Genesis - More Seconds Out - Hallenstadion, Zurich, Switzerland, 7-2-1977 - Studiofied (A Mike Solof Guest Post)

Here's another guest post by Mike Solof. It's a 1977 Genesis concert, with lots of bonus tracks from the same time period. This is part of Mike's relatively new "studiofied" series. The idea is to take a high quality concert bootleg and completely remove all the banter and crowd noise, so it sounds like a studio recording. This way, one can better appreciate the nuance in the performance.

There's lots more detail in the PDF Mike has included with the download zip, like he usually does. I'll just quickly note that tracks 1 through 15 come from the Zurich concert mentioned in the title. The rest are bonus tracks, given the same treatment, from 1976 or 1977. Further details about them can be found in the PDF.

The music here is unreleased. The sound quality is excellent. 

This album is two hours and 38 minutes long.

01 Squonk (Genesis)
02 One for the Vine (Genesis)
03 Robbery, Assault and Battery (Genesis)
04 Inside and Out (Genesis)
05 Firth of Fifth (Genesis)
06 The Carpet Crawlers (Genesis)
07 In that Quiet Earth (Genesis)
08 Afterglow (Genesis)
09 I Know What I Like (Genesis)
10 Eleventh Earl of Mar (Genesis)
11 Supper's Ready (Genesis)
12 Dance on a Volcano (Genesis)
13 Los Endos (Genesis)
14 The Lamb Lies Down on Broadway (Genesis)
15 The Musical Box (Genesis)
16 Your Own Special Way (Genesis)
17 All in a Mouse's Night (Genesis)
18 The Cinema Show (Genesis)
19 White Mountain (Genesis)
20 Entangled (Genesis)
21 The Knife (Genesis)
22 It - Watcher of the Skies (Genesis)

https://pixeldrain.com/u/uP9yJeKZ

alternate:

https://bestfile.io/en/Nk5EZeo2G1Ahmco/file

The cover was selected by Mike. I don't know where he got it from. I added the subtitle text. 

Various Artists - Music for Montserrat, Royal Albert Hall, London, Britain, 9-15-1997

Here's a really interesting benefit concert from 1997. Just look at the list of big stars involved: Carl Perkins, Midge Ure, Phil Collins, Jimmy Buffett, Mark Knopfler, Eric Clapton, Sting, Elton John, and Paul McCartney. Most of them performed two or three songs together, and all the big names got together with McCartney to sing some of his songs for the finale. All that, and the sound quality is excellent.

Montserrat is a small island in the Caribbean Sea, and it's still a colony of Britain. In 1979, George Martin, best known as the producer for nearly all the Beatles records, financed the building of a recording studio there. From 1979 to 1989, about 70 albums were recorded there, because musicians enjoyed recording in a beautiful, exotic locale. Many of them were by very big stars, such as "Synchronicity" by the Police and "Brothers in Arms" by Dire Straits.   

Unfortunately, in 1989, the Category Four hurricane Hugo hit Montserrat. It destroyed 90 percent of all buildings on the island, including Martin's recording studio. The studio wasn't rebuilt. Then, in 1995, the main volcano on the island, Soufriere Hills volcano, erupted. The island was basically completely devastated again. Martin then led the effort to stage this benefit concert. All the musicians involved recorded albums on Montserrat. Ultimately, about a million and half British pounds were raised. Later, limited edition lithographs signed by McCartney and Martin raised another million and a half pounds. This money went to help people reconstruct their homes, as well as the building of a new cultural center for the island. 

Here's the Wikipedia entry about this concert, if you want to know more: 

Music for Montserrat - Wikipedia  

For this concert, Martin decided that less was more. He even mentioned in his banter during the concert that he turned down many musical acts who wanted to take part. The focus was just on the biggest stars. One exception was Arrow. He only had one minor hit in 1982, in Britain, "Hot Hot Hot." But he is Montserratian, so it made sense he would be involved. Also, "Hot Hot Hot" went on to be a bigger hit by Buster Poindexter in 1987. 

This concert has been released on DVD, but not in any audio format. So I started with the DVD, converting it to audio format then breaking it into mp3s. "Hot Hot Hot," plus "Volcano" by Jimmy Buffett and "Dancing with Tears in My Eyes" by Midge Ure, were not on the DVD. But luckily I found out they were performed by reading the Wikipedia entry about the concert. Then I found YouTube videos of them. Those had very good sound quality, because they were broadcast on TV. 

In addition to adding some missing songs, I cut some things. Mostly, I cut some interviews that were interspersed between the songs in the DVD. Martin plus some of the big stars like McCartney and Sting were interviewed. It's interesting stuff, but it wasn't part of the concert, so it got the axe. If you want to see that, check out the DVD.

Probably the highlight of the concert was McCartney's set at the end. As he said in the interview which I cut out, he had met the other stars in this concert many times over the years. However, he rarely actually played music with any of them. For instance, he said the last time he played with Clapton was when Clapton guested on "While My Guitar Gently Weeps" on the White Album by the Beatles in 1968. But McCartney practiced with Phil Collins, Mark Knopfler, Eric Clapton, and Elton John, and really collaborated with tracks 42 to 46 at the end here.

One final note. This was the last major public appearance for Carl Perkins. He was in fine health at the time of this concert. But he died after a series of strokes in January 1998, at the age of 65. 

This album is two hours and 15 minutes long.

01 talk (George Martin)
02 talk (Carl Perkins)
03 Blue Suede Shoes (Carl Perkins)
04 talk (emcee)
05 talk (Midge Ure)
06 Dancing with Tears in My Eyes (Midge Ure)
07 Vienna (Midge Ure)
08 talk (George Martin)
09 talk (Phil Collins)
10 In the Air Tonight (Phil Collins)
11 Take Me Home (Phil Collins with Ray Cooper)
12 talk (Arrow)
13 Hot Hot Hot (Arrow)
14 talk (Jimmy Buffett)
15 Volcano (Jimmy Buffett)
16 talk (Phil Collins)
17 talk (Mark Knopfler)
18 Going Home [Theme from Local Hero] [Instrumental] (Mark Knopfler)
19 talk (Mark Knopfler)
20 Brothers in Arms (Mark Knopfler with Guy Fletcher)
21 talk (Mark Knopfler)
22 Money for Nothing (Mark Knopfler with Sting, Phil Collins, Eric Clapton & Ray Cooper)
23 talk (Phil Collins)
24 Message in a Bottle (Sting)
25 Fields of Gold (Sting)
26 Every Little Thing She Does Is Magic (Sting)
27 talk (George Martin)
28 talk (Elton John)
29 Your Song (Elton John)
30 talk (Elton John)
31 Live like Horses (Elton John)
32 Don't Let the Sun Go Down on Me (Elton John)
33 talk (Carl Perkins)
34 Broken Hearted (Eric Clapton)
35 Layla (Eric Clapton with Mark Knopfler)
36 talk (Eric Clapton)
37 Same Old Blues (Eric Clapton with Mark Knopfler & Phil Collins)
38 talk (George Martin)
39 talk (Paul McCartney)
40 Yesterday (Paul McCartney)
41 talk (Paul McCartney)
42 Golden Slumbers (Paul McCartney with Phil Collins, Mark Knopfler & Eric Clapton)
43 Carry That Weight - The End (Paul McCartney with Phil Collins, Mark Knopfler & Eric Clapton)
44 talk (George Martin)
45 Hey Jude (Paul McCartney, Elton John & Everybody)
46 Kansas City - Hey, Hey, Hey, Hey (Paul McCartney & Everybody)
47 talk (Paul McCartney & George Martin) 

https://pixeldrain.com/u/WN5He6az 

alternate: 

https://bestfile.io/en/rtae3vnAgivMIJf/file

The cover photo is from this exact concert. From left to right: Carl Perkins, Mark Knopfler, Eric Clapton, and Paul McCartney. Sting is right behind Perkins, but all you can really see of him is his hand on the neck of a bass guitar. In the original photo, the neck of Sting's bass guitar went right over Knopfler's face. In my opinion, it kind of ruined the photo. But there were several photos no doubt taken minutes apart from each other from the same spot. I found one where Knopfler's face was fully visible and the bass guitar neck was lower, and I patched in just that part of the image, using Photoshop. I also used the Krea AI program to flesh out some of the detail.

Atlantic Records 40th Anniversary - Madison Square Garden, New York City, 5-14-1988, Part 4: The Manhattan Transfer, Genesis, Crosby, Stills and Nash, The Bee Gees, & The Rascals

Here's the fourth part of a six-hour long version of the Atlantic Records 40th Anniversary concert. 

Atlantic Records put out a lot of records by jazz artists. But since jazz music isn't a big seller, most of those artists didn't get invited to this concert. Two who did, Herbie Mann and Bobby Short, got cut out of the TV broadcast versions, so I don't have their performances. That just leaves the Manhattan Transfer to represent jazz, since they had some hits and wider commercial success in the 1970s and 80s.

