Showing posts with label 2004. Show all posts
Showing posts with label 2004. Show all posts

Sunday, May 10, 2026

Covered: Mitch Murray & Peter Callander: 1962-2004

A few days ago, I posted a "Covered" album featuring Barry Mason and Les Reed. They were part of a small circle of professional songwriters in Britain in the 1960s and 1970s. Here's another songwriting duo from that same circle: Mitch Murray and Peter Callander.

Murray was the first of the two to have songwriting success. He wrote the song "How Do You Do It" in 1962, when he was 22 years old. Producer liked it so much that he gave it to the Beatles for their very first single. The Beatles recorded it, but they wanted to release one of their own songs instead, which they did with "Love Me Do." So the song went to Gerry and the Pacemakers, who took it all the way to Number One in the British singles chart in early 1963. I went with the Beatles version, even though it wasn't released until 1995.

Murray had more hits over the next couple of years, with many of them being recorded by "British Invasion" bands. In 1964, he wrote the popular book "How to Write a Hit Song." Sting of the Police, who was 12 years old at the time, loved the book and later said it inspired him to start writing his own songs. Murray also had a minor hit of his own, "Down Came the Rain," in 1965, under the name "Mister Murray." I didn't include it though because it's a novelty song that doesn't bear repeat listening. (The twist is that the verses are sung normally, but the choruses are sung in an unexpectedly strange voice.)

Meanwhile, Peter Callander trained to be a professional chef, but soon switched to songwriting instead. He began having musical acts record his songs starting in 1963, though he was less successful at first. He wrote some songs with Les Reed, another songwriter I mentioned above, until he met Murray in 1965. They mostly wrote together from that point on, with Murray generally writing the melodies and Callander the lyrics.

Their first big success together was "Even the Bad Times Are Good" by the Tremeloes in 1967. From that point on, they generally had at least one sizable hit each year, including some I didn't put here because I didn't like them so much. They finished strong, with two Number One hits in both the U.S. and Britain in 1974, "The Night Chicago Died" and "Billy, Don't Be a Hero." 

But their songwriting partnership seems to have ended shortly thereafter, and so did their success. I didn't find any songs they wrote after that point worthy of inclusion. The last song here, "A Fool Am I," is from 2004, and recorded by Agnetha Faltskog, one of the singers in ABBA. But it was originally a minor hit for Cilla Black in 1966. The other songs are all the original hit versions from 1974 or earlier, with the exception of the Beatles one I mentioned above.

Murray soon switched careers from music to comedy. He did comedy T.V. shows, funny voices for recordings, and gave humorous speeches. That last skill led to him writing several best-selling books about how to give funny speeches. He is still alive and 86 years old as I write this in 2026. I don't what happened to Callander after the 1970s. He died in 2014 at the age of 74.

Here are their Wikipedia pages:

Mitch Murray - Wikipedia

and

Peter Callander - Wikipedia   

This album is 51 minutes long. 

01 How Do You Do It (Beatles)
02 I'm Telling You Now (Freddie & the Dreamers)
03 I Like It (Gerry & the Pacemakers)
04 Leave a Little Love (Lulu)
05 I Love Her (Paul & Barry Ryan)
06 Even the Bad Times Are Good (Tremeloes)
07 The Ballad of Bonnie and Clyde (Georgie Fame)
08 Suddenly You Love Me (Tremeloes)
09 Hitchin' a Ride (Vanity Fare)
10 Ragamuffin Man (Manfred Mann)
11 Turn On the Sun (Nana Mouskouri)
12 Daddy Don't You Walk So Fast (Daniel Boone)
13 I Did What I Did for Maria (Tony Christie)
14 The Night Chicago Died (Paper Lace)
15 Billy, Don't Be a Hero (Bo Donaldson & the Heywoods)
16 Black Eyed Boys (Paper Lace)
17 A Fool Am I (Agnetha Faltskog)

https://pixeldrain.com/u/mP1ECLeF

alternate:

https://bestfile.io/en/gAMYG7WgvV5FX86/file

For the cover image, I found two photos of Murray and Callander together, in a recording studio in February 1968. I liked Murray from one and Callander from the other, so that's what I used. Callender is the one with the light colored shirt and blue tie.

Saturday, May 9, 2026

The Funk Brothers (with Joan Osborne, Sam Moore, the Four Tops, and More) - International De Jazz De Montreal, Montreal, Canada, 7-4-2004

Have you ever heard of the "Funk Brothers?" Maybe not, but you certainly must know many of the songs they played on. They were the house band for Motown Records in the 1960s and early 1970s. They played on at least 50 Number One hit songs in the U.S., and many hundreds of other hits. But they played in almost total obscurity until 2002, when the documentary movie "Standing in the Shadows of Motown" finally told their story. They did some touring in the wake of that movie. Here's one concert where they were joined by some famous singers, especially Joan Osborne, Sam Moore, and the Four Tops.

I'm not going to go into a detailed history of the Funk Brothers. If you want to know more, here's the Wikipedia page about them: 

The Funk Brothers - Wikipedia

But I will mention that there were about 13 members in all. The involvement of different people changed over the years they worked for Motown, roughly 1959 to 1972. By the time of this concert, many key members had died or retired. These are the ones who actually performed at this concert:

Jack Ashford - percussion
Bob Babbit - bass
Eddy Jr Willis - guitar
Joe Hunter - keys
Uriel Jones - drums
Ed Green - drums

Since none of them sang, the lead vocals are done by a series of guests. I couldn't find any information about the first singer, Naydan Neile. It's possible the spelling of that name is incorrect. (I got the name from the DVD of this concert, and they misspelled the name of another singer.) The second singer, Haydain Neale, was the lead singer of the band Jacksoul. He died quite young of lung cancer in 2009. Then there were four songs by Joan Osborne. Two were followed by Sam Moore, of the soul duo Sam and Dave. A short set by the Four Tops followed. They still had their same four original members.

Then, for the last song, everyone (but the Four Tops) sang together. A couple of other singers were present, including Carolyn Crawford. She sang on some Motown hits back in the 1960s, including "My Smile Is Just a Frown (Turned Upside Down)." But in this recording, we only get her singing a couple of lines in the final song. I assume this concert is edited down, and she sang one or more songs earlier in the show.

The sound quality is excellent, because I took this from a DVD of the concert. It hasn't been released on any audio format. But, as I was just suggesting above, the actual concert must have been longer. The editing is tight, with almost no pause or banter between songs. 

The Funk Brothers were getting rather old by the time of this concert. So they did some touring from 2003 to 2005 to celebrate and promote the "Standing in the Shadows of Motown" movie, then retired for good. I've come across various bootlegs of some of their concerts from those years, but this one has the best sound quality, by far. 

This album is 58 minutes long. 

