The Steve Miller Band - Carousel Ballroom, San Francisco, CA, 5-11-1968

Here is an excellent Steve Miller Band concert from 1968 that I have drastically improved through audio editing. The source is a great soundboard bootleg, but there was one major flaw: the vocals were way, way down in the mix for most of the songs. In fact, they were so far down in the mix that it was almost like an all instrumentals version. I used the MVSEP program to bring the vocals back to their proper levels. So now, in my opinion, this becomes of the best live recordings of this band in the 1960s, if not the very best.

At the time of this concert, the band had only released one album, "Children of the Future," in 1967. Later in 1968, they would have a minor hit with "Livin' in the U.S.A.," a song from their second album. This concert contains a version of that song. Also, Boz Scaggs was still part of the band. He would leave in September 1968, just prior to the release of the second album. He would go on to have a long, successful solo career.

The band played at the Carousel Ballroom a lot around May 1968. I didn't realize this until recently, but in July 1968, the management of the venue was taken over by promoter Bill Graham, and it was renamed the Fillmore West. (I had thought the Fillmore West was just the Fillmore renamed due to there being a Fillmore East started in New York City around that time. But the original Fillmore was about a mile away, and also changed ownership and names.) Anyway, for some reason, there are a bunch of soundboard bootleg recordings of Steve Miller Band concerts at the Carousel Ballroom around this time, for instance on April 26, 27, 28, and May 10, 11, and 12. A lot of the other ones are incomplete or have other problems. Now that the vocals problem has been solved, I think this is the best one.

Actually, I did a lot of work on this recording, in addition to the vocals problem mentioned above. Another issue was that the recording captured very little of the audience noise, so it seemed like there was an odd lack of audience reaction at the ends of songs. To fix this, I ran many songs through the MVSEP program again, separating the crowd noise out, and then greatly boosting the volume. I also copied and pasted some crowd noise from one song to another where there wasn't enough crowd noise to use the other method. I made some other fixes too. There was a lot of annoying buzzing coming from one of the instruments on some songs. I made more edits to get rid of that. I didn't get rid of that entirely. But now there's only a little bit of it on a few songs. I did still more edits. As one example, the harmonica on "Just a Little Bit" was buried in the mix, but I fixed that by using MVSEP yet again. 

In short, this is way better than the previous version. But the original version had a lot going for it. One nice thing is that the lead guitar work is very prominent and clear. 

This actually combines two sets. The song "Living in the U.S.A." was played in both sets. However, the second version was cut off before it finished. So I chose not to include that one. That was a lucky break, that the one song that got cut off was the only one that was played twice. Also, this began with the song "Can't You Hear My Daddy's Heartbeat." But I didn't include that, because it was only the last two minutes out of an eight minute long song. It was played the night before, and since there's a soundboard recording of that, I tried to combine them, but the two versions were too different for that to work well. 

The recording I found ended with two unnamed jams featuring Steve Miller Band playing with Jorma Kaukonen and Elvin Bishop on lead guitars and Jack Casady on bass. I'm pretty sure this was some sort of backstage, after hours kind of thing, because there was no audience noise whatsoever. And there was several minutes of tuning and doodling between the jams that also had no hint of any audience. So I've included those as bonus tracks, since they weren't part of the concert.   

This album is an hour and 17 minutes long. 

01 Goin' to Mexico (Steve Miller Band)
02 Living in the U.S.A. (Steve Miller Band)
03 talk (Steve Miller Band)
04 Steppin' Stone (Steve Miller Band)
05 Blues with a Feeling (Steve Miller Band)
06 talk (Steve Miller Band)
07 Roll with It (Steve Miller Band)
08 Mercury Blues (Steve Miller Band)
09 talk (Steve Miller Band)
10 Sitting in Circles (Steve Miller Band)
11 talk (Steve Miller Band)
12 Junior Saw It Happen (Steve Miller Band)
13 talk (Steve Miller Band)
14 Me and My Woman (Steve Miller Band)
15 Feel So Good (Steve Miller Band)
16 Instrumental (Steve Miller Band)
17 I've Got My Eyes on You (Steve Miller Band)
18 Just a Little Bit (Steve Miller Band)
19 talk (Steve Miller Band)
20 Your Old Lady (Steve Miller Band)

Long Jam [Instrumental] (Steve Miller Band with Jorma Kaukonen, Jack Casady & Elvin Bishop)
Short Jam [Instrumental] (Steve Miller Band with Jorma Kaukonen, Jack Casady & Elvin Bishop)

https://pixeldrain.com/u/Y7TAY7V5

alternate:

https://bestfile.io/en/mhiVCLS5WseEoKW/file 

The cover is the concert poster for this exact concert. However, I made some changes. One is that I had to do some reshaping to get things to fit into a square shape. I kept the image in the middle unstretched, but there are parts that got cropped. Also, I removed the names of the supporting bands, which were right below where "The Steve Miller Band" is mentioned in the striped area. The other bands were Kaleidoscope and the Youngbloods.

