Fleetwood Mac - Long Beach Arena, Long Beach, CA, 4-15-1973

The band Fleetwood Mac went through many personnel transformations, with only the bassist (John McVie) and the drummer (Mick Fleetwood) remaining constants. I'm interested in pretty much all versions of this band, because they remained consistently good despite all the changes. As far as live recordings go, I always though 1973 was a lost year. I couldn't find even one decent recording from that year. But recently (writing this in February 2026), I came across a worthy one. So here it is.

In 1972, the main creative forces in the band were Christine McVie on keyboards, Bob Welsh on lead guitar, and Danny Kirwan on lead guitar. By the end of 1972, Kirwan was out of the band. The band brought in two new members: Bob Weston on slide guitar, and Dave Walker on lead vocals. That's the line-up for this concert: Christine McVie, Bob Welsh, Bob Weston, Dave Walker, plus the two unchanging members, John McVie and Mick Fleetwood.

Walker, who had been the lead vocalist for the band Savoy Brown, was brought into the band because the band's manager thought the band needed a charismatic lead vocalist. However, he didn't last long. He was included in the album "Penguin," released in March 1973. But he only sang lead vocals on two songs, one of which he wrote. At the end of the tour to promote the album, he was ejected from the group. So, in the larger history of this band, Walker is a minor blip, only remembered for singing two songs on one album. But he actually dominates this concert, singing most of the songs. 

The band carried on with just five members. Later in 1973, the band released another album, "Mystery to Me." Shortly after the tour to promote that album started, it was discovered that Bob Weston was sleeping with the wife of Mick Fleetwood. The tour was immediately cancelled, and the band actually broke up for several months. When they finally got back together, Weston was gone. So this is probably the only decent concert bootleg out there prominently featuring both Walker and Weston. One can tell Weston's guitar playing since he pretty much exclusively played slide guitar.

Now, let me address this recording. This is an audience bootleg. I generally shy away from those, due to sound quality issues. But it was an unusually good one. The main problem was that the lead vocals were buried in the mix. So I used the MVSEP program to bring them back up. That made a big difference. I also ran MVSEP over all the songs again to get rid of the crowd noise during the songs. Furthermore, the banter between songs was hard to understand. I ran those tracks through the Adobe vocal enhancer program, and that helped a lot. After all that, I think this concert sounds almost as good as a soundboard boot from the time. 

The one disappointment I have in this concert is that McVie only sang lead vocals on one song, "Get like You Used to Be." That's curious, because the lead single for the album they were promoting at the time, "Penguin," was "Remember Me," a song written and sung by McVie. 

This album is 55 minutes long. It's relatively short for a concert, but that's because they were an opening act. You can hear right at the end how the emcee announces there will be a short break before the main act, Deep Purple, takes the stage. 

01 talk (Fleetwood Mac)
02 The Green Manalishi [With the Two Prong Crown] (Fleetwood Mac)
03 talk (Fleetwood Mac)
04 Oh Well, Part 1 (Fleetwood Mac)
05 Get like You Used to Be (Fleetwood Mac)
06 talk (Fleetwood Mac)
07 Night Watch (Fleetwood Mac)
08 talk (Fleetwood Mac)
09 Same Old Blues (Fleetwood Mac)
10 talk (Fleetwood Mac)
11 In the Country (Fleetwood Mac)
12 talk (Fleetwood Mac)
13 Rattlesnake Shake (Fleetwood Mac)
14 talk by emcee (Fleetwood Mac)

https://pixeldrain.com/u/BfV3NdrW

alternate: 

https://bestfile.io/en/IoeQxCwJoYsPsA1/file

The cover image is kind of a creative invention. I found a photo of band members Bob Weston and Bob Welch in concert in 1973, and another photo of Dave Walker in concert in 1973. I put them together in Photoshop. Both original photos were in black and white, but I colorized them using the Kolorize program. From right to left: Bob Weston, Bob Welch, and Dave Walker. 

Fleetwood Mac - Fox West Coast Theatre, Long Beach, CA, 5-15-1972

I'm psyched to be posting this album, because it's a big sonic upgrade over versions of this music that has been publicly available until now. Also, it shines a light on a little known era of Fleetwood Mac. At the time of this concert, lead guitarist Peter Green was gone, but the other lead guitarist from the band's early years, Danny Kirwan, was still there. But the band was increasingly dominated by the singer-songwriters Christine McVie and Bob Welch.

Before I say any more about this album, note that today I posted upgrades to about 20 other Fleetwood Mac albums. I mainly changed two things. For the band's first seven BBC albums, I've found better sources for many songs, due to the anonymous person who has been sending me pristine BBC "Top of the Pops" radio shows. That updated maybe up to 25 percent of the songs on those seven early BBC albums. For all the other songs on those albums, I also double checked the balance between the vocals and the instruments, and boosted the vocals where need be. That was probably about half of the songs. I also found two songs I'd previously missed, on Volumes 5 and 7. So you might want to redownload those seven BBC albums.

Secondly, while I was at it, I realized a lot of the band's album covers didn't look that good, so I redid all the ones I thought needed work, with the use of the Krea AI program. That's why I've upgraded the links to about 20 albums, not just the seven early BBC ones.

Anyway, getting back to this album, Bob Welch joined Fleetwood Mac in April 1971, replacing Jeremy Spencer. For two albums, "Future Games" in 1971 and "Bare Trees" in 1972, the band was mainly led by Welch, Christine McVie, and Danny Kirwan, who all sang and wrote songs. But during the band's 1972 tour to promote "Bare Trees," troubles began growing with Kirwan. Band member Mick Fleetwood later recalled,  "On that long tour in 1972 Danny became quite volatile ... He just got more and more intense. He wouldn't talk to anyone. He was going inside himself, which we put down to an emotional problem that we had no idea about. We thought he was just being awkward. I had no idea he was struggling at that level. ... Danny had been a nervous and sensitive lad from the start. He was never really suited to the rigours of the business. Touring is hard and the routine wears us all down ... Our manager kept us touring non-stop and we were being stretched to our limits ... and the pressure was obviously taking its toll."

Things would come to a head at a concert in August 1972. Right before going on stage, Kirwan flipped out, flying into a violent rage, smashing his head and fists against a wall, smashing his guitar to pieces, and trashing the dressing room. The other band members had a meeting afterwards, and fired him.

There are tons of concert bootlegs from the band in earlier and later eras, but very little from this era. (I've posted two, from the Swing Auditorium in San Bernadino, California, in 1971, and from The Paramount in Seattle in 1972. But that, plus this one, is basically it, at least when it comes to decent sound quality. I haven't posted this one until now, though, because it's a mere audience bootleg, with one major sonic flaw: the vocals were too low. I've noticed low vocals are a very common problem when it comes to bootlegs, but in this case they were way, way low, almost inaudible at times.

A year or two ago, I tried using the UVR5 audio editing program to pull the vocals apart from the instrumentation so I could boost the volume on just the vocals, but the results were disappointing. UVR5 does a good job most of the time, but the vocals were too low to get enough of them to boost them well. So I gave up. But since then, technology keeps improving. The latest version of the MVSEP program separates vocals and instruments much better. So I tried that, and the results were excellent this time.

I have to say... this concert sounds really good! True, it only comes from an audience bootleg source. But it was a very well recorded one for the era. Then, after fixing the vocals to instruments mix level, it sounds as good or better than most soundboard bootlegs from this era. I further improved things by running all the songs through MVSEP again, this time removing most of the crowd noise during songs while keeping the cheering at the ends of songs.

If you're a fan of the band in this time period, I highly recommend you give this a listen. The sound quality really is a big improvement, and the singing and playing is great. Kirwan was still playing at a high level with the band, probably for the last time that's been recorded and preserved. 

This album is an hour and five minutes long.

01 Tell Me All the Things You Do (Fleetwood Mac)
02 Get like You Used to Be (Fleetwood Mac)
03 talk (Fleetwood Mac)
04 Sunny Side of Heaven [Instrumental] (Fleetwood Mac)
05 Future Games (Fleetwood Mac)
06 Homeward Bound (Fleetwood Mac)
07 The Ghost (Fleetwood Mac)
08 Black Magic Woman (Fleetwood Mac)
09 talk (Fleetwood Mac)
10 Oh Well, Part 1 (Fleetwood Mac)
11 Shake Your Moneymaker (Fleetwood Mac)

https://pixeldrain.com/u/Up8X36KN

alternate:

https://bestfile.io/en/l8A7uoYd7aeGG09/file

The cover image is from an appearance on the "Midnight Special" TV show in 1973. I couldn't find any good images of the two band leaders at the time, Christine McVie and Bob Welch, in the frame at the same time. So I took a screenshot of McVie and another one of Welch and put them together in Photoshop.

Fleetwood Mac - BBC Sessions, Volume 8: Selland Arena, Fresno, CA, 12-10-1987

Still more renumbering, as I keep finding BBC concerts I'd missed. I'll explain more about the renumbering below. The main thing is, here's another Fleetwood Mac concert for the BBC, this time from 1987.

In 1987, Fleetwood Mac released the studio album "Tango in the Night." It proved to be another huge success for the band, selling over 15 million copies worldwide. All three of the band's major singer-songwriters from the 1970s and early 1980s participated: Lindsey Buckingham, Christine McVie, and Stevie Nicks, plus the always reliable foundation of Mick Fleetwood on drums and John McVie on bass.

However, although the music on the album was strong, with several big hit singles, the band was very dysfunctional behind the scenes. For instance, John McVie hadn't played the bass at all for a couple of years, and had gotten so addicted to alcohol he worried he'd lost the ability to play. Fleetwood had such a big cocaine habit that he spent much of the recording sessions in a nearby mobile home getting high. Nicks also often was so high on cocaine and/or alcohol that most of her backing vocals proved to be useless and had to be faked by other band members. Because of these problems and more, it took a year and half to get the album done.

