Showing posts with label Sam Moore. Show all posts
Showing posts with label Sam Moore. Show all posts

Saturday, May 9, 2026

The Funk Brothers (with Joan Osborne, Sam Moore, the Four Tops, and More) - International De Jazz De Montreal, Montreal, Canada, 7-4-2004

Have you ever heard of the "Funk Brothers?" Maybe not, but you certainly must know many of the songs they played on. They were the house band for Motown Records in the 1960s and early 1970s. They played on at least 50 Number One hit songs in the U.S., and many hundreds of other hits. But they played in almost total obscurity until 2002, when the documentary movie "Standing in the Shadows of Motown" finally told their story. They did some touring in the wake of that movie. Here's one concert where they were joined by some famous singers, especially Joan Osborne, Sam Moore, and the Four Tops.

I'm not going to go into a detailed history of the Funk Brothers. If you want to know more, here's the Wikipedia page about them: 

The Funk Brothers - Wikipedia

But I will mention that there were about 13 members in all. The involvement of different people changed over the years they worked for Motown, roughly 1959 to 1972. By the time of this concert, many key members had died or retired. These are the ones who actually performed at this concert:

Jack Ashford - percussion
Bob Babbit - bass
Eddy Jr Willis - guitar
Joe Hunter - keys
Uriel Jones - drums
Ed Green - drums

Since none of them sang, the lead vocals are done by a series of guests. I couldn't find any information about the first singer, Naydan Neile. It's possible the spelling of that name is incorrect. (I got the name from the DVD of this concert, and they misspelled the name of another singer.) The second singer, Haydain Neale, was the lead singer of the band Jacksoul. He died quite young of lung cancer in 2009. Then there were four songs by Joan Osborne. Two were followed by Sam Moore, of the soul duo Sam and Dave. A short set by the Four Tops followed. They still had their same four original members.

Then, for the last song, everyone (but the Four Tops) sang together. A couple of other singers were present, including Carolyn Crawford. She sang on some Motown hits back in the 1960s, including "My Smile Is Just a Frown (Turned Upside Down)." But in this recording, we only get her singing a couple of lines in the final song. I assume this concert is edited down, and she sang one or more songs earlier in the show.

The sound quality is excellent, because I took this from a DVD of the concert. It hasn't been released on any audio format. But, as I was just suggesting above, the actual concert must have been longer. The editing is tight, with almost no pause or banter between songs. 

The Funk Brothers were getting rather old by the time of this concert. So they did some touring from 2003 to 2005 to celebrate and promote the "Standing in the Shadows of Motown" movie, then retired for good. I've come across various bootlegs of some of their concerts from those years, but this one has the best sound quality, by far. 

This album is 58 minutes long. 

01 talk by emcee (Funk Brothers)
02 You Can't Hurry Love (Funk Brothers with Naydan Neile)
03 Ooo Baby Baby (Funk Brothers with Naydan Neile)
04 Let's Get It On (Funk Brothers with Haydain Neale)
05 Mercy, Mercy Me [The Ecology] (Funk Brothers with Haydain Neale)
06 What's Going On (Funk Brothers with Haydain Neale)
07 For Once in My Life (Funk Brothers with Joan Osborne)
08 talk (Funk Brothers with Joan Osborne)
09 [Love Is like A] Heat Wave (Funk Brothers with Joan Osborne)
10 talk (Funk Brothers with Joan Osborne)
11 What Becomes of the Broken Hearted (Funk Brothers with Joan Osborne)
12 talk (Funk Brothers with Joan Osborne)
13 I Heard It through the Grapevine (Funk Brothers with Joan Osborne)
14 talk (Funk Brothers with Sam Moore)
15 [Your Love Has Lifted Me] Higher and Higher (Funk Brothers with Sam Moore)
16 Ain't Too Proud to Beg (Funk Brothers with Sam Moore)
17 Baby I Need Your Loving (Funk Brothers with the Four Tops)
18 Reach Out, I'll Be There (Funk Brothers with the Four Tops)
19 Standing in the Shadows of Love (Funk Brothers with the Four Tops)
20 I Can't Help Myself [Sugar Pie, Honey Bunch] (Funk Brothers with the Four Tops)
21 talk (Funk Brothers with the Four Tops)
22 Ain't No Mountain High Enough (Funk Brothers with Everyone)

This album is 57 minutes long.

https://pixeldrain.com/u/rW8yXYkg

alternate:

https://bestfile.io/lsvjG4vKabl1kzg/file

The cover image is a screenshot I took of a video of this exact concert. It shows three of the Four Tops in black jackets in front, plus some of the Funk Brothers wearing red jackets a bit behind. 

