Various Artists - MusiCares Tribute to Paul McCartney, Los Angeles Convention Center, Los Angeles, CA, 2-10-2012

Here's another MusiCares tribute show. This one celebrates Paul McCartney's music career. It's a bit short as far as these types of concerts go, but what's here is very good.

The usual format for these kinds of tribute concerts is a series of stars sing covers by the performer being honored, then there's an acceptance speech, and then the performer plays a couple of songs at the end. That's how this one went as well, except Paul McCartney performed two songs at the beginning as well as three at the end.

Actually, he did one more: a cover of "I'm Gonna Sit Right Down and Write Myself a Letter" performed as a duet with Diana Krall. However, this is sourced from a DVD, and that wasn't included, so I don't have it here. Also, Katy Perry sang "Hey Jude," and the Foo Fighters sang "Jet," and those aren't here either, for the same reason. If anyone has those missing songs, please let me know and I'll be happy to add them in. 

Additionally, Cirque du Soleil started the concert with a medley of "Get Back," "Hello Goodbye," and "Sgt. Pepper's Lonely Hearts Club Band." But I edited that out because it was a visual performance done to the record versions. 

What's here is pretty great though, which isn't shocking considering McCartney was one of the best and possibly the most commercially successful songwriters of all time. Particularly interesting is the finale, a version of the Beatles medley "Golden Slumbers - Carry That Weight - The End" with McCartney, Joe Walsh, and Dave Grohl dueling on guitars.

As mentioned above, this has been officially released on DVD. However, there have been no audio releases. The sound quality is excellent. 

This album is 54 minutes long.

01 talk (emcee)
02 Magical Mystery Tour (Paul McCartney)
03 Junior's Farm (Paul McCartney)
04 talk (emcee)
05 talk (Alicia Keys)
06 Blackbird (Alicia Keys)
07 talk (emcee)
08 No More Lonely Nights (Alison Krauss & Union Station)
09 talk (emcee)
10 And I Love Her (Duane Eddy)
11 talk (emcee)
12 Oh, Darling (Norah Jones)
13 talk (emcee)
14 I Saw Her Standing There (Neil Young)
15 talk (emcee)
16 The Fool on the Hill (Sergio Mendes)
17 We Can Work It Out (Coldplay)
18 Yesterday (James Taylor with Diana Krall)
19 talk (James Taylor)
20 For No One (Diana Krall with James Taylor)
21 talk (emcee)
22 talk (Neil Portnow)
23 talk (Paul McCartney)
24 My Valentine (Paul McCartney, Diana Krall & Joe Walsh)
25 Nineteen Hundred and Eighty Five (Paul McCartney)
26 Golden Slumbers - Carry That Weight - The End (Paul McCartney, Joe Walsh & Dave Grohl)
27 talk (Paul McCartney) 

This album is 54 minutes long. 

https://pixeldrain.com/u/KaZyTRqs

alternate:

https://bestfile.io/en/MaVF1LXhP4bCOhQ/file

The cover photo is from the finale of this exact concert. From left to right on guitars: Joe Walsh, Paul McCartney, and Dave Grohl. 

Various Artists - Music for Montserrat, Royal Albert Hall, London, Britain, 9-15-1997

Here's a really interesting benefit concert from 1997. Just look at the list of big stars involved: Carl Perkins, Midge Ure, Phil Collins, Jimmy Buffett, Mark Knopfler, Eric Clapton, Sting, Elton John, and Paul McCartney. Most of them performed two or three songs together, and all the big names got together with McCartney to sing some of his songs for the finale. All that, and the sound quality is excellent.

Montserrat is a small island in the Caribbean Sea, and it's still a colony of Britain. In 1979, George Martin, best known as the producer for nearly all the Beatles records, financed the building of a recording studio there. From 1979 to 1989, about 70 albums were recorded there, because musicians enjoyed recording in a beautiful, exotic locale. Many of them were by very big stars, such as "Synchronicity" by the Police and "Brothers in Arms" by Dire Straits.   

Unfortunately, in 1989, the Category Four hurricane Hugo hit Montserrat. It destroyed 90 percent of all buildings on the island, including Martin's recording studio. The studio wasn't rebuilt. Then, in 1995, the main volcano on the island, Soufriere Hills volcano, erupted. The island was basically completely devastated again. Martin then led the effort to stage this benefit concert. All the musicians involved recorded albums on Montserrat. Ultimately, about a million and half British pounds were raised. Later, limited edition lithographs signed by McCartney and Martin raised another million and a half pounds. This money went to help people reconstruct their homes, as well as the building of a new cultural center for the island. 

Here's the Wikipedia entry about this concert, if you want to know more: 

Music for Montserrat - Wikipedia  

For this concert, Martin decided that less was more. He even mentioned in his banter during the concert that he turned down many musical acts who wanted to take part. The focus was just on the biggest stars. One exception was Arrow. He only had one minor hit in 1982, in Britain, "Hot Hot Hot." But he is Montserratian, so it made sense he would be involved. Also, "Hot Hot Hot" went on to be a bigger hit by Buster Poindexter in 1987. 

This concert has been released on DVD, but not in any audio format. So I started with the DVD, converting it to audio format then breaking it into mp3s. "Hot Hot Hot," plus "Volcano" by Jimmy Buffett and "Dancing with Tears in My Eyes" by Midge Ure, were not on the DVD. But luckily I found out they were performed by reading the Wikipedia entry about the concert. Then I found YouTube videos of them. Those had very good sound quality, because they were broadcast on TV. 

In addition to adding some missing songs, I cut some things. Mostly, I cut some interviews that were interspersed between the songs in the DVD. Martin plus some of the big stars like McCartney and Sting were interviewed. It's interesting stuff, but it wasn't part of the concert, so it got the axe. If you want to see that, check out the DVD.

Probably the highlight of the concert was McCartney's set at the end. As he said in the interview which I cut out, he had met the other stars in this concert many times over the years. However, he rarely actually played music with any of them. For instance, he said the last time he played with Clapton was when Clapton guested on "While My Guitar Gently Weeps" on the White Album by the Beatles in 1968. But McCartney practiced with Phil Collins, Mark Knopfler, Eric Clapton, and Elton John, and really collaborated with tracks 42 to 46 at the end here.

One final note. This was the last major public appearance for Carl Perkins. He was in fine health at the time of this concert. But he died after a series of strokes in January 1998, at the age of 65. 

This album is two hours and 15 minutes long.

01 talk (George Martin)
02 talk (Carl Perkins)
03 Blue Suede Shoes (Carl Perkins)
04 talk (emcee)
05 talk (Midge Ure)
06 Dancing with Tears in My Eyes (Midge Ure)
07 Vienna (Midge Ure)
08 talk (George Martin)
09 talk (Phil Collins)
10 In the Air Tonight (Phil Collins)
11 Take Me Home (Phil Collins with Ray Cooper)
12 talk (Arrow)
13 Hot Hot Hot (Arrow)
14 talk (Jimmy Buffett)
15 Volcano (Jimmy Buffett)
16 talk (Phil Collins)
17 talk (Mark Knopfler)
18 Going Home [Theme from Local Hero] [Instrumental] (Mark Knopfler)
19 talk (Mark Knopfler)
20 Brothers in Arms (Mark Knopfler with Guy Fletcher)
21 talk (Mark Knopfler)
22 Money for Nothing (Mark Knopfler with Sting, Phil Collins, Eric Clapton & Ray Cooper)
23 talk (Phil Collins)
24 Message in a Bottle (Sting)
25 Fields of Gold (Sting)
26 Every Little Thing She Does Is Magic (Sting)
27 talk (George Martin)
28 talk (Elton John)
29 Your Song (Elton John)
30 talk (Elton John)
31 Live like Horses (Elton John)
32 Don't Let the Sun Go Down on Me (Elton John)
33 talk (Carl Perkins)
34 Broken Hearted (Eric Clapton)
35 Layla (Eric Clapton with Mark Knopfler)
36 talk (Eric Clapton)
37 Same Old Blues (Eric Clapton with Mark Knopfler & Phil Collins)
38 talk (George Martin)
39 talk (Paul McCartney)
40 Yesterday (Paul McCartney)
41 talk (Paul McCartney)
42 Golden Slumbers (Paul McCartney with Phil Collins, Mark Knopfler & Eric Clapton)
43 Carry That Weight - The End (Paul McCartney with Phil Collins, Mark Knopfler & Eric Clapton)
44 talk (George Martin)
45 Hey Jude (Paul McCartney, Elton John & Everybody)
46 Kansas City - Hey, Hey, Hey, Hey (Paul McCartney & Everybody)
47 talk (Paul McCartney & George Martin) 

https://pixeldrain.com/u/WN5He6az 

alternate: 

https://bestfile.io/en/rtae3vnAgivMIJf/file

The cover photo is from this exact concert. From left to right: Carl Perkins, Mark Knopfler, Eric Clapton, and Paul McCartney. Sting is right behind Perkins, but all you can really see of him is his hand on the neck of a bass guitar. In the original photo, the neck of Sting's bass guitar went right over Knopfler's face. In my opinion, it kind of ruined the photo. But there were several photos no doubt taken minutes apart from each other from the same spot. I found one where Knopfler's face was fully visible and the bass guitar neck was lower, and I patched in just that part of the image, using Photoshop. I also used the Krea AI program to flesh out some of the detail.