So when it came time for a band meeting to plan the tour to support the album, Buckingham announced he wasn't going to take part. This made Nicks so angry that she actually got in a physical fight with him that spilled out into the street! Buckingham later said that at the time of the album's release, "everybody was leading their lives in a way that they would not be too proud of today." He also said that, "Compared to making an album, in my experience, going on the road will multiply the craziness by times five. I just wasn't up for that."

Buckingham quit the band, seemingly permanently. He wouldn't rejoin until a decade later. He was replaced by the relatively unknown Rick Vito and Billy Burnette. Note that Buckingham's role in the band was considered so important that it took two people to replace him.

So while it's disappointing that Buckingham isn't on this recording, the band was coming off a big hit album, and most of the hits on it were sung and written by Christine McVie or Stevie Nicks.

The sound quality here is solid, despite this being unreleased. However, I discovered the lead vocals were down in the mix. So I used the UVR5 audio editing program to boost them relative to the instruments. Furthermore, there was something off with the mix even after I did that. It was beyond my ability to fix, so I sent the files to my musical associate MZ and he fixed it. Part of the problem was the bass range was too loud.

According to setlist.fm, one song is missing from the very end of the encore: "Songbird."

As I mentioned at the start of this write-up, some renumbering has taken place. I previously posted a 1990 concert (with the same band members, by the way), which I called "Volume 8." That now is "Volume 9." But I also recently discovered that the band's 1997 concert which became the live album "The Dance" was broadcast by the BBC at the time. So that has been slightly renamed, with "Volume 10" added to the title.

Here are the links to those, if you want to get the correct cover art and mp3 tags and such:

https://albumsthatshouldexist.blogspot.com/2022/11/fleetwood-mac-bbc-sessions-volume-8-in.html

https://albumsthatshouldexist.blogspot.com/2022/12/fleetwood-mac-dance-expanded-version.html

This album is an hour and 18 minutes long.

01 Say You Love Me (Fleetwood Mac)
02 The Chain (Fleetwood Mac)
03 Dreams (Fleetwood Mac)
04 talk (Fleetwood Mac)
05 Isn't It Midnight (Fleetwood Mac)
06 Everywhere (Fleetwood Mac)
07 talk (Fleetwood Mac)
08 Oh Well, Part 1 (Fleetwood Mac)
09 Seven Wonders (Fleetwood Mac)
10 talk (Fleetwood Mac)
11 Rattlesnake Shake (Fleetwood Mac)
12 Over My Head (Fleetwood Mac)
13 Gold Dust Woman (Fleetwood Mac)
14 Has Anyone Ever Written Anything for You (Fleetwood Mac)
15 talk (Fleetwood Mac)
16 I Loved Another Woman (Fleetwood Mac)
17 Brown Eyes (Fleetwood Mac)
18 Little Lies (Fleetwood Mac)
19 Stand Back (Fleetwood Mac)
20 You Make Loving Fun (Fleetwood Mac)
21 talk (Fleetwood Mac)
22 Don't Stop (Fleetwood Mac)

https://pixeldrain.com/u/PA6YRV5B

alternate:

https://bestfile.io/en/dnYRnS8ck456dCz/file

The cover image is a composite of two photos. I started with an image of just Christine McVie, taken from a concert in East Rutherford, New Jersey, in October 1987. Then I found a photo of Stevie Nicks from a London concert in May 1988 that seemed to roughly match. I put them together in Photoshop.

US Festival '82, Glen Helen Regional Park, San Bernardino, CA, 9-5-1982 - Day 3, Part 5: Fleetwood Mac

The fifth act presented here from Day Three of the 1982 US Festival is a set by Fleetwood Mac. They were the closing act for the festival.

Not long before this festival, in July 1982, Fleetwood Mac released their studio album "Mirage." It was a big hit, going double platinum in the U.S. Festival funder Steve Wozniak must have really wanted them for his festival, because he paid them $500,000, the most of any act at the festival. That seems like a fairly trivial amount in the 2020s, but it seemed an outrageous amount for a single concert performance back then.

Unfortunately, as with most of the recordings for this festival, all I could find was an audience boot for this set. I tried hard to improve it with the UVR5 and MVSEP editing programs. Hopefully, someday the full festival recordings will be made public. Apparently, there is one record company with the rights, and they're releasing individual albums. They put out the English Beat album from the festivals, for instance. But they seem to be moving at a snail's pace.

The Rolling Stone Magazine article I found about this festival had a little bit to say about this set:

While [prior act Jackson] Browne was onstage, the members of Fleetwood Mac arrived backstage. They had played the previous day in Orlando, Florida, and didn't make it to San Bernardino until after three A.M. Sunday. But, as Christine McVie said, "We're getting such a lot of money for this that we couldn't pass it up. And it's a good opportunity to do something big on the West Coast."

A short while later, when Mick Fleetwood pounded out the beat that begins "Second Hand News," there was a typical Graham touch. All weekend long, volunteers had been inflating helium balloons, and at that moment, they were released from the scaffolding at the sides of the stage. The balloons drifted out over the dust and the lakes and the parking lots and the campgrounds, sailing away in two thick clumps. The crowd called on its final reserves of energy and whooped it up. It was just what Tom Petty had described: a party.

By the way, I've posted an album of a concert from this band's 1982 tour. In terms of sound quality, that's a better listen, no doubt. But you may still want to listen to this to get the full US Festival experience.

This album is an hour and 47 minutes long.

081 talk (Fleetwood Mac)
082 Second Hand News (Fleetwood Mac)
083 The Chain (Fleetwood Mac)
084 talk (Fleetwood Mac)
085 Don't Stop (Fleetwood Mac)
086 Dreams (Fleetwood Mac)
087 Oh Well, Part 1 (Fleetwood Mac)
088 Rhiannon (Fleetwood Mac)
089 Brown Eyes (Fleetwood Mac)
090 Eyes of the World (Fleetwood Mac)
091 talk (Fleetwood Mac)
092 Gypsy (Fleetwood Mac)
093 talk (Fleetwood Mac)
094 Love in Store (Fleetwood Mac)
095 Not That Funny (Fleetwood Mac)
096 Never Going Back Again (Fleetwood Mac)
097 Landslide (Fleetwood Mac)
098 Tusk (Fleetwood Mac)
099 talk (Fleetwood Mac)
100 Sara (Fleetwood Mac)
101 talk (Fleetwood Mac)
102 Hold Me (Fleetwood Mac)
103 talk (Fleetwood Mac)
104 You Make Loving Fun (Fleetwood Mac)
105 I'm So Afraid (Fleetwood Mac)
106 talk (Fleetwood Mac)
107 Songbird (Fleetwood Mac)
108 talk (Fleetwood Mac)

https://www.imagenetz.de/dX33a

alternate:

https://pixeldrain.com/u/ooijnwtg

alternate:

https://bestfile.io/en/v1gDFNzxh8BigmS/file

The cover photo is from this exact concert. Like many of the photos from this festival, I used the Krea AI program to add some detail.

Fleetwood Mac - Mid-South Coliseum, Memphis, TN, 10-12-1982

I recently decided I wanted a concert recording from Fleetwood Mac's 1982 tour. This was the last tour with the band's most popular "Rumours" line-up all the way until 1997. So I came up with this one.

There's a disc of live recordings from this tour on the 2016 super deluxe edition of the band's 1982 album "Mirage." However, there are some problems with it. The songs come from two concerts (in Los Angeles) instead of one, and they're in a seemingly random order. Also, many songs played each night on the tour weren't included, and all the banter was cut out. I wanted a full concert with all the songs and banter, in the correct order, with the best possible sound. I looked around and found this Memphis concert was the only soundboard bootleg from the tour. (An Oakland concert from this tour is supposedly a soundboard, but in my opinion it's just an average audience boot.) So this is what I worked with.

However, there were some audio problems with it. The biggest was the lead vocals were down in the mix, a lot more on some songs than others. I used the audio editing program UVR5 to fix that. Also, the cheering at the end of each song had an annoying buzzing sound in it every single time. So I generally turned that way down and used the cheering from the super deluxe edition live tracks instead, while keeping shouted thank yous and things like that. The cheering was also really quiet, as it often is with soundboards. So at the same time I made sure to make it a lot louder.

Also, the band played the same exact songs in the same order every night of this tour, so it was easy to see that three songs were missing from the bootleg: "Love in Store," "Not That Funny," and "I'm So Afraid." By luck, the super deluxe edition live disc included all of those, so I used those versions. 

But also, parts of two other songs were missing. About the first minute of "Second Hand News" was gone, as well as the first minute of "Landslide." Neither of those were on the super deluxe edition live disc. So instead I resorted to using the Oakland audience boot for those. I removed the crowd noise on those parts using the MVSEP audio editing program so the sound would fit with the rest. That's why those two songs have "[Edit]" in their titles. Also, about five seconds of "Sisters of the Moon" was missing in the middle of the song. Luckily, it was in an instrumental riff section, so I was able to patch that up with music from elsewhere in the song. So that one has "[Edit]" in the title too.

Previously, this Memphis concert recording wasn't very popular due to the sound flaws and missing songs and sections of songs and so forth. But I feel it's sounding really great now. In my opinion, this now has to be the best recording from the band's 1982 tour, even more than the songs on the super deluxe edition, since this is a complete concert with essentially the same sound quality.

