Elvis Presley - International Hotel, Las Vegas, NV, 8-24-1969, Late Show

Once upon a time, Elvis Presley was arguably the biggest music star in the world. But I've noticed his fame is fading faster than that of others from his era, as people who grew up with him keep dying. His peak was before my time too, and I surmise it helped a lot to have lived through those years to fully understand what a groundbreaking musical act he was at the time. While I'm not a huge Presley fan, I do want to post some things that can help people appreciate why he was so famous in the first place. I previously posted highlights from his 1968 comeback TV special, which was one of the pinnacles of his musical career. This concert represents another musical peak for him.

Presley had a great music career in the 1950s, but squandered most of the 1960s starring in a bunch of bad B-movies. However, the 1968 comeback TV special I mentioned above showed that he was musically revitalized and ready for something new. He followed that with the studio album "From Elvis in Memphis" in June 1969, which was a big critical and commercial success. Rolling Stone Magazine has rated this as one of the top 500 albums of all time.

After that, he wanted to try performing concerts again. Aside from the brief concerts he did in front a small studio audience for his 1968 comeback special, he hadn't performed a concert since 1961. But demand was very high now that he was suddenly hot again, with a new hit album and hit singles. In May 1969, the brand-new International Hotel in Las Vegas, Nevada, booked Presley for fifty-seven shows over four weeks (usually twice a night), beginning July 31 and running until early September. His previous backing musicians declined to participate, afraid of losing the lucrative session work they had in Nashville. Instead, Presley found new, high quality accompaniment, led by lead guitarist James Burton.

These new concerts were a huge success. The hotel soon gave him a five-year contract in which he would play there each February and August, at an annual salary of $1 million. That was a remarkable sum for that era. He would go on to perform concerts frequently in the 1970s, instead of making more movies (until his death in 1977). 

His first run of concerts in Las Vegas in August 1969 was his best. He was very excited to be performing again, and to be received so well, so he was at the top of his game. Also, his music still leaned on rock and soul. Just one year later, his music would shift to more middle-of-the-road pop. Many of the concerts from this month have been officially released, including some box sets. But after some digging, I found this one which remains unreleased, yet has ideal soundboard sound quality. (All the shows were professionally recorded for a live album.) 

Most of the songs were hits from the 1950s and early 1960s, or covers of classics (including a version of "Words" by the Bee Gees, released the year before). However, he included two new hit songs. "In the Ghetto" was released in April 1969, and went all the way to Number Three in the U.S. singles chart, his first Top Ten hit since 1963. But "Suspicious Minds," released as a single just two days after this concert, did even better. It would go all the way to Number One, becoming his 14th and last Number One hit in the U.S. Rolling Stone Magazine would later rank it as one of the top 100 songs of all time.

If you want just one live album by Presley, I would suggest this one.

Here's an interesting quote from a "Newsweek" review from his first month of concerts in 1969:

"Dressed in a chic black tunic and bell bottoms that matched his long but neatly combed black-tinted hair. Elvis Presley stepped onstage last week at the International Hotel in Las Vegas and launched into the driving beat of 'Blue Suede Shoes'. The audience of 2,000, most of them over 30, roared and squealed in nostalgic appreciation. In spite of his updated look, Elvis hadn't changed at all in the nearly nine years since his last personal appearance. Shaking, gyrating and quivering, he again proved himself worthy of his nickname, 'The Pelvis.' Through nervousness caused him to sing 'Love my, me tender' for 'Love Me Tender', the pasty-faced enchanter quickly settled down to work his oleaginous charms, backed by a 30-piece orchestra, a five-man combo and a chorus of seven. Oozing the sullen sexuality that threw the America into a state of shock in the 50's, he groaned and swiveled through a medley of 'Jailhouse Rock', 'Don't Be Cruel', 'Heartbreak Hotel', 'All Shook Up' and 'Hound Dog'. It was hard to believe he was 34 and no longer 19 years old."

(By the way, I had to look up the word "oleaginous." Can you imagine a news magazine using a word like that in today's dumbed-down media environment? Anyway, it basically means "oily.") 

This album is an hour and two minutes long.