Our Final Week - The Closing of the Fillmore West, Fillmore West, San Francisco, CA, 6-30-1971, Part 5: Elvin Bishop, Taj Mahal, and More

Here's the fifth set from the first day of five days of concerts that closed the Fillmore West venue in San Francisco in 1971. (See my write-up on the Boz Scaggs set for general information about the closing.) This set is different. Instead of featuring one musical act, it was a bonus jam session after all the acts scheduled to perform had finished their sets. 

I luckily found this set on YouTube, then converted it to audio format and broke it into mp3s. The text for that contained some informative text taken from Wolfgang's Vault, so I'll repeat that here: 

"As many may already know, on the final night (July 4th) of the closing week festivities at Fillmore West a lengthy jam session occurred, featuring many great musicians and singers. What few remember is that a similar event occurred earlier in the week (on the first night, June 30th). It was this jam session, in fact, that provided the two tracks that made it onto the 'Fillmore: The Last Days' live release. The core band includes Elvin Bishop on lead guitar, Stephen Miller (from Elvin's band) on organ, David Brown (from Boz Scaggs' band) on bass and Michael Shrieve (from Santana) on drums. This was one of the few sets not broadcast locally, and until these pre-production reels were recently discovered in the Bill Graham Archive, nobody was aware that most of this jam session existed on tape. This part of the session features Lester Chambers of The Chambers Brothers on lead vocals. On 'Have You Ever Been Mistreated,' Chambers sings in an unfamiliar falsetto and on 'You Better Believe,' sings in his distinctive voice, with the Pointer Sisters punching out their gospel-fueled vocals between each line of the verses. A truly captivating performance." 

I have some more information to add. This set also included some lead vocals by Linda Tillery, who was the lead singer for the band the Loading Zone. And Jo Baker was involved as well. She sang lead on some songs in the Elvin Bishop Group at the time. The Pointer Sisters sang lead vocals on one song. Their involvement here is especially interesting because they were just starting out. They signed a record contract at some point in 1971, and released a single later that year, as well as another one in 1972. But their debut album wouldn't come out until 1973.

The credits in the song list are only for the main lead vocalists. Many others were involved, but it's pretty much for me to tell who was playing on each song. But, for instance, the Pointer Sisters were an opening act for the Elvin Bishop Group in 1971, and doing a lot of backing vocals in studio sessions. So they sang some backing vocals here as well. 

This album is an hour and two minutes long. 

01 We Gonna Rock (Taj Mahal, Elvin Bishop & Boz Scaggs)
02 Long and Tall (Taj Mahal, Elvin Bishop & Boz Scaggs)
03 You Got Me Hummin' (Pointer Sisters)
04 I Found a Love (Linda Tillery)
05 Why I Sing the Blues (Linda Tillery)
06 Have You Ever Been Mistreated (Lester Chambers)
07 You Better Believe (Lester Chambers)
08 talk (Elvin Bishop)
09 Blues Jam (Elvin Bishop & Everyone)
10 talk (Elvin Bishop)

https://pixeldrain.com/u/2x78nZby

alternate:

https://bestfile.io/en/kq2pNq5x6Li4Q5X/file

I thought it would be tough to find a good cover photo for this album, since there wasn't one main musical act this time. So I was tickled pink to discover a photo of Boz Scaggs, Taj Mahal, and Elvin Bishop from this exact concert. It must be from the first two songs. That's Scaggs, Mahal, and Bishop from right to left. The original was in black and white, but I colorized it with the help of the Kolorize program. 