The band did a really long tour in 1979 and 1980 to support their 1989 album "Tusk." That resulted in a live album, simply called "Live." But that tour was a disaster filled with the typical drug and ego problems of famous bands. It nearly broke up the band. Key band members were often so high they were barely functional on stage. The 1982 tour was much more professionally done, resulting in better music. So I think this is better than the "Live" album too.

This album is an hour and 56 minutes long.

01 Second Hand News [Edit] (Fleetwood Mac)
02 talk (Fleetwood Mac)
03 The Chain (Fleetwood Mac)
04 Don't Stop (Fleetwood Mac)
05 Dreams (Fleetwood Mac)
06 Oh Well, Part 1 (Fleetwood Mac)
07 Rhiannon (Fleetwood Mac)
08 Brown Eyes (Fleetwood Mac)
09 talk (Fleetwood Mac)
10 Eyes of the World (Fleetwood Mac)
11 talk (Fleetwood Mac)
12 Gypsy (Fleetwood Mac)
13 Love in Store (Fleetwood Mac)
14 Not That Funny (Fleetwood Mac)
15 talk (Fleetwood Mac)
16 Never Going Back Again (Fleetwood Mac)
17 Landslide [Edit] (Fleetwood Mac)
18 Tusk (Fleetwood Mac)
19 talk (Fleetwood Mac)
20 Sara (Fleetwood Mac)
21 talk (Fleetwood Mac)
22 Hold Me (Fleetwood Mac)
23 You Make Loving Fun (Fleetwood Mac)
24 I'm So Afraid (Fleetwood Mac)
25 Go Your Own Way (Fleetwood Mac)
26 Blue Letter (Fleetwood Mac)
27 Sisters of the Moon [Edit] (Fleetwood Mac)
28 Songbird (Fleetwood Mac)

https://www.imagenetz.de/mkgpa

alternate:

https://pixeldrain.com/u/PKgVo2ts

second alternate:

https://bestfile.io/en/MtLd0ceKq5EdKai/file 

The cover photo shows four out of the five band members in concert in 1982. Drummer Mick Fleetwood is the one not shown. I don't know exactly where and when the photo was taken.

In 2025, I improved the detail on the image with the use of the Krea AI program.

Fleetwood Mac - Live at the Record Plant, Record Plant, Los Angeles, CA, 9-19-1974

There are two well known live recordings of Fleetwood Mac in 1974. One took place on October 4, 1974, in Hempstead, New York. It's a bootleg that I've posted here. Another one took place on December 15, 1974, in Sausalito, California. I haven't posted that one because it was officially released in 2020 as part of the box set "1969-1974." But there's also this bootleg concert. It seems to have been almost entirely overlooked, judging by how little it's mentioned on the Internet. But, like the other two, it comes from a live radio station broadcast, so the sound quality is excellent. It also contains two songs not on either of the other ones: "Coming Home" and "I Loved Another Woman."

In 1974, Fleetwood Mac was led by the singer-songwriters Bob Welch and Christine McVie. Welch would leave at the end of 1974 and would be replaced by Lindsey Buckingham and Stevie Nicks, leading the band to much greater fame and fortune. For this concert, the band was promoting the album "Heroes Are Hard to Find," which had been released just a few days earlier. However, only three songs are from that album: "Coming Home," "Angel," and "Bermuda Triangle." 

I keep finding concerts where the vocals are too low in the mix. This was another one, although it wasn't a severe case. As usual, I used the UVR5 audio editing program to boost the vocals relative to the instruments. Also as usual, I boosted the volume of the banter between songs quite a lot.

This was part of a radio series called "Live at the Record Plant," done by the radio station KMET. So that's why I have that in the title. The band's December 1974 concert mentioned above was also recorded at a studio called "The Record Plant," but that was a totally different place, in Sausalito instead of Los Angeles.

This concert is an hour and eight minutes long.

01 talk (Fleetwood Mac)
02 Coming Home (Fleetwood Mac)
03 talk (Fleetwood Mac)
04 Sentimental Lady (Fleetwood Mac)
05 Future Games (Fleetwood Mac)
06 Bermuda Triangle (Fleetwood Mac)
07 The Green Manalishi [With the Two Prong Crown] (Fleetwood Mac)
08 Why (Fleetwood Mac)
09 Homeward Bound (Fleetwood Mac)
10 talk (Fleetwood Mac)
11 Angel (Fleetwood Mac)
12 talk (Fleetwood Mac)
13 I Loved Another Woman (Fleetwood Mac)
14 talk (Fleetwood Mac)
15 Spare Me a Little of Your Love (Fleetwood Mac)
16 talk (Fleetwood Mac)
17 Oh Well, Part 1 (Fleetwood Mac)
18 talk (Fleetwood Mac)
19 Rattlesnake Shake (Fleetwood Mac)

https://pixeldrain.com/u/eHGyWBJd

alternate:

https://bestfile.io/en/RKvOtS2gE2dtt4h/file

The cover photo shows all four members of Fleetwood Mac at the time. From right to left: Christine McVie, John McVie, Mick Fleetwood, and Bob Welch. I don't know where or when the photo was taken, only that it's from around 1973 or 1974.

Fleetwood Mac - BBC Sessions, Volume 10: The Dance - Expanded Version, Warner Brothers Studios, Burbank, CA, 5-23-1997

Note that this is different than the official Fleetwood Mac live album "The Dance," which has sold millions. This contains everything that album contains, plus six additional songs. So if you have that and want more of it, here you go.

In 1987, singer-songwriter Lindsey Buckingham left Fleetwood Mac. In 1991, singer-songwriter Stevie Nicks left. Then in 1995, the last major singer-songwriter, Christine McVie, ended the band. But just two years later, all three of them, plus continual members Mick Fleetwood and John McVie, reunited. They only stayed together for one year before Christine McVie left again. But during that year, they reunited long enough for "The Dance" live album and a concert tour. They mostly sang classic hits, but they did have a few new songs as well.

The reason I can add some songs is because there's a DVD version of "The Dance" with five extra songs: "Gold Dust Woman," "Gypsy," "Go Insane," "Over My Head," and "Songbird." I've added those in using the order the songs were actually performed on this night (which is slightly different from both the album and the DVD, with a few songs shuffled a bit). 

I then went looking for more songs they did on that tour, since they did do about six more. But unfortunately, I could only find those extra songs on audience bootlegs which were a steep drop in sound quality from these songs. However, I did add one song from an audience bootleg, the finale, "Farmer's Daughter." I was able to include this cover of a Beach Boys song because it was done in a stripped down style, with just drums and vocals. As a result, the sound quality didn't matter so much. I also boosted the vocals to make it sound a little better.

A couple of years after I first posted this, I discovered this actually was a BBC concert. The BBC broadcast this exact concert only a couple of months after it happened, well before the official album came out. So I redid the album title, cover art, and mp3 tags to reflect that fact.

This album is an hour and 14 minutes long. The extra material totals 23 minutes.

01 The Chain (Fleetwood Mac)
02 Dreams (Fleetwood Mac)
03 talk (Fleetwood Mac)
04 Everywhere (Fleetwood Mac)
05 Gold Dust Woman (Fleetwood Mac)
06 I'm So Afraid (Fleetwood Mac)
07 Temporary One (Fleetwood Mac)
08 talk (Fleetwood Mac)
09 Bleed to Love Her (Fleetwood Mac)
10 Gypsy (Fleetwood Mac)
11 talk (Fleetwood Mac)
12 Big Love (Fleetwood Mac)
13 Go Insane (Fleetwood Mac)
14 Landslide (Fleetwood Mac)
15 talk (Fleetwood Mac)
16 Say You Love Me (Fleetwood Mac)
17 You Make Loving Fun (Fleetwood Mac)
18 talk (Fleetwood Mac)
19 My Little Demon (Fleetwood Mac)
20 Silver Springs (Fleetwood Mac)
21 Over My Head (Fleetwood Mac)
22 Rhiannon (Fleetwood Mac)
23 Sweet Girl (Fleetwood Mac)
24 Go Your Own Way (Fleetwood Mac)
25 Tusk (Fleetwood Mac)
26 talk (Fleetwood Mac)
27 Don't Stop (Fleetwood Mac)
28 talk (Fleetwood Mac)
29 Songbird (Fleetwood Mac)
30 talk (Fleetwood Mac)
31 Farmer's Daughter (Fleetwood Mac)

https://pixeldrain.com/u/wfhceJBB

alternate:

https://bestfile.io/8zuFNT8YI9BnCUk/file

For the cover, I wanted a photo of all five members of the band at this time. Unfortunately, I couldn't find a good one of them on stage in 1997 because they rarely all stood close to each other. (I found one like that, but it was low-res.) However, I did find this photo of them standing together backstage at one of their 1997 concerts. I used Photoshop to bring Mick Fleetwood (the tallest one) a little closer to the others.

Chicken Shack - BBC Sessions (1968-1970)

Here's something else I'm posting in tribute to Christine McVie, who died today (November 30, 2022) at the age of 79. She started her musical career as the keyboardist and one of two lead vocalists for the British blues band Chicken Shack. She didn't stay with the band long, only about a year, but she sang on their one big hit, "I'd Rather Go Blind." Then she put out a solo album before joining Fleetwood Mac. (At the time, she was known as Christine Perfect, but she changed her name after marrying Fleetwood Mac bassist John McVie in 1970.)

I believe I've already posted all the Chicken Shack BBC performances where the lead vocals were done by McVie, on various Fleetwood Mac BBC albums I made, as well as a McVie-focused album called "On My Way." But since I'm posting so many BBC albums, I figure Chicken Shack deserves one. So all those McVie sung songs are here too. But there are more songs sung by the band's lead guitarist Stan Webb.