01 Blue Suede Shoes (Elvis Presley)
02 talk (Elvis Presley)
03 I Got a Woman (Elvis Presley)
04 talk (Elvis Presley)
05 All Shook Up (Elvis Presley)
06 talk (Elvis Presley)
07 Love Me Tender (Elvis Presley)
08 talk (Elvis Presley)
09 Jailhouse Rock - Don't Be Cruel (Elvis Presley)
10 Heartbreak Hotel (Elvis Presley)
11 talk (Elvis Presley)
12 Hound Dog (Elvis Presley)
13 I Can't Stop Loving You (Elvis Presley)
14 Johnny B. Goode (Elvis Presley)
15 talk (Elvis Presley)
16 Baby, What You Want Me to Do (Elvis Presley)
17 Runaway (Elvis Presley)
18 Are You Lonesome Tonight (Elvis Presley)
19 Words (Elvis Presley)
20 Yesterday - Hey Jude (Elvis Presley)
21 talk (Elvis Presley)
22 In the Ghetto (Elvis Presley)
23 talk (Elvis Presley)
24 Suspicious Minds (Elvis Presley)
25 talk (Elvis Presley)
26 Can't Help Falling in Love (Elvis Presley)

https://pixeldrain.com/u/zLt7DwcT

alternate:

https://bestfile.io/en/cXKfFw3k2drNVGR/file

I found two good photos I wanted to use for the cover. I couldn't decide which one I liked more, so I decided to use both. Both of them are from a 

Various Artists - Elvis: The Tribute, Pyramid Arena, Memphis, TN, 10-8-1994

Here's another interesting tribute concert, with loads of big stars. All of the songs performed were made famous by Elvis Presley. 

This concert seems to have mostly disappeared down the memory hole. An album of highlights from the concert was released, called "It's Now Or Never: The Tribute To Elvis." However, it's only 45 minutes long, containing just 15 songs. But the full two plus hour long concert was broadcast on TV at the time, so excellent sounding video footage of it exists.

This concert took place in 1994 despite the lack of any big anniversary or other important timely reason for it. Instead, the Elvis Presley estate decided that Presley's music was being forgotten by younger generations, so the concert was meant to help bring his music back into the spotlight.

As you can see from the album cover or the song list, a great many music stars performed in this concert. A few more - Jon Bon Jovi, Jeff Beck, and Cher, at least - backed out at the last minute. I found that mentioned in a newspaper article, though it didn't give a reason why. 

I used two versions of the video files of this concert, converted them to audio format, and broke them into mp3s. During that process, I cut out some material. There were several sections of a few minutes each that consisted of short films highlight different aspects of Presley's life. I removed all of those, plus their intros, since they were meant mainly to be seen, not heard. I also edited out some more talk by the announcers. However, I kept all the intros relevant to the songs. Plus, of course, I kept all the music.

The concert was mostly hosted by Karen Duffy, an MTV DJ, and singer-songwriter Kris Kristofferson. But actor John Stamos introduced a few acts, and TV host Phil Donohue introduced one, and sometimes one act introduced the next one.

Occasionally, I had a little trouble with the edits at the starts and ends of songs. For instance, there were quick cuts to or away from TV commercials, as well as the short films I mentioned above. I tried my best to smooth things out, but occasionally the transitions between tracks is abrupt.

Scotty Moore, D.J. Fontana, James Burton, and the Jordanaires didn't have any performances on their own. However, all of them were key backing musicians or singers for Presley. From time to time, they backed up some of the other music acts. 

All of the performances were live from the concert, with two exceptions. I think "Too Much" by NRBQ actually took place before the TV broadcast began. But I slotted it into a logical spot in the concert. And U2 didn't show up for the concert, but sent video footage of their performance to be broadcast instead.

By the way, if you want to know more about the concert, I found a New York Times article of it from the time. Here's the link (I think you have to click on Option 2 to see it):

RemovePaywall | Free online paywall remover 

This album is two hours and three minutes long.

