Covered: Hank Williams, Volume 1: 1954-1995

It's time for more from my "Covered" series, highlighting widely covered songwriters. This one celebrates the music of Hank Williams, who has been called "the father of country music." I've found enough for two albums. Here's the first one.

There's no doubt that Williams was a pivotal musical figure. Rolling Stone Magazine ranked him number 74 on its list of the 100 Greatest Artists of All Time, which is saying a lot, considering that magazine doesn't pay much attention to country music. Encyclopedia Britannica called him "country music's first superstar" and an "immensely talented songwriter and an impassioned vocalist." AllMusic.com said that he "established the rules for all the country performers who followed him and, in the process, much of popular music."

So far with this "Covered" series, I've generally selected songwriters from the rock and roll era, meaning 1955 and after. But Williams was from earlier. His recording lasted from 1947 to 1953. He died in 1953 at only the age of 29. His cause of death is controversial, but it seems he died of a heart attack caused by misuse of drugs and alcohol. 

I eventually want to go back and make "Covered" albums of songwriter greats like him from earlier eras. However, in Williams' case, his music often doesn't appeal to those who don't like country music. So instead of just going with the big hit versions of his songs, I made a concerted effort to pick covers that I liked but also often weren't country versions, or at least weren't hard-core country versions. So if you're not a big country music fan, you might still want to give this a try. There are some country versions early on, but less so as this album goes on, and even less so on the second volume. 

This album starts in 1954 and proceeds chronologically after that, so everything from here is after his death. In fact, Williams had a lot of success with people covering his songs during his life, but those generally are the hard core country type songs I've tried to avoid here. A pivotal cover was "Cold, Cold Heart" by Tony Bennett in 1951. Bennett was reluctantly convinced to cover it, doing it in a pop style. It was a Number One hit on the U.S. singles chart. This caused people in the music business to start to realize that Williams' songs could be popular outside of just the country music charts, and many covers followed. However, I didn't include Bennett's version or many other hit cover versions from that time period because I don't think they've dated well. But some songs from the time, including "Cold, Cold Heart," will appear on the second volume, done in more modern styles.

By the way, I have to say that I was surprised to find out that Williams co-wrote "Jambalaya (On the Bayou)." I had assumed that was a traditional New Orleans / Cajun song going way back. But Williams wrote it with Moon Mulligan, another country star, in 1952, basing the melody on a little-known traditional love song called "Grand Texas." His version was a massive hit, spending 14 weeks at Number One on the U.S. country singles chart. It also is his most covered song, with at least 500 recorded versions. Good luck going to New Orleans and not hearing it played a bunch of times!

Here's the Wikipedia entry about Williams, if you want to know more:

Hank Williams - Wikipedia 

This album is 49 minutes long. 

01 There'll Be No Teardrops Tonight (Tony Bennett)
02 Long Gone Lonesome Blues (Marty Robbins)
03 Jambalaya [On the Bayou] (Brenda Lee)
04 Moanin' the Blues (Marty Robbins)
05 Hey, Good Lookin' (Ray Charles)
06 Weary Blues from Waitin' (Vince Martin & Fred Neil)
07 Your Cheatin' Heart (Ray Charles)
08 Kaw-Liga (Charley Pride)
09 Settin' the Woods on Fire (Little Richard)
10 I'm So Lonesome I Could Cry (Al Green)
11 Move It on Over (George Thorogood)
12 You Win Again (Rolling Stones)
13 Why Don't You Love Me like You Used to Do (Elvis Costello & the Attractions)
14 I Saw the Light (Etta James)
15 Honky Tonk Blues (Huey Lewis & the News)
16 Mind Your Own Business (Saffire, the Uppity Blues Women)
17 Honky Tonkin' (The The)

https://pixeldrain.com/u/CZJhCXUX

alternate:

https://bestfile.io/en/DLOTfNuLcZ1oCt7/file

I don't know what year the photo is from. The original was in black and white, but I colorized it with the help of the Kolorize program.

Covered: Lee Hazlewood, Volume 1: 1956-1967

It's time to highlight another talented songwriter in my Covered series. This time, it's Lee Hazlewood. He's best known for writing hit songs for Nancy Sinatra, especially the huge hit "These Boots Are Made for Walkin'." But he did a lot more than that. He had a quirky style with songwriting, production, and his own singing so unique that he practically created his own musical genre. The intro paragraph to his Wikipedia entry states: "His collaborations with Sinatra as well as his solo output in the late 1960s and early 1970s have been praised as an essential contribution to a sound often described as 'cowboy psychedelia' or 'saccharine underground.'" I found enough interesting cover versions of his songs for two volumes.

Hazlewood had an unusual career, just like how he had an unusual sound. It seems he marched to the beat of his own drummer. Sometimes that meant big hits, sometimes obscure records. 

He was born in 1929, and mostly grew up in Texas. After serving in the military during the Korean War in the early 1950s, he began working as a DJ. This gave him a foot in the door into the music business. He soon started producing and well as selling songs he'd written. His first big hit was "The Fool" by Sanford Clark in 1956. After that, he had the most success in the late 1950s and early 1960s writing songs for guitarist Duane Eddy. His biggest success was with "Rebel-'Rouser," a Top Ten hit in the U.S. in 1958 and a true classic. He wrote a whole series of hits for Eddy, most (but not all) of them guitar-based instrumentals. I only included a few of those here because, in my opinion, most of them are similar to each other and don't really stand out.

Hazlewood's hits for Duane Eddy petered out by the end of 1963, probably due to a change in the public's musical tastes. That was right when the Beatles and the British Invasion hit it big. Hazlewood was so disappointed in the change that he took a break from the music business for most of 1964. 

But in 1965, his career resumed when he got a chance to work with Nancy Sinatra. She was both very beautiful and a talented singer. Plus she was the daughter of music legend Frank Sinatra. However, she'd had a series of nothing but failed singles from 1961 to 1965, and was in danger of being dropped from her record label. Then she began working with Hazlewood. He drastically changed her sound, including having her sing in a lower register, and with a more sultry style. Their first single in 1965 didn't do that well. But their second one was "These Boots Are Made for Walkin'," which went to Number One in the U.S. singles charts and instantly turned Sinatra into a big star. That led to a whole series of hit songs he for Sinatra through the end of the 1960s.

The Sinatra collaboration turned Hazlewood into a minor star as well. That's because not only did he write and produce all her hits, he sang on some hit duets with her as well. It was a very odd combination, since Hazlewood had a low, gruff voice that typically wasn't found on hit records. But the clash with Sinatra's conventionally pretty voice somehow worked, in large part due to Hazlewood's songwriting and production.

The account of his career will continue with the second volume. Note that, on this volume, I generally stuck with the hit versions, even though that means a big cluster of Nancy Sinatra songs in the second half. Those versions are so distinctive and definitive that it seemed wrong to use different ones.

This album is 48 minutes long. 