01 talk by emcee (Funk Brothers)
02 You Can't Hurry Love (Funk Brothers with Naydan Neile)
03 Ooo Baby Baby (Funk Brothers with Naydan Neile)
04 Let's Get It On (Funk Brothers with Haydain Neale)
05 Mercy, Mercy Me [The Ecology] (Funk Brothers with Haydain Neale)
06 What's Going On (Funk Brothers with Haydain Neale)
07 For Once in My Life (Funk Brothers with Joan Osborne)
08 talk (Funk Brothers with Joan Osborne)
09 [Love Is like A] Heat Wave (Funk Brothers with Joan Osborne)
10 talk (Funk Brothers with Joan Osborne)
11 What Becomes of the Broken Hearted (Funk Brothers with Joan Osborne)
12 talk (Funk Brothers with Joan Osborne)
13 I Heard It through the Grapevine (Funk Brothers with Joan Osborne)
14 talk (Funk Brothers with Sam Moore)
15 [Your Love Has Lifted Me] Higher and Higher (Funk Brothers with Sam Moore)
16 Ain't Too Proud to Beg (Funk Brothers with Sam Moore)
17 Baby I Need Your Loving (Funk Brothers with the Four Tops)
18 Reach Out, I'll Be There (Funk Brothers with the Four Tops)
19 Standing in the Shadows of Love (Funk Brothers with the Four Tops)
20 I Can't Help Myself [Sugar Pie, Honey Bunch] (Funk Brothers with the Four Tops)
21 talk (Funk Brothers with the Four Tops)
22 Ain't No Mountain High Enough (Funk Brothers with Everyone)

This album is 57 minutes long.

https://pixeldrain.com/u/rW8yXYkg

alternate:

https://bestfile.io/lsvjG4vKabl1kzg/file

The cover image is a screenshot I took of a video of this exact concert. It shows three of the Four Tops in black jackets in front, plus some of the Funk Brothers wearing red jackets a bit behind. 

Thursday, March 12, 2026

Covered: Neil Young, Volume 4: 1999-2005

Here’s the fourth album in the Neil Young covered series. Once again, thanks to Fabio from Rio for doing most of the work. I also want to mention that I have a long list of songwriters that I want to make Covered albums for. Many of the biggest ones, like Dylan, Lennon-McCartney, Jagger-Richard’s, Ray Davies, etc… are still to come. I’m sure I wouldn’t have gotten around to Young for a couple more years. But Fabio’s involvement and energy brought this one to the front of the line.

Here are Fabio’s comments about the time period of this volume:

By the turn of the millennium, Neil Young's songwriting had become a shared reference point for several generations of musicians. Musical artists from the folk revival, alt-country movement, and indie rock scene were all revisiting different eras of his catalog - from the fragile acoustic songs of the late sixties to the electric epics recorded with Crazy Horse. During this period, Young himself remained remarkably active, releasing albums such as "Silver and Gold" and "Greendale" while continuing to tour extensively. The covers gathered here reflect that generational dialogue: younger singer-songwriters, Americana performers, and alternative rock musicians rediscovering both famous classics and some of the most obscure corners of Young's songwriting. 

--- 

Note that Fabio wrote individual paragraphs about all the songs in this volume. To see that, please look at the Word file added to the download zip file. Thanks again to Fabio for his help putting these albums together. 

This album is an hour and one minute long. 

01 Piece of Crap (Slobberbone)
02 Pushed It Over the End (South Ontario)
03 Long Walk Home (MrChuck)
04 I've Been Waiting for You (David Bowie)
05 Running Dry [Requiem for the Rockets] (Steve Von Till)
06 Albuquerque (Walkabouts)
07 Pocahontas (Gillian Welch)
08 The Old Laughing Lady (Thea Gilmore)
09 Old Man (Wilson Phillips)
10 I Believe in You (Patricia O'Callaghan)
11 Helpless (k.d. lang)
12 Barstool Blues (Maria McKee)
13 Broken Arrow (Kate Rogers)
14 Last Trip to Tulsa (Leo Koster)
15 Roll Another Number [For the Road] (Mike McClure)

https://pixeldrain.com/u/xP2bMEgi

alternate: 

https://bestfile.io/en/F0bJfmxhH1onFkG/file

The cover photo is from 1975. The original was in black and white. I colorized it with the use of the Kolorize program. I also used the Krea AI program to improve details. 

I got a complaint that the cover image was ruined by AI. I don't think so. Here's the unaltered black and white original. As I've said elsewhere, I typically only use Krea AI to make minor changes, mostly with color and contrast. If you don't like the colorization and other changes, feel free to use this version. 

Thursday, February 19, 2026

Elton John - Cover Versions, Volume 5: 2002-2007

In 2023 and 2024, I posted four volumes collecting all the cover versions performed by Elton John that I could find. However, I stopped this series before finishing it because I ran into copyright issues with the fourth volume. But I've had way less of those issues in recent months, so I'd going to try to post the fifth volume. If that works out, the sixth and final volume will follow. But you might want to grab this quickly, just in case.

Tracks 1, 2, 3, 6, 7, and 8 are all unreleased, and from concerts. Out of those, tracks 2 and 3 are from a CMT Crossroads episode with Ryan Adams. Track 9 was also performed live, but it's from a tribute album to Luther Vandross. For all these live songs, I used the MVSEP program to wipe the cheering, so those songs would fit with the studio tracks.

That leaves the studio tracks, all of which are released. Those are from a mix of movie soundtracks, tribute albums, and duets done on albums by other musical acts. If you want more details, please look at the mp3 tags for the individual songs. Like always, I include the source info for each song on every album I post. 

By the way, some of the links in the previous volumes in this series weren't working, but I just replaced them with new links. 

This album is 48 minutes long.

01 Oh My Sweet Carolina (Elton John)
02 Firecracker (Elton John & Ryan Adams)
03 La Cienega Just Smiled (Elton John & Ryan Adams)
04 Makin' Whoopee (Elton John)
05 Moon River (Elton John)
06 Nighttime Is the Right Time (Elton John & Mary J. Blige)
07 Born to Lose (Elton John)
08 Rock This House (B. B. King & Elton John)
09 Anyone Who Had a Heart (Elton John & Luther Vandross)
10 Dreamland (Bruce Hornsby & Elton John)
11 Where We Both Say Goodbye (Catherine Britt & Elton John)
12 Rags to Riches (Tony Bennett & Elton John)
13 Blueberry Hill (Elton John) 

https://pixeldrain.com/u/PWY7tZVF

alternate:

https://bestfile.io/en/Tk5ynn7dYAJmOmv/file

The cover photo is from a concert at Wembley Arena, in London, on December 5, 2003. 

Friday, February 13, 2026

Chris Rea - BBC Sessions, Volume 9: 2004-2017

Over the past month or so (writing this in February 2026), I've posted a mini-flood of Chris Rea BBC albums. This is the last one. It's the only one in the series that's a collection of studio sessions, instead of a concert.

Originally, this was going to be Volume 10. However, at the last minute, I discovered a few extra songs from 2004 to put on this album. So that means the time range for this one begins before the 2006 concert I had previously posted at Volume 9. Thus, that one is now Volume 10. Here's the link to it, if you want to get that fix:

https://albumsthatshouldexist.blogspot.com/2026/02/chris-rea-bbc-sessions-volume-9.html

The first three songs come from an appearance on the Paul Jones Show in 2004. That's a blues-focused show. Rea's appearance on that show is a sign of how his music moved towards the blues around that time. The next five songs, tracks 4 through 8, are from the Ken Bruce Show in 2009. Tracks 9 and 10 are from "Later... with Jools Holland," also in 2009. Track 11, a cover of the rock and roll classic "Be-Bop-a-Lula," is from the Jools Holland radio show in 2015. That leaves the final three tracks, which are from the Ken Bruce Show again, in 2017. (As usual, if you want more details, check the mp3 tags for each song.) 