Various Artists - Gershwin Prize for Popular Song Honoring Paul McCartney, White House, Washington, DC, 6-2-2010

I've recently discovered the annual "Gershwin Prize for Popular Song" tribute concerts. Here's probably the best known one, because it honors arguably the most successful songwriter of all time, Paul McCartney.

This concert happened to take place during the presidency of Barack Obama. That was lucky, because he took more of a hands-on approach to concerts like this. He hosted this at the White House and gave McCartney's induction speech. I've seen from other Gershwin Prize concerts that I've found that Obama was the only president to get directly involved in them.

The concert started with a song by McCartney. Then a bunch of musical stars played his songs, with a brief stand-up routine by Jerry Seinfeld included in there. Then McCartney took the stage again. He performed "Ebony and Ivory" with Stevie Wonder, just as they did on the original version in 1981. Apparently, that was the first time McCartney had played that song since 1991. After an induction speech by Obama, McCartney finished the concert with a short set of songs.

This album remains unreleased. The sound quality is excellent. I only had one problem. This concert was broadcast on TV. Near the end of "Hey Jude," there was a voiceover near the end of song, briefly mentioning the next TV show. In order to get rid of it, I had to edit out one round of "na na's," which is why that song has "[Edit]" in its title.

By the way, I stumbled across a Time Magazine article about this concern from way back then. It concluded with the line, "The White House has never hosted a cooler evening." Here's the link if you want to read the whole thing: 

Sir Paul McCartney Performs for Barack Obama | TIME.com 

This album is an hour and 19 minutes long. 

01 talk (Paul McCartney)
02 Got to Get You into My Life (Paul McCartney)
03 We Can Work It Out (Stevie Wonder)
04 Drive My Car (Jonas Brothers)
05 talk (Jerry Seinfeld)
06 Mother Nature's Son - That Would Be Something (Jack White)
07 The Long and Winding Road (Faith Hill)
08 Blackbird (Herbie Hancock & Corrine Bailey Rae)
09 talk (Elvis Costello)
10 Penny Lane (Elvis Costello)
11 For No One (Emmylou Harris)
12 Celebrations [Instrumental] (Lang Lang)
13 talk (Dave Grohl)
14 Band on the Run (Dave Grohl)
15 talk (Paul McCartney & Stevie Wonder)
16 Ebony and Ivory (Paul McCartney & Stevie Wonder)
17 talk (Barack Obama)
18 talk (Paul McCartney)
19 Michelle (Paul McCartney)
20 talk (Paul McCartney)
21 Eleanor Rigby (Paul McCartney)
22 talk (Paul McCartney)
23 Let It Be (Paul McCartney)
24 talk (Paul McCartney)
25 Hey Jude [Edit] (Paul McCartney & Everyone)
26 talk (Paul McCartney)
27 Yesterday (Paul McCartney)

https://pixeldrain.com/u/awLAgw3Z

alternate: 

https://bestfile.io/en/hwjtq0xoqe98Z4K/file

The cover photo of McCartney and Obama is from this exact concert.

The Beatles - Grugahalle, Essen, Germany, 6-25-1966

I usually don't post music by the Beatles here, even though they're my favorite musical act of all time. I generally leave that to guest poster Mike Solof, plus there are zillions of other Beatles bootlegs out there. But I'm making an exception in this case. This is a soundboard bootleg that only became publicly available in the last month or so (as I write this in August 2025). In terms of sound quality, it has to be the best of any 1966 live Beatles recording, and it sounds better than most of their other live stuff, including much of those that are officially released. 

Even if you already downloaded this elsewhere, I recommend you download this version, since it has the significant improvement of making the drumming audible.

That said, this should come with a warning, because the Beatles played raggedly in their 1966 concerts in general, and this one is no exception. The problem was, they'd been performing to screaming fans, mostly consisting of teenage girls, for three years by this time, and they were sick of it. They could barely hear themselves playing, due to all that screaming as well as very poor sound systems. So, while they still played with energy, they didn't worry about nailing their harmony vocals and being careful not to make mistakes and so on. They figured nobody would notice or care about the details. 

On the plus side, the set lists in their 1966 concerts got a lot more interesting, in my opinion. They still played a few songs they'd been playing in concerts since at least 1964, but they were also playing challenging brand new songs. For instance, "Paperback Writer" had only been released as a single two months earlier. While they didn't play any songs from their "Revolver" album, as it wouldn't be released until August, they did play a couple from their most recent album "Rubber Soul," such as "Nowhere Man" and "If I Needed Someone," as well as the recent single "Day Tripper."

The one main complaint people have had about this bootleg is the drums are very low in the mix. So I used the MVSEP program to boost the drums relative to everything else. In some places on a few of the songs though, the drums were so low that there wasn't enough there for the program to find. The only song where I didn't boost the drum volume was "I Wanna Be Your Man." Since that one was sung by the drummer Ringo Starr, I'm guessing his vocals microphone picked up a lot of the drumming too. Also, by fixing the drumming volume, one interesting thing that comes through is "Yesterday." On record, and usually in concert, it was just Paul McCartney's vocals and acoustic guitar, plus sometimes strings. But this version was arranged for a full band, including drums.

Also, "If I Needed Someone" has "[Edit]" in its title because there were some sound problems going on during that song, leading to some roadie loudly saying "One, two" in the middle of the song, probably because that person was testing if a microphone was working. So I just got rid of that jarring voice while keeping everything else the same.

This album is 31 minutes long. 

01 talk (Beatles)
02 Rock and Roll Music (Beatles)
03 She's a Woman (Beatles)
04 talk (Beatles)
05 If I Needed Someone [Edit] (Beatles)
06 talk (Beatles)
07 Day Tripper (Beatles)
08 Baby's in Black (Beatles)
09 talk (Beatles)
10 I Feel Fine (Beatles)
11 talk (Beatles)
12 Yesterday (Beatles)
13 talk (Beatles)
14 I Wanna Be Your Man (Beatles)
15 talk (Beatles)
16 Nowhere Man (Beatles)
17 talk (Beatles)
18 Paperback Writer (Beatles)
19 talk (Beatles)
20 I'm Down (Beatles)

https://pixeldrain.com/u/ZfZcCuJD

alternate:

https://bestfile.io/bizGeJf2w0o4heY/file

It's a really lucky break that I was able to find a color photo of this exact concert. I found a bunch of black and white ones, but just one color one, but one was all I needed.

Paul McCartney - Portland Building Ballroom, Nottingham University, Nottingham, Britain, 2-9-1972

Here's a timely post, if you're into bootleg collecting, like I am. Just a few days ago (as I write this on the last day of July 2025), a bootleg emerged on the Internet for the first time. Actually, this recording of this concert had been well known by Paul McCartney fans for a long time, because this was McCartney's very first concert with his new band Wings, since he'd been a member of the Beatles in the 1960s. But the audience recording had poor quality. The news is that a much, much better version has emerged, and that's the version I'm posting here.

Unfortunately, some people privately hoard interesting music recordings for whatever reason. (If you're one of those people, please share, before most of the interested people pass on!) In this case, somebody had a reel-to-reel recording of this concert, and didn't share it for decades. A reel-to-reel recording is still an audience recording, of lesser sound quality than most soundboard or FM radio bootlegs. But it also indicates a recording device of significantly better recording ability than the typical tape recorders people were sneaking into concerts at the time.

Earlier in July 2025, Beatles fans AdamBound and Juan Cena noticed this reel-to-reel recording was on sale. They bought it, then they improved it. For instance, they corrected the speed, as it ran a bit slow. Then they posted it at the Beatlegs forum, which is where I got it. In addition to sounding better than all previously known versions, it was seven minutes longer, including a second version of the song "Give Ireland Back to the Irish."

I made some additional changes to further improve the sound. One problem was that two songs were cut off right at the beginning, "Blue Moon of Kentucky" and "Bip Bop." Only a few seconds were lost in each case, as the recording person was a few seconds slow hitting the "record" button. I found another bootleg from just two days later, in Hull, Britain, and used that to patch in the missing seconds for each song. That's why those two have "[Edit]" in their titles. "Lucille" and "Long Tall Sally" each had drop outs that lasted a couple of seconds in the middle of the songs. I patched those up using music from elsewhere in the song. That's why those two are edited too.

Furthermore, I made three big changes to all the songs. One was that the voices on stage were quite low during all the banter between songs. I boosted those considerably, so now it's easy to hear what McCartney and his band mates had to say. Secondly, I used MVSEP to remove all the crowd noise during the songs while keeping them at the ends of songs. Third, I boosted the lead vocals relative to the instrumental parts when I thought that helped, which was for most songs. Thus, this album should sound even better. Still not a soundboard, but getting there.

The band performed two short sets. Clearly, the first part of the first set wasn't included in this recording. We know other songs were played, since McCartney made reference to playing "Lucille" for the second time, when there's only one version here. (There are two versions of "Give Ireland Back to the Irish" though. Since the band had just formed, they didn't know that many songs yet.) Aside from the first "Lucille," we don't know how many other songs were missed. But judging by other set lists from the days just after this concert, probably only a couple others, maybe a little more.

McCartney wanted his new band to get better performing some concerts before they dig really big concerts and faced the scrutiny of the press. So they came up with the idea of just spontaneously showing up at universities and giving concerts before any media hoopla could catch up with them. They chose universities because there was guaranteed to be an audience of interested young people gathered together there. This concert was performed during lunch time to a packed room of only about 700 to 800 people. That was a far cry from the huge stadiums McCartney performed when the Beatles went on tour!

