Carry On Wayward Son (Larkin Poe)
13 The Dance (Larkin Poe)
14 Bell Bottom Blues (Larkin Poe)
15 Lean on Me (Larkin Poe)

https://www.upload.ee/files/16693437/LARKNPO2020_YetEvnStillMreTpOtheHt_atse.zip.html

For the cover art, I used a photo of Larkin Poe at a Grammy Awards ceremony in Los Angeles in January 2020. Rebecca is on the left (with the darker hair) and Megan is on the right.

Manfred Mann - Semi-Detached Suburban Mr. James - Non-Album Tracks (1966-1967)

Here's the next in my series of albums that gather all the good songs the 1960s versions of Manfred Mann ever did.

The one big hit here is "Semi-Detached Suburban Mr. James." In my opinion, it's a good example of what makes 1960s music great: excellent melody, interesting lyrics, and a solid performance. It's the only A-side. Remarkably, only three more songs were released in the 1960s. Another, "Wang Dang Doodle," is a BBC performance (with the BBC DJ's annoying talking over the start of the song removed). Five more were only released decades later as bonus tracks.

Remarkably, two more, "Seasons in the Sun" and "I Want to Be Wanted," still remain unreleased. However, there's a bootleg of some Manfred Mann studio sessions in the late 1960s, and it has excellent sound, just as good as the released stuff. These songs come from that, so there's no sound quality problem. (And I'll draw more from them on following albums.) Note that "Seasons in the Sun" was a massive hit for Terry Jacks in 1973, hitting number one in the US, Britain, and many other countries. A lot of people (including me) found that hit annoying because it was overly maudlin and sappy. But note this version predates the hit by many years (the original was done in French in 1961), and isn't nearly as problematic. In fact, it sounds a bit underproduced. I'm guessing it has remained unreleased because they never quite finished the recording.

I did some research to figure out the month each song was recorded, and then ordered them as chronologically as I could. The first songs are from June 1966, and the last three are from January 1967. Some of the songs going back to June 1966 were finally released as bonus tracks to the "Up the Junction" soundtrack, but this is a bad fit, since that album came out in 1968. There really should have been a proper Manfred Mann studio album in 1967, but there wasn't.

The album is on the short side, at 34 minutes, but it's a solid set of songs.

01 Eastern Street (Manfred Mann)
02 I Wanna Be Rich (Manfred Mann)
03 Let It Be Me (Manfred Mann)
04 Miss JD [Instrumental] (Manfred Mann)
05 Wang Dang Doodle [Edit] (Manfred Mann)
06 Mohair Sam (Manfred Mann)
07 Lovebird (Manfred Mann)
08 Semi-Detached Suburban Mr. James (Manfred Mann)
09 Seasons in the Sun (Manfred Mann)
10 All I Wanna Do (Manfred Mann)
11 I Want to Be Wanted (Manfred Mann)
12 Brown and Porter's [Meat Exporters] (Manfred Mann)

https://www.upload.ee/files/16696642/MANFRDMNN1966c-1967_SmiDetchedSburbnMrJmes_atse.zip.html

The album cover art is based on the cover for the "Semi-Detached Suburban Mr. James" single. Except that had the name of the B-side filling the upper right of the cover. I didn't want that, so I removed it, then stretched the A-side name and the band's name sideways to fill up that space. Also, the only color on the original was the pink around the band's name, and I thought that looked a bit boring. So I added some blue and green tinting to the band photo.

Grace Potter - Twilight Hour, Volume 1 - Home Concert, Topanga, CA, 4-27-2020

Some musicians have used the coronavirus pandemic lockdown time to take an extended vacation, or otherwise relax. Whereas others have been busy, and actually found new fans through their home concerts. Grace Potter definitely falls into the second category. I'd never heard of her until recently, and she's not super famous. But she's been doing a weekly home concert since early in the lockdown time period, and that came to my attention, since I've been very interested in home concerts in general lately.

She's put out albums since 2004, but they haven't done that well. I think a big problem has been the production. I read some user reviews at rateyourmusic.com, and many had the same complaint, that the music was too slick and overproduced, sucking the life out of it. In my opinion, the home concert format is the ideal cure for that problem. For her weekly shows, she does the occasional song all by herself, but more are done with a band. However, it's a very limited band, often just a drummer and a guitarist, while she alternates between keyboards and guitar. So there's no possible way the music can be slick and/or overproduced.