Rea died in 2025 at the age of 74. But he suffered lots of medical issues for the last few years of his life. So the BBC had him on pretty much until he stopped performing in public.

Everything here is unreleased. The sound quality is generally excellent. There were a couple of songs with audience cheering, but I got rid of that with the help of the MVSEP program. One song, "Somewhere Between Highway 61 and 49," gave me more trouble. For some reason, there was a tremendous amount of pops and crackles on it, especially during the first minute. I did all I could to get rid of it. I ran the song through the MVSEP program four times, which is something I never do for a song. Each time, I got rid of more of noise. That's why that one song has "[Edit]" in its title. But still, some stubbornly remains, especially in the first twenty seconds or so.

Note also the song "Come So Far, Yet Still So Far to Go" appears twice. I tried to move the two versions as far apart as possible while still keeping everything in chronological order by year.

This album is 56 minutes long.

01 Blue Street (Chris Rea)
02 The Beat Goes On (Chris Rea)
03 Long Is the Time, Hard Is the Road (Chris Rea)
04 Come So Far, Yet Still So Far to Go (Chris Rea)
05 The Road to Hell I and II (Chris Rea)
06 On the Beach (Chris Rea)
07 Josephine (Chris Rea)
08 Let's Dance (Chris Rea)
09 Somewhere Between Highway 61 and 49 [Edit] (Chris Rea)
10 Come So Far, Yet Still So Far to Go (Chris Rea)
11 Be-Bop-a-Lula (Chris Rea)
12 Stainsby Girls (Chris Rea)
13 Two Lost Souls (Chris Rea)
14 Ain't No Sunshine (Chris Rea)

https://pixeldrain.com/u/2MU5rKhe 

alternate: 

https://bestfile.io/en/vuCcDmGmLfDnQA4/file

The cover photo shows Rea at the Mojo Awards at The Brewery in London, in 2009. There was a bunch of writing on the wall behind him, but I found that distracting so I got rid of it in Photoshop.

Sunday, January 25, 2026

Chris Rea - BBC Sessions, Volume 8: In Concert, Colston Hall, Bristol, Britain, 5-12-2004

The mini-flood of Chris Rea BBC albums continues. The last one was 1998. There's a big skip of six years to this one, a concert in 2004.

Between the 1998 BBC concert and this one, Rea's music made a stylistic shift. In 2001, he was diagnosed with pancreatic cancer, and nearly died. He had emergency surgery which saved him, but he spent many months recuperating. During that time, he decided to focus on the music he enjoyed performing the most, the blues. He later said, "It's not until you become seriously ill and you nearly die and you're at home for six months, that you suddenly stop, to realize that this isn't the way I intended it to be in the beginning. Everything that you've done falls away and start wondering why you went through all that rock business stuff."

His renewed focus on the blues was first seen in his 2002 album, "Dancing Down the Stony Road." His 2004 album he was touring to support at the time of this concert, "The Blue Jukebox," was in a similar vein. However, blues music just doesn't have the same mass appeal as rock, so while his sales were still good, they were lower than before.

In my opinion, there isn't that big of a change in the sound of this concert compared to his previous ones. Yes, he played some newer blues songs, but his music had had a bluesy element to it for years anyway, so it wasn't that big of a change. Besides, he still played some of his older hits. So if you liked his earlier stuff, you'll probably still like this, even if you're not that into the blues.  

This album is 56 minutes long. 

01 Long Is the Time, Hard Is the Road (Chris Rea)
02 Stony Road (Chris Rea)
03 Steel River Blues (Chris Rea)
04 Blue Street (Chris Rea)
05 Restless Soul (Chris Rea)
06 What Kind of Love Is This (Chris Rea)
07 On the Beach (Chris Rea)
08 The Road to Hell I and II (Chris Rea)
09 Let's Dance (Chris Rea)

https://pixeldrain.com/u/nsKFmSrR

alternate: 

https://bestfile.io/en/sThM7P9oAYJ7BGt/file

Between the lighting in the photo and the text, things are looking very orange for Mr. Rea on this cover. The photo is from a concert at the Cigale Theatre in Paris, France, on May 19, 2004. 

Sunday, January 18, 2026

Covered: Tom Waits, Volume 3: 2004-2012 (A Fabio from Rio Guest Post)

Here's "Volume 3" out of four volumes made for the "Covered" series, showcasing the songs of Tom Waits.

Like the other volumes in this series, this was mostly put together by Fabio from Rio. He did all the heavy lifting in finding the source material, and I only helped to winnow down the songs to a reasonable number. Fabio also wrote the notes for each volume, so here's his notes for this one:

In the nineties and early 2000s, Waits fused experimental sounds with stark American roots music—blues, gospel, field hollers, and folk. Themes of death, sin, redemption, and rural myth dominate. This allows for covers that, while highlighting their folk or country origins (sometimes deeply buried at the original recordings, but more perceptible when reinterpreted by performers from diverse backgrounds), still keep their darker spirits through melancholic or nihilistic lyrics.

In this volume, the country side of Waits' music is quite perceptible via covers by Elvis Costello, Norah Jones, and Claudia Bettinaglio. One may also feel the sexiness and smoky-room cabaret ambiance at Diana Krall's "Temptation", Monique Maion's "Walking Spanish," and Clara Bellino's "Swordfishtrombone." 

Traces of rockabilly and R&B can be found with Mark Lemhouse's "No One Can Forgive Me" and English seventies folk with Plant and Krauss' "Trampled Rose", along with blues and rock tracks like Hart and Bonamassa's "Chocolate Jesus" and Goldheart Assembly's "Clap Hands." Overall, this makes for an eclectic selection, much like the average Tom Waits album. An acoustic, home-demo-like version of "In the Neighborhood" by Peter Gabriel, recorded in 2012 for a benefit album for war-torn regions, closes the volume on a poignant note.

--- 

This album is 57 minutes long. 

01 Innocent When You Dream (Elvis Costello)
02 Temptation (Diana Krall)
03 Long Way Home (Norah Jones)
04 Big in Japan (Shane Nicholson)
05 Swordfishtrombone (Clara Bellino)
06 Eyeball Kid (Michael Stanley)
07 Cold Cold Ground (Claudia Bettinaglio)
08 Trampled Rose (Robert Plant & Alison Krauss)
09 All the Time in the World (Southside Johnny)
10 No One Can Forgive Me (Mark Lemhouse)
11 Walking Spanish (Monique Maion)
12 Chocolate Jesus (Beth Hart & Joe Bonamassa)
13 Clap Hands (Goldheart Assembly)
14 In the Neighborhood (Peter Gabriel)

https://pixeldrain.com/u/yUHGi7qy 

alternate: 

https://bestfile.io/en/i96wIB252GpXMcV/file

The cover photo shows Waits at a movie premiere in Leicester Square, in London, on October 6, 2009. (As usual with this series of course, I replaced the background with blank light blue).