There are a lot of very interesting stories connected to this concert. But I don't have to write about them here, because there's a lovely webpage all about this concert, which you can find here:

Wings concert at Nottingham University in Nottingham on Feb 9, 1972 (Lunchtime) 

It has lots of quotes from band members and audience members, photos, and much more. I strongly recommend checking it out. That same website has another interesting page about the events that led up to the concert:

Wings departs for their University Tour • The Paul McCartney Project 

This album is 54 minutes long. 

01 Blue Moon of Kentucky [Edit] (Paul McCartney)
02 talk (Paul McCartney)
03 Give Ireland Back to the Irish (Paul McCartney)
04 talk (Paul McCartney)
05 Help Me (Paul McCartney)
06 talk (Paul McCartney)
07 Thank You Darling (Paul McCartney)
08 talk (Paul McCartney)
09 Wild Life (Paul McCartney)
10 talk (Paul McCartney)
11 Bip Bop [Edit] (Paul McCartney)
12 talk (Paul McCartney)
13 Shuffle Blues (Paul McCartney)
14 talk (Paul McCartney)
15 The Mess (Paul McCartney)
16 talk (Paul McCartney)
17 My Love (Paul McCartney)
18 talk (Paul McCartney)
19 Give Ireland Back to the Irish [Second Version] (Paul McCartney)
20 talk (Paul McCartney)
21 Lucille [Edit] (Paul McCartney)
22 talk (Paul McCartney)
23 Long Tall Sally [Edit] (Paul McCartney)

https://pixeldrain.com/u/6ggzcJbt

alternate: 

https://bestfile.io/D6OdYMft1UfMpef/file 

The cover photo comes from this exact concert. I could only find one photo known to be from this concert. It was in black and white, but I used the Kolorize program to colorize it. Then I used the Krea AI program to improve the quality. 

The Beatles - The Beatles Uncovered, Volume 14: Mike's Mixes (1964-2007) (A Mike Solof Guest Post)

I didn't know if I would have time to post this before leaving for my vacation, but I managed to get the packing done in time. So here's another guest post by Mike Solof, another one of his great Beatles remix albums.

The last volume in this series was a bit weird, kind of Mike's B-team choices to go with unlucky Volume 13. But for this volume, he's back to his usual. 

And speaking of usual, Mike has included a PDF with detailed notes on all the songs and their edits, as he usually does. So please give that a read for more information on this album. 

This album is 59 minutes long. 

01 I'm Losing You [Mike's Mix 2025] (John Lennon with Cheap Trick)
02 And I Love Her [Mike's Mix 2025] (Beatles)
03 Sour Milk Sea [Mashup Version] [Mike's Mix 2025] (George Harrison, the Beatles & Eric Clapton)
04 Here Comes the Sun [Mike's Mix 2025, Version 2] (Beatles)
05 You've Really Got a Hold on Me [Mike's Mix 2025] (Beatles)
06 What You're Doing [Mike's Mix 2025] (Beatles)
07 Got to Get You into My Life [Mike's Mix 2025] (Beatles)
08 Rain [Take 5, Actual Speed] [Mike's Mix 2025] (Beatles)
09 This Song Is about You [Mike's Mix 2025] (Ringo Starr & the Roundheads)
10 I Should Have Known Better [Mike's Mix 2025] (Beatles)
11 Any Time at All [Mike's Mix 2025] (Beatles)
12 It s All Too Much [Mike's Mix 2025] (Beatles)
13 Yellow Submarine [Mostly Song Writing Demo] [Mike's Mix 2025] (Beatles)
14 I'm Only Sleeping [Edit of Takes 1 & 2] [Mike's Mix 2025] (Beatles)
15 I Want You [She's So Heavy] [Mike's Mix 2025] (Beatles)
16 Love You To [Take 7, Rehearsal and Commercial Version] [Mike's Mix 2025] (Beatles)
17 Band on the Run [One Hand Clapping Version] [Mike's Mix 2025] (Paul McCartney & Wings) 

https://pixeldrain.com/u/fKuWH4uz

alternate:

https://bestfile.io/5KP7ajM4CZ69ThF/file

The cover photo is something Mike found on the Internet, another AI-generated "what if" picture of John and Paul. 

The Beatles - The Beatles Uncovered, Volume 11: Mike's Mixes (1963-2023) (A Mike Solof Guest Post)

Here we go again. Like a dancing fool who just can't stop dancing, Mike Solof just can't stop editing Beatles songs. By now, you should know the drill. Mike takes songs by the Beatles, and well as a few from their solo careers, and remixes them in ways to bring out aspects you may not have appreciated before.

He really outdid himself with the first song here, "Run So Far." That song, written by George Harrison, first appeared on an Eric Clapton album in 1989. Then it appeared on a Harrison album in 2003. Discovering the two versions were in the same key, Mike combined the lead vocals to create a truly unique acappella mash-up, thanks to over 300 edits for just three minutes of music. Check it out! Then enjoy all the other interesting mixes.

Oh, and as usual, if you want to know more details, like what the edits are for each song, check out the PDF including in the download.

This album is 56 minutes long.

01 Run So Far [Mike's Mix 2025] (George Harrison and Eric Clapton)
02 Now and Then [Orchestra Version] [Mike's Mix 2025] (Beatles)
03 Piggies [Mike's Mix 2025] (Beatles)
04 Drive My Car [Mike's Mix 2025] (Beatles)
05 From Me to You [Mike's Mix 2025] (Beatles)
06 Good Day Sunshine [Mike's Mix 2025] (Beatles)
07 Rocky Raccoon [Mike's Mix 2025] (Beatles)
08 Rock and Roll Music [Mike's Mix 2025] (Beatles)
09 All My Loving [Mike's Mix 2025] (Beatles)
10 Norwegian Wood [Mike's Mix 2025] (Beatles)
11 Blackbird [Mike's Mix 2025] (Beatles)
12 You Know My Name [Look Up the Number] [Mike's Mix 2025] (Beatles)
13 Yer Blues [Mike's Mix 2025] (Beatles)
14 Got to Get You into My Life [Band Version] [Mike's Mix 2025] (Beatles)
15 Maybe I'm Amazed [Mike's Mix 2025] (Paul McCartney)
16 The Long and Winding Road [De-Spectorized Version] [Mike's Mix 2025] (Beatles)
17 No. 9 Dream [Mike's Mix 2025] (John Lennon)
18 Maggie Mae [Mike's Mix 2025] (Beatles)

https://pixeldrain.com/u/dmbRp1er

alternate:

https://bestfile.io/en/a1g6298C9uDpe0J/file

Mike selected the cover photo. I'm sure it's from 1969, but I don't know any details.

The Beatles - The Beatles Uncovered, Volume 10: Mike's Mixes (1963-1979) (A Mike Solof Guest Post)

Here we go again with another Beatles Uncovered album by guest poster Mike Solof.

With this being the tenth volume, hopefully you know the drill by now. Mike remixes Beatles songs to bring out aspects that are generally underappreciated. Sometimes, he even pulls up interesting little bits that you almost certainly never even knew where there in the first place. Most of the songs here are from the Beatles, but there are a few songs from their solo careers included as well.

Also as usual, if you want to know more, check out the PDF included with the download files. Mike has written explanations of the edits for all the songs.

This album is 58 minutes long.

01 I Am the Walrus [Mike's Mix 2025] (Beatles)
02 Two of Us [Mike's Mix 2025] (Beatles)
03 For You Blue [Mike's Mix 2025] (Beatles)
04 Can't Buy Me Love [Take 2] [Mike's Mix 2025] (Beatles)
05 I've Got a Feeling [Mike's Mix 2025] (Beatles)
06 Steel and Glass [Mike's Mix 2025] (John Lennon)
07 Eight Days a Week [Mike's Mix 2025] (Beatles)
08 Rain [Mike's Mix 2025] (Beatles)
09 Don't Pass Me By [Mike's Mix 2025] (Beatles)
10 Here, There and Everywhere [Mike's Mix 2025] (Beatles)
11 Here Comes the Moon [Mike's Mix 2025] (George Harrison)
12 She Loves You [Mike's Mix 2025] (Beatles)
13 Dear Prudence [Mike's Mix 2025] (Beatles)
14 The Continuing Story of Bungalow Bill [Mike's Mix 2025] (Beatles)
15 My Dark Hour [Original Mix] [Mike's Mix 2025] (Steve Miller & Paul McCartney)
16 Blue Jay Way [Mike's Mix 2025] (Beatles)
17 Being for the Benefit of Mr. Kite [Mike's Mix 2025] (Beatles)

https://pixeldrain.com/u/zU1o2nr7

alternate:

https://bestfile.io/en/lYmltO8gfuedMoA/file

The cover art is some art that Mike and I found while Googling about the Beatles and cats on the Internet. I don't know who originally made it. It's a parody of the "Beatles for Sale" album cover.

The Beatles - The Beatles Uncovered, Volume 9: Mike's Mixes (1964-1979) (A Mike Solof Guest Post)

It's time for another volume of "The Beatles Uncovered" by guest poster Mike Solof. We've made it to Volume 9, and Mike already has two more almost ready to go.

As usual, Mike has taken some Beatles songs, as well as a few songs from their solo careers, and remixed them to bring out hidden or little noticed aspects. You probably know the drill by now, if you've listened to any of his previous volumes in this series.

