Showing posts with label Gil Scott-Heron. Show all posts
Showing posts with label Gil Scott-Heron. Show all posts

Thursday, December 11, 2025

Various Artists - Peace Sunday, Rose Bowl, Pasadena, CA, 6-6-1982, Part 1: Gil Scott-Heron, Jesse Colin Young, Graham Nash, Bonnie Raitt, and Donovan

I really like posting big rock festivals. I feel these often get forgotten. This was a very interesting one. Just look at some of the musical acts that took part: Gil Scott Heron, Jesse Colin Young, Bonnie Raitt, Donovan, Crosby, Stills and Nash, Stevie Wonder, Joan Baez, Bob Dylan, Dan Fogelberg, Stevie Nicks, Linda Ronstadt, Jackson Browne, and Tom Petty. However, the problem with this one is that only known recording is a problematic audience bootleg. However, I have spent many, many hours getting this into listenable shape. It's still far from ideal sound quality, but I think it's definitely worth listening to, after all the audio edits I've made. I've split this long concert into five albums. This is the first one.

First, let me explain what this concert was about. In the early 1980s, the Cold War between the U.S. and Russia (then the Soviet Union) heated up. Ronald Reagan was president of the U.S., and struck a more militaristic posture, such as calling Russia "the evil empire." The U.S. decided to base intermediate nuclear weapons in Western Europe for the first time. This led to a growing anti-nuclear war movement, which was related to an anti-nuclear power movement triggered by the Three Mile Island nuclear accident in 1979. 

This concert in 1982, which was attended by about 85,000 people, was meant to draw attention to the nuclear war issue, and put pressure on the U.S. to reduce it's aggressive policies. It was just one of many around that time. For instance, one week later, there was a protest march and concert in New York City attended by about a million people that was the biggest protest in history up until that time. In 1983, there were 50 simultaneous protests across the U.S. Also in 1983, the TV movie "The Day After" depicted the results of a nuclear war on a family. It was one of the top ten most watched TV shows of all time, showing how concern was spiking over the issue. In Europe, there were even more opposition and protests. Eventually, there were peace talks, and in 1987, the U.S. and Russia signed the Intermediate-Range Nuclear Forces Treaty, which led to the destruction of all intermediate range nuclear weapons. That, and other peace treaties, helped lower the tensions and fear.

It turns out the protesters had good reason to be concerned. In 1983, the world actually came very close to being destroyed in a nuclear war, entirely by accident. A Russian early warning system mistakenly showed five nuclear missiles heading towards Russia. A Russian engineer on duty was supposed to pass the warning up the chain of command. But he had a feeling it was a false alarm, and didn't pass the warning on. It turned out he was right, and the early warning system had malfunctioned.

You can read all about it in this Wikipedia article:

1983 Soviet nuclear false alarm incident - Wikipedia 

The common perception is that the trend of musicians staging benefit concerts for altruistic reasons began with Live Aid in 1985. But this concert was in 1982. And there were others like it in those years, such as the No Nukes concerts in 1979, and the 1982 New York City concert I mentioned above, which starred Jackson Browne, Linda Ronstadt, Bruce Springsteen, James Taylor, Carly Simon, Bonnie Raitt, and many more. (I've only found some of that one, but I'm looking for more.)

Okay, so that explains what this concert was all about. Now, let me address the sound quality issue. As I mentioned above, the only source I could find for this concert is a merely decent audience bootleg. It suffered from the usual problems audience boots have, some one which I could fix, and some I couldn't. It's clear the person who recorded it turned their tape recorder off between songs a lot, so we miss many introductions and other banter. There was nothing I could do about that. 

But the main problem, of crowd noise, was one I could fix, although it turned out to be a very big pain in the ass. For starters, I ran all the songs through the MVSEP program, specifically separating the crowd noise from everything else. Then I wiped out most of the crowd noise, except where it was appropriate to keep, for instance at the ends of songs and during sing-alongs. That alone made a BIG difference. There had been a constant level of backround noise, and I got rid of nearly all of it. 

However, there was more crowd noise that was harder to fix. Often during songs, people near the taper would shout "WOOHOO!" and the like. Sometimes there would be entire conversations. I ran all the songs through MVSEP again, splitting the vocals from everything else. Then I carefully went through the vocals and got rid of anything that didn't belong. Occasionally, the bits I wanted to remove overlapped with singing, and I couldn't remove it. But that was relatively rare. Most of the time, people saved their "woohoos" and such for the instrumental parts.

The result is still not great. But it's way better than before, in my opinion, and sometimes it could be mistaken for soundboard quality. Luckily, the audience bootleg was fundamentally good. If that hadn't been the case, I wouldn't have taken on this time-consuming task.

Luckily, as far as I can tell, the taper did record all the songs by all the musical acts, even if some of the banter is gone. For instance, not only is there no introduction of the first artist, Gil Scott-Heron, the recording began in the middle of some comments he made. And while we have an introduction for Donovan, we don't have one for Jesse Colin Young. Lots of little missing bits like that. But the main thing is the music.

Oh, speaking of the banter, that often was muffled and hard to understand. So I ran all the "talk" tracks through the Adobe voice enhancer program. That only works for talking, not singing, but it really helps with the clarity.

This album is 52 minutes long.  