01 The Fool (Sanford Clark)
02 Snake Eyed Mama (Don Cole with Al Casey)
03 Don't Look Now, but I've Got the Blues (B.B. King)
04 Rebel-'Rouser (Duane Eddy)
05 The Girl on Death Row (Lee Hazlewood with Duane Eddy & His Orchestra)
06 Shazam (Duane Eddy)
07 Guitars, Guitars, Guitars (Al Casey with the K-C-Ettes)
08 [Dance With] The Guitar Man (Duane Eddy)
09 Baja (Astronauts)
10 These Boots Are Made for Walkin' (Nancy Sinatra)
11 Friday's Child (Nancy Sinatra)
12 Need All the Help I Can Get (Suzi Jane Hokom)
13 How Does That Grab You, Darlin' (Nancy Sinatra)
14 Sugar Town (Nancy Sinatra)
15 Guitar on My Mind (Duane & Miriam Eddy)
16 Sand (Nancy Sinatra & Lee Hazlewood)
17 Summer Wine (Nancy Sinatra & Lee Hazlewood)
18 The Last of the Secret Agents (Nancy Sinatra)

https://pixeldrain.com/u/HjpmSyrP

alternate: 

https://bestfile.io/J50fzMok1feovMx/file

I had a hard time finding good color images of Hazlewood when he was young, so I had to resort using an album cover photo. The cover image was taken from a 1960 album called "Something Special."

Covered: Aaron Schroeder: 1956-1978

Until recently, I had never heard of Aaron Schroeder. I'll bet that's the same for you. But he was the songwriter behind a lot of classic hits, especially for Elvis Presley, so here's a "Covered" album about him.

Aaron Schroeder was born in New York City in 1926. Once he became an adult, he went straight into songwriting. It's said that he wrote more than 1,500 songs, with about 500 of them recorded by professional musicians. 

He got an early connection with Elvis Presley, writing songs for him in 1956, a year after Presley became a star. He went on to write 16 songs done by him. That's the second most of anybody, behind only the great songwriting team of Jerry Leiber and Mike Stoller. (Check out the Covered albums I made for them.) He wrote or co-wrote no less than five Number One songs for Presley, more than anybody: "I Got Stung," "A Big Hunk o' Love," "Stuck on You," "It's Now or Never," and "Good Luck Charm." (Although note that "I Got Stung" was only Number One in Britain, not the U.S.) Unfortunately, he broke with Presley in 1962 due to a dispute about royalty rates. Presley's manager, Tom Parker, was notoriously stingy about paying for good songs.

Undoubtedly, Schroeder's biggest success was "It's Now or Never." That single sold about 20 million copies, making it the seventh best selling single of all time by anybody, as of 2025. The music was based on an Italian song written in the 1800s, "O Sole Mio." Presley heard the Italian version while stationed in Europe as a U.S. soldier. He liked it and wanted to sing an English version. Schroeder co-wrote the English lyrics (which were not a translation of the Italian) with another professional songwriter, Wally Gold, in less than half an hour. 

Schroeder generally co-wrote songs, and Gold was his most frequent collaborator. The two of them also co-wrote "It's My Party," "Good Luck Charm," "It's Now or Never," "Because They're Young," and others. And speaking of "It's My Party" (another Number One hit), Schroeder is not officially credited as a songwriter for that song, but it's well known that he was involved. The story is that both Schroeder and Gold took part, finishing a song started by a freelance songwriter named Seymour Gottlieb. But they were only given one songwriting portion between the two of them, so they flipped a coin for it, and Schroeder lost!

Schroeder's songwriting career declined after the early 1960s. But that's probably because he devoted most of his time to other music business. He started his own record label, Musicor Records. It was only moderately successful, but it did release a series of hits by Gene Pitney. He got even more involved with music publishing. Together with his wife Abby, he helped the music careers of many other performers and composers through their publishing agency, including Barry White, Randy Newman, Al Kooper, Blood, Sweat & Tears, and Jimi Hendrix. 

He did occasionally keep a hand in songwriting well into the 1970s. The three last songs on this album are examples of that. Note by the way that "Love's Theme" was a Number One hit as an instrumental for Love Unlimited in 1974. Schroeder wasn't involved with that, but he wrote the lyrics for a version that group put out on their next album, so that's the version I included here.

It seems Schroeder could be pretty ruthless as a music publisher. Another songwriter I've profiled in this "Covered" series, Tony Macaulay, had a protracted legal battle with Schroeder's publishing company in the early 1970s, claiming the terms of his contract weren't being fully honored. Macaulay won the battle in 1974, in a landmark decision which encouraged other artists to challenge the terms of their contracts. 

Schroeder died in 2009 at the age of 89. 

Here's the Wikipedia entry about Schroeder, which mentions the coin flip story:

Aaron Schroeder - Wikipedia    

This album is 45 minutes long.

01 Cincinnati Fireball (Johnny Burnette)
02 Got a Lot o' Livin' to Do (Elvis Presley)
03 My Boy Elvis (Janis Martin)
04 I Got Stung (Elvis Presley)
05 Glad All Over (Carl Perkins)
06 A Big Hunk o' Love (Elvis Presley)
07 Rubber Ball (Bobby Vee)
08 Because They're Young (Duane Eddy)
09 Time and the River (Nat King Cole)
10 Stuck on You (Elvis Presley)
11 It's Now or Never (Elvis Presley)
12 Half Heaven, Half Heartache (Gene Pitney)
13 Good Luck Charm (Elvis Presley)
14 It's My Party (Lesley Gore)
15 Love's Theme (Love Unlimited)
16 Move Me No Mountain (Dionne Warwick)
17 She Can Put Her Shoes Under My Bed [Anytime] (Johnny Duncan)

https://pixeldrain.com/u/64nmrvaP

alternate:

https://bestfile.io/en/GRsIF8DWiDTBOT8/file

Aaron Schroeder is such an obscure and forgotten figure that it's lucky I was able to find any photo of him at all. The one I could find (which you can see in his Wikipedia article) was black and white and generally low-res. I colorized it via the Kolorize program. Then I had to do a lot of work with Photoshop and Krea AI to get the half decent result you see here.  

Covered: Jesse Stone: 1942-1985

Until a few days ago (writing this in May 2025), I had never heard of Jesse Stone. But I found out about him while research possible additional subjects for my Covered series on well-covered songwriters. What really caught my eye was that he was the one who wrote the song "Shake, Rattle and Roll." That was one of the most pivotal songs that launched the popularity of rock and roll music. Rolling Stone Magazine has rated it as 127 on their list of the 500 greatest songs of all time.

But while Stone is best known for that song, he wasn't a songwriting one-hit wonder. Ahmet Ertegun, the head of Atlantic Records, the most important R&B record company in that era, once stated that "Jesse Stone did more to develop the basic rock and roll sound than anybody else."

Stone's music career went way back. He actually came from a family who put on minstrel shows, and began performing at the age of four! His first big success as a songwriter came with the song "Idaho," which sold over a million copies in 1942. That's not really a style of song I like, but I've included it since it was a pivotal song in his career. Things got more interesting as the rock and rock era dawned in the early 1950s. Another big success for him was "Money Honey" by the Drifters, which Rolling Stone Magazine also put on their list of the top 500 greatest songs of all time. "Flip, Flop and Fly" by Big Joe Turner and "Don't Let Go" by Roy Hamilton were also especially big hits.

Stone had his own career as a singer, as well as a producer and arranger. He had a fine voice, but never had any hits of his own. He certainly stood out for being a successful Black songwriter in the 1950s when there were very few others. (Although Otis Blackwell comes to mind as another key exception.) His success as a songwriter petered out in the early 1960s as musical styles change. Most of these songs are the original versions, except for the last three, which came significantly later. He died in 1999 at the age of 97.

Here's the Wikipedia entry on him:

Jesse Stone (musician) - Wikipedia

This album is 47 minutes long. 