In my opinion, Webb was a talented lead guitarist, but only an average singer. He should have replaced McVie with another female vocalist to keep things more interesting. Instead, when McVie left in mid-1969, he took over all the vocals. The band continues to this day, still led by Webb, but they never were as popular as they were when McVie was a member. She's on the first 14 songs here, singing lead on about half of them and playing keyboards on all of them. The last twenty minutes (tracks 17 to 21) are all sung by Webb after she left. I couldn't find any more BBC sessions after 1970. As I said, their popularity declined after McVie left.

Everything here is officially unreleased. There is an album of the band's BBC recordings out there called "On Air," but it seems to be one of those many grey market releases, taking advantage of European copyright law. Everything does come from BBC studio sessions. A few of the songs have "[Edit]" in their names, due to the usual problem of BBC DJs talking over the music. As I usually do, I used the X-Minus audio editing program to wipe out that talking.

This album is an hour and five minutes long. If I had a few more songs, I would have had enough for two volumes. Instead, it's just one long one.

01 When the Train Comes Back (Chicken Shack)
02 It's OK with Me Baby [Edit] (Chicken Shack)
03 See My Baby [Edit] (Chicken Shack)
04 Waiting on You (Chicken Shack)
05 Strange Things Happening [Love Me or Leave Me] (Chicken Shack)
06 Every Day I Have the Blues (Chicken Shack)
07 Night Life (Chicken Shack)
08 Side Tracked [Instrumental] [Edit] (Chicken Shack)
09 Mean Old World (Chicken Shack)
10 Get like You Used to Be [Edit] (Chicken Shack)
11 You Done Lost that Good Thing Now (Chicken Shack)
12 I'd Rather Go Blind (Chicken Shack)
13 Hey Baby (Chicken Shack)
14 Look Ma I'm Crying (Chicken Shack)
15 Tears in the Wind (Chicken Shack)
16 Midnight Hour (Chicken Shack)
17 Things You Put Me Through (Chicken Shack)
18 Tired Eyes [Edit] (Chicken Shack)
19 Telling Your Fortune (Chicken Shack)
20 You Knew You Did You Did (Chicken Shack)
21 My Way (Chicken Shack)

https://www.upload.ee/files/16687690/CHICKNSHK1968-1970_BBSessons_atse.zip.html

The cover photo dates to 1968. McVie, sitting at the piano, used to be further to the right. But I used Photoshop to slide her closer to the others to better fit the square space.

Fleetwood Mac - BBC Sessions, Volume 9: In Concert, Maine Road Stadium, Manchester, Britain, 8-25-1990

As I write this on November 30, 2022, I'm sad to pass on the news that Christine McVie, longtime singer and songwriter for Fleetwood Mac, died today, of natural causes. She was 79. To celebrate her musical legacy, I wanted to post something with her in it. So here is a 1990 BBC concert that prominently features her.

This concert took place during a difficult time for the band. They released the successful album "Tango in the Night" in 1987. But then one of their three key singer-songwriters, Lindsey Buckingham, quit the band before the start of their tour to support the album. He was replaced by two guitarists, Billy Burnette and Rick Vito. Both of the other two key singer-songwriters, Christine McVie and Stevie Nicks stayed on board. This new version of the band released the album "Behind the Mask" in 1990. The lack of Buckingham was noticeable, and sales and reviews were disappointing. This concert was part of the tour to support that album.

If you're not a fan of "Behind the Mask," don't worry. Only three songs from it were played here, and one of those is the very good hit single "Save Me." This a good concert for Christine McVie fans because without Buckingham, naturally more of the songs were sung by either McVie or Nicks, with only a few sung by either of the new guitarists.

The sound quality is excellent, as you'd expect from the BBC. But there were a few problems, most of which I fixed. The main version I used lacked all of the first song and half of the second one, as well as the musical intro to "Little Lies." Luckily, I found a second version of the concert on YouTube. The sound quality was ever so slightly worse, but I used that version to fill in the missing parts. "The Chain" and "Little Lies" have "[Edit]" in their titles, since they were spliced together from two different versions. The main version also ended with a handful of songs from a early 1980s Stevie Nicks solo concert, but were not labelled as such. I deleted those, since they have nothing to do with this concert.

Another problem just comes down to personal preference. There was a drum solo in "World Turning" that went on way too long for my tastes. Since I mainly make these albums for my own enjoyment, I cut that down drastically. I removed over 10 minutes of music, and yet I kept some of the solo, leaving the song 10 minutes long.

This album is an hour and 54 minutes long. Rest in peace, Christine.

UPDATE: On February 18, 2025, I updated the mp3 download file. This is because I discovered a 1987 BBC concert I'd missed. So the title was changed to "Volume 9," and I changed the cover art and mp3 tags accordingly.

01 In the Back of My Mind (Fleetwood Mac)
02 The Chain [Edit] (Fleetwood Mac)
03 talk (Fleetwood Mac)
04 Dreams (Fleetwood Mac)
05 talk (Fleetwood Mac)
06 Isn't It Midnight (Fleetwood Mac)
07 Oh Well, Part 1 (Fleetwood Mac)
08 Rhiannon (Fleetwood Mac)
09 Stop Messin' Around (Fleetwood Mac)
10 Save Me (Fleetwood Mac)
11 Gold Dust Woman (Fleetwood Mac)
12 talk (Fleetwood Mac)
13 I Loved Another Woman (Fleetwood Mac)
14 talk (Fleetwood Mac)
15 Landslide (Fleetwood Mac)
16 World Turning [Edit] (Fleetwood Mac)
17 talk (Fleetwood Mac)
18 Everywhere (Fleetwood Mac)
19 talk (Fleetwood Mac)
20 Stand on the Rock (Fleetwood Mac)
21 Little Lies [Edit] (Fleetwood Mac)
22 Stand Back (Fleetwood Mac)
23 You Make Loving Fun (Fleetwood Mac)
24 Go Your Own Way (Fleetwood Mac)
25 talk (Fleetwood Mac)
26 Tear It Up (Fleetwood Mac)
27 Don't Stop (Fleetwood Mac)

https://pixeldrain.com/u/5qQAGr7z

alternate:

https://bestfile.io/en/fr5hO8W0O8AXdla/file

I found a bunch of color photos of the band in concert in 1990, but I couldn't find just one that I especially liked. So I used Photoshop to combine two into one. Both are from the same concert in Minnesota, so both have the same general lighting. But one is of Christine McVie, and the other is of Stevie Nicks. I hope they look okay standing together. 

In February 2025, I upgraded the image quality with the Krea AI program.

Fleetwood Mac - The New Mac Plays the Old Mac (1975-1977)

Here's something a little different. Every now and then I've put together a thematic album, like an album of Heart playing Led Zeppelin songs, or Sheryl Crow playing Rolling Stones songs. This is similar, except it's the "new" Fleetwood Mac - meaning the band from 1975 onwards, playing songs of the "old" Fleetwood mac, meaning the band from its start in the late 1960s to the early 1970s. 

They're almost two different bands in terms of musical style and personnel. The "old" band was dominated by lead guitarist Peter Green and his love of the blues. The "new" band was dominated by three singer songwriters: Lindsay Buckingham, Stevie Nicks, and Christine McVie, and they found massive success with a pop rock style. The only consistency throughout was the drummer, Mick Fleetwood, and the bassist, John McVie. 

In 1977, the "new" band released "Rumours," which is one of the most successful albums of all time, selling over 40 million copies. From that point on, the band hardly ever played songs made famous by the "old" band, because they had more popular songs to play than they could fit into a concert. Thus, there really was only a short window of time, 1975 to 1977, when the new band played some of the old band's songs. I'm compiled all those songs together that I could find in worthy sound quality. About half of them come from the 1975 tour. The other half come from a bootleg of rehearsals for the 1977 tour.

This album mostly features Buckingham and McVie on lead vocals. As the only male lead vocalist in the 1975 to 1977 time period, it was natural for Buckingham to sing the songs previous sang by Peter Green or Bob Welch. McVie features because she joined the band around 1971 (after a graduation transition period), so she had some of her own "old band" songs to sing with the "new" band. I don't think Stevie Nicks sings lead anywhere here, but of course she frequently can be heard on backing vocals.

I think this is an interesting album because it's almost like a lost album of the famous "Rumours" line-up. Buckingham in particular had a key role in crafting that "Rumours" pop rock sound, and you can hear his influence in rearranging these songs to make them a mix of old and new styles.

This album is 45 minutes long. That doesn't include the two bonus tracks, which are bonus tracks because of poorer sound quality. Note the last song, "Mystery Train," is a cover of a song made famous by Elvis Presley.

01 Get like You Used to Be (Fleetwood Mac)
02 The Green Manalishi [With the Two Prong Crown] (Fleetwood Mac)
03 Station Man (Fleetwood Mac)
04 Spare Me a Little (Fleetwood Mac)
05 Why (Fleetwood Mac)
06 Hypnotized (Fleetwood Mac)
07 Believe Me (Fleetwood Mac)
08 Oh Well, Part 1 (Fleetwood Mac)
09 Tell Me All the Things You Do (Fleetwood Mac)
10 Mystery Train (Fleetwood Mac)

Jumping at Shadows (Fleetwood Mac)
Sunny Side of Heaven [Instrumental] (Fleetwood Mac)

https://www.upload.ee/files/15116099/FleetwodMc_1975h-1977_TheNewMacPlaystheOldMac_atse.zip.html

For the album cover, I didn't want to have a picture of the "new" band and thus leave out the "old" band, and vice versa. So instead I went with some art. This picture comes from a Fleetwood Mac concert poster. I think it's from 1973. It was longer, but I had to cut the rectangular poster to fit into the square album cover format. The band name was there in the original art. I just added the text at the bottom.