Genesis is a band was only intermittently together in the 1980s. Phil Collins split his time between being in Genesis and having a hugely popular solo career. Mike Rutherford also carved out a successful solo career as the leader of Mike + the Mechanics. Genesis had last put out an album in 1986, "Invisible Touch," then toured to support it into 1987. However, this was the only concert they reunited for in 1988. Their twenty-minute long set was essentially one gigantic medley, although I've broken it into four tracks so I could get all the song names in.

As I mentioned previously, Crosby Stills and Nash sang the song "Southern Cross" to start this concert, but I don't have that recording. Then they returned for their own twenty-minute-long set. Most bootlegs of this concert have "Suite: Judy Blue Eyes" earlier in the show, because the song order was scrambled up a bit on some TV broadcasts. But you can tell they did it here with the songs "Wooden Ships" and "Teach Your Children" because actor Michael Douglas referred to all three songs when he introduced them.

The Bee Gees played a relatively short set. In addition to "Lonely Days" and "Jive Talkin'" presented here, they also performed "To Love Somebody." However, I couldn't find a recording on that one. I found mention of it being posted on YouTube and then taken down, so it must be out there. If anyone has it, please let me know. Personally, I think the Bee Gees deserved another song or two, since they've one of the best selling acts of all time, but probably in the late 1980s they were still suffering from the backlash of their disco era overexposure.

The final musical act in this part is the Rascals. They broke up in 1972. This concert was their first reunion since then, going back to the original line-up that ended in 1970. After this concert, they would go on a short tour for a few months. After that, there were further one-off reunions in 1997 and 2010, and another tour in 2012 and 2013.

This album is an hour and 18 minutes long.

069 talk (Manhattan Transfer)
070 Mack the Knife (Manhattan Transfer)
071 Birdland (Manhattan Transfer)
072 Turn It On Again - Land of Confusion - Misunderstanding (Genesis)
073 Throwing It All Away (Genesis)
074 That's All - Tonight Tonight Tonight - Invisible Touch - Turn It On Again [Reprise] (Genesis)
075 You Can't Hurry Love - Shortcut to Somewhere - All I Need Is a Miracle (Genesis)
076 talk (Michael Douglas)
077 Wooden Ships (Crosby Stills & Nash)
078 talk (Crosby Stills & Nash)
079 Our House (Crosby Stills & Nash)
080 Suite- Judy Blue Eyes (Crosby, Stills & Nash)
081 talk (Bee Gees)
082 Lonely Days (Bee Gees)
083 Jive Talkin' (Bee Gees)
084 talk (Dan Aykroyd & Bill Murray)
085 Good Lovin' (Rascals)
086 Groovin' (Rascals)
087 People Got to Be Free (Rascals)

https://pixeldrain.com/u/t2DmMTS8

alternate:

https://bestfile.io/en/3pBToJ89aaas4tj/file

The cover photo is from this exact concert. It shows Mike Rutherford on guitar and Phil Collins singing.

Atlantic Records 40th Anniversary - Madison Square Garden, New York City, 5-14-1988, Part 3: The MG’s, Carla Thomas, Paul Rodgers, Miki Howard, Paul Shaffer, Sam Moore, The Elwood Blues Review, Phil Collins, Bob Geldof, The Spinners, & Wilson Pickett

Here's the third part of six-hour long version of the Atlantic Records 40th Anniversary concert. 

In the 1950s and 60s, Atlantic Records was mainly known as an R&B/ soul record label, though it broke out into other musical genres by the end of the decade. Most of this section served as a kind of concert within a concert that celebrated the 1960s soul music of the company. Atlantic Records distributed most of the music done by the Stax record label, so all of that was fair game here as well.

In the 1960s at Stax Records, the instrumental group the MG's backed up most of the other lead singers on the label, in addition to having some instrumental hits of their own. Later, key members of that band, like Steve Cropper and Donald 'Duck' Dunn, joined the Blue Brothers band in the late 1970s. Led by comedians/singers John Belushi and Dan Aykroyd, they had a hit movie and some hit albums before Belushi died in the early 1980s. For most of this section of the concert, Cropper, Dunn, and other members of the MG's were the backing band. But for a portion of it, their name changed to the Elwood Blues Review, a sort of variant of the Blues Brothers because Aykroyd got involved in those songs too.

That backing band then supported some different lead singers. Carla Thomas was an original Stax star. Paul Rodgers, however, was a big star with Free and Bad Company (on Atlantic Records). Both both of those bands had ceased to exist by the time of this concert. So instead of singing any of his own hits, he sang "(Sittin' On) The Dock of the Bay" as a tribute to deceased Stax star Otis Redding. 1980s R&B star Miki Howard also sang a song associated with Redding, "Try a Little Tenderness."

Another big musical act for Stax was the soul duo Sam and Dave (Sam Moore and Dave Prater). Unfortunately, Dave Prater died several months prior to this concert (and the two of them had had a big falling out prior to that anyway). But Sam Moore was at this concert to represent Sam and Dave. Dave Prater was effectively replaced on some songs by Aykroyd, kind of bringing back the Blue Brothers, and was replaced by Phil Collins on two other songs. 

The only odd one out in this R&B section of the concert was Bob Geldof. I'm not sure why he was put where he was in the running order, if indeed this order is correct, but oh well. It was also a bit strange that instead of doing any of his own hits from his Boomtown Rats years, he did a cover of a relatively obscure song by Graham Parker.

The Spinners continued the R&B vibe of this portion of the show, even though they had much bigger success in the 1970s compared to the 1960s. I could only find one song they did. But they also played "Working My Way Back to You" and "Could It Be I'm Falling in Love."

Finally, Wilson Pickett was the star of the last couple of songs here. He was backed by the Elwood Blues Review. I looked at the video, and Dan Akroyd danced around on stage a lot and played some harmonica, but the lead vocals were basically all done by Pickett. Still, this must have kind of been a reunion for Pickett, because the Elwood Blues Review was basically the same as the MG's, and they were the backing band for most of Pickett's hits in the 1960s. Pickett even co-wrote one of the songs he performed here, "In the Midnight Hour," with the lead guitarist on stage, Steve Cropper.

This album is an hour and two minutes long.

043 talk (Dan Aykroyd)
044 Last Night [Instrumental] (MG's)
045 talk (Steve Cropper)
046 Gee Whiz (Carla Thomas & the MG's)
047 talk (Steve Cropper)
048 [Sittin' On] The Dock of the Bay (Paul Rodgers & the MG's)
049 talk (Steve Cropper)
050 Try a Little Tenderness (Miki Howard & the MG's)
051 talk (Steve Cropper)
052 Tramp (Carla Thomas, Paul Shaffer & the MG's)
053 Everybody Needs Somebody to Love (Sam Moore & the Elwood Blues Review)
054 talk (Sam Moore & the Elwood Blues Review)
055 Soul Man (Sam Moore & the Elwood Blues Review)
056 talk (Sam Moore & the Elwood Blues Review)
057 I've Been Loving You Too Long (Sam Moore & the Elwood Blues Review)
058 talk (Sam Moore & the Elwood Blues Review)
059 You Don't Know like I Know (Phil Collins, Sam Moore & the Elwood Blues Review)
060 talk (Phil Collins, Sam Moore & the Elwood Blues Review)
061 Knock On Wood (Phil Collins, Sam Moore & the Elwood Blues Review)
062 talk (Roberta Flack)
063 talk (Bob Geldof)
064 You Can't Be Too Strong (Bob Geldof)
065 Mighty Love (Spinners)
066 In the Midnight Hour (Wilson Pickett & the Elwood Blues Review)
067 talk (Wilson Pickett & the Elwood Blues Review)
068 Land of 1000 Dances (Wilson Pickett & the Elwood Blues Review)

https://pixeldrain.com/u/zi3oxCsd

alternate:

https://bestfile.io/UMkqqccXBZLa7Di/file

The cover photo of Wilson Pickett is from this exact concert.

Atlantic Records 40th Anniversary - Madison Square Garden, New York City, 5-14-1988, Part 1: Nu Shooz, Stacey Q, The Coasters, Phil Collins, LaVern Baker, Foreigner, Iron Butterfly, & Laura Branigan

Here's another big benefit concert. As I've mentioned before, I think these tend to get overlooked, except for the portions performed by really famous musical acts. In this case, the concert is best known for the second Led Zeppelin 1980s reunion, after they reunited for Live Aid in 1985. But there's so much more to this, including other interesting reunions. 

The entire concert was about 12 hours long. I didn't find all of it, but I found the vast majority of it. Presumably, a big chunk of those 12 hours was dead time between acts. I was able to find six hours of music. I've broken that up into five albums.

This was a rather unusual concert, in that it celebrated the 40th anniversary of the Atlantic Records record company. I'd be hard pressed to think of any other records companies celebrated like this, other than Motown Records. And it's odd that it was a 40th anniversary concert with no similar one for the 25th anniversary, or 30th, or 50th, etc... But it was probably lucky that it happened when it did, before some of the older acts retired or passed on. Atlantic Records had an interesting history in that it started out in the 1950s as the most important record company for R&B music before branching out into all musical genres. So a lot of the 1950s and 1960s stars that made the record company successful were able to perform at this concert.