01 Idaho (Benny Goodman with Dick Haymes)
02 Cole Slaw [Sorghum Switch] (Louis Jordan)
03 Losing Hand (Ray Charles)
04 Money Honey (Drifters)
05 Shake, Rattle and Roll (Bill Haley & His Comets)
06 As Long as I'm Moving (Ruth Brown)
07 Razzle-Dazzle (Bill Haley & His Comets)
08 Flip, Flop and Fly (Big Joe Turner)
09 Crazy, Crazy Party (Cues)
10 Don't Let Go (Roy Hamilton)
11 Love Is A-Breakin' Out (Roberta Sherwood)
12 Red Hot Love (Billy Williams)
13 Private Eye (Buddy Wilkins)
14 Like a Baby (Elvis Presley)
15 Smack Dab in the Middle (Ray Charles)
16 Your Cash Ain't Nothing but Trash (Steve Miller Band)
17 Liptstick, Powder and Paint (Shakin' Stevens)

https://pixeldrain.com/u/AhbgKxJs

alternate:

https://bestfile.io/en/BtYyaOvcEyjyV9q/file

I don't know much about the cover photo except that it looks to be a promotional photo from the 1950s. It was originally in black and white, but I colorized it using the Krea AI program.

Covered: Bob Crewe & Bob Gaudio, Volume 1: 1957-1974

The songwriting team of Bob Crewe and Bob Gaudio is another one that doesn't get as much respect as it deserves. So they're a good subject for this next installment in my "Covered" series. They were responsible for writing most of the big hits by Franki Valli and the Four Seasons. But they had many songwriting successes for other musical acts as well.

Note that since many of the songs here were first hits by Franki Valli and the Four Seasons, I wanted to avoid turning this into mostly a "best of" by the band. So I tried hard to select versions of those songs by other musical acts. I've made two volumes, and many of the hit songs in this time period (1957 to 1974) aren't included until cover versions that happened in the time of the second volume. Examples that were 1960s hits but don't show up until later covers include "Sherry," "Rag Doll," "Walk like a Man," "Bye Bye Baby," and "Barbarella." Also keep in mind that these two wrote most Franki Valli and the Four Seasons hits, but not all of them.

Bob Crewe was thirteen years older than Bob Gaudio, so his music career started first. In 1953, he partnered with another songwriter, Frank Slay, Jr. Four years later, in 1957, they had their first hit with "Silhouettes" by the Rays. I haven't included that, because I chose another version of the song by Herman's Hermits, which was a big hit in 1965. The B-side was another song they wrote together, "Daddy Cool." The Diamonds had a hit with it in 1957, so I included that version here. They also had a big hit in 1957 with "Tallahassee Lassie" for Freddy Cannon in 1959.

Meanwhile, Bob Gaudio was starting his music career. In 1958, at only the age of 15 years old, he wrote the hit "Short Shorts" for the band he was in at the time, the Royal Teens. Not long after that, he came across a band led by Franki Valli, and joined them as a piano player and songwriter. They soon were renamed "Franki Valli and the Four Seasons." From the very start, they were produced by Bob Crewe, which is how Crewe and Gaudio met each other. It probably helped that both of them were from New Jersey.

The very first hit by the Four Seasons in 1962, "Sherry," was written by Gaudio alone. But soon, Crewe and Gaudio were generally writing the hits together. From 1962 to about 1968, they wrote dozens of hits together, just for the Four Seasons. 

Meanwhile, with Gaudio busy a lot of the time as a member of the Four Seasons, Crewe had a whole other career going on as a producer, which often also included more songwriting with others. He even formed his own record label, Dyno Voice Records, and had over 20 hits with artists on that label other than the Four Seasons. One hit was actually in his own name - the "Bob Crewe Generation" - an instrumental called "Music to Watch Girls By," in 1967. However, that's not here because although he produced it and performed it, he didn't write it. In 1968, his group the Bob Crewe Generation wrote and performed all the songs for the soundtrack to the hit movie "Barbarella." I put a cover of the theme song on Volume 2.

So the 1960s were an extremely successful time for both Bobs. Generally speaking, songs Gaudio helped write ended up first being performed by the Four Seasons, though sometimes other groups ultimately had the big hit. For instance, the Four Seasons version of "The Sun Ain't Gonna Shine (Anymore)" didn't even make the Top 100 singles chart in 1965. But the Walker Brothers did a version in 1966 using the same arrangement and hit Number One in the singles chart in Britain with it. Meanwhile, Crewe had his fingers in other pies, and sometimes wrote songs with other songwriters.

However, in the late 1960s, the style of music favored by the Four Seasons fell out of favor, with musical trends changing rapidly and drastically. Gaudio teamed up with another songwriter, Jake Holmes (best known for writing "Dazed and Confused"), and made the 1969 Four Seasons album "The Genuine Imitation Life Gazette." It was their attempt to stay relevant with a quasi-psychedelic album. (Crewe wasn't involved with the songwriting, but he produced the album.) It was too strange to sell well, but it's reputation has grown over time, and it's actually a pretty good, interesting album, in my opinion. John Lennon reportedly considered it one of his favorite albums.

Overall though, the time from 1968 to 1973 was rough for both Crewe and Gaudio. It looked like both of their music careers were petering out. However, both would have great successes starting in 1974. But that will be saved for Volume 2. (The one song here from 1974, "You're Ready Now," is actually a cover of a song they first wrote and released in 1966.)

Here's links to their Wikipedia pages:

Bob Crewe - Wikipedia

Bob Gaudio - Wikipedia

This album is 49 minutes long.

01 Daddy Cool (Diamonds)
02 Short Shorts (Royal Teens)
03 Tallahassee Lassie (Freddy Cannon)
04 Big Girls Don't Cry (Orlons)
05 Navy Blue (Diane Renay)
06 Big Man in Town (Frankie Valli & the Four Seasons)
07 Silhouettes (Herman's Hermits)
08 The Sun Ain't Gonna Shine [Anymore] (Walker Brothers)
09 Dawn [Go Away] (Rockin' Berries)
10 I'm Going Out [The Same Way I Came In] (Kiki Dee)
11 Sock It to Me Baby (Mitch Ryder & the Detroit Wheels)
12 Silence Is Golden (Tremeloes)
13 [You're Gonna] Hurt Yourself (Bystanders)
14 Beggin' (Timebox)
15 Can't Take My Eyes Off You (Nancy Wilson)
16 Mrs. Stately's Garden (Four Seasons)
17 Stone Liberty (Diana Ross)
18 You're Ready Now (Guy Darrell)

https://pixeldrain.com/u/do5dtFze

alternate:

https://bestfile.io/en/6uSrZKGp9dqYhGe/file

There are very, very few photos of Crewe and Gaudio together, and those didn't show their faces well. So I found individual photos and put them together for the cover. The one of Gaudio (with black hair) is from 1966 while the one of Crewe (with reddish hair) is from 1959.

COVERED: Luther Dixon: 1957-1972

I'm trying to use my Covered series to shine a spotlight on some talented songwriters who aren't widely known. Luther Dixon definitely qualifies as little known. I didn't select a lot of songs written or co-written by him. All I came up with was one relatively short album. But he wrote a fair number of classics. For instance, two of his songs, "Tonight's the Night" by the Shirelles and "Big Boss Man" by Jimmy Reed, have been included on a Rolling Stone Magazine list of the 500 greatest songs of all time.