Fleetwood Mac - Trodd Nossel Studios, Wallingford, CT, 9-23-1975

I hadn't planned on posting this 1975 Fleetwood Mac concert, great though it is, because it's very similar to another concert I posted by them at the Capitol Theatre in Passaic, New Jersey. In fact, the only difference in the songs is that two songs are uniquely performed on this one ("Why" and "Over My Head") and one song was uniquely performed on that one ("Don't Let Me Down Again").  But I'm posting it because there's an upgraded version that came out in late 2020 that I just found out about, and it sounds even better than before. And this bootleg concert already sounded great. So even if you have this popular bootleg, I recommend you get this version.

This is one of my favorite Fleetwood Mac concerts because it happened at a unique time in the band's history. In the late 1960s and early 1970s, they were a popular blues band, led by guitarist Peter Green. But by 1975, the personnel has drastically changed, especially due to the brand new members Stevie Nicks and Lindsey Buckingham. Their 1975 album, simply called "Fleetwood Mac," was the first with this new line-up. It's now regarded as a classic, with every song a hit or should have been a hit. But this new Fleetwood Mac didn't catch on right away. At the time of this concert, they still relied a lot on the band's earlier reputation and songs. So this is a rare moment when the new Fleetwood Mac played lots of the old Fleetwood Mac's songs. Seven of the 13 songs here are from before Nicks and Buckingham joining the band. 

In 1977, the band would release "Rumours," one of the best selling albums of all time. It was so chock-a-block with great, popular songs that their concert set lists dropped the pre-1975 songs almost entirely. So it's only on this recording and the Capitol Theatre one mentioned above where you can hear these earlier songs done by this new line-up.

Needless to say, they do a great job, on both the new and old songs. The only minor fly in the ointment is that it seems most of the comments between songs weren't recorded. One can tell this by the few that there are only a few brief comments here and there, and by the fact that the applause often got suddenly cut off. For that latter problem, I patched in applause from the ends of other songs to make things transition in a more natural manner. I did that for about four or five song endings.

Personally, I think both this and the Capitol Theatre shows are so good that any fan of this Fleetwood Mac era should have both, despite their similarities. The sound quality for this one is possibly the best, helped by the fact that the band played for a small, quiet audience in a recording studio for a radio broadcast. During the quiet songs, it's like you can hear a pin drop.

This concert is an hour and six minutes long.

01 talk (Fleetwood Mac)
02 Get like You Used to Be (Fleetwood Mac)
03 Station Man (Fleetwood Mac)
04 Spare Me a Little of Your Love (Fleetwood Mac)
05 Rhiannon (Fleetwood Mac)
06 Why (Fleetwood Mac)
07 Landslide (Fleetwood Mac)
08 Over My Head (Fleetwood Mac)
09 I'm So Afraid (Fleetwood Mac)
10 Oh Well, Part 1 (Fleetwood Mac)
11 The Green Manalishi [With the Two Prong Crown] (Fleetwood Mac)
12 World Turning (Fleetwood Mac)
13 Blue Letter (Fleetwood Mac)
14 Hypnotized (Fleetwood Mac)

https://www.upload.ee/files/15182007/FleetwodMc_1975f_TrddNosselStdiosWallingfrdCT__9-23-1975_atse.zip.html

I know that since this was recorded in a recording studio, a photo of the band playing on an outdoor stage doesn't fit. But I had a hard time finding a good color photo of the band on stage in 1975. This was the best one I could find that shows most of the band members. It's from a concert in San Diego.

Actually, looking back at the original images just now, I see that I had two San Diego concert photos. Linsay Buckingham was out of view on the best one, so I took him from the other one and Photoshopped him into this one. Sorry about that, but like I said, it's really hard to find good color photos of all of them together on stage in 1975.

Chiristine McVie - I'm on My Way - Non-Album Tracks (1968-1969)

I previously posted the album, "Christine Perfect," a 1970 solo album by future Fleetwood Mac star Christine McVie back when she was a blues singer and keyboardist known by her maiden name, the same as that album title. When I posted that album, I mixed the best songs from it with some other songs she did prior to joining Fleetwood Mac in 1971. But I kept finding more worthy songs, until I decided to split her pre-Fleetwood Mac recordings into two albums.

I still have the "Christine Perfect" album, which can be found here:

https://albumsthatshouldexist.blogspot.com/2018/05/chiristine-mcvie-christine-perfect.html

But I moved some songs from that to here, so I can have all of her early songs where she sings lead vocals in one place.

Christine McVie (I'm going to call her that, for consistency's sake) became a talented piano player at a young age, and had a natural talent for singing the blues. She started singing as a guest vocalist in clubs for blues bands. So when some musicians she knew started a new blues band called Chicken Shack in 1967, she joined them as a keyboardist and backing vocalist. But her skills were greater than that. From the very beginning, she wrote some songs and occasionally sang lead. In fact, the band's very first single, "It's Okay with Me Baby" was written by her and sung by her.

She stayed with Chicken Shack for two albums. But the band was dominated by Stan Webb's guitar playing and singing. She only had two lead vocal turns on their first album, and four on their second. Then, the band released a single of the Etta James classic "I'd Rather Go Blind," with McVie on lead vocals. It was a big hit in Britain. At that point, it became clear that she had too much talent to stay second fiddle in Chicken Shack, so she left the band and started a solo career.

I've gathered all the Chicken Shack songs where she sings lead and included them here. The songs were billed just to "Chicken Shack" but I've credited them to "Christine McVie & Chicken Shack" just for clarity.

At the end are four songs she did as a solo artist that aren't songs on her 1970 solo album "Christine Perfect." One is an outtake and the last three were played for the BBC.

I've called this album "I'm on My Way," even though that's a song on that solo album that isn't included here. I chose that title because that was the original planned title for her solo album. On top of that, it's a very fitting title for the start of one's career, because these early songs very much did send her on her way to musical success.

Note that the exact same version of her hit single "I'd Rather Go Blind" with Chicken Shack was put on her 1970 solo album. I thought it was important to have it in both places. But I don't like repeating the exact same performance. So for this album I used a performance of the songs she did for the BBC with Chicken Shack instead of the hit single version.

This album is 38 minutes long.

01 It's Okay with Me Baby (Christine McVie & Chicken Shack)
02 You Ain't No Good (Christine McVie & Chicken Shack)
03 When the Train Comes Back (Christine McVie & Chicken Shack)
04 I Wanna See My Baby (Christine McVie & Chicken Shack)
05 Mean Old World (Christine McVie & Chicken Shack)
06 Get like You Used to Be (Christine McVie & Chicken Shack)
07 A Woman Is the Blues (Christine McVie & Chicken Shack)
08 I'd Rather Go Blind (Christine McVie & Chicken Shack)
09 Tell Me You Need Me (Christine McVie)
10 Hey Baby (Christine McVie)
11 It's You I Miss (Christine McVie)
12 Gone into the Sun (Christine McVie)

https://pixeldrain.com/u/MZ3TN3LM

alternate: 

https://bestfile.io/en/pK7E7nGsGBKKvEN/file

I tried but failed to find any good color photos of Christine McVie from 1968 or 1969. Instead, I found a black and white one of her holding an award for the Melody Maker female singer of the year award in 1969. Then I colorized it.

In 2025, I improved the detail of the image with the use of the Krea AI program.

Fleetwood Mac - Swing Auditorium, San Bernardino, CA, 7-19-1971

I've posted a lot of early Fleetwood Mac albums: stray tracks collections, BBC collections, and entire concerts. But while there's tons of live material from the Peter Green years ending in 1970, and while I've posted a 1972 concert, I haven't posted a concert from 1971. Until this post, that is.

1971 is often unfairly overlooked in the history of Fleetwood Mac. Many people love the guitar work of Peter Green, so when he left the band in mid-1970, interest plummeted. You can see that in a dearth of bootleg material for the years after he left. But even without Green, the band was still firing on all cylinders. They still had guitarist Danny Kirwan, who should have gone on to be a famous "guitar hero" in his own right, except for the fact that he flamed out of the band, and then later out of music altogether. The band also picked up the very talented Bob Welch as another lead guitarist and songwriter. The band's 1971 album "Future Games" is top notch in my book.

So I wanted to post a 1971 Fleetwood Mac concert. In terms of sound quality, it turns out there really is only one option: the Swing Auditorium show in San Bernardino, California, in July 1971. It's the only excellent soundboard bootleg from that year. The downside is that it's short and incomplete, only about 45 minutes when the band usually played at least twice that long.

To fix this, I've added five more songs of the same sound quality to the beginning of the album. They come from the official album "Madison Blues." It's a little known album that's kind of a grab-bag of material from the year or so after Green left the band. It has a bunch of songs that were performed at an unknown venue on an unknown date some time in January 1971. I left out a couple of songs that were duplicates of songs played at the Swing Auditorium. The result is that the 45-minute-long concert effectively sounds like an hour and 12-minute-long concert.

Both the Swing Auditorium and mystery Madison Blues recordings are excellent soundboards. But in a way they're too good, in the sense that they did a great job of capturing what was played on stage, but captured very little of the audience noise. That meant that after each song, it seemed like they played to an indifferent audience that barely cheered or clapped. To fix this, I tried to boost the volume of the audience reactions as much as possible. I also found some extended sections of generic cheering after a couple of the songs, and added that in to the ends of other songs, to further boost the audience response. The end result is now the songs still sound great but there also is the expected amount of cheering when each one of them ends.