Wednesday, October 8, 2025

Various Artists - 25th Anniversary Rock and Roll Hall of Fame Concert, Madison Square Garden, New York City, 10-29-2009

Here's a really great concert filled with lots of big stars performing classic songs. It was a two-day concert in New York City, celebrating the 25th anniversary of the Rock and Roll Hall of Fame. I'm posting both days of the concert, and this is the first one. I highly recommend this.

This two-day long concert had an unusual and interesting format: eight major artists were chosen: Crosby, Stills and Nash, Paul Simon (with and without Art Garfunkel), Stevie Wonder, and Bruce Springsteen for the first day, and Aretha Franklin, Jeff Beck, Metallica, and U2 for the second day. Each of those major stars were hosts for one fourth of the days they were on. Then they invited other stars to join them, to play a song or two. For instance, the first major artist, Crosby, Stills and Nash, had Bonnie Raitt, Jackson Browne, and James Taylor as their guests. The result was that, between the major stars and their guests, most of the major areas of rock and roll going back to the 1950s were represented. 

There were some key gaps though. For instance, although Mick Jagger was a guest on the second day to represent the Rolling Stones, there really wasn't any special representation of the Beatles, the most important musical act of all. (Although there were occasional covers of Beatles songs, at least.) Bob Dylan was also very missed. But then again, you can only do so much in two concerts containing about four hours each. 

I spent a long time putting this together. It was quite tricky. I was able to find all the songs from this, the first night, but only two and a half hours from the second night, even though that one probably lasted about four hours as well. The main source I used was an officially released DVD. But the longest version of that was only about three hours for both concerts combined. Plus, many of those were bonus tracks, which meant they were out of order and often had the starts and ends cut off.

Luckily for me, Wikipedia came through for me particularly well, with a list of all the songs performed in the correct order, including lots of details. You can see that, and more info about the concert, here:

25th Anniversary Rock and Roll Hall of Fame Concerts - Wikipedia 

From that, I was able to figure out the songs I was missing, and try to find them. It turns out four hours of highlights were shown on HBO the year the concert happened. That was longer than the DVD, so I found some extra songs there. Then I found an audience bootleg of the entire first day. That's why I was able to include all the songs. However, the sound quality of the songs from the audience bootleg was significantly poorer than the songs from the DVD and the HBO broadcast. But, luckily, I was able to clean things up quite a lot, by putting a lot of effort into audio editing. I ran all the audience boot sourced songs through two processes that I use in cases like this. For one thing, I used the MVSEP audio editing program to raise the volume of the lead vocals in contrast to the instruments. (That is such a common problem for concert bootlegs.) Then I also used MVSEP to wipe out the crowd noise during the songs, while keeping the cheers at the beginnings and ends of songs. In my opinion, that made the quality gap between the different sources a lot smaller, though still noticeable. ("Marrakesh Express" is an example of one of the audience boot sourced songs, and the songs just before and after it are not, if you want to make a comparison.)

However, I still had a lot of work to do. Another problem with the audience boot-sourced song is that the cheering at the ends of songs sounded quite different, with the sound of clapping of individual people near the taper more prominent. I mostly fixed this by copying and pasting cheering from the ends of DVD-sourced songs, and slathering it over the cheering of the audience boot-sourced songs. I also had a lot of transition issues. It was rare to have two songs in a row from the same source. I generally fixed that by patching in more generic cheering. Yet another problem was the banter between songs. The ones from the audience boot-sourced songs sounded really weak. So I did extra editing to pull the actual talking out from the background noise. 

I could go on and on. There were lots of little tweaks. But I'm hoping that the end result is this will sound like one coherent concert from one source, more or less, and you won't notice the "making of the sausage" with all the editing to get it to sound that way. It would be really great if this whole thing gets officially released one day, in top quality. But I'm not holding my breath waiting for that.

One thing that makes this concert special is all the collaborations. There are too many to count. Lots and lots of big names performing songs together, and usually the only time they ever did that for the songs. There were some interesting cover versions as well, as an attempt to have some inclusion of famous musician who died or otherwise didn't attend. Stevie Wonder singing the Michael Jackson song "The Way You Make Me Feel" and Paul Simon with Crosby and Nash singing "Here Comes the Sun" are just two examples of that.

This should particularly delight Bruce Springsteen fans. He dominated this first night, which his section of the concert lasting an hour and a half, easily the longest. And he assisted Jerry Lee Lewis on the first song of the night as well. (Plus, he showed up on the second night as well, as we shall see later.)