Dixon was born in Florida in 1931, but grew up in New York City. He was probably lucky his family made the move, since there was more economic opportunity for a Black man in a northern city back in that era of segregation. There were very few successful Black professional songwriters in the 1950s. But while Dixon started out as a member of a doo-wop group, he quickly discovered he preferred songwriting and producing to performing. His first big success was "Why Baby Why," a hit for Pat Boone in 1957. 

 

In 1959, he found a ideal job working as a producer for an up-and-coming record label, Scepter Records. What made the job ideal was that he was given great independence to produce and record as he liked. He soon began working with the Shirelles, and largely pioneered the classic "girl group" sound with his song "Tonight's the Night." (That, presumably, is why Rolling Stone put that song in its top 500 list.) He had a lot of success in the late 1950s and early 1960s. Two of his songs, "Boys" and "Baby, It's You," were recorded by the Beatles. That second one was co-written by  Burt Bacharach.

 
However, the Beatles were also largely to blame for a drastic change in musical tastes away from his 1950s style, along with Bob Dylan and others. He did have some hits in the late 1960s and early 1970s, but few compared to what he'd accomplished before. He died in 2009 at the age of 78. Here's his Wikipedia entry if you want to know more about him:

Luther Dixon - Wikipedia

Generally speaking, I included the original hit versions of each song, in rough chronological order. However, "Baby, It's You" was first a big hit for the Shirelles in 1961, but I already included that version on a Burt Bacharach and Hal David "Covered" album. So instead I used the version by Smith, which also was a big hit in 1969.

This album is 43 minutes long. 

01 Why Baby Why (Pat Boone)
02 Sixteen Candles (Crests)
03 So Close (Brook Benton)
04 Lovin' Up a Storm (Jerry Lee Lewis)
05 Tonight's the Night (Shirelles)
06 Big Boss Man (Jimmy Reed)
07 A Hundred Pounds of Clay (Gene McDaniels)
08 Mama Said (Shirelles)
09 Irresistible You (Bobby Darin)
10 Soldier Boy (Shirelles)
11 Boys (Beatles)
12 Sha La La (Manfred Mann)
13 With This Ring (Platters)
14 Soul Serenade (Aretha Franklin)
15 Baby It's You (Smith)
16 I Don't Wanna Cry (Ronnie Dyson)
17 Funk Factory (Wilson Pickett)

https://pixeldrain.com/u/Hzg8N4eA

alternate:

https://bestfile.io/JUCGAftRRNsKQZT/file

I don't know when or where the cover photo is from. I was lucky to find a good photo of Dixon at all. But I'd guess it's from the 1950s or early 1960s. The original was in black and white, but I converted it to color with the use of the Palette program.

Covered: Norman Gimbel: 1953-1986

It occurred to me the other day that I have dozens of albums in my Covered series ready to go, but I rarely seem to get around to posting them. So I'm going to make more of an effort to post these. I haven't gotten that much feedback on them, but I think they're pretty unique and interesting. So here's an especially interesting and unique songwriter: Norman Gimbel.

Who would have ever imagined that the same person involved in writing "The Girl from Ipanema" also helped write "Killing Me Softly with His Song" and the theme to the "Happy Days" TV show? That's range. I just found his obituary in the New York Times (he died in 2019 at the age of 94), and that called him "wildly versatile," adding that "Any attempt to categorize [his] musical leanings would be complicated." 

Gimbel was first and foremost a lyricist. He rarely wrote songs on his own. Typically, someone else would write the music while he would write the lyrics. But he also had a specialty of taking interesting songs in foreign languages and coming up with English lyrics for them. 

A typical case was "The Girl from Ipanema." It was written in 1962, with music by Antonio Carlos Jobim and Portuguese lyrics by Vinicius de Moraes. In early 1963, Jobim was recording the song in New York City with Joao Gilberto and Stan Getz when they came up with the idea of doing an English version. Gimbel was rushed in to come up with English lyrics on the spot. Gilberto's wife Astrid Gilberto happened to be the only Brazilian there who could speak English well, so she was drafted to sing the song, even though she had no professional singing background whatsoever. The result was a classic that shall be played in elevators until the end of time.

That collaboration worked so well that Gimbel ended up writing English lyrics to many of the biggest bossa nova classics from Brazil, like "How Insensitive (Insensatez)," "Meditation (Meditacao)," "So Nice (Summer Samba)," and "Drinking Water (Agua de Beber)." "Sway" is another classic that was originally in Spanish. "Bluesette" is a case where he wrote lyrics to an instrumental hit by Toots Thielemans.

But Gimbel just didn't have the skill of writing new lyrics for already existing songs. He often worked with other songwriters to create songs from scratch. His first song here is from 1953, and he stayed active songwriting well into the 2000s. He often co-wrote songs for TV shows, movies, and plays. Five of his songs were nominated for Academy Awards or Golden Globes or both. He won an Academy Award in 1979 for "It Goes like It Goes," the theme to the movie "Norma Rae."

In the 1970s, Gimbel often collaborated with Charles Fox on songs (though not exclusively). This led to the writing of "Killing Me Softly with His Song," which Rolling Stone Magazine has put on a list of the top 500 songs of all time. In the early 1970s, Gimbel and Fox signed an aspiring female musician, Lori Lieberman, to a management contract, promising to write songs for her. Lieberman went to see Don McLean in concert. She was so inspired by one of his songs ("Empty Chair," not "American Pie," though he played that too), that she wrote lots of notes for a potential. Excited, she immediately called Gimbel on the phone and shared her ideas. Gimbel honed them into lyrics, including coming up with the "Killing me softly with his song" line. He later said, "Her conversation fed me, inspired me, gave me some language and a choice of words." He then passed the lyrics to Fox, who wrote the music. 

So far, so good. But the controversy is that Gimbel and Fox took full songwriting credit, even though clearly Lieberman had an essential role in creating the song. Lieberman released a version of the song as a single in 1972 (produced by Gimbel and Fox), but it went nowhere. When Roberta Flack released her version in 1973, it went to Number One on the singles chart in the U.S., and Lieberman got nothing for it. (Flack's version was probably much more successful because she came up with a very different arrangement, even changing some of the melody and the chords.) Adding insult to injury, in later decades, both Gimbel and Fox denied that Lieberman had a role in writing the song, and also denied that it was inspired by a Don McLean concert, even though they'd already been quoted many times admitting both things. Presumably they got scared about being sued by Lieberman for a cut of the profits, but it turned out she never sued them.

You can read the whole story here. It paints Gimbel and Fox in a pretty bad light, especially since Gimbel was married yet having a secret affair with the much younger Lieberman at the time:

Killing Me Softly with His Song - Wikipedia

Also, here's his Wikipedia entry, if you want to read more about him in general:

Norman Gimbel - Wikipedia

Anyway, Gimbel may have done some ethically dubious things, but there's no doubt he was a great lyricist. Fox later said of him, "Norman had the extraordinary ability with his lyrics to capture the human condition with never an excessive word to describe a feeling or an action." He then pointed out how Gimbel could often conjure an entire song with its first line, and he offered examples: "Tall and tan and young and lovely," "Strumming my pain with his fingers," and "If it takes forever, I will wait for you."

This album is an hour and seven minutes long.