01 Crazy about You (Fleetwood Mac)
02 talk (Fleetwood Mac)
03 One Together (Fleetwood Mac)
04 I Can't Stop Loving Her (Fleetwood Mac)
05 talk (Fleetwood Mac)
06 Lonely without You (Fleetwood Mac)
07 talk (Fleetwood Mac)
08 Jewel-Eyed Judy (Fleetwood Mac)
09 talk (Fleetwood Mac)
10 Station Man (Fleetwood Mac)
11 talk (Fleetwood Mac)
12 Get like You Used to Be (Fleetwood Mac)
13 Dragonfly (Fleetwood Mac)
14 Purple Dancer (Fleetwood Mac)
15 I'd Rather Go Blind (Fleetwood Mac)
16 talk (Fleetwood Mac)
17 Tell Me All the Things You Do (Fleetwood Mac)
18 Jam [Instrumental] (Fleetwood Mac)

https://www.upload.ee/files/15211919/FleetwodMc_1971b_SwngAuditriumSnBernardinoCA__7-19-1971_atse.zip.html

It surprisingly hard to find any photos of Fleetwood Mac playing in concert in 1971. I found one, which I think is from an appearance on the "Top of the Pops" TV show. It's not ideal in that it only shows three of the band members, and one of those (drummer Mick Fleetwood) is partially obscured. But it does show the two most important band members of that year, Christine McVie and Danny Kirwan.

Fleetwood Mac - BBC Sessions, Volume 7: 1970-1971

This is the seventh of my albums of Fleetwood Mac performing for the BBC.

Their last appearance on the BBC for many, many years was in 1971. It seems a lot of bands stopped playing for the BBC in the early 1970s. I think that was mostly due to a change of formats for the BBC. Up until about 1971, bands often played a few songs in the BBC studios each time. But that largely stopped, and was replaced by broadcasts of live concerts that went on much longer. The next BBC album I have from the band isn't until 1990!

This volume is fairly different from all the previous ones in this series in that lead guitarist Peter Green left the band just before the time period covered here. Instead, lead guitarist Danny Kirwan plays a more prominent role. And Christine McVie finally joined the band, and played a prominent role too. Actually, the first two songs are from before McVie joined the band. Then the third to fifth songs are McVie performances during her brief time as a solo artist. The rest are when she was a part of Fleetwood Mac, and she sings lead on some of those.

Eight of the 16 songs here are officially unreleased. Seven of those are BBC performances that somehow got missed by all the official releases. "Lay It All Down" is unreleased because it actually isn't from the BBC. It's from the German TV show "Beat Club" instead. (The bonus track is a different version of "Dragonfly," also from Beat Club.) I would have included more TV or radio appearances other than BBC ones, except I couldn't find more. It doesn't help that the band's popularity declined a lot after about 1971, before reviving in a big way in 1975.

Four of the songs have "Edit" in their titles because I made big edits on them. The available version of "Station Man" didn't have an intro, probably due to some BBC DJ talking over the music, and started right when the vocals did. I fixed that by patching in some music from later in the song. "Get like You Used to Be" lacked a good ending. If I recall correctly, the recording faded out in the middle of McVie singing a verse. I also fixed that by patching in music from elsewhere in the song. For three other songs, "Dragonfly," "Purple Dancer," and "Morning Rain," I used the audio editing program X-Minus to wipe the BBC DJ talking while keeping the underlying music. 

As an aside, this version of the song "Morning Rain" usually has the title "Start Again" on bootlegs because the DJ said the band had just written it, and that was the title the decided on as they entered the BBC studio to record it. But obviously they later changed their minds, because it was called "Morning Rain" on the next studio album, so that's what I call it here.

This album is 51 minutes long, not counting the bonus track. 

UPDATE: On September 25, 2025, I updated the mp3 download file. I found one song that had been missed, "Purple Dancer." I also found better versions of some other songs, and fixed the vocal mix of still other songs.

01 No Road Is the Right Road [Edit] (Christine McVie)
02 Jenny Lee (Fleetwood Mac)
03 When Will I Be Loved (Fleetwood Mac)
04 Honey Hush (Fleetwood Mac)
05 When I See My Baby (Fleetwood Mac)
06 Buddy's Song [Peggy Sue Got Married] (Fleetwood Mac)
07 Tell Me All the Things You Do (Fleetwood Mac)
08 Down at the Crown (Fleetwood Mac)
09 I Can't Stop Loving Her (Fleetwood Mac)
10 Crazy 'bout You Baby [Can't Hold Out Much Longer] (Fleetwood Mac)
11 Station Man [Edit] (Fleetwood Mac)
12 Purple Dancer [Edit] (Fleetwood Mac)
13 Dragonfly [Edit] (Fleetwood Mac)
14 Preachin' (Fleetwood Mac)
15 Morning Rain [Edit] (Fleetwood Mac)
16 Lay It All Down (Fleetwood Mac)

Dragonfly (Fleetwood Mac)

https://pixeldrain.com/u/fs5gVVdk

alternate:

https://bestfile.io/en/hjoqIMT2mDRnRGa/file

The cover art photo is from 1971. It shows the band while it was mainly led by Christine McVie, Jeremy Spencer, and Danny Kirwan. Note how drummer Mick Fleetwood is a head above anyone else because he's a very tall guy and not standing on something.

Fleetwood Mac - BBC Sessions, Volume 5: 1969-1970

Here's another album of Fleetwood Mac performing for the BBC. 1969 and 1970 are two of my favorite years of the band's music, because they still were heavily into the blues, but they also showed more variety with rock and pop.

This time around, ten of the 13 songs are officially unreleased. The sound quality is consistently high for both the officially released and unreleased tracks. Everything here is from the BBC except for the first three tracks, which are from a Finnish radio show, and "I'm Worried," which comes from a Norwegian TV show.

Guitarist Peter Green left the band in May 1970. All but the last four songs are from April 1970 or earlier, so they still feature him. The remaining Fleetwood Mac songs are from a brief time when the band was mainly led by Danny Kirwan and Jeremy Spencer, before Christine McVie joined.

The song "No Road Is the Right Road" is by McVie when she was a solo artist right before joining the band. The song was clearly incomplete, fading out after about a minute and a half, right in the middle of the second chorus. To give it a better finish, I completed the second chorus by patching in the missing part from the first chorus. So at least the song comes to a good conclusion now, even though it's still short and incomplete. That's why it has "[Edit]" in the title. By the way, no studio version of the song ever appears to have been released, either by Chicken Shack, Christine McVie solo, or Fleetwood Mac.

On a different note, many of the BBC performances have also appeared on my various stray tracks albums for the band. I hope you don't mind the duplication, but I figure it makes sense to have all the BBC performances together, as well as separately highlighting the songs that were ONLY performed (or at least properly recorded) at the BBC on the stray tracks albums.

 

This album is 51 minutes long.

 

UPDATE: On September 26, 2025, I redid the mp3 download file. I'm not sure why, but I had a couple of songs out of chronological order between this album and Volume 4. So I moved some songs from here to there, and from there to here. 

 

01 Shake Your Moneymaker (Fleetwood Mac)
02 Like It This Way [Edit] (Fleetwood Mac)
03 All Over Again [I've Got a Mind to Give Up Living] (Fleetwood Mac)
04 Although the Sun Is Shining (Fleetwood Mac)
05 Oh Well, Part 1 (Fleetwood Mac)
06 No Road Is the Right Road [Edit] (Christine McVie)
07 I'm Worried (Fleetwood Mac)
08 Tell Me You Need Me (Christine McVie)
09 Sandy Mary (Fleetwood Mac)
10 Only You (Fleetwood Mac)
11 Tiger (Fleetwood Mac)
12 Leaving Town Blues (Fleetwood Mac)
13 World in Harmony [Instrumental] (Fleetwood Mac)

 

https://pixeldrain.com/u/MedpiyMM 

alternate:

https://bestfile.io/en/1yz1olcNKG5pT7A/file

The cover art photo is of the band playing on the set of some TV show. But I don't know the show or the date. But the fact that Peter Green was dressed in a white robe like a prophet is a sign it was probably near the end of his time in the band.

Fleetwood Mac - BBC Sessions, Volume 3: 1968-1969

This is the next album in the Fleetwood Mac BBC series. Please see the post of the first album in the series for a general explanation.

For this album, Fleetwood Mac was still neck deep in the blues. As with the previous two albums in this series, I've included BBC performances by Chicken Shack, so long as the lead singer is soon-to-be Fleetwood Mac member Christine McVie. There's only one case of that here, "Mean Old World." Fleetwood Mac did their own version of that song on the first volume in this series.

For the previous album in this series, the vast majority of the performances were unreleased. This time, seven of the 15 are unreleased. But the sound quality of those are just as good as the rest.

Although this series is mainly about Fleetwood Mac at the BBC, I figure if there are performances of them on other radio or TV shows, those are fair game too. Those are few and far between for this era, but on this album I did include one song, "Homework," that comes from the band playing for a French TV show.

The one bonus track this time, "Evenin' Boogie," sounds particularly bad, in my opinion. But I've included it as a bonus track since it was done at the BBC. There's a version on the "Mr. Wonderful" album with much better sound quality.

 

This album is 45 minutes long, not including the bonus track. 