I found a newspaper article that explains a little bit about how this concert came to be. When the show was first planned, the idea was to have a smaller auditorium and invite just a couple thousand people, mainly Atlantic Records employees and special guests. Ken Ehrlich, who produced the show, explained, "When it first started, it was to be a two-hour black-tie event at Radio City Music Hall. But I said to [Atlantic Records founder and president] Ahmet [Ertegun]: 'You've made music for kids, now you want to invite your friends to a party. You have to do it at [Madison Square] Garden. You want kids to scream and yell.' Eventually, the size dictated that we do it at the Garden. We wanted to reflect 40 years and reach a new audience. I want 15-year-old kids to see Ruth Brown and the Coasters."

The concert was a curious mix of self-promotion and charity. The self-promotion was first that the record company was patting itself on its back while also using the concert to promote some of their young and up and coming acts. But at the same time, the concert was expected to make at least 10 million dollars in profits due to selling TV broadcast and radio broadcast rights, and all of that money was to go to charity. Furthermore, most of the charity money was sent to the Rhythm and Blues Foundation, a charity created by the record company to basically give their legacy acts the profits they deserved but had been screwed out of back in the 1950s and 60s.

Before I say more, I want to point out that while many big names did perform at this concert, many other long-time Atlantic Records artists did not. The ones who didn't perform included Aretha Franklin, Ray Charles, Cream, the Allman Brothers Band, the Rolling Stones, INXS, King Crimson, Dusty Springfield, Hall and Oates, Peter Gabriel, and Chic. But that's just the tip of the iceberg. Probably the biggest miss was the Rolling Stones. But they'd had a big falling out in the early 1980s and wouldn't reunite until a year later.

As far as I know, a couple of hours of highlights from this concert has been officially released on DVD, but nothing has appeared on album. So I've had to rely on bootlegs. The most easily accessible version of the concert is a portion that was broadcast on the HBO cable network. But that was less than half. Parts of it were also broadcast on ABC TV. Furthermore, other parts were broadcast on other networks. I found some bits from a German broadcast, for instance. Apparently, the entire show was broadcast on BBC, in one-hour weekly segments. But I haven't been able to find that anywhere. If anyone has any parts that I've missed, please let me know so I can add those bits in.

I've done my best to put this together as it really happened, but it's hard because I haven't been able to get a definitive list of the order of the performers. Still, the different versions did have a lot in common, and I've found clues from newspaper articles, so I've made best guesses. 

Let me mention some of the bits that I think are still missing from this portion of the show. Apparently, Crosby, Stills and Nash performed the song "Southern Cross" to open the show, and then returned for a longer set near the end of the show. LeVert did the song "Casanova." Bobby Short played two songs: "Hop Scotch Blues" and "Black and Blue." Rachelle Cappelli sang "The Truth'll Set You Free" plus an Aretha Franklin cover. LaVern Baker also did the song "Tweedle Dee." 

Note also that I have some introduction of acts, but I'm probably missing about half of those. In some cases, famous people who didn't perform themselves did the introductions, while in other cases performers from other parts of the show did the introductions. So, for instance in this part, Marv Albert, a sports broadcaster, introduced the Coasters. But Foreigner was introduced by Roberta Flack, who sang later in the show.

One notable event from this part of the show was the reunion of the Coasters. They were one of the biggest acts on the Atlantic label in the 1950s and early 1960s. But this was the first time the original members performed together in about twenty years.

Here's a Wikipedia article about the concert. But note that it doesn't say much, and its list of performers is incomplete and mostly follows the HBO broadcast:

Atlantic Records 40th anniversary - Wikipedia

This album is an hour and 12 minutes long.

001 talk (Robert Townshend)
002 Should I Say Yes - I Can't Wait (Nu Shooz)
003 Two of Hearts (Stacey Q)
004 talk (Marv Albert)
005 That Is Rock and Roll (Coasters)
006 Youngblood (Coasters)
007 Charlie Brown (Coasters)
008 I'm a Hog for You (Coasters)
009 In the Air Tonight (Phil Collins)
010 talk (Phil Collins)
011 Jim Dandy (LaVern Baker)
012 Saved (LaVern Baker)
013 talk (Roberta Flack)
014 Hot Blooded (Foreigner)
015 Urgent (Foreigner)
016 talk (Foreigner)
017 I Want to Know What Love Is (Foreigner)
018 Juke Box Hero (Foreigner)
019 In-A-Gadda-Da-Vida (Iron Butterfly)
020 Gloria (Laura Branigan)

https://pixeldrain.com/u/kCLD3BmR

alternate:

https://bestfile.io/en/ksQX0KcmnRSwASW/file

The cover photo of the Coasters is from this exact concert.

Knebworth Festival, Knebworth House, Knebworth, Britain, 6-30-1990, Part 5: Phil Collins & Genesis

The fifth performance at the 1990 Knebworth Festival was both Phil Collins and Genesis. Phil Collins did the first half as a solo artist and then the second half as part of Genesis.

By 1990, Phil Collins was massively popular. His album "...But Seriously," released late in 1989, was the best selling album in Britain in 1990, staying Number One in the charts for a stunning 15 weeks. It hit the top of the charts in the U.S. and most elsewhere too. Yet at the same time, he was continuing to be very successful as part of Genesis. At the time of this concert, their last album was "Invisible Touch," released in 1986 and another massive seller. The next Genesis album would come out in 1991. In between tours to support those albums, Genesis did almost no live performances. But they made an exception for their festival, since it was such a high profile gig.

By this point in the festival, it seems the wind died down. I don't remember any rustling noises in this set.

This album is an hour and one minute long.

01 talk by Rob Lowe (Phil Collins)
02 In the Air Tonight (Phil Collins)
03 Colours - Drum Duet (Phil Collins)
04 talk (Phil Collins)
05 Another Day in Paradise (Phil Collins)
06 Sussudio (Phil Collins)
07 Mama (Genesis)
08 That's All (Genesis)
09 Throwing It All Away (Genesis)
10 talk (Genesis)
11 Turn It On Again - Somebody to Love - [I Can't Get No] Satisfaction - Twist and Shout (Genesis)
12 Reach Out, I'll Be There - Lovin' Feelin' - Pinball Wizard - Midnight Hour - Turn It On Again [Reprise] (Genesis) 

https://pixeldrain.com/u/XAEy2mka

alternate:

https://bestfile.io/en/OnuN85P8jJcMiRb/file

The cover photo comes from this exact concert.

Genesis (including Peter Gabriel): Six of the Best Reunion, National Bowl, Milton Keynes, Britain, 10-2-1982

Peter Gabriel was the lead singer for the British band Genesis from their start in 1967 until 1975, when he left for a very successful solo career. The band's drummer, Phil Collins, took over as lead singer and the popularity of Genesis soared as they switched from a prog rock style to pop rock. After Gabriel left, he only united with his old Genesis bandmates for a single concert in 1982 - this one. Unfortunately, it wasn't professionally recorded or filmed, so all we're left of it is audience bootleg recordings. I've taken the best such recording and significantly improved the sound quality, using the advances in audio technology that have become available in recent years. So even if you have this already, you need to hear this version.

Before I discuss the sonic improvements, I want to explain how this singular concert happened. After Gabriel left Genesis, he remained on good terms with his former bandmates. For instance, Collins played drums on several songs on Gabriel's 1980 solo album. Collins was even Gabriel's best man in his wedding in 2000. Earlier in 1982, Gabriel had arranged a concert called WOMAD (World of Music, Art and Dance), which included performers from dozens of countries (in addition to headliners like Gabriel). It was one of the first efforts to popularize world music in Britain. Unfortunately, the concert was in a difficult to reach location and there was a train worker strike, plus probably many people weren't ready for world music yet. As a result, Gabriel faced huge debts from that one concert. Worse, he owed money to some nasty people who began giving him death threats.

Being a big rock star, he could have raised the money eventually, but he needed it urgently. So he called up his old Genesis bandmates with the idea to have a one-off Genesis reunion to pay off those debts. The concert happened as expected (right at the end of a Genesis tour), and he was able to pay the debts. Since then, he's stuck with the WOMAD idea, and it's gone on to have many concerts over the years promoting world music, until the present day. So the story has a happy ending. But although the musicians involved in this concert claim to have enjoyed it, there has never been another reunion concert or tour since. All the original members of Genesis have occasionally gotten together for interviews and/or photo ops, but that's it. That's probably a reflection of how complicated the music from early Genesis is. It's not like being able to jam to a simple Chuck Berry song. To do the prog rock songs right, one needs a lot of group practice. But at least there was this one reunion.