01 Ricochet [Rick-O-Shay] (Teresa Brewer)
02 Canadian Sunset (Sam Cooke)
03 The Girl from Ipanema (Astrud Gilberto, Stan Getz & Joao Gilberto)
04 I Will Follow Him (Peggy March)
05 How Insensitive [Insensatez] (Astrud Gilberto)
06 Bluesette (Vikki Carr)
07 Meditation [Meditacao] (Doris Day)
08 I Will Wait for You (Connie Francis)
09 So Nice [Summer Samba] (Astrud Gilberto & Walter Wanderley)
10 Watch What Happens (Lena Horne & Gabor Szabo)
11 Drinking Water [Agua de Beber] (Frank Sinatra & Antonio Carlos Jobim)
12 I Got a Name (Jim Croce)
13 Killing Me Softly with His Song (Roberta Flack)
14 Wonder Woman (John Bahler)
15 Happy Days (Pratt & McClain)
16 Sway (Bobby Rydell)
17 Making Our Dreams Come True (Cyndi Grecco)
18 Ready to Take a Chance Again (Barry Manilow)
19 Different Worlds (Maureen McGovern)
20 It Goes like It Goes (Jennifer Warnes)
21 Only Love (Nana Mouskouri)

https://pixeldrain.com/u/P2BYQLtv

alternate:

https://bestfile.io/MpTyosybz70Db69/file

Gimbel was very private and rarely photographed. The best I could find was a black and white photo from a 1984 awards ceremony. I colorized it using the Palette program, then improved it with the Krea AI program.

Various Artists - Fallout, Season 1 - The Unreleased Complete Soundtrack (2024) (A Mike Solof Guest Post)

Here is another guest post from contributor Mike Solof. This time around, he's chosen to do a post of the complete soundtrack to season one of Netflix’s 2024 drama "Fallout," known for its extensive use of music. Normally, I would write a long introduction about the show and Mike's post of the music. But the problem is that I confess I have never watched the show, played any of the video games it was based on …and basically know nothing about it… other than I like the music. So for this post I’ll keep it short and sweet.

"Fallout," the 2024 Netflix series inspired by the popular video game franchise, plunges viewers into a post-apocalyptic world where remnants of civilization clash with mutated creatures and survivoralist factions vying for power. The show artfully blends dark humor and action, following a diverse cast of characters navigating the desolate wasteland. A standout feature is its extensive use of music from the 1940s and 1950s, which not only enhances the nostalgic atmosphere but also juxtaposes the grim setting with a sense of charm and irony, providing a captivating backdrop to the unfolding drama.

Mike’s PDF file is a "Fallout" soundtrack guide and includes details about every song and when it appears in the show. Much like its video game counterpart, each episode of the Fallout TV show features all kinds of songs that bring the franchise's 1950s aesthetic to life. Many of these songs were popular picks from the era, while other songs were lesser-known selections. 

The Fallout TV show follows the story of its three main characters, Lucy, Maximus, and Cooper Howard, as they each race across the wasteland in an attempt to chase down a valuable head. Fallout's cast of characters have their stories interweave throughout the show, with each of their various adventures being scored by these popular songs. Since there's no official soundtrack album with all the songs, Mike decided to make one. He realized on a Fallout fan wiki that had details about all the songs on the show.

One problem Mike and I faced is how to divide the music up into something listenable. All in all, this makes up two hours and 15 minutes of music. That's way too much for an album. But there were eight episodes, and if you break this up into one album per episode, some of those are too short. For instance, one episode only had two songs in it that weren't in previous episodes. So we decided to split this into four albums, each containing the music from two episodes. 

Thus, this ends up being either one really big album, or four smallish albums, depending on how you look at it. To cover all bases, we made one album cover for the whole thing, then individual album covers for each of the four sub-sections.

The show has been a big hit and already has been renewed for a second season. So let's hope Mike will be game to make a sequel to this if the next season has lots of interesting music like the first one.

By the way, a real technical note here. I used the fan wiki mentioned above to track down the years each song was first recorded (which get mentioned in the mp3 tags, as well as Mike's PDF file). But three songs were so obscure that the wiki didn't know when they were released, and I couldn't figure those out either. So, for those three songs, I just put in the year 2024.

EPISODES 1 & 2:

01 Orange Colored Sky (Nat King Cole)
02 Journey into Melody (Sam Fonteyn)
03 Don't Let the Stars Get in Your Eyes (Perry Como)
04 Who Do You Suppose (Connie Conway)
05 Some Enchanted Evening (Castells)
06 Keep That Coffee Hot (Scatman Crothers)
07 A Nervous Kiss (Carl Coccomo)
08 So Doggone Lonesome (Johnny Cash)
09 All Over Again (Johnny Cash)
10 Brighter Side (Connie Conway)
11 Mariachi de Amigos (Donald Quan)
12 Crawl Out Through the Fallout (Sheldon Allman)
13 Into Each Life Some Rain Must Fall (Ink Spots)
14 Don't Fence Me In (Bing Crosby & The Andrew Sisters)
15 It's a Man (Betty Hutton)
16 I Don't Want to Set the World on Fire (Ink Spots)

EPISODES 3 & 4:

01 Maybe (Ink Spots)
02 We'll Meet Again (Ink Spots)
03 Tweedle Dee (LaVern Baker)
04 In the Mood (Glenn Miller Orchestra)
05 Act Naturally (Buck Owens)
06 Let's Go Sunning (Jack Shaindlin)
07 Just Fine (Michael Brown & Company)
08 What to Do (Buddy Holly)
09 It Ain't the Meat, It's the Motion (Swallows)
10 I Can Dream, Can't I (Andrews Sisters)

EPISODES 5 & 6:

01 Jet Tones (Henry)
02 Robin in the Pine (Bonnie Guitar)
03 Battle Hymn of the Republic (Rick Rhodes & Danny Pelfrey)
04 National Pride (Cedric King Palmer)
05 Ladyfingers (Herb Alpert & the Tijuana Brass)
06 What a Difference a Day Makes (Dinah Washington)
07 It's Just a Matter of Time (Brook Benton)
08 Texas and Beyond (John Scott)
09 Improvisation on Tchaikowsky's Pathetique Andante (Django Reinhardt)
10 Dardanella (Alvino Rey)
11 The Theme from a Summer Place (Percy Faith & His Orchestra)
12 Lonely Hours (Gene Armstrong)
13 Summer in Love (Romolo Grano)
14 Give Me the Simple Life (June Christy)
15 Skitter Skatter (Metrotones)
16 I'm Tickled Pink (Jack Shaindlin)

EPISODES 7 & 8:

01 Sixteen Tons (Tennessee Ernie Ford)
02 Only You [And You Alone] (Platters)
03 Bossa Angela (Roland Kovac Rhythm & Strings)
04 Annie's Song (John Denver)
05 Yeah Yeah Baby (William 'Cool Papa' Jarvis)
06 You're Everything (Danleers)
07 From the First Hello, to the Last Goodbye (Jane Morgan)
08 Oktoberfest (Douglas Wood)
09 I Don't Want to See Tomorrow (Nat King Cole)
10 We Three [My Echo, My Shadow and Me] (Ink Spots)

https://www.imagenetz.de/gYtxA

alternate:

https://pixeldrain.com/u/5WhqrY3f

alternate:

https://bestfile.io/gDalFJYahfb6har/file

The cover art comes from a promotional poster for the show. Don't look at what the dog has in its mouth!