Thursday, January 15, 2026

Covered: Tom Waits, Volume 2: 1994-2004 (A Fabio from Rio Guest Post)

Here's the second Covered volume for Tom Waits. Like the Covered albums made for other musical acts, the talent of a songwriter is shown through cover versions, rather than that person performing their own songs.

And like the rest of this series for Waits, most of the heavy lifting in making this album is thanks to Fabio from Rio. He basically found a zillion Waits covers, then whittled them down to his favorites. That was still a very large number, so I then listened to them and whittled them down a lot more.

Fabio also answered my request to do the write-ups for each album in this series. So here's what he had to say about this one. And thanks, Fabio, for all your work on these albums. Take it away:

--- 

Around the mid-1980s, Waits began to break away from conventional arrangements. The music became more percussive and raw, foreshadowing a major stylistic shift. This period marks the end of his "classic singer-songwriter" phase and the start of a more radical artistic reinvention. Waits embraced experimental instrumentation, junkyard percussion, polyrhythms, and global folk influences. His work became deeply theatrical, influenced by Brecht, Weill, and his collaborations with his wife Kathleen Brennan. Songs feel like surreal street operas populated by grotesques and dreamers. This second volume includes mostly songs from that period.

The best known cover here is probably "Way Down in the Hole," due to its use in the HBO series "The Wire." (The Blind Boys from Alabama's version was used as the first season opening music, and other versions were selected for the remaining four seasons, including Waits' own original version.) Norah Jones' delicate outtake "Picture in a Frame" also got some recognition, especially after its inclusion in special editions of her breakthrough album "Come Away With Me."

"I Don't Wanna Grow Up" sounds so natural in the Ramones' catalog that many listeners assume it is an original. It was used as the opening track and first single of their last studio album. Waits' version (from the excellent 1992 album "Bone Machine") is way darker. 

"Little Boy Blue" was only performed by Waits in the movie "One from the Heart." Here we have a bluesy version by jazz singer and pianist Holly Cole. Other highlights of the volume include Screamin' Jay Hawkins' "Whistling Past the Graveyard" and John Hammond's "Big Black Mariah" (which is taken from an album he did fully dedicated to Waits songs). 

On the mellower side, there are soft-sounding melodic folk versions by Shawn Colvin and Valerie Carter that prove Waits can write poignant ballads. Overall, another very nice flowing album with well performed covers that honor Waits' music.

--- 

This album is 58 minutes long. 

01 The Heart of Saturday Night (Shawn Colvin)
02 Whistling Past the Graveyard (Screamin' Jay Hawkins)
03 16 Shells from a Thirty-Ought Six (Bob Seger & the Silver Bullet Band)
04 I Don't Want to Grow Up (Ramones)
05 Better Off without a Wife (Pete Shelley)
06 Little Boy Blue (Holly Cole)
07 Whistle Down the Wind (Valerie Carter)
08 The Briar and the Rose (Niamh Parsons)
09 Dirt in the Ground (Christine Collister)
10 Heartattack and Vine (Popa Chubby)
11 Invitation to the Blues (Jennifer Warnes)
12 Big Black Mariah (John Hammond)
13 Picture in a Frame (Norah Jones)
14 Way Down in the Hole (Blind Boys from Alabama)
15 Jockey Full of Bourbon (Los Lobos)

https://pixeldrain.com/u/zUDkHa5i

alternate: 

https://bestfile.io/en/2nAIGV2f2Rq1n6p/file

The cover photo was taken in San Francisco in 2002.

Sunday, December 21, 2025

Chris Isaak with Stevie Nicks, Michael Buble & Brian McKnight - PBS Soundstage, WTTW Studios, Chicago, IL, 9-21-2004

Here's a little Christmas gift - some Christmassy music. This is another episode of the excellent "PBS Soundstage" TV show. Chris Isaak was the host, but he also had three guest stars: Stevie Nicks, Michael Buble, and Brian McKnight.

I actually posted a Soundstage episode starring Chris Isaak already, from 2003. But he came back only a year later probably because of the Christmas theme, so all the music was different. He actually would go on to host the show yet again in 2005. I'll post that one eventually as well.

Isaak generally sang most of the songs, and then sang duets with the guests. Then everyone came back to take part in the final song.

I should have posted this earlier in the winter holiday season, but at least I posted it a few days before Christmas. Happy holidays!

The music here is unreleased. The sound quality is excellent. 

This album is 57 minutes long. 

01 talk (Chris Isaak)
02 Blue Christmas (Chris Isaak)
03 talk (Chris Isaak)
04 Mele Kalikimaka (Chris Isaak)
05 talk (Chris Isaak)
06 Washington Square (Chris Isaak)
07 talk (Chris Isaak & Michael Buble)
08 The Christmas Song (Chris Isaak & Michael Buble)
09 talk (Chris Isaak & Michael Buble)
10 Let It Snow (Chris Isaak & Michael Buble)
11 talk (Chris Isaak & Michael Buble)
12 Gotta Be Good (Chris Isaak)
13 talk (Chris Isaak)
14 Pretty Paper (Chris Isaak)
15 talk (Chris Isaak)
16 Hey Santa (Chris Isaak)
17 talk (Chris Isaak)
18 Brightest Star (Chris Isaak)
19 talk (Chris Isaak & Brian McKnight)
20 Have Yourself a Merry Little Christmas (Chris Isaak & Brian McKnight)
21 talk (Chris Isaak)
22 Last Month of the Year (Chris Isaak)
23 talk (Chris Isaak)
24 Santa Bring My Baby Back (Chris Isaak)
25 White Christmas (Chris Isaak)
26 talk (Chris Isaak)
27 Christmas on TV (Chris Isaak)
28 talk (Chris Isaak & Stevie Nicks)
29 Santa Claus Is Coming to Town (Chris Isaak & Stevie Nicks)
30 talk (Chris Isaak)
31 I'll Be Home for Christmas (Chris Isaak)
32 Rudolph the Red-Nosed Reindeer (Chris Isaak, Stevie Nicks, Michael Buble & Brian McKnight)

https://pixeldrain.com/u/KKwNCwC3

alternate:

https://bestfile.io/en/iT0YN3RcAjJSfeO/file

The cover photo is a screenshot I took from this exact concert. It shows Chris Isaak and Stevie Nicks.

Friday, December 5, 2025

John Mayer with Buddy Guy - PBS Soundstage, WTTW Studios, Chicago, IL, 6-29-2004

Here's yet another episode of the great "PBS Soundstage" TV show. This one stars singer-songwriter John Mayer. But it also includes blues legend Buddy Guy as a guest star.

I'm not a huge John Mayer fan, but his music is certainly good enough to be worthy of a Soundstage episode. And while that show encourages the inclusion of guest stars, I was impressed that Mayer chose Buddy Guy, out of all people. Like Guy, Mayer is a talented lead guitarist, and the two of them jammed well together near the end of the concert. Guy also got to sing one of his songs at the end.