The band was billed as "Six of the Best" instead of "Genesis." The six mentioned in the name were: Peter Gabriel (lead vocals), Phil Collins (drums), Tony Banks (keyboards), Mike Rutherford (guitars), Daryl Stuermer (guitars), and Chester Thompson (drums). The last two weren't official members of Genesis, but they regularly joined the band for concert tours. Additionally, Steve Hackett was a guitarist for Genesis from 1971 to 1977. He was touring in South America at the time, and only arrived back in Britain the day before the concert. Because he missed most of the rehearsals, he only joined the band for the encores ("I Know What I Like (In Your Wardrobe)" and "The Knife").

The concert went fairly well, despite the fact that it was held outdoors and it rained heavily for over 24 hours straight, leaving the audience totally wet and muddy. Gabriel started the show by rising from a coffin carried to the stage by four pallbearers, a stunt which was a surprise to even the other musicians on stage. The concert happened to take place on Rutherford's birthday, so the crowd sang 'Happy Birthday' to him during the show. 

All the songs were from the years Gabriel sang the lead vocals with Genesis, with two exceptions: "Solsbury Hill" was a 1977 solo hit for Gabriel (and the lyrics actually deal with his feelings about leaving Genesis!) and "Turn It On Again" was a 1980 hit for Genesis without Gabriel. That was the only song in the concert with lead vocals only by Collins. Gabriel attempted to play bongos on "Turn It On Again," but he was foiled by the surprisingly tricky and changing time signatures, and basically gave up before the song ended. 

Now, let me discuss the audit edits I made to this concert. As I mentioned above, the best available recording is an audience bootleg - someone in the audience with a tape recorder. But these can vary drastically in sound quality depending on various factors, such as their position relative to the stage and the quality of the tape recorder. I wouldn't have attempted to improve this except for the fact that I thought the audience boot was an unusually good one. 

The main problem, in my opinion, was that there was the sound of audience cheering during the songs as well as at the ends. No doubt, because of the unique nature of this Genesis reunion, the crowd was especially loud and excited. Luckily, there's a fix for that sort of thing these days. I used the MVSEP audio editing program to split the songs into crowd noise and all other sounds. Then I cut out all the crowd noise I didn't want, while keeping the applause at the ends of songs as well as other times when it felt appropriate. I also kept the crowd noise during the banter between songs, but lowered it a lot so the talking could be better heard.

After I did that, I edited all the songs again. This time, I used the UVR5 audio editing program to isolate the vocals from the instruments. Then I generally boosted the vocals on all the songs, as well as the banter, relative to the instruments. I also listened along, and carefully removed most unwanted vocals, such as fans shouting "WOOHOO!" in the middle of songs.

These edits took a lot of time and effort, but I think they made a big impact. I would argue that this recording now could easily be mistaken for a soundboard bootleg instead. Of course, it could still be even better in a perfect world, but I've heard plenty of soundboards that sound worse than this one does now. So if you've been avoiding this concert due to sound quality issues, I suggest you give it a listen.

Some die-hard fans made an entire booklet to go along with this concert that looks professionally done. So I've included that in the download files. It contains interesting quotes from all the band members about the concert. Furthermore, in case I missed mentioning key details, check out this Wikipedia page just about this one concert:

Six of the Best - Wikipedia

This fan page also has lots of good info about the concert:

Six Of The Best - Genesis (genesis-band.com)

Here are a couple of good quotes about the concert from that link:

Mike Rutherford: "I regret it now, but I was keen not to record the show. I thought it would be a bit rough and ready and that it was better to be there and in the moment."

Gabriel: "I was frustrated because it was very sloppy. I was certainly not sharp enough. You can memorize stuff and work on your own until you're blue in the face, but actually you need to be sitting in with the band and doing some warm-up gigs. So it was frustrating, and yet it felt a warm occasion, there was a nice feeling up on stage. A lot of fans seemed to enjoy it, even though it was very loose."

This album is an hour and 58 minutes long.

01 talk by Jonathan King (Genesis)
02 Back in N.Y.C. (Genesis)
03 Dancing with the Moonlit Knight [Part 1] (Genesis)
04 The Carpet Crawlers (Genesis)
05 talk (Genesis)
06 Firth of Fifth (Genesis)
07 talk (Genesis)
08 The Musical Box (Genesis)
09 talk (Genesis)
10 Solsbury Hill (Genesis)
11 talk (Genesis)
12 Turn It On Again (Genesis)
13 talk (Genesis)
14 The Lamb Lies Down on Broadway (Genesis)
15 Fly on a Windshield (Genesis)
16 Broadway Melody of 1974 (Genesis)
17 In the Cage (Genesis)
18 talk (Genesis)
19 Supper's Ready (Genesis)
20 I Know What I Like [In Your Wardrobe] (Genesis)
21 talk (Genesis)
22 The Knife (Genesis)
23 talk (Genesis)

https://www.imagenetz.de/gcNUP

alternate:

https://pixeldrain.com/u/TroG7D5n

second alternate:

https://bestfile.io/en/O3yZouNIT0MXv90/file

The cover photo is from this exact concert, during the final encore. From left to right: Mike Rutherford, Daryl Stuermer, Chester Thompson, Phil Collins, Steve Hackett, and Peter Gabriel. Tony Banks can't be seen, but I believe that's his red jacket showing one arm between Hackett and Gabriel. Also, Hacket's face was mostly hidden in this photo, so I used another photo from the same sequence and pasted in his head just enough to make it visible behind Collins' shoulder. The "Six of the Best" text at the top is from promotional material for the concert.

Various Artists - Prince's Trust Rock Gala, Royal Albert Hall, London, Britain, 6-5-1988

The Prince's Trust is a charity founded by then Prince Charles, the British crown prince. (He is now King Charles III) as I write this in 2024.) There have been a bunch of benefit concerts for the charity, each with many stars participating. Here's another one.

These Prince's Trust concerts have happened in a very irregular pace. I've already posted benefit concerts from 1982, 1986, and 1987. This one is from 1988. There were more from 1989 and 1990, so it started to seem like an annual thing. However, I think the next one after that took place in 1996. There have been at least five more since then, although I may well be missing some.

This one was similar to the previous two in similar ways. The concert started with some newer acts, like T'Pau and Wet Wet Wet, and they played more songs than one might expect, given the stature of the other acts in the concert. Both T'Pau and Wet Wet Wet actually played four songs each, according to setlists, but I only have two from T'Pau and three from Wet Wet Wet. I can't say I'm lamenting the missing songs, since I don't think one could compare them with nearly all of the acts that came later. Rick Astley and Black were a couple other acts that appeared early, and played the one big hit each of them was known for.

After that, there were many of the same "usual suspects" who played in previous Prince's Trust concerts, such as Phil Collins, Elton John, Howard Jones, Mark Knoplfer, and Eric Clapton. But there were some first timers too, like Leonard Cohen, the Bee Gees, Peter Gabriel, and Joe Cocker. It's frustrating to me that you have someone like Peter Gabriel, whose most recent album at the time, "So," had sold five million copies in the U.S. alone, only getting to play one song. But it is what it is, I guess.

I don't know the exact details, but I believe that many of the big stars backed each other towards the end of the concert, as was the case in previous years. Because people pay extra close attention to Eric Clapton's guitar playing, I was able to find out that once he took the stage with track 26 ("Behind the Mask"), he stayed on stage for the rest of the concert, including playing guitar on songs sung by Knoplfer, John, and Cocker.

Similarly, I was able to determine that Brian May of Queen didn't sing lead vocals on any songs, but he played lead guitar on a bunch of them: tracks 6, 8, 10, 16, 19, 24, 26, and 35. John Deacon, the bassist for Queen, also apparently played on some songs.

Currently, I'm only able to find a few songs from the 1989 and 1990 concerts. If anyone has the full concerts, please let me know. I may try to post the 1996 concert, but I'm probably missing about half of that one.

This album is two hours and two minutes long.

01 Heart and Soul (T'Pau)
02 China in Your Hand (T'Pau)
03 talk (Wet Wet Wet)
04 Wishing I Was Lucky (Wet Wet Wet)
05 Sweet Little Mystery - Twist and Shout (Wet Wet Wet)
06 Dancing with Tears in My Eyes (Midge Ure)
07 talk (Midge Ure & Rick Astley)
08 Never Gonna Give You Up (Rick Astley)
09 talk (Rick Astley & Black)
10 Wonderful Life (Black)
11 talk (Black & Leonard Cohen)
12 Tower of Song (Leonard Cohen)
13 talk (Phil Collins)
14 Doesn't Anyone Stay Together Anymore (Phil Collins)
15 talk (Phil Collins & the Bee Gees)
16 You Win Again (Bee Gees)
17 Jive Talkin' (Bee Gees)
18 talk (Bee Gees & Peter Gabriel)
19 Sledgehammer (Peter Gabriel)
20 talk (Peter Gabriel & Howard Jones)
21 What Is Love (Howard Jones)
22 talk (Phil Collins)
23 I Missed Again (Phil Collins)
24 You Can't Hurry Love (Phil Collins)
25 talk (Phil Collins & Joe Cocker)
26 The Letter (Joe Cocker)
27 talk (Eric Clapton)
28 Behind the Mask (Eric Clapton)
29 Cocaine (Eric Clapton)
30 talk (Eric Clapton & Mark Knopfler)
31 Money for Nothing (Mark Knopfler)
32 talk (Elton John)
33 I Don't Wanna Go On with You like That (Elton John)
34 Layla (Eric Clapton)
35 With a Little Help from My Friends (Joe Cocker)

https://pixeldrain.com/u/cbyrisBH

alternate:

https://bestfile.io/en/jJV74b5uh8a36UP/file

alternate:

https://www.imagenetz.de/gP7SW

Just like previous years, there was a group photo taken of the performers. Here are all their names.
Back row: Rick Astley, Howard Jones, Peter Gabriel, Joe Cocker, Phil Collins, Midge Ure
Middle row: Mark Knopfler, Brian May, Elton John, Eric Clapton
Front row: The Bee Gees, Robin, Barry and Maurice Gibb

Various Artists - Prince's Trust Rock Gala, Wembley Arena, London, Britain, 6-5-1987

I just posted the Prince's Trust concert from 1986. This is the 1987 concert. It's the same basic idea, but many of the songs and performers are different. Both are very worthwhile listens.