Covered: Sam Cooke: 1957-2009

It's time for more of my Covered series highlighting great songwriters. I generally want to look at songwriters who didn't have successful careers as performers, but sometimes I make exceptions, and this is one of those times. Sam Cooke is generally known as a great soul singer. For instance, in 2023, Rolling Stone Magazine listed him as number three in their list of the 200 best singers of all time. But I think his talent as a songwriter is far less known and appreciated.

To give the basics about him, I'll quote from his Wikipedia entry:

"Considered one of the most influential soul artists of all time, Cooke is commonly referred to as the 'King of Soul' for his distinctive vocals, pioneering contributions to the genre, and significance in popular music. During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Hot 100 chart, as well as 20 singles in the Top Ten of Billboard's Black Singles chart. In 1964, he was shot and killed by Bertha Franklin, a motel owner in Los Angeles with a prior criminal record."

I would add to that the fact that Cooke wrote most of his own hits. That was quite unusual back in the 1950s and early 1960s, before the likes of Bob Dylan and the Beatles changed the expectation that performers should write their own material. And particularly for soul music singers writing their own material continued to be rare for quite some time after that.

What hurts most of all is that it seemed Cooke still had a long career as a singer and songwriter ahead of him when he died in 1964 at the age of 33. In my opinion, he wrote his greatest song, "A Change Is Gonna Come," shortly before his death (it was released one month after he died), after being inspired by "Blowin' in the Wind" by Bob Dylan. It would have been great to see how someone as talented as him would have been influenced by all the musical changes that happened after 1964, but sadly, we'll never know. 

And what makes it worse is that his death seems very suspicious and unnecessary. Law enforcement never seriously investigated it. The woman mentioned above who supposedly shot and killed him, Bertha Franklin, was later convicted of murdering someone else in similar circumstances. The whole thing is really bizarre. I'm guessing he was lured into having sex with a young woman in order to rob him, and that woman who was in cahoots with Franklin, the motel owner. But something went wrong and he got murdered.

Here's the Wikipedia article about him, if you want to know more, including more details about his mysterious death:

Sam Cooke - Wikipedia

Anyway, since the focus here is on Sam Cooke the songwriter, I haven't included any songs performed by him. By the way, note that three songs he wrote, "Wonderful World," "Cupid," and "A Change Is Gonna Come," made it to Rolling Stone Magazine's list of the top 500 songs of all time.

Two songs here need a little explanation. "Sweet Soul Music" wasn't exactly written by Cooke. It was written by Otis Redding and Arthur Conley in 1967, and was a big hit. However, it drew so heavily from a Cooke song called "Yeah Man" that he was included in the songwriting credits (after a lawsuit forced the issue). Also, I generally keep to a rule of only including one version of each song. But I consider "A Change Is Gonna Come" such an incredible song that I couldn't resist including two versions of it.

This album is an hour and 12 minutes long.

01 You Send Me (Teresa Brewer)
02 Rome [Wasn't Built in a Day] (Johnnie Taylor)
03 Shake (Otis Redding)
04 [Ain't That] Good News (Supremes)
05 A Change Is Gonna Come (Aretha Franklin)
06 Soothe Me (Sam & Dave)
07 Sweet Soul Music (Arthur Conley)
08 Cupid (Johnny Nash)
09 Win Your Love (Lou Rawls)
10 Laughin' and Clownin' (Ray Charles)
11 Chain Gang (Persuasions)
12 Twistin' the Night Away (Rod Stewart)
13 Love You Most of All (Persuasions)
14 Bring It on Home to Me (Van Morrison)
15 You Were Made for Me (Luther Ingram)
16 Another Saturday Night (Cat Stevens)
17 Only Sixteen (Dr. Hook)
18 [What A] Wonderful World (Art Garfunkel with Paul Simon & James Taylor)
19 Good Times (Dan Seals)
20 Somebody Have Mercy (Otis Rush)
21 Having a Party (Rod Stewart)
22 That's It, I Quit, I'm Moving On (Adele)
23 A Change Is Gonna Come (Bettye LaVette)

https://www.upload.ee/files/17435669/COVRDSAMCOKE1957-2009atse.zip.html

alternate:

https://pixeldrain.com/u/7xcDcVKx

(NOTE: This could be my last new Pixeldrain link, since I happened to upload this album before I got banned from new uploads to their service.)

I'm not sure when or where the cover photo is from, but it's a rare case of an actual color photo from his short life, before color became the standard.

Various Artists - TV’s Jazziest Theme Songs, 1957-1993 (A Mike Solof Guest Post)

It's time for another Mike Solof guest post. This one has a rather unusual theme. It turns out Mike is a big fan of TV show theme songs, especially jazzy instrumental ones from decades ago. So he put together a collection of about 30 of his favorites.

As usual, Mike has written his own notes, which is included as a PDF file. It comes with lots of photos as well. So I recommend you read that to learn more.

This album is an hour and 15 minutes long.

01 Midnight Caller Theme (Rick Braun)
02 Banacek (John Gregory & His Orchestra)
03 Lou Grant Theme (Patrick Williams)
04 Hill Street Blues - Blues in the Day - Hill Street Blues [Edit] (Mike Post)
05 L.A. Law (Mike Post)
06 The Streets of San Fransisco (John Gregory & His Orchestra)
07 Mission- Impossible (Lalo Schifrin)
08 Mannix (John Gregory & His Orchestra)
09 Theme from The Man from U.N.C.L.E. (Hugo Montenegro & His Orchestra)
10 Hawaii Five-O (Ventures)
11 Mod Squad (Al Caiola)
12 Jonny Quest (Hoyt Curtin)
13 I Spy (Earle Hagan)
14 Police Squad Theme Song (Ira Newborn)
15 Get Smart Original Theme (Irving Szathmary)
16 The Pink Panther Theme (Henry Mancini)
17 Peter Gunn Theme (Blues Brothers)
18 The Magician (Patrick Williams)
19 Policewoman (John Gregory & His Orchestra)
20 Harry-O (John Gregory & His Orchestra)
21 McMillan and Wife (John Gregory & His Orchestra)
22 Mike Hammer (Earle Hagen)
23 Spenser- For Hire Theme (Larry Herbstritt & Steve Dorff)
24 Perry Mason (Fred Steiner)
25 Night Court (Jack Elliott)
26 Barney Miller (Jack Elliott)
27 Frasier (Bruce Miller)
28 The Bob Newhart Show [The Home to Emily] (L.&H. Music)
29 The Cosby Show Theme [Kiss Me] [Alternate Version] (Stu Gardner & Bill Cosby)
30 Angela [Theme to Taxi] [Edit] (Bob James)

https://www.imagenetz.de/jasrG

alternate:

https://pixeldrain.com/u/a57MpsDq

second alternate:

https://bestfile.io/en/xg4FWqdCgdbFX1y/file

At first, I didn't know what to depict for the cover of this album. But I noticed that Mike had put in a couple dozen pictures of different images for these sorts of TV shows. So I picked out 16 of them and made a collage.

Covered: Berry Gordy: 1957-1982

As I move forward with my Covered series highlighting great songwriters, it's time I start to unravel the big ball of wax that is the Motown Records hit making machine. Although there were some key exceptions, the hits at the Motown record company were generally written by professional songwriters. It turns out a relatively small number of them wrote nearly all the hits, so they are ideal subjects for my Covered series.

When it comes to dealing with the Motown Records company, it's fitting to start with Berry Gordy, who is practically Motown Records personified. He started the company in 1959 and it was a massive success nearly from the start. Being Black, he turned Motown into the most successful Black-run private business in the U.S. for decades. Gordy became a household name, thanks to Motown's distinctive sound and his innovative business practices. 