This album is four hours and eight minutes long.

01 talk (Tom Hanks)
02 talk (Jerry Lee Lewis)
03 Whole Lotta Shakin' Going On (Jerry Lee Lewis with Bruce Springsteen)
04 Woodstock (Crosby, Stills & Nash)
05 Marrakesh Express (Crosby, Stills & Nash)
06 talk (Graham Nash)
07 Almost Cut My Hair (Crosby, Stills & Nash)
08 talk (David Crosby)
09 talk (Bonnie Raitt)
10 Love Has No Pride (Bonnie Raitt & Crosby, Stills & Nash)
11 Midnight Rider (Bonnie Raitt & Crosby, Stills & Nash)
12 talk (Graham Nash)
13 talk (Jackson Browne)
14 The Pretender (Jackson Browne & Crosby, Stills & Nash)
15 talk (James Taylor)
16 Mexico (James Taylor & Crosby, Stills & Nash)
17 Love the One You're With (James Taylor & Crosby, Stills & Nash)
18 Rock and Roll Woman (Crosby, Stills & Nash)
19 talk (Graham Nash)
20 Teach Your Children (Crosby, Stills & Nash & Bonnie Raitt, Jackson Browne & James Taylor)
21 Diamonds on the Soles of Her Shoes (Paul Simon)
22 Me and Julio Down by the Schoolyard (Paul Simon)
23 You Can Call Me Al (Paul Simon)
24 talk (Paul Simon)
25 Here Comes the Sun (Paul Simon with Crosby & Nash)
26 talk (Paul Simon)
27 The Wanderer (Dion & Paul Simon)
28 Late in the Evening (Paul Simon)
29 talk (Paul Simon)
30 Two People in the World (Little Anthony & the Imperials)
31 The Sound of Silence (Simon & Garfunkel)
32 Mrs. Robinson - Not Fade Away (Simon & Garfunkel)
33 The Boxer (Simon & Garfunkel)
34 Bridge Over Troubled Water (Simon & Garfunkel)
35 Cecilia (Simon & Garfunkel)
36 Blowin' in the Wind (Stevie Wonder)
37 talk (Stevie Wonder)
38 Uptight [Everything's Alright] (Stevie Wonder)
39 I Was Made to Love Her (Stevie Wonder)
40 For Once in My Life (Stevie Wonder)
41 Signed, Sealed, Delivered, I'm Yours (Stevie Wonder)
42 Boogie On Reggae Woman (Stevie Wonder)
43 talk (Stevie Wonder)
44 The Tracks of My Tears (Smokey Robinson & Stevie Wonder)
45 talk (Stevie Wonder)
46 Mercy Mercy Me [The Ecology] (Stevie Wonder & John Legend)
47 The Way You Make Me Feel (Stevie Wonder with John Legend)
48 talk (Stevie Wonder)
49 The Thrill Is Gone (B.B. King & Stevie Wonder)
50 Living for the City (Stevie Wonder)
51 Higher Ground - Roxanne - Higher Ground (Sting & Stevie Wonder)
52 Superstition (Stevie Wonder & Jeff Beck)
53 10th Avenue Freeze-Out (Bruce Springsteen)
54 talk (Bruce Springsteen)
55 Hold On, I'm Comin' (Bruce Springsteen & Sam Moore)
56 Soul Man (Bruce Springsteen & Sam Moore)
57 talk (Bruce Springsteen)
58 The Ghost of Tom Joad (Bruce Springsteen & Tom Morello)
59 Fortunate Son (John Fogerty & Bruce Springsteen)
60 Proud Mary (John Fogerty & Bruce Springsteen)
61 talk (Bruce Springsteen)
62 Oh, Pretty Woman (John Fogerty & Bruce Springsteen)
63 Jungleland (Bruce Springsteen)
64 talk (Bruce Springsteen)
65 A Fine, Fine Boy (Darlene Love & Bruce Springsteen)
66 Do Run Run Run (Darlene Love & Bruce Springsteen)
67 talk (Bruce Springsteen)
68 London Calling (Bruce Springsteen & Tom Morello)
69 Badlands (Bruce Springsteen & Tom Morello)
70 talk (Bruce Springsteen)
71 You May Be Right (Billy Joel & Bruce Springsteen)
72 talk (Bruce Springsteen)
73 Only the Good Die Young (Billy Joel & Bruce Springsteen)
74 New York State of Mind (Billy Joel & Bruce Springsteen)
75 Born to Run (Billy Joel & Bruce Springsteen)
76 [Your Love Keeps Lifting Me] Higher and Higher (Everybody)

https://pixeldrain.com/u/QU2h1WV1

alternate:

https://bestfile.io/en/7oTCzzonspG0GVX/file

The cover photo is from this exact concert. From left to right: John Fogerty, Darlene Love, Bruce Springsteen, and Sam Moore.