I don't feel the need to say much more, because Mike has detailed notes about the edits to each song in the PDF file he's included with the download zip, just as he's done with previous volumes.

This album is 59 minutes long.

01 A Day in the Life [Mike's Mix 2025] (Beatles)
02 Doctor Robert [Mike's Mix 2025] (Beatles)
03 If I Needed Someone [Mike's Mix 2025] (Beatles)
04 Revolution No. 1 [Mike's Mix 2025] (Beatles)
05 And I Love Her [Mike's Mix 2025] (Beatles)
06 Every Night [Mike's Mix 2025] (Paul McCartney)
07 Back in the U.S.S.R. [Mike's Mix 2025] (Beatles)
08 Ob-La-Di Ob-La-Da [Mike's Mix 2025] (Beatles)
09 Oh, Darling [Mike's Mix 2025] (Beatles)
10 Faster [Mike's Mix 2025] (George Harrison)
11 Good Night [Take 10 - Vocals Only Mix] [Mike's Mix 2025] (Beatles)
12 Cry Baby Cry [Mike's Mix 2025] (Beatles)
13 Come Together [Mike's Mix 2025] (Beatles)
14 I Me Mine [Mike's Mix 2025] (Beatles)
15 Happiness Is a Warm Gun [Mike's Mix 2025] (Beatles)
16 Scared [Mike's Mix 2025] (John Lennon)
17 A Hard Day's Night [Mike's Mix 2025] (Beatles)
18 Tomorrow Never Knows [Mike's Mix 2025] (Beatles) 

https://pixeldrain.com/u/XTQXMfLK

alternate:

https://bestfile.io/en/i7v7TLnEJ9v7eos/file

If you want an explanation for the, uh, rather unusual cover photo, you'll have to read the PDF file included in the download.

Paul McCartney - BBC Sessions, Volume 1: Rockshow, Kingdome, Seattle, WA, 6-10-1976

Another day, another big renumbering for my BBC project. Sigh! Sorry, folks, yet again. But I figure more music is always better. In this case, I'd missed a 1976 concert by Paul McCartney. As a result, I've had to renumber five later BBC albums by him.

First off, beware that this album is very similar to the official live album "Wings Over America." That's because it's from the same tour, and McCartney basically played the exact same songs every stop of that tour. But there are key differences. For starters, while the official album used the same set list as a typical show, and thus this show too, the songs were selected from a bunch of different concerts. I believe the only song on that album to come from this show is "Spirits of Ancient Egypt."

This concert recording is entangled with another document from that tour, the concert movie "Rockshow." This is billed as a film of this very Seattle concert, but cut down to the length of a typical movie, about an hour and a half. However, despite the billing on the promotional material, most of the songs come from three other concerts, with only about five songs from this Seattle one. But the BBC did broadcast big sections of this concert at some point. That's why this is the best sounding bootleg from the 1976 tour, and only one of two with soundboard level sound quality.

So I tried to put together an album with all the songs played in Seattle on this date. About three-fourths of this actually is from the Seattle show. For the remaining fourth, I used an audio rip of the "Rockshow" movie. I believe all of those extra songs I used come from Los Angeles about two weeks later. I've put the details in the mp3 tags, as usual. But in case you're curious, the non-Seattle songs are tracks 22 to 26, 30, 31, 32, 37, 38, 39, 46, and 47.

As I mentioned above, the set list for this concert is nearly identical to the "Wings Over America" album. The only key difference is that the song "Go Now" is missing here, since it wasn't played this night. (There was a spot late in the concert for band member Danny Laine to sing a song, and he chose "Time to Hide" instead of "Go Now," his more common choice. On the live album, they included versions of both.) However, this concert is about eight minutes longer than that album, despite having one less song. That's because there's more banter between songs here. Also, the cheering at the ends of songs often goes on longer.

I've previously stated that I prefer having whole concerts over official live albums that select songs from lots of different concerts. I like to hear what really happened. That's especially the case here, because "Wings Over America" reportedly had lots of overdubs and fixes. With this, you get the real deal, warts and all.

One problem with this recording was the lead vocals were low in the mix. (That's such a common problem for bootlegs, and even live recordings, I've found.) This was the case for both the Seattle and Los Angeles sourced songs. So I fixed that for all the songs, using the UVR5 audio editing program. I also had to do some finessing to get the two different sources to fit together, for instance tinkering with the crowd noise between songs from different sources.

Re: the renumbering mentioned above, here are the links to all the renumbered ones, in order (ignore the numbers mentioned in the links):

https://albumsthatshouldexist.blogspot.com/2023/05/paul-mccartney-bbc-sessions-volume-1-in.html

https://albumsthatshouldexist.blogspot.com/2023/12/paul-mccartney-bbc-sessions-volume-2-in.html

https://albumsthatshouldexist.blogspot.com/2018/07/paul-mccartney-chaos-and-creation-at.html

https://albumsthatshouldexist.blogspot.com/2023/06/paul-mccartney-bbc-sessions-volume-3.html

https://albumsthatshouldexist.blogspot.com/2024/01/paul-mccartney-bbc-sessions-volume-5-in.html

And by the way, at the time of this concert, this very much was a "Paul McCartney and Wings" concert, not just a Paul McCartney one. The other band members played prominent roles, with some of them even occasionally singing lead vocals. But I've billed this as just as McCartney concert since Wings didn't last the end of the 1970s and I want to be consistent with all the BBC albums that come after.

This album is two hours and five minutes long.

01 Venus and Mars - Rock Show (Paul McCartney)
02 Jet (Paul McCartney)
03 talk (Paul McCartney)
04 Let Me Roll It (Paul McCartney)
05 talk (Paul McCartney)
06 Spirits of Ancient Egypt (Paul McCartney)
07 talk (Paul McCartney)
08 Medicine Jar (Paul McCartney)
09 talk (Paul McCartney)
10 Maybe I'm Amazed (Paul McCartney)
11 talk (Paul McCartney)
12 Call Me Back Again (Paul McCartney)
13 talk (Paul McCartney)
14 Lady Madonna (Paul McCartney)
15 The Long and Winding Road (Paul McCartney)
16 talk (Paul McCartney)
17 Live and Let Die (Paul McCartney)
18 talk (Paul McCartney)
19 Picasso's Last Words [Drink to Me] (Paul McCartney)
20 Richard Cory (Paul McCartney)
21 Bluebird (Paul McCartney)
22 talk (Paul McCartney)
23 I've Just Seen a Face (Paul McCartney)
24 talk (Paul McCartney)
25 Blackbird (Paul McCartney)
26 Yesterday (Paul McCartney)
27 talk (Paul McCartney)
28 You Gave Me the Answer (Paul McCartney)
29 talk (Paul McCartney)
30 Magneto and Titanium Man (Paul McCartney)
31 talk (Paul McCartney)
32 My Love (Paul McCartney)
33 talk (Paul McCartney)
34 Listen to What the Man Said (Paul McCartney)
35 talk (Paul McCartney)
36 Let 'Em In (Paul McCartney)
37 Time to Hide (Paul McCartney)
38 talk (Paul McCartney)
39 Silly Love Songs (Paul McCartney)
40 Beware My Love (Paul McCartney)
41 talk (Paul McCartney)
42 Letting Go (Paul McCartney)
43 talk (Paul McCartney)
44 Band on the Run (Paul McCartney)
45 talk (Paul McCartney)
46 Hi, Hi, Hi (Paul McCartney)
47 Soily (Paul McCartney)

https://pixeldrain.com/u/ch3YrJ4Z

alternate:

https://bestfile.io/0BE9MlT1Rk68rbx/file

The Beatles - Star-Club, Hamburg, Germany, 12-1962

I've been on the verge of posting this very early live Beatles album for a few months now. One reason is the sound quality. Bluntly speaking, the sound quality is pretty bad compared to just about everything else I've posted at this blog. But the good news is, thanks to recent advancements in audio editing technology, it sounds better than it ever has before. Still, this is not for the casual fan. 

The second reason is the story behind this recording is very complicated, and I lacked the enthusiasm for a long write-up. So I ultimately decided to skip most of what I was thinking of writing. Instead, I can point you to a Wikipedia article for the short version:

Live! at the Star-Club in Hamburg, Germany; 1962 - Wikipedia 

But if you want to dig deeper, I've included a PDF of a lengthy but I think interesting article from Record Collector Magazine about the long and tangled story about this recording.

Before I go any further, I want to say: all hail Lord Reith! The only reason I'm posting this is because a super Beatles fan by that name has made repeated efforts to improve this recording, each one sounding better than the last. The most recent one is from late 2024 (as I write this in February 2025). All I'm basically doing is posting what he did, with minor changes. He even is the one who came up with the PDF of the article mentioned above. I've also included a text file from him that explains some more about what he did. If you want to find more of his Beatles-centric audio editing, search for his name at the Beatlegs forum. He's one of the best at this audio editing stuff, for sure.

Here's a link to that forum:

https://forum.beatlegdb.com/

Anyway, while I'm not going to write a tome about this recording, I will give the basics. As most Beatles fans know, the Beatles honed their musical skills playing in small clubs in Hamburg, Germany, from 1960 to 1962, before they became famous. This recording comes from December 1962, when they were on the brink of fame. Their drummer Pete Best had recently been replaced by Ringo Starr, who plays drums on everything here. Their debut single "Love Me Do" was released in October 1962, and reached Number 17 in the British charts around the time these recordings were made. In fact, the Beatles didn't want to play in Hamburg anymore, but they felt obliged to finish off a contract they'd signed many months earlier.