I must say, I'm really impressed by her talent. Clearly, she has an impressive voice. But she also is a very capable songwriter, and she is talented on the guitar and keyboards as well. She's the real deal.

She also has great taste in music. I plan on posting a whole bunch of her home concerts here. For most of them, a majority of the songs she does are covers. But for this concert, she mostly does originals. The exceptions are: "House of the Rising Sun" (made famous by the Animals), "Black Hole Sun" (by Soundgarden), and "As the World Falls Down" (by David Bowie). Note that the last two songs were recorded on the exact same day, but were done separately, for the rollingstone.com home concert series "In My Room."

If you haven't heard of Grace Potter before, I recommend you check her out.

01 Gumbo Moon (Grace Potter)
02 The House of the Rising Sun (Grace Potter)
03 Black Hole Sun (Grace Potter)
04 Here's to the Meantime (Grace Potter)
05 Falling or Flying (Grace Potter)
06 Apologies (Grace Potter)
07 Medicine (Grace Potter)
08 As the World Falls Down (Grace Potter)
09 Paris [Ooh La La] (Grace Potter)
10 Shout It Out (Grace Potter)
11 Release (Grace Potter)

https://www.upload.ee/files/15835930/GraceP_2020_TwilghtHourVolme1HmeConcrtTopangaCA__4-27-2020_atse.zip.html

For many of her home concerts, she's created her own promotional art, drawing it on a chalkboard in her house. This is one such example. I'm impressed by her drawing talent as well as her musical talent. I didn't know a simple chalkboard drawing could look that good.

Elle Cordova & Toni Lindgren - Sunday Mornings with Elle & Toni, Volume 1: 2013-2015

So the other day I was searching for something on YouTube, and I came across a home concert by a musical act I'd never heard of, Reina del Cid. Since I've been posting a lot of home concerts here, I clicked on it to see if it was up my alley, and I discovered that it definitely was. So much so that I began looking for more music by the same artist, and now I'm starting to post some of that.

It turns out that Reina del Cid is the stage name of the singer-songwriter Rachelle Cordova. Note: in 2024, she changed her name to Elle Cordova, and her duo name to Elle and Toni. So I've followed suit and renamed these albums. I will attempt to stick to the newer name from this point forward in this text.

She's 32 years old as I write this in 2020, and has released four albums since 2012. Virtually everything she's done has been in partnership with Toni Lindgren, who is an excellent lead guitarist, and well as backing vocalist. I consider Lindgren's guitar playing kind of the "secret sauce" that takes their performances to the next level.

The official Elle and Toni albums consist of her original songs, which are very good. I've been tracking those albums down and enjoying them. The music is in an acoustic mode. Sometimes there's bass and drums, plus other occasional instruments, but those are done acoustically as well, usually with a light touch. For the songs here, the vast majority are with just Cordova on vocals and acoustic guitar, while Lundgren plays lead on another acoustic guitar. I really enjoy their mellow sound. Cordova's lead vocals don't wow with extraordinary range or timbre or anything like that, but there's a certain "je ne sais quoi" that I enjoy.

These two musicians have had a nice tradition going. Starting in 2013, they've been posting one video per week on YouTube, which they call "Sunday Mornings with Elle and Toni." Naturally, the videos come out every Sunday. They've played many originals over the years, but at a rate of one song per week, I don't think even Neil Young or Bruce Springsteen could keep up with new songs every single week. So they're mostly covers, and I've only collected the covers. If you want to hear the originals, very much in the same style, check out the studio albums, or look at the Elle and Toni YouTube page.

One thing I very much enjoy about this duo is their taste in music. They play songs by a wide variety of artists, so wide that after doing this since 2013, they rarely play more than one song by the same artist. They specialize in singer-songwriter-esque rock and folk, but they range all over the place, including country and bluegrass. I've discovered a bunch of excellent songs I'd previously missed due to their cover versions.