01 talk (Karen Duffy)
02 Good Rockin' Tonight (Sammy Hagar)
03 Too Much (NRBQ)
04 Baby, Let's Play House (Michael Hutchence & NRBQ)
05 talk (Kris Kristofferson & Karen Duffy)
06 talk (Chet Atkins)
07 How's the World Treating You (Chet Atkins)
08 talk (Karen Duffy)
09 Mystery Train (Dwight Yoakam)
10 talk (Kris Kristofferson)
11 Don't Be Cruel (Marty Stuart with the Jordanaires)
12 talk (Marty Stuart)
13 All Shook Up (Cheap Trick)
14 talk (John Stamos)
15 That's Alright Mama (Kris Kristofferson)
16 talk (Kris Kristofferson)
17 One Night (Billy Ray Cyrus with the Jordanaires)
18 talk (Karen Duffy)
19 Lawdy Miss Claudy (Travis Tritt)
20 talk (Karen Duffy)
21 Blue Moon [Edit] (Chris Isaak with Scotty Moore & D.J. Fontana)
22 Love Me (Mavericks)
23 talk (John Stamos)
24 talk (Carl Perkins)
25 Blue Suede Shoes (Carl Perkins with Scotty Moore & D.J. Fontana)
26 talk (Carl Perkins)
27 Rip It Up (Iggy Pop)
28 Memories (Mac Davis)
29 talk (Mac Davis)
30 talk (Bryan Adams)
31 Hound Dog (Bryan Adams with Scotty Moore & D.J. Fontana)
32 talk (Kris Kristofferson)
33 Always on My Mind (Sam Moore)
34 talk (Karen Duffy)
35 Heartbreak Hotel (John Cale)
36 talk (Karen Duffy)
37 I Want You, I Need You, I Love You (Ann Wilson)
38 talk (Karen Duffy)
39 Teddy Bear (Tanya Tucker)
40 talk (Kris Kristofferson)
41 Trouble (Paul Rodgers)
42 talk (Phil Donahue)
43 [Marie's the Name] His Latest Flame (Scorpions)
44 Can't Help Falling in Love (U2)
45 talk (Kris Kristofferson & Karen Duffy)
46 It's Now or Never (Wet Wet Wet)
47 talk (Mac Davis)
48 Love Me Tender (Tony Bennett)
49 talk (Mac Davis)
50 Young and Beautiful (Aaron Neville)
51 talk (Mac Davis)
52 Jailhouse Rock (Michael Bolton with Scotty Moore, D.J. Fontana & Carl Perkins)
53 talk (Karen Duffy)
54 Tryin' to Get to You (Faith Hill)
55 talk (John Stamos)
56 See See Rider (Jerry Lee Lewis with James Burton & NRBQ)
57 Kentucky Rain - Suspicious Minds (Eddie Rabbitt & Mavis Staples)
58 talk (Karen Duffy)
59 Burning Love (Melissa Etheridge)
60 talk (John Stamos)
61 Amazing Grace (Billy Ray Cyrus & Everyone)

https://pixeldrain.com/u/GWnJSkKo

alternate: 

https://bestfile.io/cqa2ziePj3VTmo8/file 

The cover image is a pretty weird one for this concert, but bear with me for the explanation. It depicts Michael Jackson and Lisa Marie Presley (the daughter of Elvis Presley). They had recently gotten married at the time of this concert. (Their marriage only lasted from 1994 to 1996). The weird thing is that neither of them performed at this concert. However, they did attend it. At one point near the end, you can hear the announcer mention their names, along with those of Janet Jackson (Michael Jackson's sister) and Priscilla Presley (Lisa Marie Presley's mother). All four of them briefly stood up and waved to the crowd. 

The main reason I chose them for the cover is because this was the only decent photo from the concert that I could find. The mere fact they were at the concert made news, especially due to the fact that they had just been recently married. I think the image shows the two of them backstage before or after the concert. Even this picture was rather low-res and rough, but I used the Krea AI program to improve the image quality. 

Elvis Presley - Sit Down Concert, NBC Studios, Burbank, CA, 6-27-1968, Late Show

I haven't really posted any Elvis Presley music (other than some songs on my "Covered" series) up until now because it seems every thing he ever did has been officially released. Heck, there's even an album consisting of just his talking between songs - no kidding. But some things need highlighting. I feel this is something he did that needs more attention.

Here's the story behind it. In the 1960s, Presley's idiotic manager Colonel Tom Parker steered Presley away from performing concerts in favor of starring in low budget, musical B-movies. As a result, Presley didn't give a single concert for seven solid years. Worse, Parker generally saddled him with subpar songs to record, because he didn't want to pay the usual royalty rates. As a result, Presley's career went downhill and the hits were fewer. Musical trends were changing fast. By 1968, with the likes of Jimi Hendrix, Jefferson Airplane, and the Doors in the charts, Presley seemed like a relatively forgotten has-been. 

Thankfully, Presley got fed up, and wanted to get back to performing concerts. The idea was he'd be reintroduced to the public with a TV special. This December 1968 special, called "Singer Presents... Elvis," was the first time he'd been seen extensively on TV in many years. (Again, thanks to this mismanagement of Parker. Given how massively popular Presley was, the mind boggles to think how much more popular he could have been with smart management.) The special was a huge critical and commercial success. It revived his career in a big way.