Like the 1986 concert, this one started with some newer musical acts. With the benefit of hindsight, some were good choices, and others... not so much (cough cough, Curiosity Killed the Cat and Go West, cough cough). But if you don't like all the artists, that's okay, because none of the first few acts lasted more than a single song.

There were fewer big name artists in this concert than the 1986 one. Plus, the entire concert was about half an hour shorter. (If, in fact, this is the whole thing - I'm not entirely sure.) But on the other hand, the finale was probably even more impressive. I'll get to that in a minute.

First though, I want to point out that, like the 1986 concert, for many of the songs, there was a backing band made up of many stars. I don't know which songs exactly, because I can't find the full video of this concert on YouTube. But, for instance, when Ben E. King sang his song, his backing band included Phil Collins on drums, Midge Ure on rhythm guitar, and Eric Clapton on lead guitar.

But the big deal was the finale. In the 1986, the biggest star was ex-Beatle Paul McCartney. But the 1987 concert outdid that by having two ex-Beatles performing together: George Harrison and Ringo Starr! Harrison's appearance was a particularly big deal because he hadn't performed in concert since his 1974 tour (other than a couple of brief appearances in the finales of other artist's concerts). 

I randomly stumbled across a description of the concert's finale in a 2015 article in Guitar World Magazine. Here it is:

"On June 5, 1987, three of the five original musicians who appeared on the classic Beatles 'White Album' track 'While My Guitar Gently Weeps' reunited to perform the song live at the Prince's Trust Rock Gala in London's Wembley Arena. George Harrison, Ringo Starr, and Eric Clapton were joined in an all-star U.K. band, including Elton John, Phil Collins, Jeff Lynne, Ray Cooper, and... well, if you're wondering who that understandably happy bassist is, it's Mark King from Level 42. Harrison, Starr, and Clapton last performed the song live 16 years earlier at the Concert for Bangladesh in New York City. What most interesting about this performance is the fact that A., the normally Strat-happy Clapton is playing a beautiful Gibson Les Paul, just as he did on the original 1968 recording, and B., the also-Strat-happy Harrison joins Clapton in the extended guitar solo at the end of the song. The two guitarists trade solos and feed off each other's energy, and their intertwining lines are often pretty damn cool."

In addition to that, someone, I'm guessing Clapton, played a guitar solo for "With a Little Help from My Friends," a song that normally lacked any solo. It's a shame that Jeff Lynne apparently didn't sing any of his Electric Light Orchestra hits. But he sang backing vocals on all three of the Beatles songs at the end. Given that Lynne is a huge Beatles fan, this must have been the closest he ever got to a fantasy of being a part of the Beatles, getting to sing with Harrison and Starr, with Clapton on guitar for good measure!

This album is an hour and 45 minutes long.

01 Running in the Family (Level 42 with Eric Clapton)
02 If I Was (Midge Ure)
03 Misfit (Curiosity Killed the Cat)
04 Don't Look Down (Go West)
05 Invisible (Alison Moyet)
06 Through the Barricades (Spandau Ballet)
07 [Something Inside] So Strong (Labi Siffre)
08 Run to You (Bryan Adams)
09 Hearts on Fire (Bryan Adams)
10 Somebody (Bryan Adams)
11 talk (Dave Edmunds & Bryan Adams)
12 The Wanderer (Dave Edmunds & Bryan Adams)
13 talk (Eric Clapton)
14 Wonderful Tonight (Eric Clapton)
15 Behind the Mask (Eric Clapton)
16 Stand by Me (Ben E. King)
17 talk (Phil Collins)
18 Reach Out, I'll Be There - I Can't Help Myself - Same Old Song (Phil Collins & Paul Young)
19 You've Lost That Loving Feeling (Phil Collins & Paul Young)
20 talk (Elton John)
21 Your Song (Elton John)
22 Saturday Night's Alright for Fighting (Elton John)
23 talk (George Harrison & Ringo Starr)
24 While My Guitar Gently Weeps (George Harrison & Eric Clapton with Ringo Starr & Jeff Lynne)
25 Here Comes the Sun (George Harrison with Ringo Starr & Jeff Lynne)
26 With a Little Help from My Friends (Ringo Starr with George Harrison, Eric Clapton & Jeff Lynne)

https://pixeldrain.com/u/W4HtwzDd

alternate:

https://bestfile.io/en/6mOchiVwGJ0ZR4P/file

I searched the Internet pretty thoroughly for a color version of the group photo from this concert. All I could find was a black and white version. I tinted it blue. If anyone can find the color version, please let me know so I can upgrade this. There are way too many people in the photo for me to try to make a colorized version.

Various Artists - Prince's Trust Rock Gala, Wembley Arena, London, Britain, 6-20-1986

Hmmm. I could have sworn I'd posted this months ago. I'd posted the 1982 Prince's Trust concert a while back. I was getting to post the next one in the series, from 1987, when I did a search and noticed this one wasn't here. So now you'll get two in a row, as I'll be posting the 1987 one today as well. 

Prince Charles, the crown prince of Britain at the time, ran a charity to help troubled youths. It's still going as I write this in 2024, and Charles has finally become king. 

These concerts didn't happen every year. In fact, I don't think there was any after the 1982 one I mentioned until this one, although there was a Dire Straits concert in 1985 that benefited the charity. This one, though, was truly a star-studded event. Perhaps inspired by Live Aid in 1985, the big names showed up in droves.

In fact, I find this concert frustrating, because so much big name talent was underused. The concerts started with sets by Big Country, Suzanne Vega, and Level 42. I definitely like Big Country and Suzanne Vega (whereas Level 42, not so much), and I've posted albums by them here. But it seems very odd to me that they got to play four or five songs each, while much bigger names like Sting, Mark Knopfler, George Michael, David Bowie, and Mick Jagger got less than one full song, since they only appeared as part of duets. Very strange.

That said, what there is here is quite good. It's just that I wish there had been a lot more of it. But as far as I can tell, this was the complete concert. I guess the organizers had to keep things relatively short because the concert was broadcast live on TV and radio in Britain. I gather the reason Big Country, Suzanne Vega, and Level 42 had such surprisingly long sets was because one purpose of the show was to showcase new talent. This is a trend with the other Prince's Trust concerts I'm aware of. At least in this year the new acts would end up being pretty good. (Some other years weren't so lucky.)

One special aspect of this concert is how much the big stars in the second half of the show performed together. You don't really see it in the artist credits on each song. For instance, typically, Phil Collins played drums, Elton John played piano, Midge Ure of Ultravox played rhythm guitar, and Eric Clapton or Mark Knoplfer played lead guitar. At one point, you can hear Rod Stewart joke about how happy he is to finally get Elton John in his backing band. But that's not all. You really the watch the video this (the whole thing can be found on YouTube as I type this) to see all the stars backing each other.

The highlights are many, too many for me to describe. But I'll point out that the biggest start of the evening had to be Paul McCartney, who closed the show. Keep in mind that, from the perspective of 1986, McCartney hadn't barely played in any concerts since the 1970s. Starting in 1989 he would go on a world tour, and he would tour often after that. But he'd only made three other concert appearances in the 1980s prior to this, and each one was just for a couple of songs at most. (For instance, he played one song for Live Aid in 1985.)

By the way, note that there's a flaw with the duet of "Dancing in the Street" by David Bowie and Mick Jagger. For some reason, Bowie's vocals are way down in the mix. I currently don't have the means to fix that, since it's tricky with them singing together most of the time. But with audio editing technology advancing recently, it probably will be fixable eventually.

Note that various versions of this concert have been officially released, both on audio and video. But as far as I can tell, none of them are complete. The audio version, for instance, is only the length of a single album. So there's a lot more music here.

This album is two hours and 17 minutes long.