Their stay this time was relatively short. They played from December 18th until December 31st. Nobody knows the exact dates these recordings were made, except that they come from that time period. What happened was, recording equipment was set up, and every now and then someone hit the record button, and nobody kept track of details. There are three big continuous chunks, probably recorded on different nights. Plus, there are some extra individual songs recorded here and there. 

So what we ended up with was a luck of the draw thing. For instance, no recording of "Love Me Do" made it, despite that being their sole hit single at the time that they certainly must have played. And we only got a couple of originals, "I Saw Her Standing There" and "Ask Me Why." But what really makes this fascinating is the Beatles played a bunch of cover songs. Some covers made their early studio albums or singles, and some were done later at the BBC and thus recordings survived, but for many, maybe half of the songs here, these are the only Beatles versions we have. 

Note that this version isn't complete. If you want that, check out Lord Reith's version at the Beatlegs forum. I didn't cut out much, but I cut out a few songs that had sound problems, or were otherwise problematic, such as a version of "Road Runner" that barely got started and then petered out after less than a minute. I also cut out some dead time between songs when nobody was talking. But I tried to keep as much as possible. For instance, there are three versions of "A Taste of Honey" here because each one is somewhat different. One is the standard Beatles version. Another has a little-known extra verse. And another has singer Tony Sheridan guesting on it. (The Beatles backed him in the studio for a couple of songs in 1962.)

I also tried to make some improvements to Lord Reith's edits. I couldn't do much with the actual songs. But for the times between songs, I separated out just the talking (using the UVR5 program) from everything else, then lowered the volume of everything else. That helped somewhat, but be warned that the banter between songs is often unintelligible due to the poor sound quality.

Finally, I have a bit to say about the history of this recording. The actual recording was done by Adrian Barber, the stage manager of the club. Apparently, the Beatles gave approval in return for free beer! Barber then gave the tapes to Ted Taylor, the leader of the Dominoes, another band playing in the club at the time. Some other bands were recorded as well, but few people care about that since those other bands never made it out of obscurity. 

Taylor tried selling the tapes to record companies starting in 1973. However, there wasn't much interest due to the poor sound quality. Eventually, a rather obscure company bought the rights to the tapes, and spent about $100,000 trying to improve the sound. They had partial success at best. The album was released in 1977 with the name "The Beatles Live! at the Star-Club in Hamburg, Germany; 1962." Only 26 of the 30 different songs were included, with no duplicates. 

The Beatles then tried to sue, and years of legal battles ensued. Generally speaking, it was much like a game of whack-a-mole. Different versions of the album came out with different names and track lists in different countries, making it impossible to stop them all. In 1991 though, the massive company Sony tried to release a version. This led to more legal battles. Finally, in 1998, the Beatles won ownership of the tapes and the exclusive rights to release the material. They've just sat on them since. But after director Peter Jackson redid lots of material from the Beatles' "Get Back" sessions in 2022, he said he has the best version of this bootleg available, and he wants to use the latest cutting edge technology to make it sound truly good. Nothing has come of that since then, but who knows what the future may bring.

Anyway, if you want to know more about all that, check out the Wikipedia article above, or the PDF file included in the download. Hopefully, someday Jackson will perform a miracle on this material. In the meantime, this is the best version that's publicly available, in my opinion. 

Oh, another thing. When you listen to the vocals of the first song, you may think, "Who the heck is singing?" That's because that song, "Be-Bop-A-Lula," plus the third song, "Hallelujah, I Love Her So," were actually sung by other people and only backed by the Beatles. Horst Fascher, who sang one of those, was one of the club managers. He also was the club's bouncer and a former boxer. Fred Fascher, who sang the other one, was his brother. The Beatles relied on them for protection from unruly crowds, so letting them sing a little bit was a good way to keep them on their side.

My final comment: don't expect sonic miracles here. This is not for the casual fan, due to the sound quality. But it's fascinating if you're a die-hard Beatle fan and can handle the recording's flaws.

This album is an hour and 28 minutes long.

01 Be-Bop-A-Lula (Beatles & Fred Fascher)
02 I Saw Her Standing There (Beatles)
03 talk (Beatles) (Beatles)
04 Hallelujah, I Love Her So (Beatles & Horst Fascher)
05 talk (Beatles) (Beatles)
06 Red Hot (Beatles)
07 Sheila (Beatles)
08 talk (Beatles) (Beatles)
09 Kansas City - Hey, Hey, Hey, Hey (Beatles)
10 talk (Beatles) (Beatles)
11 Shimmy like Kate (Beatles)
12 talk (Beatles) (Beatles)
13 Reminiscing (Beatles)
14 talk (Beatles) (Beatles)
15 Red Sails in the Sunset (Beatles)
16 talk (Beatles) (Beatles)
17 Sweet Little Sixteen (Beatles)
18 talk (Beatles) (Beatles)
19 Roll Over Beethoven (Beatles)
20 talk (Beatles) (Beatles)
21 A Taste of Honey [Extra Verse Version] (Beatles)
22 Nothin' Shakin' [But the Leaves on the Trees] (Beatles)
23 I Saw Her Standing There (Beatles)
24 talk (Beatles) (Beatles)
25 To Know Her Is to Love Her [To Know Him Is to Love Him] (Beatles)
26 talk (Beatles) (Beatles)
27 Everybody's Trying to Be My Baby (Beatles)
28 talk (Beatles) (Beatles)
29 Till There Was You (Beatles)
30 talk (Beatles) (Beatles)
31 Where Have You Been All My Life (Beatles)
32 talk (Beatles) (Beatles)
33 Lend Me Your Comb (Beatles)
34 talk (Beatles) (Beatles)
35 Your Feet's Too Big (Beatles)
36 I'm Talking about You (Beatles)
37 talk (Beatles) (Beatles)
38 A Taste of Honey (Beatles)
39 talk (Beatles) (Beatles)
40 Matchbox (Beatles)
41 Little Queenie (Beatles)
42 talk (Beatles) (Beatles)
43 The Hippy Hippy Shake (Beatles)
44 talk (Beatles)
45 talk (Beatles) (Beatles)
46 A Taste of Honey (Beatles with Tony Sheridan)
47 I Remember You (Beatles)
48 talk (Beatles) (Beatles)
49 Ask Me Why (Beatles)
50 Besame Mucho (Beatles)
51 Mr. Moonlight (Beatles)
52 talk (Beatles) (Beatles)
53 Falling in Love Again (Beatles)
54 I'm Gonna Sit Right Down and Cry [Over You] (Beatles)
55 Long Tall Sally (Beatles)
56 I'm Talking about You (Beatles)
57 Twist and Shout (Beatles)

https://pixeldrain.com/u/CVJuAYuU

alternate:

https://bestfile.io/u7UoC9JNRT4FHtS/file

The cover photo shows the Beatles performing at the Star-Club at some point, though unfortunately Ringo Starr isn't included in the image. Note I used the venue's logo in the album title at the top.

The Beatles - The Beatles Uncovered, Volume 8: Mike's Mixes - The Acoustic Abbey Road (1969) (A Mike Solof Guest Post)

It's time for another guest post by Mike Solof. This one came out of a recent discussion I had with him. I told him that it's always been a wish of mine to have all acoustic versions of all the Beatles albums, much like the acoustic demos to Beatles made for the "White Album." Mike basically responded "Say no more!" and whipped up an acoustic version of the Beatles' classic 1969 album "Abbey Road." If you like this as much as I do, please encourage him to do others.

To make this, Mike used only the exact versions of the songs on the official album, no alternate versions. But interesting things are brought to light by stripping instruments away. If you want to know more, I suggest you read the PDF Mike included in the download file. He gives an explanation for what he did to every song. 

This album is 43 minutes long. Note the original "Abbey Road" is 47 minutes long. This is shorter mostly because several minutes at the end of "I Want You" weren't included, since there was nothing really acoustic about them.

01 Come Together (Beatles)
02 Something (Beatles)
03 Maxwell's Silver Hammer (Beatles)
04 Oh, Darling (Beatles)
05 Octopus's Garden (Beatles)
06 I Want You (Beatles)
07 Here Come the Sun (Beatles)
08 Because (Beatles)
09 You Never Give Me Your Money (Beatles)
10 Sun King - Mean Mr. Mustard (Beatles)
11 Polythene Pam - She Came In through the Bathroom Window (Beatles)
12 Golden Slumbers - Carry That Weight (Beatles)
13 The End (Beatles)
14 Her Majesty (Beatles)

https://spaces.hightail.com/receive/SZDdBte1ee

I came up with the idea of the album cover. Since this is an acoustic version of "Abbey Road," I thought it would be fun to change the iconic cover of the album to have the Beatles carrying acoustic guitars. Before, that just would have been a fun thought, but with the advances in AI art, it's actually doable. I used the free program Krea AI to make a bunch of variants of the cover, then picked the best bits. Then I used Photoshop to add in just those bits to the original cover.

And by the way, speaking of covers, if you open Mike's PDF, you'll see an alternate version of this with McCartney wearing giant sneakers. I made this as a joke after Mike jokingly complained about McCartney having bare feet. Mike liked the image so much that he wanted to use it for the actual cover, but cooler heads prevailed.