The special had a few different parts to it, including highlights of a sit down, acoustic concert, as well as a stand up concert with orchestra. I think the really interesting part was the sit down concert. Arguably, it was one of the very first "unplugged" concerts, which was a format he almost never did. It was done in front of a small studio audience, with just Presley and his five-piece backing band, including his long-time guitarist Scotty Moore. It was an exciting performance. Especially if you watch video footage of it, you can see Presley had tons of charisma and musical talent. 

The 1968 comeback special has been officially released many times, in many different forms. The problem, in my opinion, is that there never has been a release of just one of the sit down concerts. And I say one, because he did two on the same night. They were very similar. I picked the late show to present here, because it contained all the songs from the early show, plus two more. And his performance was better, probably because he warmed up with the early show. Some official releases only had parts of the two sit down shows. Another release in 2018, "The Complete '68 Comeback Special," contained all of both sit down shows, but also with a bunch of other stuff that made up an entire box set.

I think it's great to just hear this concert on its own, complete, and without the nearly identical early show. So that's what I have here.

If you want to know more about the comeback special, this webpage lays the story out very well:

Elvis's '68 Comeback Special: The story of the greatest comeback gig of all time - Gold (goldradiouk.com)

Note that this includes two versions of the song "Baby What You Want Me to Do." I'm guessing he felt unhappy with the first version, so he tried it again. At the time, he was assuming only parts of the concerts would be shown in the special, not the whole thing.

This album is 50 minutes long.

01 talk (Elvis Presley)
02 Heartbreak Hotel (Elvis Presley)
03 Baby What You Want Me to Do (Elvis Presley)
04 talk (Elvis Presley)
05 That's All Right, Mama (Elvis Presley)
06 Are You Lonesome Tonight (Elvis Presley)
07 talk (Elvis Presley)
08 Baby What You Want Me to Do (Elvis Presley)
09 talk (Elvis Presley)
10 Blue Suede Shoes (Elvis Presley)
11 talk (Elvis Presley)
12 One Night (Elvis Presley)
13 talk (Elvis Presley)
14 Love Me (Elvis Presley)
15 talk (Elvis Presley)
16 Trying to Get to You (Elvis Presley)
17 Lawdy, Miss Clawdy (Elvis Presley)
18 talk (Elvis Presley)
19 Santa Claus Is Back in Town (Elvis Presley)
20 Blue Christmas (Elvis Presley)
21 Tiger Man (Elvis Presley)
22 talk (Elvis Presley)
23 When My Blue Moon Turns to Gold Again (Elvis Presley)
24 Memories (Elvis Presley)

https://pixeldrain.com/u/47Dm1BiL 

alternate:

https://bestfile.io/en/OfoJvspEIfYDNlL/file

The cover photo is taken from the very sit down concert featured here (though I don't know if it's from the early show or late one).

Various Artists - Covered: Jerry Leiber & Mike Stoller, Volume 2: 1959-1962

I've put together three albums of the best of the songwriting team Jerry Leiber and Mike Stoller. I feel like posting all three at once, so here's the second one in the series.

This volume covers the years of their commercial and creative peak. So it only deals with four years, a lot less than for the other two volumes. The first volume was dominated by Elvis Presley songs, with nine. There are only two songs performed by him this time.

There are five song by the Coasters. There would have been one more, but I went with a version of "Three Cool Cats" by the Beatles. The Coasters had a minor hit with the song, while the Beatles were nobodies at the time. In fact, their recording comes from an early audition to try to win a record contract. But of course, they're the Beatles. ;)

01 Kansas City (Wilbert Harrison)
02 Along Came Jones (Coasters)
03 Dance with Me (Drifters)
04 That Is Rock and Roll (Coasters)
05 Love Potion No. 9 (Clovers)
06 There Goes My Baby (Drifters)
07 Charlie Brown (Coasters)
08 Smokey Joe's Cafe (Buddy Holly)
09 Saved (LaVern Baker)
10 Dirty, Dirty Feeling (Elvis Presley)
11 Shoppin' for Clothes (Coasters)
12 Stand by Me (Ben E. King)
13 Don Juan (LaVern Baker)
14 Little Egypt [Ying-Yang] (Coasters)
15 Spanish Harlem (Ben E. King)
16 Your Old Lady (Isley Brothers)
17 Some Other Guy (Richie Barrett)
18 She's Not You (Elvis Presley)
19 I Keep Forgettin' (Chuck Jackson)
20 Three Cool Cats (Beatles)

https://www.upload.ee/files/17180180/COVRDLeibStllr1959-1962Volum2_atse.zip.html

alternate link:

https://pixeldrain.com/u/5UCKqKFD

As I mentioned in my write-up for volume 1, I don't like using black and white photos for the cover art. Luckily, I figured out a way to colorize such photos, so that's what I did for this one.