Wednesday, July 23, 2025

Various Artists - Elvis: The Tribute, Pyramid Arena, Memphis, TN, 10-8-1994

Here's another interesting tribute concert, with loads of big stars. All of the songs performed were made famous by Elvis Presley. 

This concert seems to have mostly disappeared down the memory hole. An album of highlights from the concert was released, called "It's Now Or Never: The Tribute To Elvis." However, it's only 45 minutes long, containing just 15 songs. But the full two plus hour long concert was broadcast on TV at the time, so excellent sounding video footage of it exists.

This concert took place in 1994 despite the lack of any big anniversary or other important timely reason for it. Instead, the Elvis Presley estate decided that Presley's music was being forgotten by younger generations, so the concert was meant to help bring his music back into the spotlight.

As you can see from the album cover or the song list, a great many music stars performed in this concert. A few more - Jon Bon Jovi, Jeff Beck, and Cher, at least - backed out at the last minute. I found that mentioned in a newspaper article, though it didn't give a reason why. 

I used two versions of the video files of this concert, converted them to audio format, and broke them into mp3s. During that process, I cut out some material. There were several sections of a few minutes each that consisted of short films highlight different aspects of Presley's life. I removed all of those, plus their intros, since they were meant mainly to be seen, not heard. I also edited out some more talk by the announcers. However, I kept all the intros relevant to the songs. Plus, of course, I kept all the music.

The concert was mostly hosted by Karen Duffy, an MTV DJ, and singer-songwriter Kris Kristofferson. But actor John Stamos introduced a few acts, and TV host Phil Donohue introduced one, and sometimes one act introduced the next one.

Occasionally, I had a little trouble with the edits at the starts and ends of songs. For instance, there were quick cuts to or away from TV commercials, as well as the short films I mentioned above. I tried my best to smooth things out, but occasionally the transitions between tracks is abrupt.

Scotty Moore, D.J. Fontana, James Burton, and the Jordanaires didn't have any performances on their own. However, all of them were key backing musicians or singers for Presley. From time to time, they backed up some of the other music acts. 

All of the performances were live from the concert, with two exceptions. I think "Too Much" by NRBQ actually took place before the TV broadcast began. But I slotted it into a logical spot in the concert. And U2 didn't show up for the concert, but sent video footage of their performance to be broadcast instead.

By the way, if you want to know more about the concert, I found a New York Times article of it from the time. Here's the link (I think you have to click on Option 2 to see it):

RemovePaywall | Free online paywall remover 

This album is two hours and three minutes long.

01 talk (Karen Duffy)
02 Good Rockin' Tonight (Sammy Hagar)
03 Too Much (NRBQ)
04 Baby, Let's Play House (Michael Hutchence & NRBQ)
05 talk (Kris Kristofferson & Karen Duffy)
06 talk (Chet Atkins)
07 How's the World Treating You (Chet Atkins)
08 talk (Karen Duffy)
09 Mystery Train (Dwight Yoakam)
10 talk (Kris Kristofferson)
11 Don't Be Cruel (Marty Stuart with the Jordanaires)
12 talk (Marty Stuart)
13 All Shook Up (Cheap Trick)
14 talk (John Stamos)
15 That's Alright Mama (Kris Kristofferson)
16 talk (Kris Kristofferson)
17 One Night (Billy Ray Cyrus with the Jordanaires)
18 talk (Karen Duffy)
19 Lawdy Miss Claudy (Travis Tritt)
20 talk (Karen Duffy)
21 Blue Moon [Edit] (Chris Isaak with Scotty Moore & D.J. Fontana)
22 Love Me (Mavericks)
23 talk (John Stamos)
24 talk (Carl Perkins)
25 Blue Suede Shoes (Carl Perkins with Scotty Moore & D.J. Fontana)
26 talk (Carl Perkins)
27 Rip It Up (Iggy Pop)
28 Memories (Mac Davis)
29 talk (Mac Davis)
30 talk (Bryan Adams)
31 Hound Dog (Bryan Adams with Scotty Moore & D.J. Fontana)
32 talk (Kris Kristofferson)
33 Always on My Mind (Sam Moore)
34 talk (Karen Duffy)
35 Heartbreak Hotel (John Cale)
36 talk (Karen Duffy)
37 I Want You, I Need You, I Love You (Ann Wilson)
38 talk (Karen Duffy)
39 Teddy Bear (Tanya Tucker)
40 talk (Kris Kristofferson)
41 Trouble (Paul Rodgers)
42 talk (Phil Donahue)
43 [Marie's the Name] His Latest Flame (Scorpions)
44 Can't Help Falling in Love (U2)
45 talk (Kris Kristofferson & Karen Duffy)
46 It's Now or Never (Wet Wet Wet)
47 talk (Mac Davis)
48 Love Me Tender (Tony Bennett)
49 talk (Mac Davis)
50 Young and Beautiful (Aaron Neville)
51 talk (Mac Davis)
52 Jailhouse Rock (Michael Bolton with Scotty Moore, D.J. Fontana & Carl Perkins)
53 talk (Karen Duffy)
54 Tryin' to Get to You (Faith Hill)
55 talk (John Stamos)
56 See See Rider (Jerry Lee Lewis with James Burton & NRBQ)
57 Kentucky Rain - Suspicious Minds (Eddie Rabbitt & Mavis Staples)
58 talk (Karen Duffy)
59 Burning Love (Melissa Etheridge)
60 talk (John Stamos)
61 Amazing Grace (Billy Ray Cyrus & Everyone)