01 Mind of My Own (Fleetwood Mac)
02 Talk with You (Fleetwood Mac)
03 Bo Diddley (Fleetwood Mac)
04 Lazy Poker Blues (Fleetwood Mac)
05 Love That Burns (Fleetwood Mac)
06 Stop Messin' Around (Fleetwood Mac)
07 Need Your Love So Bad (Fleetwood Mac)
08 Mean Old World (Chicken Shack with Duster Bennett)
09 Albatross [Instrumental] (Fleetwood Mac)
10 Like Crying (Fleetwood Mac)
11 Hang On to a Dream (Fleetwood Mac)
12 Sweet Home Chicago (Fleetwood Mac)
13 Homework (Fleetwood Mac)
14 You Never Know What You're Missing (Fleetwood Mac)

Evenin' Boogie [Instrumental] (Fleetwood Mac)

https://pixeldrain.com/u/DkKZTX1f

alternate:

https://bestfile.io/en/ROwXWI0Cv1MgLCB/file

I don't know when or where this photo for the album cover was taken exactly, but it's said to be from 1968. It has Danny Kirwan in it I believe (wearing the red shirt) and he joined the band in 1968.

In 2025, I improved the detail of the image with the use of the Krea AI program.

Fleetwood Mac - BBC Sessions, Volume 2: 1968

Here's the second album of Fleetwood Mac performing for the BBC. If you want to know more about this series of albums in general, I suggest you read the post for the first album.

In 1968, Fleetwood Mac was all about the blues, and especially Peter Green's bluesy lead guitar work. If you like that, you'll love this. As with the last album in this series, I've included any Chicken Shack songs that they played at the BBC too, so long as they were sung by future Fleetwood Mac star Christine McVie (then still known by her maiden name Christine Perfect). For this album, there is only one such song - "Strange Things Happening." It's just as bluesy as the rest.

For the previous album in the series, most of the songs were officially released. On this one, all but six of them are unreleased. I think, though, some of those were released, but I found better sounding unreleased versions, surprisingly enough. All the songs here have very good sound quality, because I've been highly selective. There are a bunch of bonus tracks this time, due to performances that didn't make the grade.

Actually, that's not entirely true. I bumped "Long Grey Mare" to a bonus track because I included a different version of that song performed at the BBC on the last album in this series, and I only have one performance per song for the whole series. Luckily for me, the band almost never played the same song twice at the BBC, at least for the recordings of the sessions that have survived, so there are only a few more cases like that. ("Wine, Whiskey and Women" is also a bonus track, simply because the sound quality is poor.)

"Intergalactic Magicians Walking through Pools of Velvet Darkness" is an interesting original by band member Jeremy Spencer that parodies the psychedelic songs that were all the rage at the time, such as "I Am the Walrus." (It even has a specific poke at that song with one lyric.) That song was never officially released in any format. It has been given a variety of names on various bootlegs, but a book on Fleetwood Mac claims to know the real title, so that's the one I've used.

"Dead Shrimp Blues" is one of the album tracks because of a helper named MZ. "Dead Shrimp Blues" actually has been officially released, in 2019, on a limited release for that year's Record Store Day. But it still sounded pretty bad in spots, with bursts of loud crackling. So it didn't make the cut for me. However, MZ largely eliminated the crackling and sent the improved version to me. By eliminating the crackling, some brief sections of the song had been sonically reduced to a very quiet level. I then largely managed to repair those spots by patching in sections from other parts of the song. Furthermore, I felt the officially released version was slow and low pitched. MZ also found a bootlegged version that was about 5% faster and about half a step higher pitched. I think that's how it was originally. It certainly sounds better. So I've adjusted the version to be like that as well. The end result still has some issues, but I think it's vastly improved, mostly thanks to the work of MZ.

This album is 57 minutes long. 

01 How Blue Can You Get (Fleetwood Mac)
02 My Baby's Sweeter (Fleetwood Mac)
03 Buzz Me Baby (Fleetwood Mac)
04 I'm So Lonely and Blue (Fleetwood Mac)
05 Strange Things Happening [Love Me or Leave Me] (Christine McVie & Chicken Shack)
06 Mean Mistreatin' Mama (Fleetwood Mac)
07 Sheila [Edit] (Fleetwood Mac)
08 I Have to Laugh (Fleetwood Mac)
09 If You Be My Baby (Fleetwood Mac)
10 You're the One (Fleetwood Mac)
11 Preachin' Blues (Fleetwood Mac)
12 I Need Your Love [That Ain't It] (Fleetwood Mac)
13 You Need Love (Fleetwood Mac)

14 Without You (Fleetwood Mac)

15 Intergalactic Magicians Walking through Pools of Velvet Darkness (Fleetwood Mac)

16 Look on Yonder Wall (Fleetwood Mac)

17 Dead Shrimp Blues [Edit] (Fleetwood Mac)

Long Grey Mare (Fleetwood Mac)
Wine, Whiskey and Women (Fleetwood Mac)

https://pixeldrain.com/u/c9uxApae

alternate:

https://bestfile.io/en/2U408NepwUFOkIj/file

The cover art shows the band playing on some TV show in 1968, but I don't know which one.

Fleetwood Mac - BBC Sessions, Volume 1: 1967-1968

Fleetwood Mac performed for the BBC many times from 1967 to 1971. I've compiled seven albums of this BBC material. This is the first one. If you're a fan of their Peter Green-led blues era, you really should listen to these.

The official release of Fleetwood Mac's BBC performances over the years has been very frustrating. In 1995, a double album called "Live at the BBC" was released. That was very good, except for the fact that it was a mere double album, and I've compiled six albums. (Plus, there are even more performances available only via low quality bootleg recordings, or haven't been made public at all.) Some other performances trickled out over the years, a couple of this archival album, a few more on another one, etc...

Then, in 2019, there were two new releases that promised more. The album "BBC Sessions 1968" was released. That one also is good, except it is only a single album that merely deals with some of their performances from 1968. Worse, it was only a Record Store Day limited release, and it's very hard to find. It took me nearly a year before I could find a copy.

The other 2019 release, "Before the Beginning," is a travesty, and I don't use that word lightly. Even the very title is an insult, implying that all the great Fleetwood Mac music before their highly successful pop phase starting in 1975 hardly counts, and thus is "before the beginning." Most of it comes from two concerts which the liner notes claim are from unknown sources, but bootleggers know which shows those were. Then the record company layered a loop of audience noise over the entire thing! That was a dumb practice that went out of fashion around 1966, and for good reason. It makes everything sound worse, definitely worse than the bootleg versions of the exact same material. But they weren't done yet. They also included some vaguely dated "studio demos" that in fact were BBC performances. The whole thing was a joke and an insult.

Sadly, that release shows how little the band's curators think of the Peter Green era. So I'm highly doubtful that a proper and comprehensive official release of the BBC performances will be seen any time soon. Luckily, we have bootlegs. A majority of the takes in my series are from bootlegs, yet their sound is generally very good. (The ones that aren't have been demoted to bonus tracks.)

For this first volume, only four of the songs are officially unreleased. For two of those, some people might argue they don't belong here, because they're not Fleetwood Mac at all. I've found some BBC performances of the blues band Chicken Shack. Future star Christine McVie (then known as Christine Perfect) was the keyboardist and occasional lead singer for Chicken Shack for a couple of years before she officially joined Fleetwood Mac in 1970. I say "officially" because she began playing for Fleetwood Mac as a session musician in 1968, and married the band's bass player, John McVie, so she slowly before a de facto band member before it became official. Thus, in light of her later long-time connection to the band, I consider the Chicken Shack songs where she sang lead vocals fair game for this series. The two songs she did here are songs she never recorded in the studio with either Chicken Shack or Fleetwood Mac, so they're especially interesting. I'll have a few more from her Chicken Shack days on later volumes.

By the way, one of those songs, "It's OK with Me Baby," initially sounded terrible, and still sounds problematic in spots. The sound was fine in general, except that the song changed pitch several times, and for long stretches. I was able to fix most of those problems, but you can still hear some brief wobbly parts, including the first few seconds. Trust me, it sounds way better than it did before.

The rest of this album is pretty straightforward, with lots of great bluesy guitar work. The band did a few more songs at the BBC in this time frame with an obscure blue singer named Eddie Boyd. I didn't include those because Boyd sang lead and they'd belong more properly on an Eddie Boyd album. But I did include one, "The Stroller," because it's an instrumental that prominently features Green's guitar soloing.

There's one more thing I want to point out. I've already posted a bunch of stray tracks compilations from this band. Many BBC performances were included on those - more than twenty! - because early Fleetwood Mac played lots of songs that they never released on any studio recording, and the BBC versions have the best sound quality, by far. I was torn whether to include those exact same versions in this series or not. I ultimately decided to do so, because I've never seen all of the band's BBC performances collected in one place, not even on bootleg. So, my apologies about some duplication here and there.

Regarding the bonus track, it's an excellent sounding version of "Black Magic Woman," taken from a Top of the Pops broadcast in 1968. It's a bonus track because it's a duplicate of a song already on this album. Plus, I can't find any information about the exact session. If anyone knows any details about this, please let me know. It's about half a minute longer than the other version here (and I've checked closely, and they're different all the way through).

This album is 50 minutes long, not including the bonus track.

01 Long Grey Mare (Fleetwood Mac)
02 Looking for Somebody (Fleetwood Mac)
03 Believe My Time Ain't Long (Fleetwood Mac)
04 Baby Please Set a Date (Fleetwood Mac)
05 Got to Move (Fleetwood Mac)
06 A Fool No More (Fleetwood Mac)
07 When the Train Comes Home (Christine McVie & Chicken Shack)
08 It's OK with Me Baby [Edit] (Christine McVie & Chicken Shack)
09 The Stroller [Instrumental] (Fleetwood Mac & Eddie Boyd)
10 The Sun Is Shining (Fleetwood Mac)
11 Don't Be Cruel (Fleetwood Mac)
12 Sweet Little Angel (Fleetwood Mac)
13 The World Keep On Turning (Fleetwood Mac)
14 I Can't Hold Out (Fleetwood Mac)
15 Mean Old World (Fleetwood Mac)
16 Black Magic Woman (Fleetwood Mac)
17 Peggy Sue Got Married [Edit] (Fleetwood Mac)
18 Please Find My Baby [Edit] (Fleetwood Mac)

Black Magic Woman (Fleetwood Mac) 

https://pixeldrain.com/u/mMf2q2wX 

alternate:

https://bestfile.io/en/Xv2LiPVUbx5PVMg/file

For the cover art photo, I couldn't find any good color ones of the band in 1967, and very few in 1968. I used one from 1968. I wish I had them on stage or in the studio, but this was all I could find.