At the time of this concert, Mayer had released two albums. Both of them sold at least three million copies. So he was at or near the peak of his popularity, though he continued to sell at that level through the rest of the decade.

The music here is unreleased. The sound quality is excellent. 

This album is 57 minutes long.

01 talk (John Mayer)
02 Clarity (John Mayer)
03 No Such Thing (John Mayer)
04 talk (John Mayer)
05 Something's Missing (John Mayer)
06 talk (John Mayer)
07 Why Georgia (John Mayer)
08 talk (John Mayer)
09 Bigger than My Body (John Mayer)
10 Daughters (John Mayer)
11 talk (John Mayer)
12 Your Body Is a Wonderland (John Mayer)
13 Come Back to Bed (John Mayer with Buddy Guy)
14 talk (John Mayer with Buddy Guy)
15 Damn Right, I've Got the Blues (John Mayer & Buddy Guy)
16 talk (John Mayer with Buddy Guy) 

https://pixeldrain.com/u/htLkXHt1

alternate: 

https://bestfile.io/en/voUMgU0Zop1kzZm/file

The cover image is a screenshot I took from a video of this exact concert.

Friday, November 7, 2025

Covered: Antonio Carlos Jobim, Volume 2: 1998-2011

Here's the second out of three albums celebrating the music of songwriter Antonio Carlos Jobim. Like the others in this series, Fabio from Rio was more responsible for putting this together than I was. So a very big thanks to him. Due to the fact that he's a Brazilian with deep knowledge of Brazilian music, he knew Jobim covers way better than I did.

Jobim wrote most of his classic songs from the 1950s to the 1970s. He actually died in 1994, of heart and cancer problems at the age of 67. So all the covers here are from after his death, of songs that often were written decades earlier. That's a sign that his songs keep getting covered, long after their first appearances on records. 

Fabio and I selected these choices together. We rarely went for the big hit versions, because his songs rarely turned into big hits. But he's had dozens of songs with literally hundreds of cover versions. Typically, Fabio selected a bunch of versions of a given song, then I would listen to them and pick my favorite. If you want to hear more versions, go to the write-up for Volume 1, because Fabio has made six more albums of Jobim covers that you can find there.

Also note that I kept this to versions in English, despite the fact that Jobim wrote nearly all of the original versions of his songs in Portuguese. And I kept my selections to versions with vocals, since there are countless hundreds of instrumental versions of his songs as well. I figured English versions would have more popular appeal for people who aren't that familiar with his music. 

This album is 46 minutes long. 

01 For All of My Life [Por Toda a Minha Vida] (Eliane Elias)
02 Modinha [Broken Heart] (Paquito D'Rivera & New York Voices)
03 Ela e Carioca [She's a Carioca] (Celso Fonseca)
04 Someone to Light Up My Life [Se Todos Fossem Iguais a Voce] (Ann Hampton Callaway)
05 No More Blues [Chega de Saudade] (Idea of North)
06 Porpoise [Boto] (Beijbom Kroner Big Band)
07 Song of the Jet [Samba do Aviao] (BR6)
08 Quiet Nights of Quiet Stars [Corcovado] (Diana Krall)
09 I Was Just One More for You [Esperanca Perdida] (Dawn Clement)
10 That Look You Wear [Este Seu Olhar] (Elly Hoyt)
11 Zingaro [Retrato em Branco e Preto] [Portrait in Black and White] (Nina Ripe)

https://pixeldrain.com/u/NHjBNpsC

alternate: 

https://bestfile.io/en/N32g9Tfg2rPVxZM/file 

I don't know the details about the cover photo. But based on his appearance and the other photos I saw of him putting this together, I'd guess the picture was taken in the 1980s. 

Friday, October 24, 2025

Robyn Hitchcock - Three Kings, Clerkenwell, London, Britain, 8-8-2004 (The White Album)

A few days ago, I posted a Robyn Hitchcock concert from 1996 that consisted entirely of songs Bob Dylan performed in a famous 1966 concert. That reminded me that I have some other albums of Hitchcock performing entire albums by others in concert that I haven't posted yet. I've been slow to post some of these because they come from audience bootlegs and the sound quality is merely good, not excellent. But with improving sound editing technology, there's a lot one can do. So I've fixed this one, and now it's good to go.

From 2003 until 2011, Hitchcock held a benefit concert most years at the small Three Kings club in London, and each time he performed one of his favorite albums by some other musical act, from start to finish. This, the second such concert, was his version of the classic "White Album" by the Beatles in 1968. Usually, he played some extra songs at the end of the concert. But since this was a double album, he just played every song from the White Album, in order, and nothing else.

Hitchcock was backed by a small band that included Kimberley Rew and Morris Windsor, two members of his 1970s band the Soft Boys. They were occasionally joined by others, for instance on "Revolution 9" (where backing tapes were also used).

I only have a limited number of editing techniques that I know, but they were pretty useful for this album. First, I ran every song through the MVSEP program to remove the crowd noise during songs, while keeping the cheering at the ends of songs. Then, I ran all the songs through MVSEP again, this time boosting the vocals relative to the instruments. I think these edits made a big difference. Now, this sounds more like a soundboard than an audience bootleg, though it still sounds far from pristine.  

This album is the hour and 48 minutes long. 

01 Back in the U.S.S.R. (Robyn Hitchcock)
02 Dear Prudence (Robyn Hitchcock)
03 Glass Onion (Robyn Hitchcock)
04 talk (Robyn Hitchcock)
05 Ob-La-Di, Ob-La-Da (Robyn Hitchcock)
06 talk (Robyn Hitchcock)
07 Wild Honey Pie (Robyn Hitchcock)
08 The Continuing Story of Bungalow Bill (Robyn Hitchcock)
09 While My Guitar Gently Weeps (Robyn Hitchcock)
10 talk (Robyn Hitchcock)
11 Happiness Is a Warm Gun (Robyn Hitchcock)
12 talk (Robyn Hitchcock)
13 Martha My Dear (Robyn Hitchcock)
14 I'm So Tired (Robyn Hitchcock)
15 Blackbird (Robyn Hitchcock)
16 talk (Robyn Hitchcock)
17 Piggies (Robyn Hitchcock)
18 Rocky Raccoon (Robyn Hitchcock)
19 talk (Robyn Hitchcock)
20 Don't Pass Me By (Robyn Hitchcock)
21 talk (Robyn Hitchcock)
22 Why Don't We Do It in the Road (Robyn Hitchcock)
23 talk (Robyn Hitchcock)
24 I Will (Robyn Hitchcock)
25 talk (Robyn Hitchcock)
26 Julia (Robyn Hitchcock)
27 Birthday (Robyn Hitchcock)
28 Yer Blues (Robyn Hitchcock)
29 Mother Nature's Son (Robyn Hitchcock)
30 talk (Robyn Hitchcock)
31 Everybody's Got Something to Hide Except Me and My Monkey (Robyn Hitchcock)
32 Sexy Sadie (Robyn Hitchcock)
33 talk (Robyn Hitchcock)
34 Helter Skelter (Robyn Hitchcock)
35 Long, Long, Long (Robyn Hitchcock)
36 Revolution 1 (Robyn Hitchcock)
37 talk (Robyn Hitchcock)
38 Honey Pie (Robyn Hitchcock)
39 Savoy Truffle (Robyn Hitchcock)
40 talk (Robyn Hitchcock)
41 Cry Baby Cry (Robyn Hitchcock)
42 Revolution 9 (Robyn Hitchcock)
43 Good Night (Robyn Hitchcock)
44 talk (Robyn Hitchcock)

https://pixeldrain.com/u/9zvsPiTL

alternate: 

https://bestfile.io/en/UaGH8rZEC5P12Kd/file 

For the album cover, I did a parody of the official Beatles cover. I basically just replaced the text "The Beatles" with Hitchcock's name, in the same light grey font. Then I added some additional information at the bottom.  