Our Final Week - The Closing of the Fillmore West, Fillmore West, San Francisco, CA, 6-30-1971, Part 1: Boz Scaggs

A few days ago as I write this, Bob Weir died. Specifically, he died on January 10, 2026, at the age of 78. He was one of the two main singer-songwriters for the Grateful Dead. I want to post something in tribute to his musical legacy. I was thinking about what I might have ready to post that was all ready to go, and I remembered there's a good Grateful Dead concert that was part of the final run of concerts at the Fillmore West, in San Francisco, in 1971. I've had all the concerts from that run all ready to go for a long time now; I just never got around to posting them. (This is a common problem for me!) But I decided with Weir's passing, I'm not only going to post that Grateful Dead show, I'm going to post all of the shows that made up the closing of the Fillmore West, since I'd been meaning to do that anyway. And there are a lot of them: I have 20 albums to post in all. Here's the first one, a set by Boz Scaggs.

Before I talk about Scaggs and this specific concert, I want to talk about the closing of the Fillmore West (in San Francisco) in general, which also took just a week after the closing of the Fillmore East (in New York City). The closing of the Fillmore East was just a one-day event. I've already posted seven albums that made up the different sets from that long concert. But the closing of the Fillmore West was a series of concerts over five nights in a row, with multiple star performers each night.

For the first album I posted from the closing of the Fillmore East, I wrote some general comments about that that also apply to the closing of the Fillmore West. So I'm copying and paste the text from that to here, to save me some time and effort. I'm only making a few minor tweaks: 

The Fillmore West is closely tied to its owner, promoter Bill Graham, who was arguably the most important promoter in rock history. He was particularly instrumental in the development of the San Francisco psychedelic sound in the late 1960s. Bands like the Grateful Dead and Jefferson Airplane didn't have many good places to play at first. But Graham opened the Fillmore Auditorium in San Francisco in late 1965, and that became a haven for many new and upcoming bands. At first, this venue was just known as "the Fillmore" (named after the street it was on), but its name changed to "the Fillmore West" in 1968 when Graham moved it to a larger building about a mile away, around the same time he opened a similar venue in New York City, which he called "the Fillmore East."

Both the Fillmore West and Fillmore East were among the most important and prestigious concert venues in the late 1960s and early 1970s. They each held between 2,500 and 3,000 people, which was big enough for most of the famous rock acts of the time, but not so big to become a stadium-type show, with inevitably poorer sound quality and less of a connection between the musicians and the fans. Many great live albums were recorded at both venues. Here's the Wikipedia entry for the Fillmore West, if you want to know more:

Fillmore West - Wikipedia

Unfortunately, these two venues didn't last that long. In 1971, Graham decided to close both of them. Part of it seems to be that Graham seemed to be personally burned out after hosting concerts on both the East and West coasts nearly every night for three years. But also, the economics were changing. As rock music got increasingly popular and mainstream, the acts that had found success playing at both Fillmores were increasing graduating to playing in arenas and stadiums that could hold 10,000 or more spectators. Graham couldn't pay the acts nearly the same amount when his venues were much smaller. He could have continued with lesser known acts, but he decided to (temporarily) quit the business instead.

As it so happens, Graham didn't stay retired for long. Within a year, he was back to promoting rock concerts, although he wasn't as closely tied to particular venues as he'd been with the Fillmores. He arguably remained the most important concert promoter in rock music until he died in a helicopter crash in 1991. The original Fillmore in San Francisco reopened in 1994, and remains a popular venue until today.

Anyway, the closing of the Fillmore West on July 4, 1971, is well documented. There were five nights of closing concerts. This resulted in a documentary film called "Fillmore" and a triple album called "Fillmore: The Last Days," released in 1972. Better still for my purposes, all five nights were broadcast live on a local radio station, which resulted in excellent sounding bootlegs for practically all the music performed on all the nights.

Luckily though, we have the bootleg recordings. I'm calling this album series "Our Final Week," because the marquee sign in front of the Fillmore West had that written on it during that week. You can see that included in the artwork at the top of the cover art for each album.

Now, let me address this specific concert. It seems each act was allowed to performed just as long as they wanted - for instance, the Grateful Dead set a couple of days later lasted three hours. So this is the length of a typical concert at the time, about an hour and a half. Scaggs started out a member of the Steve Miller Band, but he quit to start a solo career, releasing his first solo album in 1969. This concert took place a few months after the release of his third solo album, "Moments," so naturally a lot of songs that were played came from that album. 

I found an interesting article written about the concerts, especially the one on the last day, for Rolling Stone Magazine from just after when the concerts took place. Since this is the first album from this series of concerts, I've included the text of that article in the download zip. It especially has a lot of insight into promoter Bill Graham, and why he decided to close both the Fillmore East and Fillmore West. The short version is that he was burned out from working non-stop, and needed a prolonged break. 