Knebworth Festival, Knebworth House, Knebworth, Britain, 6-30-1990, Part 7: Paul McCartney

The seventh performance at the 1990 Knebworth Festival was by Paul McCartney.

McCartney didn't do any tours for all of the 1980s until the last few months. Then he went on a big world tour that lasted until the end of July 1990. So this was much like another stop on that tour, though playing to an even bigger crowd, of 120,000 people. 

The set list was composed of songs typical from his tour that year, though cut down to fit within the allotted time slot. That included two songs written by fellow ex-Beatle John Lennon, "Strawberry Fields Forever" and "Give Peace a Chance." Technically, he was promoting his 1989 album "Flowers in the Dirt," but he only played one song from it, "We Got Married." This concert was also the first time he played the Beatles song "Birthday" in concert.

This album is 50 minutes long.

01 talk by Cathy McGowan & Timothy Dalton (Paul McCartney)
02 Coming Up (Paul McCartney)
03 Back in the U.S.S.R. (Paul McCartney)
04 I Saw Her Standing There (Paul McCartney)
05 talk (Paul McCartney)
06 We Got Married (Paul McCartney)
07 talk (Paul McCartney)
08 Birthday (Paul McCartney)
09 talk (Paul McCartney)
10 Let It Be (Paul McCartney)
11 talk (Paul McCartney)
12 Live and Let Die (Paul McCartney)
13 talk (Paul McCartney)
14 Someone Else I'd Like to Be (Paul McCartney)
15 talk (Paul McCartney)
16 Hey Jude (Paul McCartney)
17 talk (Paul McCartney)
18 Strawberry Fields Forever (Paul McCartney)
19 Give Peace a Chance (Paul McCartney)
20 talk (Paul McCartney)
21 Yesterday (Paul McCartney)
22 talk (Paul McCartney)
23 Can't Buy Me Love (Paul McCartney)

https://pixeldrain.com/u/GS2fFQHm

alternate:

https://bestfile.io/en/dIowcvXP5mBOUcI/file

The cover photo is from this exact concert.

Paul McCartney - Comfort of Love - Non-Album Tracks (2002-2005)

It's been a slow process, but I continue to work my way through Paul McCartney's solo career with stray tracks compilations. We're finally firmly into the 2000s with this one, the twelfth in the series so far.

All but three of the songs have been officially released. Those three are "India," an unusual original that was only played once in concert, " Celebration (Sea Melody)," another original, and "All Things Must Pass." That last song is one of three George Harrison songs sung by McCartney in tribute, due to the fact that his fellow Beatle died in 2001. These three songs come from concert bootlegs, but all have excellent sound quality.

In 2005, McCartney released the studio album "Chaos and Creation in the Backyard," which was well received by critics. Five of the songs here are B-sides from singles released from that album, and another one is a bonus tracks. The two other George Harrison compositions, "For You Blue" and "Something," are from the "Concert for George" album in 2002. That just leaves "Whole Life," which is a collaboration with Dave Stewart of the Eurythmics, and was released on a various artists EP.

This album is 44 minutes long.

01 India (Paul McCartney)
02 For You Blue (Paul McCartney)
03 Something (Paul McCartney)
04 Celebration [Sea Melody] [Instrumental] (Paul McCartney)
05 Comfort of Love (Paul McCartney)
06 All Things Must Pass (Paul McCartney)
07 Growing Up Falling Down (Paul McCartney)
08 I Want You to Fly (Paul McCartney)
09 She Is So Beautiful (Paul McCartney)
10 Summer of '59 (Paul McCartney)
11 This Loving Game (Paul McCartney)
12 Whole Life (Paul McCartney & Dave Stewart)

https://www.upload.ee/files/16375344/PAULMCCRTNY2002-2005omfrtofLve_atse.zip.html

The cover photo is from an appearance at the  Adopt-A-Minefield Gala in Century City, California, in October 2004.

Various Artists - Prince's Trust Rock Gala, Wembley Arena, London, Britain, 6-20-1986

Hmmm. I could have sworn I'd posted this months ago. I'd posted the 1982 Prince's Trust concert a while back. I was getting to post the next one in the series, from 1987, when I did a search and noticed this one wasn't here. So now you'll get two in a row, as I'll be posting the 1987 one today as well. 

Prince Charles, the crown prince of Britain at the time, ran a charity to help troubled youths. It's still going as I write this in 2024, and Charles has finally become king. 

These concerts didn't happen every year. In fact, I don't think there was any after the 1982 one I mentioned until this one, although there was a Dire Straits concert in 1985 that benefited the charity. This one, though, was truly a star-studded event. Perhaps inspired by Live Aid in 1985, the big names showed up in droves.

In fact, I find this concert frustrating, because so much big name talent was underused. The concerts started with sets by Big Country, Suzanne Vega, and Level 42. I definitely like Big Country and Suzanne Vega (whereas Level 42, not so much), and I've posted albums by them here. But it seems very odd to me that they got to play four or five songs each, while much bigger names like Sting, Mark Knopfler, George Michael, David Bowie, and Mick Jagger got less than one full song, since they only appeared as part of duets. Very strange.

That said, what there is here is quite good. It's just that I wish there had been a lot more of it. But as far as I can tell, this was the complete concert. I guess the organizers had to keep things relatively short because the concert was broadcast live on TV and radio in Britain. I gather the reason Big Country, Suzanne Vega, and Level 42 had such surprisingly long sets was because one purpose of the show was to showcase new talent. This is a trend with the other Prince's Trust concerts I'm aware of. At least in this year the new acts would end up being pretty good. (Some other years weren't so lucky.)

One special aspect of this concert is how much the big stars in the second half of the show performed together. You don't really see it in the artist credits on each song. For instance, typically, Phil Collins played drums, Elton John played piano, Midge Ure of Ultravox played rhythm guitar, and Eric Clapton or Mark Knoplfer played lead guitar. At one point, you can hear Rod Stewart joke about how happy he is to finally get Elton John in his backing band. But that's not all. You really the watch the video this (the whole thing can be found on YouTube as I type this) to see all the stars backing each other.

The highlights are many, too many for me to describe. But I'll point out that the biggest start of the evening had to be Paul McCartney, who closed the show. Keep in mind that, from the perspective of 1986, McCartney hadn't barely played in any concerts since the 1970s. Starting in 1989 he would go on a world tour, and he would tour often after that. But he'd only made three other concert appearances in the 1980s prior to this, and each one was just for a couple of songs at most. (For instance, he played one song for Live Aid in 1985.)

By the way, note that there's a flaw with the duet of "Dancing in the Street" by David Bowie and Mick Jagger. For some reason, Bowie's vocals are way down in the mix. I currently don't have the means to fix that, since it's tricky with them singing together most of the time. But with audio editing technology advancing recently, it probably will be fixable eventually.

Note that various versions of this concert have been officially released, both on audio and video. But as far as I can tell, none of them are complete. The audio version, for instance, is only the length of a single album. So there's a lot more music here.

This album is two hours and 17 minutes long.

01 Introduction (Emcee)
02 talk (Big Country)
03 Wonderland (Big Country)
04 Fields of Fire (Big Country)
05 talk (Big Country)
06 Look Away (Big Country)
07 Chance (Big Country)
08 talk (Big Country)
09 In a Big Country (Big Country)
10 talk (Big Country)
11 talk (Suzanne Vega)
12 Tom’s Diner (Suzanne Vega)
13 talk (Suzanne Vega)
14 Cracking (Suzanne Vega)
15 Small Blue Thing (Suzanne Vega)
16 talk (Suzanne Vega)
17 Marlene on the Wall (Suzanne Vega)
18 talk (Emcee)
19 Lesson in Love (Level 42)
20 Leaving Me Now (Level 42)
21 Something about You (Level 42)
22 talk (Level 42)
23 Your Song (Elton John)
24 talk (Phil Collins)
25 In the Air Tonight (Phil Collins)
26 talk (Emcee)
27 Better Be Good to Me (Tina Turner)
28 talk (Tina Turner)
29 Tearing Us Apart (Eric Clapton & Tina Turner)
30 talk (Eric Clapton)
31 Call of the Wild (Midge Ure)
32 talk (Midge Ure)
33 Money for Nothing (Mark Knopfler & Sting)
34 talk (Mark Knopfler)
35 Every Time You Go Away (Paul Young)
36 talk (Paul Young)
37 Reach Out (Joan Armatrading)
38 No One Is to Blame (Howard Jones)
39 talk (Rod Stewart)
40 Sailing (Rod Stewart)
41 I’m Still Standing (Elton John)
42 talk (Elton John)
43 Every Time You Go Away (Paul Young & George Michael)
44 talk (George Michael)
45 I Saw Her Standing There (Paul McCartney)
46 Long Tall Sally (Paul McCartney)
47 talk (Paul McCartney)
48 Dancing in the Street (David Bowie & Mick Jagger)
49 Get Back (Paul McCartney & Everyone)
50 talk (Paul McCartney)

https://pixeldrain.com/u/kFX6wzSe

alternate:

https://bestfile.io/en/FFh3i4FUiXCUiKw/file

Each time one of these concerts happened, there typically was a group photo. If anyone wants to identify all the people in the photo, that would be great.

The Beatles - The Beatles Uncovered, Volume 7: Mike's Mixes (1962-1987) (A Mike Solof Guest Post)

Here we go again, with another Beatles Uncovered album by guest poster Mike Solof.