Thursday, October 16, 2025

Diana Krall - BBC Sessions, Volume 2: In Concert, Mermaid Theatre, London, Britain, 4-19-2004

By looking at what music I post and don't post, you may have noticed I'm not a big jazz fan. However, I do like some vocal jazz. And lately, I've been posting a lot of "various artists" tribute concerts, and one name I keep seeing on those is Diana Krall. (Six such concert appearances in the albums I've posted so far, and more to come.) I don't know much about her, but I do know she's one of the best selling jazz artists in recent decades, selling 15 million albums so far. I also know she's the wife of Elvis Costello. So, when I came across a BBC concert she did in 2004, I was interested enough to listen to it, and liked it enough to post it. Here it is.

I only found this as a single mp3 file. I had to track down the song list elsewhere. Then I broke it into individual mp3s. So I don't think this has been shared much at all, until now.

This concert took place less than a year after her marriage to Elvis Costello (which continues until this day, as I write this in 2025). Up until that point, Krall had only performed cover versions. But for her album "The Girl in the Other Room," released a couple of weeks prior to this concert, she cowrote about half of the songs with Costello. Only one of those made it into this concert, "Narrow Daylight," though some other songs from that album that she didn't have a hand in writing did as well, including "Almost Blue" by Costello.

The music here is unreleased. The sound quality is excellent.

This album is an hour and 30 minutes long. 

UPDATE: On December 16, 2025, I updated the mp3 download file. The music is exactly the same. But I changed the title because I found an earlier volume in this series that I'd missed. That meant the cover art and mp3 tags changed too. 

01 I Love Being Here with You (Diana Krall)
02 Do It Again (Diana Krall)
03 Love Letters (Diana Krall)
04 talk (Diana Krall)
05 Let's Fall in Love (Diana Krall)
06 talk (Diana Krall)
07 I've Got You Under My Skin (Diana Krall)
08 talk (Diana Krall)
09 Devil May Care (Diana Krall)
10 talk (Diana Krall)
11 Stop This World (Diana Krall)
12 talk (Diana Krall)
13 Almost Blue (Diana Krall)
14 talk (Diana Krall)
15 Temptation (Diana Krall)
16 Narrow Daylight (Diana Krall)
17 talk (Diana Krall)
18 Let's Face the Music and Dance (Diana Krall)
19 talk (Diana Krall)
20 Cry Me a River (Diana Krall)
21 Love Me like a Man (Diana Krall)
22 S'Marvellous (Diana Krall)

https://pixeldrain.com/u/AUMzmHge

alternate: 

https://bestfile.io/en/KNkj0Uinpvh9Efx/file

The cover photo is from a concert she did in London in 2004. But it's from the Royal Albert Hall in November.

Wednesday, September 24, 2025

Sam Phillips - Creators at Carnegie, NPR, Zankel Hall, New York City, 10-19-2004

Sam Phillips doesn't get nearly as much attention as she should. I really like her stuff. So when I found this FM sourced bootleg a few days ago, it went to the top of my pile of albums to post. It's a concert broadcast on NPR radio in 2004.

In the 1990s, she had a poppy, Beatlesque style that should have made her a big star. Then, in 2001, she came out with the album "Fan Dance," in a more intimate, acoustic style. It was still great stuff, getting lots of critical praise, but she basically turned her back on her earlier style at that point. In 2004, the album "A Boot and a Shoe" came out, again in her new style. She was on tour to promote that album when this concert happened. She only played one song from her 1990s era, "Animals on Wheels." So this mostly consists of songs from her 2001 and 2004 albums.

The music here is unreleased. The sound quality is excellent. There were some cases where the sound of cheering at the end of one song didn't match the sounds at the beginning of the next song. So I did a little bit of editing to make those transitions sound good. 

This album is 43 minutes long.

01 talk (Sam Phillips)
02 Foolin' Myself (Sam Phillips)
03 How to Quit (Sam Phillips)
04 I Wanted to Be Alone (Sam Phillips)
05 talk (Sam Phillips)
06 Fan Dance (Sam Phillips)
07 Animals on Wheels (Sam Phillips)
08 talk (Sam Phillips)
09 When You're Down (Sam Phillips)
10 Edge of the World (Sam Phillips)
11 I Dreamed I Stopped Dreaming (Sam Phillips)
12 Taking Pictures (Sam Phillips)
13 talk (Sam Phillips)
14 If I Could Write (Sam Phillips)
15 Infiltration (Sam Phillips)
16 talk (Sam Phillips)
17 Reflecting Light (Sam Phillips)
18 Say What You Mean (Sam Phillips)
19 One Day Late (Sam Phillips)

https://pixeldrain.com/u/V8qPXMAx

alternate:

https://bestfile.io/en/u3VhaeDYLHJg4eZ/file

The cover photo is from a concert in the Carolina Theatre, in Durham, North Carolina, on September 19, 2004. 

Monday, August 18, 2025

The Buggles - The Buggles Live (2004-2023) (A Mike Solof Guest Post)

When guest poster Mike Solof came to me recently with the idea of posting a live album by the Buggles, I have to admit I was pretty surprised. I only knew of the Buggles as a one-hit wonder, "Video Killed the Radio Star," from 1979. But Mike assured me that there's a lot more to this band than that, despite the fact that they only released two albums, one in 1980 and the other in 1981. So I said sure, let's do it, and here we are.

The three original members of the Buggles were only together for a short while because singer and bassist Trevor Horn and keyboardist Geoff Downes were recruited to join the band Yes mere months after the first Buggles album came out. From there, both of them found even more success as producers, as well as being members of other bands. It turns out the original Buggles did no concerts at all, although they did lip-sync on TV a few times.

However, interest in the music of the Buggles remained strong, considering their short existence. In 2004, the three original members reunited briefly to play two songs at a high profile concert celebrating the career so far of Trevor Horn. Those two songs are here, but not in the album proper. Instead, Mike elected to have the videos of them included as bonus tracks.

Then, in 2010, the band got together again for a single concert. But there was no more activity until 2023, when the band finally went on tour for the first time. Most of this album (the first 13 tracks) are from a 2023 concert. The sound quality of those tracks is excellent. The remaining songs (tracks 14 through 18) are from the 2010 concert. The sound quality of those isn't as good. So only the songs not performed in the 2023 concert are included.

If you want to know more, please read Mike's PDF included in the zip download file. I think this album makes a strong case that the Buggles were much more than just a one-hit wonder. 