01 Introduction (Emcee)
02 talk (Big Country)
03 Wonderland (Big Country)
04 Fields of Fire (Big Country)
05 talk (Big Country)
06 Look Away (Big Country)
07 Chance (Big Country)
08 talk (Big Country)
09 In a Big Country (Big Country)
10 talk (Big Country)
11 talk (Suzanne Vega)
12 Tom’s Diner (Suzanne Vega)
13 talk (Suzanne Vega)
14 Cracking (Suzanne Vega)
15 Small Blue Thing (Suzanne Vega)
16 talk (Suzanne Vega)
17 Marlene on the Wall (Suzanne Vega)
18 talk (Emcee)
19 Lesson in Love (Level 42)
20 Leaving Me Now (Level 42)
21 Something about You (Level 42)
22 talk (Level 42)
23 Your Song (Elton John)
24 talk (Phil Collins)
25 In the Air Tonight (Phil Collins)
26 talk (Emcee)
27 Better Be Good to Me (Tina Turner)
28 talk (Tina Turner)
29 Tearing Us Apart (Eric Clapton & Tina Turner)
30 talk (Eric Clapton)
31 Call of the Wild (Midge Ure)
32 talk (Midge Ure)
33 Money for Nothing (Mark Knopfler & Sting)
34 talk (Mark Knopfler)
35 Every Time You Go Away (Paul Young)
36 talk (Paul Young)
37 Reach Out (Joan Armatrading)
38 No One Is to Blame (Howard Jones)
39 talk (Rod Stewart)
40 Sailing (Rod Stewart)
41 I’m Still Standing (Elton John)
42 talk (Elton John)
43 Every Time You Go Away (Paul Young & George Michael)
44 talk (George Michael)
45 I Saw Her Standing There (Paul McCartney)
46 Long Tall Sally (Paul McCartney)
47 talk (Paul McCartney)
48 Dancing in the Street (David Bowie & Mick Jagger)
49 Get Back (Paul McCartney & Everyone)
50 talk (Paul McCartney)

https://pixeldrain.com/u/kFX6wzSe

alternate:

https://bestfile.io/en/FFh3i4FUiXCUiKw/file

Each time one of these concerts happened, there typically was a group photo. If anyone wants to identify all the people in the photo, that would be great.

Live Aid - Wembley Stadium, London, Britain, 7-13-1985, Part 2: Spandau Ballet, Elvis Costello, Nik Kershaw, Sade, Sting, and Phil Collins

This is the second part of the London portion of Live Aid. The British concert was shorter than the American one, only about five and half hours of actual music compared to about eight hours in the U.S. So I've made only five albums for the British portion compared to seven albums for the American one.

Spandau Ballet was the first act for this part of the concert. They were always much bigger in Britain than the U.S. For instance, at this point in their career, they'd had fourteen Top Forty hits in Britain compared to only two Top Twenty hits in the U.S.

Next up was Elvis Costello. I must say I'm disappointed that he was only allowed to play one song. Consider for instance that he had eleven Top Forty hits in Britain at this point in his career, compared to the fourteen Spandau Ballet had. But Spandau Ballet got to play four songs and he only got one. It seems a lot of this was just how much organizer Bob Geldof and his friends liked you. Anyway, Costello surprised by not playing any of his hits. Instead, he did a cover of "All You Need Is Love" by the Beatles, which he introduced as an "old Northern English folk song."

Nik Kershaw was next. He isn't that well known today, but he was hot in 1985. At the time, he'd put out two albums and had seven Top Forty hits in Britain. But after Live Aid, he would only get only one more Top Forty hit, later in 1985. (Again, it seems odd he was able to play four songs, and Costello with more British hits, only played one.)

The band Sade was up next. Lead singer Sade Adu was born in Nigeria, making her the only Live Aid star actually from Africa. However, the rest of her band was British, and she'd lived in Britain since she was a toddler. Sade was especially big in Britain at the time. They had only released two albums at the time, but both of them went multi-platinum in Britain. Surprisingly, she didn't perform her biggest hit and signature song, "Smooth Operator."

As with the Philadelphia concert, the fame of the musical acts grew bigger as the concert went on. But there may have been an exception in this part, due to Phil Collins flying on a plane across the Atlantic Ocean to perform in Philadelphia later in the day. He was so famous at the time he probably would have been one of the last acts. 

This part of the concert ended with Sting and Phil Collins. Both of them were big stars at the time, and they were introduced together. But in fact Sting performed two songs by himself, then Collins performed two songs by himself. Only then did they perform two songs together. Apparently, this collaboration was spurred by the fact that Sting sang on the song "Long Long Way to Go" on Collins' most recent studio album. It was particularly fitting to the purpose of the concert, so they performed it together.

024 talk (Andy Peebles)
025 Only When You Leave (Spandau Ballet)
026 talk (Spandau Ballet)
027 Virgin (Spandau Ballet)
028 talk (Spandau Ballet)
029 True (Spandau Ballet)
030 talk (Andy Peebles)
031 All You Need Is Love (Elvis Costello)
032 talk (Tommy Vance)
033 Wide Boy (Nik Kershaw)
034 Don Quixote (Nik Kershaw)
035 The Riddle (Nik Kershaw)
036 Wouldn't It Be Good (Nik Kershaw)
037 Why Can't We Live Together (Sade)
038 Your Love Is King (Sade)
039 Is It a Crime (Sade)
040 talk (Noel Edmonds)
041 talk (Sting)
042 Roxanne (Sting)
043 Driven to Tears (Sting)
044 talk (Phil Collins)
045 Against All Odds (Phil Collins)
046 Message in a Bottle (Sting)
047 In the Air Tonight (Phil Collins)
048 talk (Phil Collins)
049 Long Long Way to Go (Phil Collins & Sting)
050 Every Breath You Take (Phil Collins & Sting)

https://www.upload.ee/files/15748941/LveAidJFKStdiumLondnPA__7-13-1985_Part2.zip.html

Like the other albums in this series, I split the cover into four so I could have pictures from the concert of more of the musical acts. That's members of Spandau Ballet on the top left, Nik Kershaw on the top right, Sade Adu, lead singer of Sade, on the bottom left, and Phil Collins and Sting together on the bottom right. There were five albums in this part, so I had to leave one out. I excluded Elvis Costello, since he only performed one song.

Live Aid - JFK Stadium, Philadelphia, PA, 7-13-1985, Part 5: Neil Young, the Power Station, the Thompson Twins, Eric Clapton, and Phil Collins

This is the fifth part of the Philadelphia portion of the 1985 Live Aid concert. Two more Philadelphia parts will follow.

First up in this part was Neil Young. As I mentioned previously, he would later play a set as part of Crosby, Stills, Nash and Young, but first he did this solo set. He did the first couple of songs truly solo, with just his acoustic guitar, but he was in full electric band mode by the last song.

The Power Station was a side band by some members of Duran Duran, with Robert Palmer as the singer. In addition to this set, Duran Duran had their own set later in the concert.

There's not much to say about the Thompson Twins set, except that it's worth noting Madonna joined them on backing vocals on one song, while they also helped with backing vocals on one of the songs in Madonna's set.

Eric Clapton was up next. I watched Live Aid as a kid, and I remember being excited that he played "White Room," which he originally did as part of Cream in the 1960s. He almost never played the song as a solo artist until earlier in 1985.

The final artist on this album was Phil Collins. He played a set early in the Live Aid concert in London, then rushed to a helicopter, flew a Concorde to the U.S., then took another helicopter to the Live Aid concert in Philadelphia, where he played this set. That made him the only person to play both Live Aid shows. He was a busy guy, because he also played drums for Eric Clapton in the set before this one, then later played drums as part of the Led Zeppelin reunion. Unfortunately though, the two songs he played in his solo set in Philadelphia were the same ones he played in London. Apparently this was because he played alone on piano, and those were the only two songs he knew in that format.

Once again, I was able to find some introductions, and only missed the intro for Neil Young this time. Actor Don Johnson introduced the Power Station. Actress and singer Bette Midler introduced the Thoimpson Twins. Music promoter Bill Graham introduced Eric Clapton. Actor Jack Nicholson assisted Midler in introducing Phil Collins.

This album is an hour and eleven minutes long.

097 Sugar Mountain (Neil Young)
098 The Needle and the Damage Done (Neil Young)
099 Helpless (Neil Young)
100 Nothing Is Perfect (Neil Young)
101 Powderfinger (Neil Young)
102 talk (Bill Graham)
103 talk (Don Johnson)
104 Murderess (Power Station)
105 talk (Power Station)
106 Get It On [Bang a Gong] (Power Station)
107 talk (Bill Graham)
108 talk (Bette Midler)
109 Hold Me Now (Thompson Twins)
110 talk (Thompson Twins)
111 Revolution (Thompson Twins with Madonna, Steve Stevens & Nile Rodgers)
112 talk (Bill Graham)
113 White Room (Eric Clapton)
114 She's Waiting (Eric Clapton)
115 Layla (Eric Clapton)
116 talk (Jack Nicholson & Bette Midler)
117 Against All Odds [Take a Look at Me Now] (Phil Collins)
118 talk (Phil Collins)
119 In the Air Tonight (Phil Collins)

https://www.upload.ee/files/15724528/LveAidJFKStdiumPhladlphiaPA__7-13-1985_Part5.zip.html

As with most of the other parts in this series, I divided the cover art into four photos taken at the concert. Neil Young is on the top left, the Thompson Twins are on the top right, Eric Clapton is on the bottom left, and Phil Collins is on the bottom right.