Once again, by now, hopefully you should know the drill, if you're familiar with the previous volumes in this series. So I don't see the need to say much more. Mike has extensive comments in the PDF file that's included in the download zip. I encourage you to check that out.

However, I will comment that, this time, there's a particular focus on early Beatles songs, with almost half of the songs from 1962 to 1964. And Mike put in a truly remarkable amount of time making a special version of "Hey Jude," which draws on three takes the Beatles did for a 1968 TV, which resulted in lots of little differences compared to the version everyone is familiar with.

This album is 58 minutes long.

01 Hey Jude [Mike's Mix 3] (Beatles)
02 Love Me Do [Mike's Mix] (Beatles)
03 Nobody Told Me [Mike's Mix] (John Lennon)
04 This Is Love [Mike's Mix] (George Harrison)
05 If I Fell [Mike's Mix] (Beatles)
06 All Things Must Pass [Mike's Piano Mix 2] (George Harrison)
07 You Can't Do That [Mike's Mix] (Beatles)
08 Tell Me Why [Mike's Mix] (Beatles)
09 Dear Yoko [Mike's Mix] (John Lennon)
10 Breath Away from Heaven [Mike's Mix] (George Harrison)
11 There's a Place [Mike's Mix] (Beatles)
12 Twist and Shout [Mike's Mix] (Beatles)
13 Isn't It a Pity, Version 1 [Mike's Mix] (George Harrison)
14 If Not for You [Mike's Piano Mix 2] (George Harrison)
15 Can't Buy Me Love, Take 2 [Mike's Mix] (Beatles)
16 I'd Have You Any Time [Mike's Mix] (George Harrison)
17 P.S. I Love You - Besame Mucho [Mike's Mix] (Beatles)

https://pixeldrain.com/u/EcRPE2K1

alternate:

https://bestfile.io/en/JNBYfORDKJZ6teG/file

Once again, the cover art comes from some interesting Beatles artwork Mike found on the Internet. This one bears a close resemblance to the "Keep On Truckin'" guy from the 1970s. (If you don't know what I mean, look it up.) In March 2025, I upgraded the cover image with the use of the Krea AI program.

Paul McCartney - BBC Sessions, Volume 6: In Concert, Maida Vale Studios, London, Britain, 10-16-2013

Here's another BBC album performed by Paul McCartney.

In 2013, McCartney released the studio album "New," which was a pretty good one. So he went back to the BBC to promote. On this day, he actually did two performances in the BBC's Maida Vale Studios. He did one short show for a small studio audience around 11 a.m., took a lunch break, and then did a second show for a different audience around 1 p.m. The set lists were very similar, and mostly in the same order. So I've combined the two shows. Most of this is from the longer late show, but I added in a few songs from the early show.

Even though he was promoting his album "New," he only played four songs from it, "Save Us," "Queenie Eye," "Everybody Out There," and "New." "My Valentine" is from his 2012 album "Kisses on the Bottom." The rest are Beatles classics and solo classics.

McCartney had a fantastic voice for the vast majority of his music career. It was still pretty strong in 2013, when this concert happened. In my opinion, it got a lot weaker in the years right after this. So, although I know he did a BBC concert in 2022 (the big annual Glastonbury Festival), I don't think I'll be posting that one.

This album is an hour and 18 minutes long.

UPDATE: On February 19, 2025, I updated the mp3 download file. The music is exactly the same. But I changed the album name after discovering an earlier BBC concert I'd missed. I then changed the album cover and mp3 tags to match.

01 talk (Paul McCartney)
02 Coming Up (Paul McCartney)
03 talk (Paul McCartney)
04 Junior's Farm (Paul McCartney)
05 talk (Paul McCartney)
06 We Can Work It Out (Paul McCartney)
07 talk (Paul McCartney)
08 Ob-La-Di, Ob-La-Da (Paul McCartney)
09 Get Back (Paul McCartney)
10 Eight Days a Week (Paul McCartney)
11 talk (Paul McCartney)
12 Save Us (Paul McCartney)
13 Jet (Paul McCartney)
14 talk (Paul McCartney)
15 My Valentine (Paul McCartney)
16 Nineteen Hundred and Eighty-Five (Paul McCartney)
17 talk (Paul McCartney)
18 Another Day (Paul McCartney)
19 talk (Paul McCartney)
20 Everybody Out There (Paul McCartney)
21 talk (Paul McCartney)
22 Things We Said Today (Paul McCartney)
23 talk (Paul McCartney)
24 New (Paul McCartney)
25 talk (Paul McCartney)
26 Queenie Eye (Paul McCartney)
27 talk (Paul McCartney)
28 Lady Madonna (Paul McCartney)
29 talk (Paul McCartney)
30 Being for the Benefit of Mr. Kite (Paul McCartney)
31 Band on the Run (Paul McCartney)
32 Back in the U. S. S. R. (Paul McCartney)
33 talk (Paul McCartney)
34 Hey Jude (Paul McCartney)

https://pixeldrain.com/u/Exaxgzq7

alternate:

https://bestfile.io/en/Ov4e3Yb8kyh5NOZ/file

The cover photo is from this exact concert.

Paul McCartney - BBC Sessions, Volume 3: In Concert, Glastonbury Festival, Worthy Farm, Pilton, Britain, 6-26-2004

Here's another Paul McCartney BBC concert. This one took place at the big annual Glastonbury Festival in 2004.

Although this is only one year apart from a 2005 BBC concert that I've posted, their set lists are very different. The key is that in 2005, McCartney would be promoting his new album "Chaos and Creation in the Backyard," and he'd play a lot of songs from that. Plus, he generally played more deep cuts from his vast back catalog. Whereas for this concert he didn't have a new album to promote, and he had a huge audience of over 150,000 people to entertain. So this is much more a greatest hits type concert. Virtually every song is a classic, and most were big hits.

What is contained here sounds great, as you'd expect from the BBC. It's also a decent length for a concert. But unfortunately, many songs were not broadcast, so they don't appear here:

Got to Get You into My Life
All My Loving
She's a Woman
Maybe I'm Amazed
The Long and Winding Road
In Spite of All the Danger
We Can Work It Out
Here Today
All Things Must Pass
Yellow Submarine
I'll Follow the Sun
Calico Skies
Eleanor Rigby
I've Got a Feeling

Woe be the BBC employee given the task of cutting this concert down to a reasonable length, because those are some great songs that got the axe. That could have been a great concert all by itself, with about five number one hits included. Basically, what actually was broadcast was the first four songs selected from the first half of the concert, and then the entire second half of the concert in the correct order, starting with "Drive My Car," with only "I've Got a Feeling" cut from the second half. 

Let's hope that someday the full concert recording emerges. And what's crazy is there are so many more classic original songs that even a full version of this concert wouldn't include.

Anyway, as far as I know, this concert is entirely unreleased. In fact, I had a very hard time finding this one on the Internet at all. It took me a few weeks to track down, with the assistance of musical friend Mike Solof, who is a Beatlemaniac and knows more sources than I do. I hope this post will help bring back this recording from obscurity.

This concert is an hour and 17 minutes long.

UPDATE: On February 19, 2025, I updated the mp3 download file. The music is exactly the same. But I changed the album name after discovering an earlier BBC concert I'd missed. I then changed the album cover and mp3 tags to match.

01 Jet (Paul McCartney)
02 Flaming Pie (Paul McCartney)
03 Let Me Roll It (Paul McCartney)
04 talk (Paul McCartney)
05 Blackbird (Paul McCartney)
06 Drive My Car (Paul McCartney)
07 Penny Lane (Paul McCartney)
08 Get Back (Paul McCartney)
09 talk (Paul McCartney)
10 Band on the Run (Paul McCartney)
11 Back in the U.S.S.R. (Paul McCartney)
12 talk (Paul McCartney)
13 Live and Let Die (Paul McCartney)
14 Lady Madonna (Paul McCartney)
15 talk (Paul McCartney)
16 Hey Jude (Paul McCartney)
17 talk (Paul McCartney)
18 Yesterday (Paul McCartney)
19 talk (Paul McCartney)
20 Follow Me (Paul McCartney)
21 Let It Be (Paul McCartney)
22 talk (Paul McCartney)
23 I Saw Her Standing There (Paul McCartney)
24 Helter Skelter (Paul McCartney)
25 talk (Paul McCartney)
26 Sgt. Pepper's Lonely Hearts Club Band [Reprise] (Paul McCartney)
27 The End (Paul McCartney)

https://pixeldrain.com/u/wYX6uQyj

alternate: 

https://bestfile.io/en/wBDU3zuM9Ys7z5j/file

The cover photo comes from this exact concert.

The Beatles - Roxburgh Hall, Stowe School, Buckinghamshire, Britain, 4-4-1963

Here's something that's pretty amazing, if you're a Beatles fan. I'm writing this in December 2023. Back in September, there were some articles in the mainstream media about a recently discovered bootleg recording of a 1963 Beatles concert at the Stowe School in Buckinghamshire, Britain. Here's one such article. I suggest you read it to be familiar with what I'm talking about:

The Beatles Stowe School Concert Is Unlike Any Other Show in History (thedailybeast.com)

I'll explain more about the story behind this concert and how it got recorded in a bit. But first, I want to say that I tracked down that recording after reading about it, and I have to admit I was pretty disappointed, due to poor sound quality. Amongst many other problems, the vocals were so low that they often couldn't be heard at all. I tried my best to fix things with my limited ability using the artificial intelligence based audio editing programs that have come out in recent years, but the recording was too poor to be salvageable. I didn't even bother keeping a copy of the concert in my music collection, because it wasn't worth hearing for me.