One song, "Baby's Calling Me Home," appeared on the "Fillmore - The Last Days" album. Everything else here is unreleased. 

This album is an hour and 24 minutes long.

01 I Feel So Good (Boz Scaggs)
02 talk (Boz Scaggs)
03 We Were Always Sweethearts (Boz Scaggs)
04 talk (Boz Scaggs)
05 Painted Bells (Boz Scaggs)
06 talk (Boz Scaggs)
07 I Will Forever Sing the Blues (Boz Scaggs)
08 talk (Boz Scaggs)
09 We Been Away (Boz Scaggs)
10 Hollywood Blues (Boz Scaggs)
11 Baby's Calling Me Home (Boz Scaggs)
12 Stepping Stone (Boz Scaggs)
13 talk (Boz Scaggs)
14 Country Girl (Boz Scaggs)
15 Loan Me a Dime (Boz Scaggs)
16 I'll Be Long Gone (Boz Scaggs)
17 talk (Boz Scaggs)
18 I'm Easy (Boz Scaggs)
19 Near You (Boz Scaggs)
20 Sweet Release (Boz Scaggs)
21 talk (Boz Scaggs)

https://pixeldrain.com/u/PwoTb45a

alternate: 

https://bestfile.io/gxoQw2PLAZVsWZb/file

The cover image comes from this exact concert. It's a screenshot I took from the "Fillmore" movie. For the top part, I found a photo of the marquee from the front of the venue. Then I manipulated it some in Photoshop, cleaning it up and stretching it to fit the space.

Boz Scaggs - Live at the Record Plant, Paramount Theater, Oakland, CA, 3-10-1974

Here's another episode of the "Live at the Record Plant" radio show, starring Boz Scaggs in 1974 (with a guest appearance on lead guitar by Steve Miller on the last song). But note this is an actual concert from a concert venue, not the usual show recorded in a recording studio before little to no audience.

I've done some digging about this radio show, and I found that, sometimes, it had a mobile recording unit that recorded concerts in Bay Area concert venues. Apparently, this became more common after 1975, when the host of the show, Tom Donahue, died of a heart attack. However, it's been very hard for me to figure out which concerts were broadcast as part of this show, versus other ones broadcast by the same radio station in that era, KSAN, that weren't part of the show. This is just about the only concert I've found so far where I found a mention that confirmed it was part of the "Record Plant" radio series. If anyone has any further information about this, please let me know. Then I could post more such concerts, and properly label them.

At the time of this concert, Scaggs was only moderately popular. His most recent studio album, "Slow Dancer" in 1974, was his first one to go Gold in the U.S. (meaning sales topping 500,000). But the next album he'd released in 1976, "Silk Degrees," would go to Number One in the U.S. and sell over 5 million copies, turning him into a big star. So this is a good long look at his concerts before "Silk Degrees."

The sound quality here is fantastic for a bootleg from this era, easily good enough for an official live album. One can tell this isn't just a soundboard, but a professionally recorded one. The lead vocals were low on a few songs, but I fixed that with the UVR5 audio editing program.

This album is an hour and 41 minutes long. 

01 talk by emcee (Boz Scaggs)
02 Near You (Boz Scaggs)
03 Just Don't Want to Be Lonely (Boz Scaggs)
04 Runnin' Blue (Boz Scaggs)
05 Painted Bells (Boz Scaggs)
06 Moments (Boz Scaggs)
07 Monkey Time (Boz Scaggs)
08 Downright Women (Boz Scaggs)
09 Might Have to Cry (Boz Scaggs)
10 Dinah Flo (Boz Scaggs)
11 talk (Boz Scaggs)
12 You Make It So Hard [To Say No] (Boz Scaggs)
13 Sail On White Moon (Boz Scaggs)
14 Angel Lady [Come Just in Time] (Boz Scaggs)
15 There Is Someone Else (Boz Scaggs)
16 Pain of Love (Boz Scaggs)
17 Take It for Granted (Boz Scaggs)
18 Let It Happen (Boz Scaggs)
19 Hercules (Boz Scaggs)
20 Slow Dancer (Boz Scaggs)
21 talk (Boz Scaggs)
22 I'll Be Long Gone (Boz Scaggs)
23 talk (Boz Scaggs with Steve Miller)
24 I'm Easy (Boz Scaggs with Steve Miller)

https://pixeldrain.com/u/1hgmqUCR

alternate:

https://bestfile.io/en/j4mxDpr57PxGGAz/file

The cover photo is from an appearance on the "Midnight Special" TV show in 1974. 