Fleetwood Mac - The Paramount, Seattle, WA, 3-10-1972

Recently, I've been working on getting more stuff from the Peter Green era of Fleetwood Mac ready to be posted here. I'll be posting that soon, but while I was looking around for that stuff, I stumbled across this bootleg concert, from 1972.

Basically, Fleetwood Mac is best known for two eras: the blues era from 1967 to 1971, dominated by Peter Green, and the pop era from 1975 onward dominated by Stevie Nicks, Lindsey Buckingham, and Christine McVie. But there are those in-between years, the largely forgotten years, 1972 to 1974. Commercially, the band was at a low point during those years. Yet, in hindsight, we can see that the band kept putting out lots of good music, even though there was a lot of personnel turnover.

I've posted one concert from 1974 here that has excellent sound quality. But I didn't think there were any well recorded concerts from 1972 or 1973. It turns out there is, this one here. By luck, this concert happened to be recorded and broadcast by a Seattle radio station, so it sounds much better than the audience bootlegs of the time.

The performance is also excellent, with lots of songs from the "forgotten years" that otherwise were never played in concert. Three songs are played from "Bare Trees," which was released just a few weeks after this concert. Christine McVie and Bob Welch sing most of the songs. Guitarist Danny Kirwan was still in the band, but he wouldn't be for long.

Here's some information from a text file about the concert, slightly edited:

"Danny Kirwan was by all accounts falling-down drunk. At this point in his career he had taken to excessive consumption of alcohol and was on his way to being sacked one month later. He can be heard tripping over equipment and causing feedback during this performance, shocking his bandmates enough for them to remark about it. During this show, Kirwan managed to finish the vocals on "Child of Mine", but the band struggled to keep up with the uneven pace he set for them. Bob Welch took over lead guitar from him during the song. Then Kirwan tried to sing "Black Magic Woman", but was unable to and Welch had to finish it for him. Even with all of that going on, the band still managed a fine performance."

I have to agree with that last comment. Based on that text, it sounds like the concert was a disaster. But you'd never know the problem just by listening, because the other band members ably covered for Kirwan's failures. In particular, Welch did a really fine job playing lead guitar.

I had to make a few sound edits for the concert. The problem was that the radio station cut in sometimes to announce their call letters. A couple of times, this happened between songs, so it was easy to edit them out. But one time, it was done right in the middle of "Black Magic Woman." Luckily, the DJ only spoke for a few seconds, and it was during an instrumental section, so I was able to remove it by patching in some music from elsewhere in the song.

Although I haven't found any good concert recordings of the band from 1973, I did find two songs they played live on the Midnight Special TV show in 1973. Luckily, neither of them are songs played in this concert. So I've added those to the end as quasi-bonus tracks. Including those two songs, this album is slightly over an hour long.

01 Tell Me All the Things You Do (Fleetwood Mac)
02 Future Games (Fleetwood Mac)
03 talk (Fleetwood Mac)
04 Get like You Used to Be (Fleetwood Mac)
05 talk (Fleetwood Mac)
06 Child of Mine (Fleetwood Mac)
07 talk (Fleetwood Mac)
08 Spare Me a Little (Fleetwood Mac)
09 Homeward Bound (Fleetwood Mac)
10 talk (Fleetwood Mac)
11 Black Magic Woman (Fleetwood Mac)
12 talk (Fleetwood Mac)
13 Oh Well, Part 1 (Fleetwood Mac)
14 Miles Away (Fleetwood Mac)
15 Believe Me (Fleetwood Mac)

https://www.upload.ee/files/15291544/FleetwodMc_1972a_ThePramountSeattleWA__3-10-1972_atse.zip.html

Unfortunately, I couldn't find any good color photos of the band playing in concert in 1972. That's a sign of their lack of popularity at that time. But I did find a publicity photo of the band from that time, with the same five band members who played in this show, so I used that. To frame it, I used some artwork I found from a concert poster for the band dating to the late 1970s.

Fleetwood Mac - Capitol Theatre, Passaic, NJ, 10-17-1975

Here's a must-have concert if you're a fan of the "Rumours" era version of Fleetwood Mac.

If you know much about Fleetwood Mac, you probably knew the band started out as a blues band led by Peter Green, but slowly morphed into a pop rock band without him. At the start of 1975, the band practically transformed into an entirely different band, because a key singer-songwriter, Bob Welch, left the band, and was replaced by the team of Lindsey Buckingham and Stevie Nicks. Those two, plus Christine McVie, who had been a part of the band since 1970, would propel the band into pop superstar status very quickly.

Personally, I like both the early blues versions and later pop versions of the band. When it comes to concerts by the band, 1975 is my favorite year, because during that year and that year alone, there was a more or less even mix between both versions. The band put out the album simply called "Fleetwood Mac," which started selling slowly but would go on to sell millions. they wanted to promote that album with their concerts, but they wanted to draw on their older songs too, so the new version of the band wouldn't alienate long-time fans.

Thus, this concert has six songs from the years before Buckingham and Nicks joined, and six songs from their 1975 album. So you have the rare treat of hearing older songs like "Oh Well," "Station Man," "The Green Manalishi," and "Hypnotized," except sung by new members of the band, usually Buckingham. It's a really interesting mix of pop and blues, and I think Buckingham does well trying to live up to Peter Green's guitar heroics.

It's a bit of a shame that the 1974 "Fleetwood Mac" album did so well, and then the 1977 album "Rumours" did much better still, because that meant from 1977 onwards, the band had so many great recent songs to play in concert that they largely discarded anything from before 1975. That means that 1975 concerts are the best opportunity to hear "old" and "new" versions of the band mix together.

In 2018, a deluxe version of the 1975 album was released, and it included lots of live performances. Six of them were from Capitol Theatre, in Passaic, New Jersey, on October 17, 1975, and I've included those here. Unfortunately though, the band did two shows that night, and those six songs were only about half of the late show. But luckily, some of the early show and the rest of the late show were played on radio at the time, and there are excellent bootlegs of this. So I've combined the versions from the deluxe version with unreleased versions from bootlegs to create an ideal version of a concert from that night.

The early show had a lot of songs not featured in the late show, but unfortunately most of those weren't played on the radio, so there aren't any known bootleg versions of them. That's a great shame, because the band played some very interesting rarities. For instance, they did "Frozen Love," a song from the 1973 Buckingham-Nicks album that was only played a few times in 1975 by Fleetwood Mac. (They also played "Monday Morning," "Why," "Crystal," "Over My Head," "Say You Love Me," and "Blue Letter.") I didn't want to include any duplicates of songs from the late show, so I've only included "Station Man" and "Landslide" from the early show.

Both the performances from the deluxe version and the performances from radio show bootlegs sound great, though the deluxe version performances sound slightly better. But one big problem is that it turns out the deluxe version performances included only quiet levels of the audience, and the radio show bootlegs included loud audience levels. So I did my best to even these out, by lessening the crowd noise for some songs and boosting it for others. Sometimes, I also had to resort to copying and pasting in some crowd noise from the end of one song to another, because some songs had only a few seconds of crowd reaction and others had a lot more. If I didn't tweak things, it would have seems as if the crowd didn't like some songs at all, and loved others. Now,  there should be an expected, typical crowd reaction after every song, and hopefully you won't notice there was any sort of fiddling around.

Aside from that crowd noise issue, which didn't affect the actual songs at all, everything else is fine. This is a great concert that lasts an hour and four minutes. I hope that someday all of both sets from that evening will be released, so we can hear the seven other different songs they played.

Oh, by the way, the band played Capitol Theatre twice in 1975, in June and then again in October. Bootlegs of the concert generally list it taking place in June. But I compared the songs that overlapped between the bootlegs and the official deluxe versions, and I figured out from identical between song comments and other things that the show definitely was in October instead. The song order I use should be accurate as well, though note that the first two songs come from the early show.

01 Station Man (Fleetwood Mac)
02 talk (Fleetwood Mac)
03 Landslide (Fleetwood Mac)
04 Get like You Used to Be (Fleetwood Mac)
05 talk (Fleetwood Mac)
06 Spare Me a Little of Your Love (Fleetwood Mac)
07 talk (Fleetwood Mac)
08 Rhiannon (Fleetwood Mac)
09 Don't Let Me Down Again (Fleetwood Mac)
10 I'm So Afraid (Fleetwood Mac)
11 Oh Well, Part 1 (Fleetwood Mac)
12 The Green Manalishi [With The Two Pronged Crown] (Fleetwood Mac)
13 World Turning (Fleetwood Mac)
14 Blue Letter (Fleetwood Mac)
15 Hypnotized (Fleetwood Mac)

https://www.upload.ee/files/15291600/FleetwodMc_1975g_CpitolTheatrePssaicNJ__10-17-1975_atse.zip.html

If you're curious, you can find a video of the entire late show on YouTube. I would have used a screenshot from that for the cover art, except the video is in black and white and is low resolution. So I've used a photo from another 1975 concert instead. Unfortunately, this photo only shows Nicks and Buckingham, but it's next to impossible to find any good 1975 concert photos showing a lot of band members together, since they tended to spread out on stage.