Or so I thought. Enter Lord Reith. He's someone who has been editing and improving Beatles recordings for years. I don't know if he's a magician or what, but what he did with this Stowe School bootleg is nothing short of miraculous! There are still some problems, which I will get to in a bit, but he's completely transformed the sound quality, making it almost sound as good as some soundboard recordings. In particular, he did wonders to make the vocals audible. So, in my opinion, this has gone from not worth listening to more than once (if that) to being one of the most interesting and listenable live Beatles recordings, period. If you're a fan, and you can tolerate some sound quality issues, definitely give this a listen.

Now, let me explain a bit more about what this concert is and why it's so unique. Again, I highly recommend you read the above newspaper article, but in case you don't, here's a short summary. At the time of this concert, the Beatles were right on the cusp of being big stars in Britain, but they weren't quite there yet. They'd released their first single, "Love Me Do," in late 1962. It made the Top Twenty in Britain, which was a good start. Then, in January 1963, they released the single "Please Please Me." It reached Number One in most British charts. In late March 1963, they released their first album, also called "Please Please Me." That would go on to be a huge hit, staying in the Top Ten of the charts for over a year, which would set a record for the next fifty years. Then, only one week after this concert, the single "From Me to You" would be released, and that would be another Number One hit in Britain. 

So, mere weeks after this concert, Beatlemania hit Britain in a big way, just as it would hit the U.S. in early 1964. From that point on, pretty much all Beatles concerts would be short, a half an hour or less, and so filled with screams from overexcited girls that one couldn't really hear the music. If you're heard live Beatles recordings, then you know it's usually a pretty rough listening experience, due to all that screaming and cheering.

Previously, the Beatles had spent a couple of years in Hamburg, Germany, honing their music skills by playing in small clubs. There are some rough live recordings from that, and they're very interesting, but they consisted almost entirely of cover songs. 

This recording is unique, however, in part because the Stowe School is very unusual. In 1963, it was only for boys aged 13 to 18. As you can see from this photo, it was only for the children of the elite. It looks less like a high school and more like a palace! The Beatles were booked to perform there months before the concert date, when their fame was a lot less. But they upheld their agreement and played there in April 1963 anyway. Not only that, but they played for over an hour, instead of the mere half hour or less they were already doing for screaming fans in other shows. 

But what's really great is, because the audience considered entirely of boys, and well-behaved upper class boys, no less, there was no screaming. According to articles I read, most of the boys in the audience hadn't even heard of the Beatles yet, so they weren't swept up in any hysteria. The Beatles played virtually all the songs from the "Please Please Me" album, plus "From Me to You" and its B-side "Thank You Girl," despite the fact those last two songs still hadn't been released. Yet they also played a bunch of cover songs that they'd done in Hamburg. This is probably the last time most of those covers were played by them in concert, as they switched to doing very short concerts consisting entirely of their best known songs. So this is the one and only concert recording with a mix of the "old" Beatles of Hamburg cover versions and the "new" Beatles with their remarkable original songs. How lucky we are that one of the boys in the audience snuck in a tape recorder and recorded it.

So that's the good news. The bad news is, even after Lord Reith's miraculous transformation of the recording, there still are sound quality issues. The biggest problem is the banter between songs. There was a lot banter, between almost all the songs. Unfortunately, the recording of those bits were very quiet, way more quiet than the music. So I suspect there just wasn't much there on the recording for Lord Reith to work with. I took his version, with the banter way down low, and boosted the volume of those bits so the banter can be clearly heard. But unfortunately, all that means in that quiet jibber jabber is now louder jibber jabber. I've included a couple of extra text files. One of them is a list of all the changes Lord Reith made to make this listenable. The other is a transcript of what he and other die-hard Beatles fans have managed to figure out from the banter. If you read that as you listen, you can catch most of it. But otherwise, the talking is pretty hard to understand, other than the occasional phrase.

Due to this seemingly unfixable problem, I'm posting two versions of this album. One contains the banter and the songs, and the other one contains just the songs. I much, much prefer the music only version. The banter is interesting to hear once or twice, but beyond that, it drags down the overall recording. So maybe you'll want to download both, and listen to one version and then the other.

There's one other big problem. The tape in the tape recorder only lasted for about sixty minutes. The recorder was up at the stage and the boy who recorded it was sitting in the audience, so when the tape ran out, there was no way for him to flip it over and keep recording. Thus, the end of a second version of "I Saw Her Standing There" was cut off, plus all of the last two songs, "Sweet Little Sixteen" and "Long Tall Sally." Most of the second version of  "I Saw Her Standing There" survived, and luckily it happened to be the only song played twice. So I patched in the ending from the first version earlier in the show. But the last two songs are lost.

And there's one more lost song. Right before that second version of "I Saw Her Standing There," the Beatles played "Money (That's What I Want)." Unfortunately, there's only about twenty seconds of this on the recording, and then it gets replaced by the hit version of "Surfin' Bird" by the Trashmen! Probably what happened was that the boy who recorded it accidentally recorded that song off the radio over the Beatles concert. I removed the snippet of "Money" and the little bit of banter before it, because it's frustrating to get only such a short part of that. 

Furthermore, note that even after all of Lord Reith's edits, there were still some problems with the vocals. I used UVR5 to boost all the vocals a bit. I think that helped to make the singing easier to hear. But some songs are better than others. For "Matchbox" in particular, only bits and pieces of the lead vocals can be heard. I figure that's because that song was sung by Ringo Starr, the drummer, and maybe he was sitting back and too busy with drumming to keep his mouth near the microphone all the time. (That reminds me: there are no lead vocals from George Harrison because he was recovering from a cold.)

If you want to know even more about this remarkable concert, I recommend this link:

The Beatles concert at Roxburgh Hall, Stowe School in Buckingham on Apr 4, 1963 (the-paulmccartney-project.com)

It includes lots of great photos and stories. You can learn the whole story of how this bootleg came to be recorded and then rediscovered decades later. It's really interesting stuff, if you're a Beatles fan. That also includes a transcript of the banter between songs.

Here's the track list to the version that includes the banter. This version is 58 minutes long.

01 talk (Beatles)
02 I Saw Her Standing There (Beatles)
03 Too Much Monkey Business (Beatles)
04 talk (Beatles)
05 Love Me Do (Beatles)
06 talk (Beatles)
07 Some Other Guy (Beatles)
08 talk (Beatles)
09 Misery (Beatles)
10 talk (Beatles)
11 I Just Don't Understand (Beatles)
12 talk (Beatles)
13 A Shot of Rhythm and Blues (Beatles)
14 talk (Beatles)
15 Boys (Beatles)
16 talk (Beatles)
17 Matchbox (Beatles)
18 talk (Beatles)
19 From Me to You (Beatles)
20 talk (Beatles)
21 Thank You Girl (Beatles)
22 talk (Beatles)
23 Memphis, Tennessee (Beatles)
24 talk (Beatles)
25 A Taste of Honey (Beatles)
26 talk (Beatles)
27 Twist and Shout (Beatles)
28 talk (Beatles)
29 Anna [Go to Him] (Beatles)
30 talk (Beatles)
31 Please Please Me (Beatles)
32 talk (Beatles)
33 The Hippy Hippy Shake (Beatles)
34 talk (Beatles)
35 I'm Talking about You (Beatles)
36 talk (Beatles)
37 Ask Me Why (Beatles)
38 talk (Beatles)
39 Till There Was You (Beatles)
40 talk (Beatles)
41 I Saw Her Standing There [Edit] (Beatles)

And here's the link to the version with the banter:

https://pixeldrain.com/u/RqK9Aoq6

alternate: 

https://bestfile.io/en/ZJ2vjwIBlYO5yRK/file 

Here's the track list for the version with only the music. This version is 50 minutes long, eight minutes shorter than the other version.

01 I Saw Her Standing There (Beatles)
02 Too Much Monkey Business (Beatles)
03 Love Me Do (Beatles)
04 Some Other Guy (Beatles)
05 Misery (Beatles)
06 I Just Don't Understand (Beatles)
07 A Shot of Rhythm and Blues (Beatles)
08 Boys (Beatles)
09 Matchbox (Beatles)
10 From Me to You (Beatles)
11 Thank You Girl (Beatles)
12 Memphis, Tennessee (Beatles)
13 A Taste of Honey (Beatles)
14 Twist and Shout (Beatles)
15 Anna [Go to Him] (Beatles)
16 Please Please Me (Beatles)
17 The Hippy Hippy Shake (Beatles)
18 I'm Talking about You (Beatles)
19 Ask Me Why (Beatles)
20 Till There Was You (Beatles)
21 I Saw Her Standing There [Edit] (Beatles)

Here's the link to the version with no banter, and only songs. 

https://pixeldrain.com/u/jQXFfpAb

alternate: 

https://bestfile.io/en/02ggG53jP4MyIFd/file

Again, especially if you're not a die-hard fan, I recommend just getting the music only version.

For the cover photo, I used one of the photos from this exact concert and colorized it, using the Palette program. You can see a larger and uncropped version of the original black and white photo in one of the above article links.