That said, I don't think a lot of people appreciate that, on top of all of his business success, he was actually a very talented songwriter! He was a songwriter first, and he had a lot of success writing or co-writing hits for Jackie Wilson, Etta James, and others before Motown Records even existed. The reason he formed the company was because he was frustrated at how little money he was getting writing hit songs. He correctly realized that he was getting ripped off by very ruthless music companies.

A challenging question here though is just how much he actually participated in the writing of the songs presented here. Gordy wasn't above being ruthless himself sometimes. For instance, I haven't included any version of the song "You've Got What It Takes," even though it was a big hit multiple times by different artists, and Berry is typically considered one of the co-writers. That's because soul guitarist Bobby Parker wrote it and released it in 1958. Then, in 1959, Marv Johnson put out a version on Motown Records and simply ignored the songwriting credits of the earlier version, giving the songwriting credit to Gordy, his wife, and two others instead.

So if Gordy did that once, he could have done it other times. That said, it seems he generally played it straight while running Motown. I've read a bunch about Motown, and other people like Motown star Smokey Robinson have said that Gordy's songs were treated the same as those of any other songwriter at the time. Motown was run much like an assembly line, with strict rules about every aspect of the business. As part of that, over a dozen company leaders had weekly meetings to decide which songs would get released as singles. Majority vote ruled, and songs written or co-written by Gordy got rejected just like everyone else. 

Furthermore, there's plenty of evidence that Gordy was a talented songwriter, even putting aside his songwriting success prior to Motown. He usually co-wrote songs with others, but not always. For instance, the Contours song "Do You Love Me," reached Number Three on the U.S. single chart in 1962, and it was written solely by him. Some other songs here were also credited just to him. In fact, songwriting legend Smokey Robinson says that in the late 1950s, Gordy was actually his songwriting mentor, since Robinson was just starting out at the time and Gordy already had multiple hits he'd been involved with. Robinson seemed very impressed with Gordy's songwriting talent.

What seems to have happened is that, in the late 1950s and early 1960s, Gordy wrote a lot of songs. But as the 1960s progressed, he was increasingly preoccupied by running the Motown company, and he realized he could delegate most of the songwriting to other very capable people. So his songwriting credits steadily declined as the decade went on.

Then something curious happened around 1969. Motown's top songwriters, the Holland-Dozier-Holland team, left the company in 1968 due to a dispute over not getting enough royalties. By that time, Holland-Dozier-Holland had gotten very famous due to writing so many hit songs. Gordy wanted to make sure this didn't happen again. So he created something called "The Corporation." This was a group of four songwriters who wrote most of the songs for Motown's hot new act, the Jackson 5. Their records were credited simply to "The Corporation" so the individuals wouldn't get too famous and thus later make big demands on him. The four main songwriters involved were Freddie Perren, Alphonso Mizell, Deke Richards, and... Gordy himself. 

But was he actually involved in co-writing the songs, or was this a new scheme to take some of the profits by a new songwriting team? I suspect it was a bit of both. The first big hit by the Corporation, which turned out to be one of the greatest songs of all time, was "I Want You Back" by the Jackson 5. Since it's such a famous, classic song, I was able to find out some about how it came to be. It turns out it was originally written by the other three in the team. (Perren, in particular, would go on to great songwriting success. I plan on having an album of his songs in this series.) However, when the song was first presented to Gordy, it was a very different song, including having the title "I Want to Be Free." Gordy made numerous improvements to it, so he definitely deserves songwriting credit for that one.

I suspect that was the case for the other big hits by the Jackson Five. Gordy promised the band that their first three songs at least would all be Number Ones, and that surprisingly turned out to be the case. He really, really wanted this band to succeed, and it seems he pulled out all the stops to make them a success, including getting directly involved in the songwriting. But the Corporation is credited with writing dozens of songs around the early 1970s, and I'm making the guess that Gordy was too busy running Motown to be involved with most of those. 

If anyone has a better idea about this, please let me know. Gordy's songwriting is rarely discussed, since his success running Motown totally dominates any discussion about his life. (Remarkably, as I write this in 2024, he is still alive at the age of 94.) 

Anyway, it seems after this final flurry of songwriting activity for the Jackson 5, Gordy essentially gave up songwriting altogether. The songs here are presented in rough chronological order (check the mp3 tags for details). The last two songs, "Good Thing Going" and "I'll Be Satisfied," were hits by Sugar Minott in 1981 and Shakin' Stevens in 1982 respectively. However, both songs were actually written and first released by others in the 1960s. The last new song Gordy was involved with that's included here is "Get It Together" by the Jackson 5 in 1973.

Here's Gordy's Wikipedia entry if you want to know more:

Berry Gordy - Wikipedia

This album is an hour and 15 minutes long.

01 Reet Petite (Jackie Wilson)
02 To Be Loved (Jackie Wilson)
03 It's So Fine (LaVern Baker)
04 Lonely Teardrops (Jackie Wilson)
05 Come to Me (Marv Johnson)
06 That's Why [I Love You So] (Jackie Wilson)
07 I'll Be Satisfied (Jackie Wilson)
08 All I Could Do Was Cry (Etta James)
09 Shop Around (Smokey Robinson & the Miracles)
10 Seven Day Fool (Etta James)
11 Do You Love Me (Contours)
12 Shake Sherrie (Contours)
13 Money [That's What I Want] (Beatles)
14 Try It Baby (Marvin Gaye)
15 Do Right Baby, Do Right (Chris Clark)
16 I Want to Go Back There Again (Chris Clark)
17 I Want You Back (Jackson 5)
18 I'm Livin' in Shame (Supremes)
19 ABC (Jackson 5)
20 You've Made Me So Very Happy (Blood, Sweat & Tears)
21 I'll Be There (Jackson 5)
22 Mama's Pearl (Jackson 5)
23 The Love You Save (Jackson 5)
24 Get It Together (Jackson 5)
25 Good Thing Going [We've Got a Good Thing Going] (Sugar Minott)
26 I'll Be Satisfied (Shakin' Stevens)

https://www.upload.ee/files/17282873/COVRDBRRYGRDY19571982_atse.zip.html

alternate:

https://pixeldrain.com/u/ZN5vFGt8

The cover photo is a very early publicity photo of Berry Gordy. (It might be hard to tell from just this much, but he has a black jacket slung over one shoulder.) I'm guessing this is from around 1960. The photo was in black and white, but I colorized it using the Palette program.

Various Artists - Covered: Fats Domino & Dave Bartholomew, Volume 1: 1949-1989

It's been a long time since the last time I posted something new for my long-standing "Covered" series. But never fear. This series will never die, not as long as I can help it. ;) I enjoy writing songs myself, so I really appreciate talented songwriters. And that's what this series is about, highlighting the songs of the best songwriters through cover versions others have done of their songs.

In most cases in the Covered series so far, the songwriters had most of their hits done by others, such as the team of Burt Bacharach and Hal David. But in the case of the songwriting team of Fats Domino and Dave Bartholomew, Fats Domino had a couple dozen big hits with these songs. Bartholomew also had a solo career, but he just dabbled in that with a small number of records compared to Domino, and didn't have any big hits. However, I wanted to post something from this team, because I get the impression that Domino's songwriting talent isn't well known, compared to say, Chuck Berry from the same era, and Bartholomew's contribution is even less known. I've found enough material for two volumes.