Various Artists - Prince's Trust Rock Gala, Dominion Theatre, London, Britain, 7-7-1982

I had decided that, in addition to working on my big BBC project and having other musical attentions, I want to make a more concerted effort to post "various artists" concerts. People know of the big ones, like Woodstock and Live Aid, but there are many lesser ones that often slip through the cracks, where they don't get officially released in full or at all, yet bootlegs aren't common either since there isn't one big performance by someone famous to draw attention.

Here's one such example. It's the first of several semi-annual Prince's Trust concerts from the 1980s that I plan on posting. I don't know much about these concerts since I'm not British and only recently discovered recordings of them. But I looked up the Prince's Trust on Wikipedia. It's a charity that was founded in 1978 by then Prince Charles, who is now King Charles III as I write this in 2023. It funds a variety of programs to help troubled youths. According to Wikipedia, it has been very successful and is the country's biggest youth-targeted charity.

This was the first benefit concert for the charity. More would be held in the 1980s, though not every year. They stopped happening around 1990, but then have resumed occasionally in the 2010s. The 1980s versions typically had impressive line-ups of usually British musical acts. 

What I think is particularly interesting about them is that different stars didn't just perform with their usual backing bands and then leave the stage. That was sometimes the case, but other times, a house band would be formed that played for a bunch of different artists. For this show, Madness started out with a 26-minute long set, easily the longest of the show, and it was just them. Then came a reggae band called Unity, and it was just them. Joan Armatrading performed two songs next, alone on stage with her acoustic guitar.

After that, Phil Collins played his classic "In the Air Tonight" in an unusual stripped down version with just him on piano and no drums. From that point on, I'm pretty sure he didn't leave the stage for the rest of the concert. He backed "Jethro Tull" on drums. I put that name in quotes because it was really just lead singer Ian Anderson. Then the same band stayed on stage for the rest of the concert. It featured some big names playing together, including Phil Collins on drums, Pete Townshend on lead guitar, and Gary Brooker on keyboards. I found it especially interesting having Townshend playing guitar behind the likes of Kate Bush and Robert Plant. I don't know if that's happened on other occasions. You can watch the whole concert on YouTube if you want to see who played what exactly.

Speaking of Townshend, he was still mostly preoccupied being a member of the Who at this time and almost never performed in concert without them. So that's interesting all by itself. But he also said that his performance of "Slit Skirts" was the first time he'd played piano in public. But what really surprised the heck out of me is that the final song of the concert, "I Want to Take You Higher," was a cover of the Sly and the Family Stone classic funk sung mostly by Townsend (with Robert Plant on backing vocals). I looked it up on setlist.fm, and that's the only time he ever performed that.

Speaking of rare, Kate Bush concert appearances are slightly less rare than hen's teeth. She only sang one song and then left the stage. But this seems to be the only time she ever sang "The Wedding List" in front of an audience.

In case you're curious, Prince Charles and his new wife Princess Diana (they married the year before) sat in the balcony and watched the entire show. I wonder if they really enjoyed these musical styles or if they were just being polite.

The sound quality is pretty good, but not great. I took it from YouTube videos, and there was some loss of quality along the way. However, I used the UVR5 audio editing program to boost the lead vocals relative to the instruments in some cases, and that helped. I especially did a lot of that for "In the Air Tonight." In the beginning of the song especially, the vocals were very low. That's why that one song has "[Edit]" in its title.

The album is an hour and 25 minutes long.

01 God Save the Queen (Madness)
02 House of Fun - Shut Up (Madness)
03 talk (Madness)
04 Tomorrow's Dream (Madness)
05 Madness (Madness)
06 talk (Madness)
07 One Step Beyond (Madness)
08 Baggy Trousers (Madness)
09 Driving in My Car (Madness)
10 It Must Be Love (Madness)
11 talk (Unity)
12 Crab Race (Unity)
13 talk (Joan Armatrading)
14 Love and Affection (Joan Armatrading)
15 talk (Joan Armatrading)
16 Steppin' Out (Joan Armatrading)
17 In the Air Tonight [Edit] (Phil Collins)
18 Jack in the Green (Jethro Tull with Phil Collins)
19 talk (Jethro Tull with Phil Collins)
20 Pussy Willow (Jethro Tull with Phil Collins)
21 talk (Midge Ure)
22 No Regrets (Midge Ure)
23 Let My Love Open the Door (Pete Townshend)
24 talk (Pete Townshend)
25 Slit Skirts (Pete Townshend)
26 A Whiter Shade of Pale (Gary Brooker)
27 talk (Gary Brooker)
28 The Wedding List (Kate Bush)
29 talk (Pete Townshend)
30 Worse than Detroit (Robert Plant)
31 I Want to Take You Higher (Pete Townshend & Everyone)

https://pixeldrain.com/u/vGspapgK

alternate:

https://bestfile.io/gOWdPKGbgy9TK02/file

alternate:

https://www.upload.ee/files/15483233/VarArtsts_1982_PrincsTrstRckGalaDomnionTheatrLondnBritain__7-7-1982_atse.zip.html

I could have taken a screenshot of the video for the cover art, but the video quality was merely okay. Luckily, I found a couple of photos. I chose one with Robert Plant (left), Mick Karn (center, the bassist in the band Japan), and Pete Townshend (right). The photo was in black and white, but I knew the colors from the video, so I made sure they matched, especially Plant's "Where's Waldo"-styled red and white shirt.

B. B. King and Friends - A Night of Blistering Blues, Ebony Showcase Theater, Los Angeles, CA, 4-15-1987

Hopefully, if you're a fan of the blues, you'll take a look at the list of artists mentioned on the cover art, say, "Wow!" and download this immediately. This concert mainly features B. B. King, who does all the talking, but his special guests are: Paul Butterfield, Eric Clapton, Phil Collins, Dr. John, Etta James, Albert King, Chaka Khan, Gladys Knight, Billy Ocean, and Stevie Ray Vaughan.

Why did all of these big names of soul and blues get together for this concert? I don't know if there was some special occasion or anniversary, but this show was filmed for a TV special shown on Cinemax, alternately called "A Night of Blistering Blues" or "A Blues Night." I've gone with the former name because it's more interesting.

Generally speaking, King did the lion's share of lead vocals. But he shared vocals with Albert King, Etta James, Billy Ocean, Gladys Knight, and Chaka Khan. I believe Phil Collins played drums on all the songs, along with another drummer. Paul Butterfield did all the harmonica playing. Eric Clapton and Stevie Ray Vaughan played lead guitar, and on more songs than just the ones they're credited on below. B. B. King and Albert King played lots of lead guitar as well.

This really was a once in a lifetime gathering of musical greats, and they rose to the occasion. I don't know why this has never been officially released as an album. The only flaw is that the last song was a blues jam with all the lead guitarists: B. B. King, Albert King, Eric Clapton, and Stevie Ray Vaughan. But unfortunately, it fades out after only a minute of guitar soloing from B. B. King. If you watch the video of this on YouTube, you'll see the credits are rolling and the recording ends when the show finishes.

This album is 56 minutes long.

01 Why I Sing the Blues (B. B. King, Albert King, Etta James, Billy Ocean, Gladys Knight & Chaka Khan)
02 talk (B. B. King)
03 Please Send Me Someone to Love (B. B. King & Gladys Knight)
04 talk (B. B. King)
05 The Thrill Is Gone (B. B. King with Eric Clapton & Phil Collins)
06 talk (B. B. King)
07 I'd Rather Go Blind (B. B. King, Dr. John & Etta James)
08 talk (B. B. King)
09 When Something Is Wrong with My Baby (B. B. King, Chaka Khan & Billy Ocean)
10 talk (B. B. King)
11 The Sky Is Crying (B. B. King, Paul Butterfield, Albert King & Stevie Ray Vaughan)
12 talk (B. B. King)
13 Something's Got a Hold on Me (B. B. King & Etta James)
14 talk (B. B. King)
15 In the Midnight Hour (B. B. King & Billy Ocean with Paul Butterfield & Stevie Ray Vaughan)
16 talk (B. B. King)
17 Ain't Nobody's Business (B. B. King, Etta James, Chaka Khan & Gladys Knight)
18 talk (B. B. King)
19 Let the Good Times Roll (B. B. King, Albert King & Etta James)
20 Take My Hand, Precious Lord (B. B. King, Etta James, Chaka Khan & Gladys Knight)
21 talk (B. B. King)
22 Blues Jam [Instrumental] (B. B. King)

https://www.upload.ee/files/16687605/BBKNG1987_NghtofBlistrinBlusEbnyShwcseThetr__4-15-1987_atse.zip.html

I haven't seen any good photos from this concert. So I took a screenshot from the YouTube video. The quality is rather low-res, but this is all there is. From right to left, you can see: Stevie Ray Vaughan, B. B. King, Albert King, Eric Clapton, and Etta James.