https://pixeldrain.com/u/GWnJSkKo

alternate: 

https://bestfile.io/cqa2ziePj3VTmo8/file 

The cover image is a pretty weird one for this concert, but bear with me for the explanation. It depicts Michael Jackson and Lisa Marie Presley (the daughter of Elvis Presley). They had recently gotten married at the time of this concert. (Their marriage only lasted from 1994 to 1996). The weird thing is that neither of them performed at this concert. However, they did attend it. At one point near the end, you can hear the announcer mention their names, along with those of Janet Jackson (Michael Jackson's sister) and Priscilla Presley (Lisa Marie Presley's mother). All four of them briefly stood up and waved to the crowd. 

The main reason I chose them for the cover is because this was the only decent photo from the concert that I could find. The mere fact they were at the concert made news, especially due to the fact that they had just been recently married. I think the image shows the two of them backstage before or after the concert. Even this picture was rather low-res and rough, but I used the Krea AI program to improve the image quality. 

Monday, March 24, 2025

Huey Lewis & the News with Sam Moore and Lloyd Price - PBS Soundstage, WTTW Studios, Chicago, IL, 6-2-1994

The flood of "PBS Soundstage" concerts. This one is a concert by Huey Lewis and the Lewis, with special guests Sam Moore and Lloyd Price.

First off, note this isn't technically an episode of "PBS Soundstage." The program ran from 1974 to 1985 in its initial run. It would be revived in 1992 to 1993 under the name "Center Stage," but otherwise identical, and then revived again from 2003 to 2018. This concert is an anomaly, because it's the only one from 1994. I found an article in an old newspaper archive that explained what happened. Basically, Huey Lewis liked the old show, and wanted to do a concert on the show when it was revived for a season in 1992 to 1993, but the show had been cancelled again by the time he went to tour to support his next album. But he talked the producers of the show to make a single special episode called "Four Chords Live," which is this. Other than the name, it's exactly like a typical "Soundstage" episode, including the venue, length, and the appearance of special guests.

That name references his 1994 album, "Four Chords and Several Years Ago." It consists entirely of covers of R&B covers from the 1950s and 60s. So most of the songs performed here are covers, with just three songs that were hits for Huey Lewis and the News sprinkled in: "The Heart of Rock and Roll," "The Power of Love," and "I Want a New Drug." Given the emphasis on covers from that earlier era, it makes sense that the two special guests were Sam Moore and Lloyd Price. Moore was half of the famous 1960s R&B music duo Sam and Dave. Price had some R&B hits in the 1950s, especially "Lawdy Miss Claudy" and "Personality."

The episode began with about 30 seconds of Lewis and his band rehearsing a song. I cut that out since it wasn't part of the concert. I also had to make some edits between a few songs, when the applause after a song was immediately cut off. Probably those were where commercials were inserted. I patched in more applause from elsewhere to make those transitions sound natural.

This album is 58 minutes long.