The Dukes of September (Donald Fagen, Michael McDonald & Boz Scaggs) - The Greek Theatre, Los Angeles, CA, 9-29-2010

A few days ago, I didn't even know this group existed. I randomly stumbled on this recording while searching for something else. I was so impressed by the sound quality of this bootleg recording, as well as the performance, that I'm sharing it straight away.

The Dukes of September are mainly made up of Donald Fagen of Steely Dan, Michael McDonald of the Doobie Brothers, and Boz Scaggs from his long solo career. From time to time, some artists who were big in earlier decades have teamed up with others so they can still play larger concert venues. For instance, Bob Dylan shared a billing with Paul Simon for a tour so they could fill the largest stadiums. But this is different. This isn't just a case of one person doing a set of their hits, followed by someone else doing their hits, etc... Instead, all three stars stayed on stage the whole concert and played and/or sang on all the songs. For another, while they did do some of their best known hits, about half of the songs are covers that none of them had previously done on record.

You can read more about the Dukes of September at the Wikipedia entry here:

The Dukes of September - Wikipedia

My short summary is that these three stars went on tour together from 1989 to 1992, along with some other less famous stars, such as Phoebe Snow, Eddie Brigati of the Rascals, and blues legend Charles Brown, under the name The New York Rock and Soul Revue. They released a live album in 1991 entitled "Live at the Beacon." They revived their partnership with a new name and more concert tours from 2010 to 2012, though this time without the other stars. However, two female vocalists were included, Carolyn Escoffery and Catherine Russell, and they sing lead vocals on a few of the songs here.

Personally, based on this recording, I prefer the Dukes of September over the New York Rock and Soul Revue, and I much prefer this concert bootleg over that other band's live album. It helps that this one is a lot longer, at two hours and eight minutes compared to an hour and six minutes. But also, I think it works better with more of a focus on the three major stars instead of including a bunch of lesser stars. For instance, on "Live at the Beacon," Boz Scaggs only sang lead on one song, whereas here he sang a bunch.

Strangely, the Dukes of September never released any official album, live or studio. They closest they came is a performance recorded in New York City and played as part of "Great Performances" on PBS. It was later released as a DVD, but not in any audio format. About half of the songs on that are different than the ones here, so maybe I'll find enough material to post a different concert from this bunch someday.

It seems Donald Fagen of Steely Dan was the main impetus for this group. His wife was the producer for their tours and those of their earlier incarnation, and Fagen acted as an MC of sorts, doing most of the talking between songs.

As I mentioned above, the sound quality of this is absolutely fantastic. It's hard to believe it's only a bootleg, because it's recorded and mixed so well that it sounds better than many official live albums. I can only guess that this was professionally done with plans for a possible official album that never came to fruition. 

There's only one snag, and it's a rather big one, in my opinion: the soundboard recording was so very good that not much of the audience could be heard after each song. But there was enough there so that I was able to boost the volume until it more or less sounded like a typical cheering crowd.

If you're a fan of Steely Dan, the Doobie Brothers, and/or Boz Scaggs, you should check it out. As nice as their versions of their own songs are, I think it's even more interesting hearing this bunch do lots of unexpected cover songs. They played songs by Don Covay, the Grateful Dead, Ray Charles, Chuck Berry, Aretha Franklin, the Band, Mink DeVille, the O'Jays, the Beach Boys, Thunderclap Newman, and more. I think it's pretty clear they were having an especially good time playing songs other than their same old hits that probably bored them by this point in their careers.