I plan on posting a whole series of albums that gathers up the covers from their "Sunday Mornings" YouTube page. Note that in recent years, Elle and Toni have created a Patreon webpage, which you can find here:

https://www.patreon.com/reinadelcid

Some of the weekly videos are still posted for free on YouTube, while others are only available through the Patreon page, and you have to pay to get access to those. I don't want to play a part in ruining that revenue stream, so I'll only be posting the videos that are freely available on YouTube. The songs are in chronological order from when they were posted, which appears to almost always have been the same day they were performed.

This album is 44 minutes long.

Here are the original artists for each song:

01 Auld Lang Syne - traditional
02 Red Is the Rose - traditional
03 Tupelo Honey - Van Morrison
04 Who Put the Bomp [In the Bomp, Bomp, Bomp] - Barry Mann
05 I Shall Be Released - Bob Dylan
06 I'll Be There - Ray Price
07 Colours - Donovan
08 Angel from Montgomery - John Prine / Bonnie Raitt
09 Kodachrome - Paul Simon
10 Beyond the Sea - Bobby Darrin
11 21st of May - Nickel Creek
12 Ophelia - Band
13 Run Rudolph Run - Chuck Berry
14 Wild Mountain Thyme - traditional

Here's the usual song list:

01 Auld Lang Syne (Elle Cordova & Toni Lindgren)
02 Red Is the Rose (Elle Cordova & Toni Lindgren)
03 Tupelo Honey (Elle Cordova & Toni Lindgren)
04 Who Put the Bomp [In the Bomp, Bomp, Bomp] (Elle Cordova & Toni Lindgren)
05 I Shall Be Released (Elle Cordova & Toni Lindgren)
06 I'll Be There (Elle Cordova & Toni Lindgren)
07 Colours (Elle Cordova & Toni Lindgren)
08 Angel from Montgomery (Elle Cordova & Toni Lindgren)
09 Kodachrome (Elle Cordova & Toni Lindgren)
10 Beyond the Sea (Elle Cordova & Toni Lindgren)
11 21st of May (Elle Cordova & Toni Lindgren)
12 Ophelia (Elle Cordova & Toni Lindgren)
13 Run Rudolph Run (Elle Cordova & Toni Lindgren)
14 Wild Mountain Thyme (Elle Cordova & Toni Lindgren)

https://www.upload.ee/files/17363673/ELLECRDVATNILINDRN2013-2015SndyMrnngswthEllTniVlum1_atse.zip.html

alternate:

https://pixeldrain.com/u/EAxVdtJQ

The cover art is a screenshot from the video for "Tupelo Honey" included here.

Imelda May - I'm Crying - Non-Album Tracks (2014-2016)

It's time for another Imelda May stray tracks album. This one deals with the years 2014 to 2016. If you like her past ones, you'll be sure to like this one too.

This album is unusual for this stray tracks series in that the vast majority of the songs are officially unreleased. Only three of the 12 songs were officially released. That said, the sound quality is still pretty good. Another six of the songs come from appearances on TV shows, and those all sound very good as well.

This time around, many of the songs are covers of classic songs in a wide variety of genres. She does a New Wave song ("Say Hello, Wave Goodbye"), a Motown song ("Get Ready"), a soul song ("You Send Me"), a British Invasion song ("You Really Got Me"), and many more. She even does a version of "Bein' Green," a song best known due to the version by Kermit the Frog!

01 Your Sister Can't Twist [But She Can Rock 'n' Roll] (Imelda May)
02 Tears of Clew Bay (Imelda May)
03 Baby What You Want Me to Do - Hit the Road, Jack - A Big Hunk o' Love (Imelda May & Jools Holland)
04 Top to Bottom Boogie (Jools Holland with Imelda May)
05 Every Night about This Time (Sinead O'Connor & Imelda May)
06 Get Ready (Smokey Robinson & Imelda May)
07 Say Hello, Wave Goodbye (Imelda May & Marc Almond)
08 Wayfaring Stranger (Lulu & Imelda May)
09 You Really Got Me (Imelda May)
10 I'm Crying (Imelda May)
11 Bein' Green (Imelda May)
12 You Send Me (Imelda May)

https://www.upload.ee/files/15602702/ImeldaM_2014-2016_ImCryng_atse.zip.html

The cover is a promotional photo from 2014.