01 The Heart of Rock and Roll (Huey Lewis & the News)
02 talk (Huey Lewis & the News)
03 Stagger Lee (Huey Lewis & the News)
04 Blue Monday (Huey Lewis & the News)
05 Some Kind of Wonderful (Huey Lewis & the News)
06 talk (Huey Lewis & the News)
07 I Thank You (Huey Lewis & the News with Sam Moore)
08 Little Bitty Pretty One (Huey Lewis & the News)
09 talk (Huey Lewis & the News)
10 Good Morning, Little Schoolgirl (Huey Lewis & the News)
11 Shake, Rattle and Roll (Huey Lewis & the News)
12 Searching for My Love (Huey Lewis & the News)
13 talk (Huey Lewis & the News)
14 Personality (Huey Lewis & the News with Lloyd Price)
15 talk (Huey Lewis & the News)
16 Don't Ever Break My Heart (Huey Lewis & the News with Lloyd Price)
17 The Power of Love (Huey Lewis & the News)
18 I Want a New Drug (Huey Lewis & the News)
19 Function at the Junction (Huey Lewis & the News)
20 But It's Alright (Huey Lewis & the News)
21 Better to Have and Not Need (Huey Lewis & the News)

https://pixeldrain.com/u/911mJvYW

alternate:

https://bestfile.io/en/4W5XyHEcUa47QPm/file 

The cover is from this exact concert.

Sunday, December 22, 2024

Atlantic Records 40th Anniversary - Madison Square Garden, New York City, 5-14-1988, Part 3: The MG’s, Carla Thomas, Paul Rodgers, Miki Howard, Paul Shaffer, Sam Moore, The Elwood Blues Review, Phil Collins, Bob Geldof, The Spinners, & Wilson Pickett

Here's the third part of six-hour long version of the Atlantic Records 40th Anniversary concert. 

In the 1950s and 60s, Atlantic Records was mainly known as an R&B/ soul record label, though it broke out into other musical genres by the end of the decade. Most of this section served as a kind of concert within a concert that celebrated the 1960s soul music of the company. Atlantic Records distributed most of the music done by the Stax record label, so all of that was fair game here as well.

In the 1960s at Stax Records, the instrumental group the MG's backed up most of the other lead singers on the label, in addition to having some instrumental hits of their own. Later, key members of that band, like Steve Cropper and Donald 'Duck' Dunn, joined the Blue Brothers band in the late 1970s. Led by comedians/singers John Belushi and Dan Aykroyd, they had a hit movie and some hit albums before Belushi died in the early 1980s. For most of this section of the concert, Cropper, Dunn, and other members of the MG's were the backing band. But for a portion of it, their name changed to the Elwood Blues Review, a sort of variant of the Blues Brothers because Aykroyd got involved in those songs too.

That backing band then supported some different lead singers. Carla Thomas was an original Stax star. Paul Rodgers, however, was a big star with Free and Bad Company (on Atlantic Records). Both both of those bands had ceased to exist by the time of this concert. So instead of singing any of his own hits, he sang "(Sittin' On) The Dock of the Bay" as a tribute to deceased Stax star Otis Redding. 1980s R&B star Miki Howard also sang a song associated with Redding, "Try a Little Tenderness."

Another big musical act for Stax was the soul duo Sam and Dave (Sam Moore and Dave Prater). Unfortunately, Dave Prater died several months prior to this concert (and the two of them had had a big falling out prior to that anyway). But Sam Moore was at this concert to represent Sam and Dave. Dave Prater was effectively replaced on some songs by Aykroyd, kind of bringing back the Blue Brothers, and was replaced by Phil Collins on two other songs. 

The only odd one out in this R&B section of the concert was Bob Geldof. I'm not sure why he was put where he was in the running order, if indeed this order is correct, but oh well. It was also a bit strange that instead of doing any of his own hits from his Boomtown Rats years, he did a cover of a relatively obscure song by Graham Parker.

The Spinners continued the R&B vibe of this portion of the show, even though they had much bigger success in the 1970s compared to the 1960s. I could only find one song they did. But they also played "Working My Way Back to You" and "Could It Be I'm Falling in Love."

Finally, Wilson Pickett was the star of the last couple of songs here. He was backed by the Elwood Blues Review. I looked at the video, and Dan Akroyd danced around on stage a lot and played some harmonica, but the lead vocals were basically all done by Pickett. Still, this must have kind of been a reunion for Pickett, because the Elwood Blues Review was basically the same as the MG's, and they were the backing band for most of Pickett's hits in the 1960s. Pickett even co-wrote one of the songs he performed here, "In the Midnight Hour," with the lead guitarist on stage, Steve Cropper.

This album is an hour and two minutes long.