This album is 53 minutes long. Everything here is unreleased.

01 Two Tribes [Instrumental] (Buggles)
02 talk (Buggles)
03 Living in the Plastic Age (Buggles)
04 talk (Buggles)
05 Elstree (Buggles)
06 talk (Buggles)
07 I Am a Camera (Buggles)
08 talk (Buggles)
09 Close [To the Edit] (Buggles)
10 talk (Buggles)
11 Owner of a Lonely Heart (Buggles)
12 talk (Buggles)
13 Video Killed the Radio Star (Buggles)
14 Kid Dynamo (Buggles)
15 I Love You Miss Robot (Buggles)
16 talk (Buggles)
17 Astroboy (Buggles)
18 Johnny on the Monorail [A Very Different Version] (Buggles)

Clean, Clean (Bruce Wooley & the Camera Club)
Living in the Plastic Age [2004 Version] (Buggles)
Video Killed the Radio Star [2004 Version] (Buggles)

https://pixeldrain.com/u/v4BvriaB

alternate: 

https://bestfile.io/en/ZICz7OnKhnZCpz0/file 

The cover photo shows Trevor Horn in concert in 2004.

Wednesday, June 25, 2025

Steve Winwood - PBS Soundstage, WTTW Studios, Chicago, IL, 8-27-2004

Here's another episode from that great TV show, "PBS Soundstage." This time, it stars Steve Winwood.

In 2003, Winwood released the studio album "About Time." Despite this concert taking place about a year after the release, he was still touring to support that album. So four of the songs performed come from that album: "Different Light," "Bully," "Walking On," and "Why Can't We Live Together." None of the songs from that album were a hit, so it's possible you might not know them. However, "Why Can't We Live Together" is a cover of a soul hit in the 1970s by Timmy Thomas. 

Otherwise, he played some songs from his time with Blind Faith and Traffic in the 1960s and 70s, plus only one of his big solo hits from the 1980s ("Back in the High Life Again").

Typical episodes of this show were an hour long. However, this episode is close to an hour and a half long. That's because a DVD was released from it later, and the audio here comes from the DVD. Thus, the sound quality is excellent. 

This album is an hour and 22 minutes long.

01 Can't Find My Way Home (Steve Winwood)
02 Different Light (Steve Winwood)
03 Empty Pages (Steve Winwood)
04 Bully (Steve Winwood)
05 Glad [Instrumental] (Steve Winwood)
06 Freedom Rider (Steve Winwood)
07 Back in the High Life Again (Steve Winwood)
08 Dear Mr. Fantasy (Steve Winwood)
09 Walking On (Steve Winwood)
10 talk (Steve Winwood)
11 Rainmaker (Steve Winwood)
12 Why Can't We Live Together (Steve Winwood)

https://pixeldrain.com/u/KwycBTh7

alternate:

https://bestfile.io/en/vYZ9ZUPiWQpc7m9/file

The cover is from this exact concert. I took a screenshot from a video. Then I used the Krea AI program to improve the image quality a bit.

Saturday, May 10, 2025

Covered: Nile Rodgers & Bernard Edwards, Volume 2: 1980-2015

Here's the second and final Covered album highlighting the talents of the songwriting duo Nile Rodgers and Bernard Edwards.

As usual, the songs here are in rough chronological order. At the beginning time period for this album, 1980, Rodgers and Edwards were in crisis. They'd had hit after hit in the late 1970s. In fact, the first song here, "Upside Down" by Diana Ross, would top the singles chart in the U.S. and many other countries in 1980. However, pretty much all their hits songs were in this disco genre, and the popularity of disco was crashing hard in 1980. "Upside Down" was one of the last gasps. They basically broke up their wildly successful band Chic, keeping it together only because they owed more records to their record company. Rodgers in particular was depressed by the changing musical trends and developed a bad drug habit.

Disco was so reviled due to overexposure that people actually organized the mass destruction of disco records. Rodgers and Edwards responded by focusing most of their energies on writing and producing songs for other musical acts. Unfortunately, I can only include songs in which they're writers or co-writers, not songs they only produced. But Rodgers in particular became one of the hottest producers in the music business in the 1980s. For instance, he helped produce David Bowie's smash album "Let's Dance" in 1983 and Madonna's smash album "Like a Virgin" in 1984. He also produced albums for Duran Duran, Sheena Easton, Jeff Beck, Thompson Twins, Mick Jagger, the B-52's, Grace Jones, Al Jarreau, Steve Winwood, Cyndi Lauper, and many more. In the 1990s, he produced for Stevie Ray Vaughan, Eric Clapton, David Lee Roth, the Stray Cats, and again many more.

Note that I've included the song "Let's Dance" by David Bowie despite the fact that the song is solely credited to Bowie. That's because in my opinion Rodgers, who produced the song, totally deserved cowriting credit. Believe it or not, when Bowie first presented the song to Rodgers, it was a folk song, with just Bowie's voice and an acoustic guitar! Rodgers utterly transformed the song with a new arrangement, changing the chords, the key, the rhythm, and just about everything else but the basic melody and words. It went on to be a Number One hit in the U.S., Britain, and many other countries. Bowie even later cited Rodgers as the main reason for the song's massive success. (Note that a demo of the song was later released, but this is already after Rodgers had transformed the song, not the original acoustic demo.) 

I would suspect that Rodgers often helped co-write songs as part of his production duties without getting official songwriting credit. One example where he did get credit was "Tick Tock" by Stevie Ray Vaughan (as part of the Vaughan Brothers), which he co-wrote with Vaughan. 

The songwriting success for this duo slowed down as they got older, as is common. That was magnified by the fact that they focused much more on producing. Unfortunately, the Rodgers and Edwards partnership was cut short in 1996 when Edwards died of pneumonia while on tour with Chic in Japan. As I write this in May 2025, Rodgers is still alive and is 72 years old.

By the 2010s, one would have thought that the biggest songwriting success for Rodgers was behind him. But in 2013, he collaborated on four songs with Daft Punk, and of them was "Get Lucky." This would go on to be one of the biggest hits of the decade. It reached Number One in many countries, though it stalled out at Number Two in the U.S. for several weeks. With this new popularity, Rodgers' 1970s band Chic released their first single in 23 years with "I'll Be There" in 2015, and it went to the top of the dance singles chart (though it didn't make the pop singles chart).

Note that nearly all the songs presented here are the original hit versions. But one exception is "Thinking of You" by Paul Weller. He had a Top 20 hit with it in Britain in 2004. However, it first was a hit for Sister Sledge back in 1984. The other exception is "Everybody Dance." I included a hit version by Evolution in 1993. But it was first a hit for Chic back in 1977.

This album is 47 minutes long.

01 Upside Down (Diana Ross)
02 Backfired (Debbie Harry)
03 Why (Carly Simon)
04 The Jam Was Moving (Debbie Harry)
05 Let's Dance (David Bowie)
06 Kissing with Confidence (Will Powers with Carly Simon)
07 Tick Tock (Vaughan Brothers)
08 Everybody Dance (Evolution)
09 Thinking of You (Paul Weller)
10 Get Lucky (Daft Punk)
11 I'll Be There (Chic)

https://pixeldrain.com/u/ZPKXNq3N

alternate:

https://bestfile.io/en/k5MpBQsKfqqwW8O/file

For the cover image, I found black and white photos of Rodgers and Edwards in 1981. I combined them and moved their bodies close together. Then I colorized them using the Kolorize and Photoshop programs.