01 talk (Gil Scott-Heron)
02 Alien (Gil Scott-Heron)
03 talk (Gil Scott-Heron)
04 Please Save the Children (Gil Scott-Heron)
05 talk (Gil Scott-Heron)
06 Shut 'Em Down (Gil Scott-Heron)
07 Imagine (Jesse Colin Young)
08 Let's Get Together with Susie Young, Graham Nash & Jerry Corbitt (Jesse Colin Young)
09 talk (Graham Nash)
10 Military Madness (Graham Nash)
11 talk (Bonnie Raitt & Graham Nash)
12 Love Has No Pride (Bonnie Raitt with Graham Nash)
13 talk (Graham Nash)
14 Sunshine Superman (Donovan)
15 Season of the Witch (Donovan)
16 Mellow Yellow (Donovan)

https://pixeldrain.com/u/JPtfeBmR

alternate:

https://bestfile.io/en/Drcen3BFlcbmwxj/file

I found photos of musical acts performing for all the albums I've made out of this festival, except for this first part. However, I did find this cover of the official program for the festival, and I thought the image of a nuclear bomb blast morphing into a tree was interesting, so I used it. I had to crop it a bit, and clean it up some in Photoshop. Other than that, the only change I made was adding the text at the bottom. All the text at the top was on the original image.

Monday, July 1, 2024

Woodstock '94, Winston Farm, Saugerties, NY, 8-12-1994 to 8-14-1994 - Day 3, Part 2: Gil Scott-Heron

The second album from Day Three of the Woodstock ‘94 Festival is a set by Gil Scott-Heron.

Note that I once tried to post an album by this artist and it got taken down due to copyright issues. So this one may not last here for long. But I’m trying to post it anyway in order to hopefully present the entire festival. Get it while you can.

Personally, I really like the music of this artist. He helped start rap music back in the early 1970s. His political and social commentary is very insightful. However, he was always more of a critical success than a commercial success. So that’s probably why he only had a relatively short set that also was early early on Day Three.

This album is 38 minutes long.

01 There's a War Going On (Gil Scott-Heron)
02 talk (Gil Scott-Heron)
03 Is That Jazz (Gil Scott-Heron)
04 The Bottle (Gil Scott-Heron)
05 talk (Gil Scott-Heron)

https://pixeldrain.com/u/VDBg2Kod

alternate:

https://bestfile.io/en/hhBbBopU2cPqnhw/file

The cover photo is from this exact concert. It's a screenshot from a YouTube video, so the resolution is rather low.

Sunday, February 11, 2024

No Nukes Concerts, Madison Square Garden, New York City, 9-22-1979 to 9-23-1979: Gil Scott-Heron

First off, I have to say that I post this album with some trepidation.  I noticed that when people post Gil Scott-Heron albums at music sharing sites, they tend to get taken down pretty quickly due to copyright issues. I'm posting this now since I want to present the complete 1979 No Nukes concerts. But it would be great if someone could post this somewhere else, such as Guitars101 instead, and then I could link to that. My original plan was to post albums like this at Guitars101, but I tried it for the first No Nukes album (John Hall) and my account was immediately terminated for supposedly being "spam." I'm not sure what I did wrong (maybe it was because I posted a link back to this blog?), but it hasn't been unsuspended yet. So if someone else could help out, that would be great. In the meantime, I'm going to post the link in the comments, as that might help this last a little longer.

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Okay, with that out of the way, let's get to this album. This is the 13th 1979 No Nukes concert I've posted. Gil Scott-Heron is a bit different than most of the other No Nukes artists I've posted so far, who often were singer-songwriter types. You might call him a soul musician, but it's more accurate to say that he combined jazz, soul, and blues, and rapped as well as sung. As such, he's considered one of the founders of rap and hip hop. His songs were even more political and progressive than the others in the concerts so far. I really like his music. He died in 2011 at the age of 62 after having HIV for many years, which weakened his immune system.

Here's his Wikipedia page, if you want to know more:

Gil Scott-Heron - Wikipedia 

This album derives from two concerts, one on September 22nd at Madison Square Garden in New York City, and the other one on September 23rd at Battery Park, also in New York City. It was a bit tricky combining them, because he played "South Carolina" by itself on the 22nd, and then again as a medley with "Winter in America" on the 23rd. I ended up using the medley version, but I also used the intro for it from the 22nd. As a result, tracks one through four and seven are from the 22nd, and tracks five, six, and eight are from the 23rd.

Scott-Heron was a particularly good fit for the No Nukes concerts, because two of the songs he played directly addressed the issues of the dangers of nuclear power: "We Almost Lost Detroit" and "South Carolina." His most recent album was "Secrets," released in 1978. But he didn't play any songs from it.

One song he did, "We Almost Lost Detroit," made it onto the official No Nukes album. The version here is probably the one on that album, since it seems he only played it on the 22nd. However, it's possible he did other sets that I'm not aware of. All the other songs are unreleased.

This album is 37 minutes long.

01 talk by Jackson Browne (Gil Scott-Heron)
02 talk (Gil Scott-Heron)
03 We Almost Lost Detroit (Gil Scott-Heron)
04 The Bottle (Gil Scott-Heron)
05 talk (Gil Scott-Heron)
06 Johannesburg (Gil Scott-Heron)
07 talk (Gil Scott-Heron)
08 South Carolina - Winter in America (Gil Scott-Heron)

https://pixeldrain.com/u/DCG9pBpc

alternate:

https://bestfile.io/en/bXCdkY1QnWZEg8E/file

The cover photo is a screenshot I took from the "No Nukes" movie.