043 talk (Dan Aykroyd)
044 Last Night [Instrumental] (MG's)
045 talk (Steve Cropper)
046 Gee Whiz (Carla Thomas & the MG's)
047 talk (Steve Cropper)
048 [Sittin' On] The Dock of the Bay (Paul Rodgers & the MG's)
049 talk (Steve Cropper)
050 Try a Little Tenderness (Miki Howard & the MG's)
051 talk (Steve Cropper)
052 Tramp (Carla Thomas, Paul Shaffer & the MG's)
053 Everybody Needs Somebody to Love (Sam Moore & the Elwood Blues Review)
054 talk (Sam Moore & the Elwood Blues Review)
055 Soul Man (Sam Moore & the Elwood Blues Review)
056 talk (Sam Moore & the Elwood Blues Review)
057 I've Been Loving You Too Long (Sam Moore & the Elwood Blues Review)
058 talk (Sam Moore & the Elwood Blues Review)
059 You Don't Know like I Know (Phil Collins, Sam Moore & the Elwood Blues Review)
060 talk (Phil Collins, Sam Moore & the Elwood Blues Review)
061 Knock On Wood (Phil Collins, Sam Moore & the Elwood Blues Review)
062 talk (Roberta Flack)
063 talk (Bob Geldof)
064 You Can't Be Too Strong (Bob Geldof)
065 Mighty Love (Spinners)
066 In the Midnight Hour (Wilson Pickett & the Elwood Blues Review)
067 talk (Wilson Pickett & the Elwood Blues Review)
068 Land of 1000 Dances (Wilson Pickett & the Elwood Blues Review)

https://pixeldrain.com/u/zi3oxCsd

alternate:

https://bestfile.io/UMkqqccXBZLa7Di/file

The cover photo of Wilson Pickett is from this exact concert.

Friday, July 21, 2023

Various Artists - Stax-Volt Revue - Njardhallen, Oslo, Norway, 4-7-1967

Here's something a little different. In the 1960s, there were two distinctive and influential record labels when it came to soul music: Motown in Detroit and Stax in Memphis. (Stax is sometimes referred to as Stax/Volt, as it is here, due to Stax having a sister record label called Volt that was basically the same.)

At the time, instead of having individual musical artists doing entire concerts by themselves, it was typical in soul music to have a "revue" with a bunch of different artists. Not surprisingly, the Stax artists were usually packaged together, just as the Motown artists were.

Around 1966 and 1967, there was a huge surge of interest in soul music in Europe. This is because most soul records hadn't been available, and then they suddenly became available, and Europe found out about all kinds of great, classic songs in a short time. The Stax record company realized this and had their Stax revue tour Europe in the summer of 1967. They were greeted by very enthusiastic crowds everywhere they went, even though they were typically all white crowds of people generally new to soul music.

By some lucky chance, one such concert in Olso, Norway, was filmed, and the footage survived. This is very important footage, especially since Otis Redding was the main star and he died about half a year later. This footage has been released as a DVD, but I don't think there's any corresponding album release. So I converted the video to audio and broke it up into mp3s.

The concert starts with a bunch of instrumentals. Some are credited to "Booker T. & the MGs" and some are credits to the "Mar-Keys," but they're the same musicians, including the likes of guitarist Steve Cropper and bassist Duck Dunn. They are then the house band for all the acts in the rest of the concert. (That was typically the case on the records as well.)

After that are relatively brief spots by Arthur Conley and Eddie Floyd. (I must say I'm really surprised Floyd's huge 1966 hit "Knock on Wood" wasn't included.) Then Sam and Dave and Otis Redding got larger slots of about 20 minutes each, because they were bigger acts.

If you're a fan of 1960s soul music, this is a priceless historical document, and a fun listen.

This album is an hour and 12 minutes long.

01 Red Beans and Rice [Instrumental] (Booker T. & the MGs)
02 Green Onions [Instrumental] (Booker T. & the MGs)
03 Philly Dog [Instrumental] (Mar-Keys)
04 Grab This Thing [Instrumental] (Mar-Keys)
05 Last Night [Instrumental] (Mar-Keys)
06 In the Midnight Hour (Arthur Conley)
07 Sweet Soul Music (Arthur Conley)
08 Raise Your Hand (Eddie Floyd)
09 You Don't Know like I Know (Sam & Dave)
10 Soothe Me (Sam & Dave)
11 When Something Is Wrong with My Baby (Sam & Dave)
12 Hold On, I'm Coming (Sam & Dave)
13 Fa-Fa-Fa-Fa-Fa [Sad Song] (Otis Redding)
14 My Girl (Otis Redding)
15 Shake (Otis Redding)
16 [I Can't Get No] Satisfaction (Otis Redding)
17 Try a Little Tenderness (Otis Redding)

https://www.upload.ee/files/15481730/StxVltRevue_1967_NjardhallnOsloNorwy__4-7-1967_atse.zip.html

The cover is based on the cover of the DVD. However, that was rectangular in shape, in keeping with the concert posters of the time, including fully copying the artistic style. So I used Photoshop to squish things vertically while not squishing the black and white photos that were included in the art. 