01 Sookie Sookie (Dukes of September)
02 Heighty Hi (Dukes of September)
03 talk (Dukes of September)
04 Don’t Mess Up a Good Thing (Dukes of September)
05 talk (Dukes of September)
06 Shakedown Street (Dukes of September)
07 talk (Dukes of September)
08 You Never Can Tell (Dukes of September)
09 talk (Dukes of September)
10 I've Got News for You (Dukes of September)
11 Green Flower Street (Dukes of September)
12 talk (Dukes of September)
13 Miss Sun (Dukes of September)
14 talk (Dukes of September)
15 I Keep Forgettin' (Dukes of September)
16 talk (Dukes of September)
17 Rock Steady (Dukes of September)
18 talk (Dukes of September)
19 Rag Mama Rag (Dukes of September)
20 The Shape I'm In (Dukes of September)
21 Love TKO (Dukes of September)
22 talk (Dukes of September)
23 I Live the Life I Love (Dukes of September)
24 talk (Dukes of September)
25 Cadillac Walk (Dukes of September)
26 talk (Dukes of September)
27 What a Fool Believes (Dukes of September)
28 IGY [What a Beautiful World] (Dukes of September)
29 talk (Dukes of September)
30 Lowdown (Dukes of September)
31 Takin' It to the Streets (Dukes of September)
32 talk (Dukes of September)
33 Reelin' in the Years (Dukes of September)
34 Love Train (Dukes of September)
35 talk (Dukes of September)
36 Help Me Rhonda (Dukes of September)
37 Peg (Dukes of September)
38 talk (Dukes of September)
39 Something in the Air (Dukes of September)
40 talk (Dukes of September)
41 Sookie Sookie [Reprise] (Dukes of September) 

https://pixeldrain.com/u/U4mwjDeH

alternate:

https://bestfile.io/en/785DIcJ4fei3QbL/file

The cover art shows, from left to right: Michael McDonald, Boz Scaggs, and Donald Fagen. It was taken in August 2010, but I don't know the location. In February 2025, I upgraded the image with the help of the Krea AI program.

Boz Scaggs - The Roxy, Los Angeles, CA, 4-7-1976

Boz Scaggs has been a musician since the 1960s until today (as I write this in 2021). He's had critical success, but only a medium amount of commercial success for most of his career. But there's one big exception to that: his 1976 album "Silk Degrees" was a huge hit. It was a number one or two hit album in many countries around the world. It sold over five million copies and spawned four hit singles. This basically is a live version of that album, plus the best of his songs from his previous albums.

The main reason I'm posting this bootleg is because of the sound quality. If there wasn't an excellent soundboard from that 1976 tour, then I would pass on having live music from that time. Luckily, there actually are two soundboards. The best one is the main one I'm using here, from the Roxy in Los Angeles. But he had a fairly consistent set list on that tour, and that recording misses four songs. There's a run of three missing songs in the middle of the concert ("Angel Lady," "Running Blue," and "Georgia"), plus the encore, "'Cause You're Mine." The encore is especially interesting because the rest of the songs are all predictable choices of originals from Scaggs' albums, but the encore is a cover of a Vibrations song that Scaggs has never officially released in any form. 

Anyway, for these four missing songs, I used versions from the other soundboard bootleg from the tour, which comes from a concert in Central Park in New York City. I highly doubt you'll notice the difference between the two sources because they sound nearly the same.

By the way, in my opinion, the main reason Boz Scaggs had such success with "Silk Degrees" was because, for that one album only, he had a songwriting partnership with David Paich, the keyboardist in his band at the time. Together they wrote the hits from that album, including "Lowdown," "What Can I Say," and "Lido Shuffle." Paich seems to be the secret sauce for hit making success. After the album, he and most of the rest of Scaggs' backing band left to form their own group, Toto. Paich went on to write or co-write other big hits for Toto like "Hold the Line," "Rosanna," and "Africa."

This album is an hour and 12 minutes long.

01 Lowdown (Boz Scaggs)
02 You Make It So Hard [To Say No] (Boz Scaggs)
03 talk (Boz Scaggs)
04 What Can I Say (Boz Scaggs)
05 Might Have to Cry (Boz Scaggs)
06 talk (Boz Scaggs)
07 Jump Street (Boz Scaggs)
08 Angel Lady (Boz Scaggs)
09 talk (Boz Scaggs)
10 Running Blue (Boz Scaggs)
11 talk (Boz Scaggs)
12 Georgia (Boz Scaggs)
13 Slow Dancer (Boz Scaggs)
14 It's Over (Boz Scaggs)
15 talk (Boz Scaggs)
16 Lido Shuffle (Boz Scaggs)
17 Dinah Flo (Boz Scaggs)
18 talk (Boz Scaggs)
19 I Got Your Number (Boz Scaggs)
20 'Cause You're Mine (Boz Scaggs)

https://www.upload.ee/files/15832968/BozSgs_1976_TheRxyLosAnglesCA__4-7-1976_atse.zip.html

The cover art photo comes from a concert in New York City in November 1975.