UPDATE: On September 29, 2024, I upgraded the photo with the use of the Krea AI program.

Various Artists - Covered: Jerry Leiber & Mike Stoller, Volume 1: 1952-1958

So far with this blog, I'm been prioritizing posting stray tracks compilation albums for individual artists, since those usually can't be found elsewhere. But there are other things I want to post, and one major category is various artists compilations. So far, I've posted a little bit of that, especially my series of "Nuggets" compilations sorted by country. I still plan on posting the US and Britain compilations in that series, but I have to figure out how to organize it into manageable pieces. In the meantime, I'm going to start this new series, which I call "Covered."

In my opinion, songwriters are drastically underappreciated. I believe that, in the long run, the quality of the song matters more than the performance. But of course the performer gets nearly all the fame and glory, in the same way that movie stars are usually much better known than directors, producers, or screenwriters. In this series, I want to highlight some of the greatest songwriters, or songwriting teams, of all time. Some in this series, such as Carole King or Smokey Robinson, have been major performing stars as well, but I plan on looking exclusively at songs performed by others.

Sometimes, there have been various artists collections along these lines. For instance, there have been a couple of pretty good box sets dealing with the music of Burt Bacharach and Hal David. But even with the best official efforts, there are licensing problems that mean key songs are left out. On the flip side, there usually are many songs included that aren't that good. I'm making exactly what pleases me. I'm trying to include all the big hits, but if there's one I don't like, I'll probably resort to using a version of that song by someone else, or maybe not include it at all. And there usually are rarities that I do like and weren't hits at all.

The first in this series is the team of Jerry Leiber and Mike Stoller, because their success goes way back to the early 1950s. I'm not going to recount their story. If you don't know who they are, check out their Wikipedia entry as a starting point to learn more:

https://en.wikipedia.org/wiki/Jerry_Leiber_and_Mike_Stoller

In short, they wrote over 70 hits, mostly in the 1950s and 1960s, and are undoubtedly one of the best songwriting teams of all time. They produced a great number of hits as well, and ran their own record company. They especially fed a lot of hits to the Coasters and to Elvis Presley. I've usually selected the original hit, but sometimes I went with an alternate, especially because I didn't want to overload this with Coasters and Elvis performances. So, for instance, I went with Big Mama Thornton's version of "Hound Dog" instead of Presley's. Also, my rule is to only include one version of a particular song, even if two or more artists had big hits with it.

As I mentioned above, I try to include the hits, but not if I don't like them. For this album, probably the only controversial choice is that I don't like "Loving You" by Presley. I find it slow, it a boring and overdone manner. But it was a huge hit. So I found a rare fast version that I like much better, and I've included that instead.

I've broken up this collection into three albums of about 50 minutes of music each. This is the first. For all albums in this "Covered" series, the songs are ordered chronologically by year. But I don't go into enough detail to figure out the release order within each year.

01 Hard Times (Charles Brown)
02 Nosey Joe (Bull Moose Jackson)
03 Hound Dog (Big Mama Thornton)
04 Riot in Cell Block No. 9 (Robins)
05 I Smell a Rat (Big Mama Thornton)
06 Black Denim Trousers and Motorcycle Boots (Cheers)
07 Down in Mexico (Coasters)
08 Love Me (Elvis Presley)
09 Jailhouse Rock (Elvis Presley)
10 Fools Fall in Love (Drifters)
11 [You're So Square] Baby I Don't Care (Elvis Presley)
12 Lucky Lips (Ruth Brown)
13 Loving You [Fast Version] (Elvis Presley)
14 Santa Claus Is Back in Town (Elvis Presley)
15 Young Blood (Coasters)
16 Treat Me Nice (Elvis Presley)
17 Framed (Ritchie Valens)
18 Trouble (Elvis Presley)
19 King Creole (Elvis Presley)
20 Yakety Yak (Coasters)
21 Don't (Elvis Presley)

https://www.upload.ee/files/17180184/COVRDLeibStllr1952-1958Volum1_atse.zip.html

alternate link:

https://pixeldrain.com/u/kVpYpkqc

As usual, I don't like using black and white photos for the cover art. But I couldn't find any color photos of Leiber and Stoller from the 1950s, so I colorized this one. I believe it dates from 1959. Leiber is on the left.

UPDATE: On September 29, 2024, I upgraded the photo with the use of the Krea AI program.