Friday, April 11, 2025

Covered: Stevie Wonder, Volume 6: 1994-2005

It's been a couple of weeks since I've posted the last volume of Stevie Wonder's "Covered" series. There are two left to go. So I'm posting both of them today to finish them off. Here's Volume 6.

The time period of this album is 1994 to 2005. But note that's the time frame for when cover versions were released, not necessarily when the originals were released. By this time, Wonder's songwriting had slowed down, so most of the songs here are from earlier, usually from the 1970s. 

Wonder was still writing songs for others during this time period. However, in my opinion, they weren't up to snuff compared to the other songs on this album, so I didn't include any of them here.

One song I feel needs a little explaining is "Gangsta's Paradise" by Coolio with L.V. This is based on Wonder's 1976 song "Pastime Paradise." But Coolio significantly changed it with rap lyrics added. Normally, I'm not a big fan of rap, and I'm especially not a fan of songs where rap lyrics are added over classic songs. But in this case, I think Coolio did a really good job, keeping the heart of the original while adding something worthwhile and new. The general public thought so too, since it was the best selling single of 1995. So I've included this version here, but also I also included a more standard version of "Pastime Paradise" in Volume 4 in this series.

This album is 57 minutes long.

01 Maybe Your Baby (Prince)
02 Gangsta's Paradise (Coolio with L.V.)
03 You and I (Joe Cocker)
04 Knocks Me Off My Feet (Luther Vandross)
05 As (George Michael & Mary J.Blige)
06 I Wish (Lady Gaga)
07 Isn't She Lovely (Keb Mo)
08 I Ain't Gonna Stand for It (Eric Clapton)
09 Love's in Need of Love Today (Joan Osborne)
10 Too High (Michael McDonald)
11 Overjoyed (Mary J. Blige)
12 If It's Magic (Caetano Veloso)
13 Send One Your Love (Vanessa Williams)

https://pixeldrain.com/u/oNS96AJx

alternate:

https://bestfile.io/5qkLrQoBsrCXuF2/file

The cover photo is from 1993.

Sunday, March 9, 2025

Rod Stewart - BBC Sessions, Volume 4: In Concert, Abbey Road Studios, London, Britain, 10-8-2004

Here's another BBC album performed by Rod Stewart. Like the previous three, it's a BBC concert.

The last Stewart BBC concert I posted was from 1986. There's a big jump of nearly 20 years to this concert in 2004. In the meantime, his career had been slowing down until 2002. That year, he released the album "It Had to Be You: The Great American Songbook." Consisting entirely of covers of songs from the pre-rock and roll era, it was a big hit, going multi-platinum. Furthermore, he realize it was an easily repeatable formula. By the time of this concert just two years later, he'd released two more albums along the same lines, with those big hits as well. His next four albums would be thematic cover albums as well.

Personally, I'm not a big fan of these "Great American Songbook" cover albums. Others, such as Linda Ronstadt or Sinead O'Connor, have done the same idea better. So I was worried this concert would be dominated by those covers, since he'd just released three albums like that. However, it turns out this is pretty much just a typical Rod Stewart concert, consisting of hits from earlier in his career. There's only a four song stretch near the end of the concert (tracks 15 to 19) that has songs from his most recent "Great American Songbook" album, which was "Stardust: The Great American Songbook, Volume III," released the same month this concert took place. Additionally, Robert Palmer had recently died at the time of this concert, so Stewart played one of Palmer's biggest hits, "Addicted to Love," as a tribute to him.

This album is unreleased. The sound quality is excellent.

This album is 57 minutes long.

01 talk (Rod Stewart)
02 Tonight I'm Yours (Rod Stewart)
03 Some Guys Have All the Luck (Rod Stewart)
04 Addicted to Love (Rod Stewart)
05 talk (Rod Stewart)
06 Handbags and Gladrags (Rod Stewart)
07 talk (Rod Stewart)
08 Reason to Believe (Rod Stewart)
09 talk (Rod Stewart)
10 The First Cut Is the Deepest (Rod Stewart)
11 It Takes Two (Rod Stewart)
12 talk (Rod Stewart)
13 Baby Jane (Rod Stewart)
14 talk (Rod Stewart)
15 Blue Moon (Rod Stewart)
16 What a Wonderful World (Rod Stewart)
17 The Way You Look Tonight (Rod Stewart)
18 For Sentimental Reasons (Rod Stewart)
19 Maggie May (Rod Stewart)
20 Gasoline Alley (Rod Stewart)
21 talk (Rod Stewart)

https://pixeldrain.com/u/prFWvBeK

alternate:

https://bestfile.io/en/QzGgFh8j8kebF3X/file

The cover photo is from the Olympic Torch Concert in London on June 26, 2004.

Sunday, February 2, 2025

David Bowie - BBC Sessions, Volume 15: In Concert, John Labatt Centre, London, Canada, 5-14-2004

Finally! I posted David Bowie's "BBC Sessions, Volume 1" back in 2019. Now, it's the start of 2025, and I'm posting "Volume 15," the last one. This is another BBC concert.

Bowie lived for another dozen years before dying of cancer in 2016. But he retired from touring in 2004 and basically went into seclusion until coming out with new studio albums in 2013 and 2016. At the time of this concert, he was touring to support his album "Reality," released in late 2003. I previously commented that I'm not a big fan of Bowie's songwriting from the late 1980s onward. I still think he went into a prolonged slump. But "Reality" was a pretty good album, and it got a lot of critical praise. I think he was finding his musical groove again around this time. He would finish strongly with his last two albums in 2013 and 2016, so it's a shame we don't have any concerts from that time period.

Only "New Killer Star" and "The Loneliest Guy" come from "Reality." There are some unusual choices with some of the other songs. For instance, "Sister Midnight" is a song Bowie wrote, but he gave it to Iggy Pop for a 1977 album. Similarly, he wrote "All the Young Dudes," but gave it to Mott the Hoople, who had a big hit with it in 1972. "Cactus" is a Pixies song that he recorded for his 2002 album "Heathen."

Everything here is officially unreleased, as far as I know. The sound quality is excellent.

This album is 59 minutes long.

01 New Killer Star (David Bowie)
02 Cactus (David Bowie)
03 Sister Midnight (David Bowie)
04 talk (David Bowie)
05 All the Young Dudes (David Bowie)
06 The Loneliest Guy (David Bowie)
07 Under Pressure (David Bowie)
08 Station to Station (David Bowie)
09 Ashes to Ashes (David Bowie)
10 talk (David Bowie)
11 Quicksand (David Bowie)
12 Modern Love (David Bowie)
13 I'm Afraid of Americans (David Bowie)
14 'Heroes' (David Bowie)

https://pixeldrain.com/u/P9QohvUM

alternate:

https://bestfile.io/en/1BWE3bvGL7DPRGT/file

The cover photo is from this exact concert.