Phil Collins - Stick It - Demos from the Early Years (1980-1990) (A Mike Solof Guest Post)

Here's another post by my musical friend Mike Solof. If you've been following my blog, you may have seen that he's made two guest posts already, one about the Monkees and the other about Genesis. Generally speaking, there are some musical artists that I either don't like or at least don't like enough to create albums for them. Genesis/Phil Collins is a good case in point. I'm somewhat of a fan, but not enough of a fan to do a deep dive. So Mike can pick up the slack on that. Knock on wood, more guest posts from him should be coming soon.

I'm not going to say much about this album, because Mike likes to create PDF files with explanations and pictures. So I'll mostly leave the comments to him in the PDF. But the really short version is that this is a collection of the demos of many songs from Phil Collins' 1980s albums. The demos usually aren't acoustic, but they're often stripped down compared to the final released versions, and sometimes they have significant differences. Most of the songs come from bonus tracks, but there are some unreleased ones, including some songs that haven't been officially released in any form.

By the way, all the songs are studio versions, except the last two, which are kind of live bonus tracks, from "The Secret Policeman's Other Ball" in 1981.

This album is an hour and 42 minutes long.

01 In the Air Tonight (Phil Collins)
02 This Must Be Love (Phil Collins)
03 The Roof Is Leaking (Phil Collins)
04 Please Don’t Ask (Phil Collins)
05 Hand in Hand (Phil Collins)
06 Against All Odds (Phil Collins)
07 Please Don’t Break My Heart (Phil Collins)
08 Tomorrow Never Knows (Phil Collins)
09 Misunderstanding (Phil Collins)
10 Oddball [Do You Know, Do You Care] (Phil Collins)
11 Thru These Walls (Phil Collins)
12 Don’t Let Him Steal Your Heart Away (Phil Collins)
13 The West Side (Phil Collins)
14 Why Can’t It Wait Til Morning (Phil Collins)
15 Sussudio (Phil Collins)
16 Only You Know and I Know (Phil Collins)
17 One More Night (Phil Collins)
18 Take Me Home (Phil Collins)
19 Something Happened on the Way to Heaven [Broadway Chorus] (Phil Collins)
20 Another Day in Paradise [Homeless] (Phil Collins)
21 Do You Remember (Phil Collins)
22 I Wish It Would Rain Down (Phil Collins)
23 The Roof Is Leaking (Phil Collins)
24 In the Air Tonight (Phil Collins)

https://pixeldrain.com/u/Hy2CRqyd

alternate:

https://bestfile.io/en/i4znArrBnjxe1Cm/file 

alternate:

https://www.imagenetz.de/mknfw

Mike picked the cover art photo. Then I added the text. I don't know the source.

Phil Collins - VH-1 Storytellers, MTV-VH-1 Studios, Santa Monica, CA, 4-14-1997

This album came about as a happy accidental side effect of posting the previous acoustic Genesis album. When Mike sent me that album, he didn't have the mp3 tag information for the songs, so I looked that up. In doing so, I noticed that two of the songs came from a Phil Collins VH-1 Storytellers concert. I'm not a huge Phil Collins fan; I like him about on the greatest hits level, but I liked him enough to give the whole Storytellers concert a listen. I decided I liked it enough to keep it in my music collection, and also post it in full here. So the two Genesis songs Collins does for this appear here instead of on the acoustic Genesis album Mike made.

If you've been following this blog for a while, you may have noticed that I have a special fondness for acoustic music. I like hearing a strong stripped down to its most basic essence. Collins' poppy hits are usually very produced, and sometimes overproduced with 1980s and 1990s excesses, so hearing them done in this acoustic manner is especially revealing. It's made me appreciate his musical talents more than before. He also talked a fair amount between songs, telling interesting anecdotes about the songs and how they were created.

The last two songs don't actually come from the 1997 Storytellers concert. Instead, they come from a benefit concert one year later, where he played two songs in the same acoustic format. They fit right in, with him even having some of the same entertaining banter, so I've added them at the end as quasi-bonus tracks.

I believe this concert has been released on DVD, but never in audio format. So I converted the video file of the DVD into mp3s. This album is 54 minutes long, including the two songs from a different concert at the end.

UPDATE: On September 2, 2024, I changed the album cover, and updated the title after I discovered a more accurate location for the concert.

01 In the Air Tonight (Phil Collins)
02 talk (Phil Collins)
03 In the Air Tonight [Reprise] (Phil Collins)
04 talk (Phil Collins)
05 talk (Phil Collins)
06 Against All Odds [Take a Look at Me Now] (Phil Collins)
07 talk (Phil Collins)
08 I Can't Dance (Phil Collins)
09 talk (Phil Collins)
10 No Son of Mine (Phil Collins)
11 talk (Phil Collins)
12 Since I Lost You (Phil Collins)
13 talk (Phil Collins)
14 Take Me Home (Phil Collins)
15 talk (Phil Collins)
16 I Wish It Would Rain Down (Phil Collins)
17 talk (Phil Collins)
18 This Must Be Love (Phil Collins)
19 talk (Phil Collins)
20 Home by the Sea (Phil Collins)
21 talk (Phil Collins)
22 Sussudio (Phil Collins)
23 talk (Phil Collins)
24 Both Sides of the Story (Phil Collins)
25 Another Day in Paradise (Phil Collins)

https://pixeldrain.com/u/jhpeU8Hv

alternate:

https://bestfile.io/en/PnWVLSgJvhAyhDP/file

The cover art photo comes from a video still of the DVD of this concert. It's a bit low-res, but that's the best I could find. In January 2025, I upgraded it with the Krea AI program, but it didn't change it as much as I'd hoped.

Genesis - An Acoustic Evening with Genesis (1999-2007) (A Mike Solof Guest Post)

If you've been regularly following this blog, you may recall that a couple of months ago, I posted a "dream concert" of sorts by the Monkees. That was put together by a musical friend named Mike. It turns out Mike Solof has a lot more music that he'd like to post here. His musical taste is similar to mine, but he likes some musical artists I'm not that keen on. So, at least for now, he's going to focus on those. Basically, the plan is that he'll send me an album, I'll make some tweaks to it, or maybe not, but in the end the idea and most of the effort putting the album together belongs to Mike. From now on, I'll indicate which albums are Mike's efforts by putting his name in the title.

In terms of explaining things, Mike prefers to make a PDF file where he can write at greater length sometimes, and also include pictures. There's such a PDF included with this zip file. But I'll make some basic comments to give you a rough idea of what this is about.

Genesis is known as a progressive rock band, and definitely aren't known to play acoustically. But Mike has found some acoustic versions of some songs, enough to make an hour-long album. All the versions here were recorded from 1999 to 2007. But in terms of the original material, this runs the range from the early 1970s when Peter Gabriel was the lead singer to the 1990s with Phil Collins in command and the band had gone in a much poppier direction. Most of the songs are sung by Collins, but there's about 20 minutes near the end in which Gabriel's early 1970s vocals were overdubbed onto new recorded solo piano versions of Genesis songs.

Mike has this thing where he likes to present his albums as a single mp3 file, to create a continuous flow of music without any gaps. I prefer having each song as a separate track, which helps having the mp3 tag info for each of the songs. Since file size isn't much of an issue on the Internet, we're having it both ways. I'm presenting two zip files. The names should make clear which is which. Both contain Mike's PDF file. 

As for any more comments about this album, please check out Mike's PDF file. And thanks to Mike for wanting to share his music via my blog this way. Hopefully he'll be able to fill in some gaps with some popular music that I'm not that keen on. It seems he especially has a lot of progressive music that I don't (with Genesis here being a good example).

01 I Can’t Dance (Genesis)
02 Invisible Touch (Genesis)
03 Follow You, Follow Me (Genesis)
04 Afterglow (Genesis)
05 Horizons (Genesis)
06 Please Don’t Ask (Genesis)
07 Turn It On Again (Genesis)
08 Ripples (Genesis)
09 Can-Utility and the Coastliners (Yngve Guddal & Roger T. Matte with Peter Gabriel)
10 The Fountains of Salmacis (Yngve Guddal & Roger T. Matte with Peter Gabriel)
11 The Battle of Epping Forest (Yngve Guddal & Roger T. Matte with Peter Gabriel)
12 Blood on the Rooftops (Yngve Guddal & Roger T. Matte with Phil Collins)
13 Mad Man Moon (Yngve Guddal & Roger T. Matte with Phil Collins)

https://www.upload.ee/files/15118273/Gensis_1999-2007_AnAcoustcEveningwithGen_atse.zip.html

Mike didn't present me with cover art for this album, so I made one. I don't know where the cover art photo comes from. I found it in Mike's PDF file. Maybe he can explain. But it looks like the Phil Collins-led version of Genesis performing acoustically in the time period of this album.