Saturday, June 18, 2022

Various Artists - BBC Electric Proms, Stax Records: 50 Years of Soul, Royal Albert Hall, London, Britain, 9-1-2017

I've been doing a lot of searching for BBC concerts these days, because their sound quality is almost always fantastic and they're often surprisingly overlooked bootlegs. I've come across some unexpected things, and this is one.

Stax Records was founded in 1957. It was the most prominent American record label for what became known as "southern soul," which had a more rough sound than soul music in the north, like that in Detroit (Motown) or Chicago. In the 1960s and early 1970s, Stax Records was the home to many soul stars like Otis Redding, Sam and Dave, Eddie Floyd, William Bell, Booker T. & the MGs, the Staples Singers, and many more.

You can read more about the record company at Wikipedia if you're not already familiar:

Stax Records - Wikipedia

In 2017, the BBC put on a concert celebrating the 50th anniversary of the founding of Stax. It featured most of the Stax stars who were still alive all those years later - Sam Moore (of Sam and Dave), Eddie Floyd, William Bell, Steve Cropper, and Booker T. Jones. In addition, it featured some younger British soul stars who were influenced by Stax: Beverley Knight, James Morrison, and Ruby Turner. There also was Tom Jones, who was star back in the Stax heyday, and was still going strong 50 years later. The show was emceed by British pianist Jools Holland, and backed by Holland, his band, and his orchestra (frequently used for his BBC TV show).

This concert got rare reviews at the time, and deservedly so. Both the younger and older artists did well. This was a "last hurrah" for most of the older artists, due to the passage of time. 

I've already highlighted the singing skills of Beverley Knight with a series of cover versions albums. I didn't include her covers here, since I knew I'd be posting this. So if you like those albums, there's more of her here to like.

I left off one song on purpose. The concert ended with an encore of "Sweet Soul Music." But it was done to start the show, and done much better. The encore seems unplanned, and frankly it wasn't very good, with too many people trying to sing lead vocals and tripping over each other. This concert is stronger without it.

This concert is an hour and nine minutes long. The sound quality is as good as you'd expect from the BBC, sounding like an officially released album.

01 talk (Jools Holland)
02 Sweet Soul Music (Tom Jones, Beverley Knight & James Morrison)
03 talk (Jools Holland)
04 Hard to Handle (Tom Jones)
05 talk (Jools Holland)
06 I Can't Stand Up for Falling Down (Tom Jones & Sam Moore)
07 talk (Jools Holland)
08 Soul Man (Sam Moore)
09 talk (Jools Holland)
10 B-A-B-Y (Beverley Knight)
11 talk (Jools Holland)
12 I Forgot to Be Your Lover (William Bell)
13 talk (Jools Holland)
14 Private Number (William Bell & Beverley Knight)
15 talk (Jools Holland)
16 Knock on Wood (Eddie Floyd)
17 talk (Jools Holland)
18 Try a Little Tenderness (James Morrison & Steve Cropper)
19 talk (Jools Holland)
20 Green Onions [Instrumental] (Booker T. Jones & Steve Cropper)
21 talk (Jools Holland)
22 I'll Take You There (Ruby Turner)
23 talk (Jools Holland)
24 [Sittin' On] The Dock of the Bay (Tom Jones & Steve Cropper)
25 talk (Jools Holland)
26 Blues for New Orleans [Instrumental] (Booker T. Jones)
27 talk (Jools Holland)
28 Walking the Dog (Sweetie Irie & Nadia Rose)
29 talk (Jools Holland)
30 Hold On, I'm Coming (Sam Moore & Beverley Knight)
31 talk (Jools Holland)
32 634-5789 (Eddie Floyd & James Morrison)
33 talk (Jools Holland)

https://www.upload.ee/files/16701201/VA-BBElectrcPrmsStaxRecrds50YearsSoulRoylAlbrtHall__9-1-2017_atse.zip.html

I found a bunch of good photos of this exact concert (for once). I could have used a photo showing many different stars here, but each of them would be so small that you could barely tell who they are. I decided it was better to chose a picture with just three of the stars, to better show the spirit of the concert. This picture has James Morrison singing into a microphone, with Beverley Knight and Tom Jones looking on.

For the text, I used the Stax Records logo at the top, plus the BBC logo at the bottom. I also found special lettering for the Electric Proms, a series of special BBC summer concerts that ran for a few years.