Domino had most of his hits in the 1950s and early 1960s. They were such big hits that I think it took a while before many people decided to make their own versions. So even though this volume begins way early, in 1949, with the songs in chronological order, it quickly moves to the 1970s and after. I didn't include any of Domino's own versions, since the whole point is to highlight these songs through cover versions. However, I did include one song recorded by Bartholomew, since few people have heard his stuff. 

If you want to know more about these two, here are their Wikipedia pages:

Fats Domino - Wikipedia

Dave Bartholomew - Wikipedia 

Domino and Bartholomew had a long and fruitful songwriting collaboration, from Domino's first hit in the late 1940s until 1963, when Domino finally switched record companies. That put him in a different company than Bartholomew and effectively ended their partnership, although it seems they stayed on good terms. That probably was a bad move on Domino's part, since that's when his hits stopped, although the Beatles and the rest of the British Invasion coming the next year probably was a big factor as well. Generally speaking, the songs co-written by both of them were recorded by Domino. But Bartholomew was a producer as well, and he had a number of hits done by others, such as "I Hear You Knocking" and "One Night." Domino died in 2017, and Bartholomew died in 2019.

I'll have more to say in Volume Two. This volume is 44 minutes long.

01 3 x 7 = 21 (Jewel King)
02 Toy Bell (Bees)
03 I'm in Love Again (Fontane Sisters)
04 Shrimp and Gumbo (Dave Bartholomew)
05 I'm Walkin' (Ricky Nelson)
06 The Big Beat (Del Vikings)
07 Witchcraft (Elvis Presley)
08 Let the Four Winds Blow (Searchers)
09 The Land of a Thousand Dances (Wilson Pickett)
10 I Hear You Knocking (Dave Edmunds)
11 Grow Too Old (Bobby Charles)
12 I'm Ready (Band)
13 Sick and Tired [Return of Django] (Neville Grant)
14 Ain't That a Shame (John Lennon)
15 Blue Monday (Cat Stevens)
16 The Fat Man (Robbie Robertson)
17 One Night (Joe Cocker)

https://www.upload.ee/files/17301673/COVRDDOMINBARTH1949-1989Volum1_atse.zip.html

alternate link:

https://pixeldrain.com/u/Fo5fETaQ

I couldn't find any good photos of Domino and Bartholomew together when they were young (although I did find a good one for Volume 2), so I had to make one from scratch. I took a photo of Domino and another of Bartholomew and put them together. The one of Domino was in color, but it clearly was colorized by someone before I got my hands on it. I adjusted the colors somewhat to hopefully make the colorization less obvious. I took a black and white photo of Bartholomew and colorized it. He's in a grey jacket and Domino is in a blue one.

UPDATE: On September 29, 2024, I upgraded the photo with the use of the Krea AI program.

Various Artists - Covered: Willie Dixon, Volume 1: 1954-1966

Next up for the "Covered" series is Willie Dixon. You may not be familiar with him unless you're a blues fan, but he's a musical legend. I would guess that maybe half of all classic blues songs were written by him. And since blues has had such a massive impact on rock and soul music, he's a towering figure for those genres too. Chuck Berry has said of him, "He made me what I am, so far as the basics of my music." And Keith Richards of the Rolling Stones has said, "He is the backbone of post-war blues writing... the absolute." His nickname is "the poet laureate of the blues."

But despite his influence, he isn't as well known as he should be because he wasn't much of a performer. He did play bass on a lot of records, but he didn't sing much, or put out many albums under his own names. Instead, he was mainly content to write for others, most especially blues legends Muddy Waters and Howlin' Wolf.

If you want to know more about him, here's the link to his Wikipedia entry:

Willie Dixon - Wikipedia

I've found enough great songs from him for three albums. I could fill those albums mostly with performances by Muddy Waters, Howlin' Wolf, and other blues greats. But since I want to introduce people to his musical legacy who aren't already big blues fans, I've tried to pick versions done by rock artists. In order to help with that, I'm limited myself to only one song for each musical artist for all three of his albums in this series. You'll still find some blues artists on this volume, but less so on the other two. The songs are sorted chronologically, and rock artists began covering him around 1964, which is in the later half of this album, when the Rolling Stones took his "Little Red Rooster" all the way to number one on the British charts.

This album is slightly longer than 45 minutes, and the other two volumes have similar lengths.

01 I'm Ready (Muddy Waters)
02 My Babe (Little Walter)
03 Pretty Thing (Bo Diddley)
04 I Don't Care Who Knows (Harrold Burrage)
05 I Cry and Sing the Blues (Buddy Guy)
06 Lovin' Up a Storm (Jerry Lee Lewis)
07 I Can't Hold Out (Elmore James)
08 For My Baby (Brook Benton)
09 Three Hundred Pounds of Joy (Howlin' Wolf)
10 Little Red Rooster (Rolling Stones)
11 Just like I Treat You (Rod Stewart & Long John Baldry & the Hoochie Coochie Men)
12 Meet Me in the Bottom (Everly Brothers)
13 Seventh Son (Johnny Rivers)
14 You Need Love [You Need Loving] (Small Faces)
15 Spoonful (Cream)

https://www.upload.ee/files/17180205/COVRDWilliDxon1954-1966Volum1_atse.zip.html

alternate link:

https://pixeldrain.com/u/9CESsGd6

I have no idea what year this photo of Willie Dixon is from. But pretty much all of the other photos I've found him show him at least partially bald, so I figure he's fairly young here. The original of this photo was in black and white, but I colorized it. His skin is fairly dark in the (actual color) photo I've chosen for the third volume in this series, so I darkened his skin some on this one to better match that one. 

UPDATE: On September 29, 2024, I upgraded the photo with the use of the Krea AI program.

Various Artists - Covered: Boudleaux Bryant & Felice Bryant: 1955-2004

The "Covered" series is back again. I thought I was done with all the great songwriters with careers that began before the 1960s, but boy was I wrong. Recently, I stumbled across a Rolling Stone Magazine list of who they consider the top 100 songwriters of all time. I disagree with some of their choices, but the list made me recall some songwriters I'd overlooked.

Here's one: Boudleaux Bryant & Felice Bryant. They were a husband and wife team all the way. They met in 1945, when they were young, and married right away. They stayed married Boudleaux passed away in 1987. Felice Bryant lived until 2003. There are some occasional examples where one of them wrote a song without crediting the other, but those are rare.

Here's the Wikipedia entry on them. I find it interesting that they're so closely linked to each other that there's just one entry for their partnership:

Felice and Boudleaux Bryant - Wikipedia

The Bryants didn't write as many songs I deemed worthy of inclusion as some others. For instance, I've posted six albums of songs by Bacharach and David, and seven albums of Goffin and King. But some of the songs they wrote are all time classics. For instance, Rolling Stone Magazine includes three of their songs in their list of the 500 greatest songs of all time: "Bye Bye Love," "Wake Up, Little Susie," and "All I Have to Do Is Dream."

Many of the songs they wrote were country songs. I can only take country in limited doses, and I'm sure others feel the same. So in deciding which songs to include, and which versions, I've focused on their more widely accessible material, often done by non-country artists. 

At first, I wasn't going to make a Covered album for them, because they're so closely associated with the Everly Brothers. One could make an excellent album just of the hits the Everly Brothers had that were written by the Bryants. But I decided there were a good number of their songs done for others, plus I could select alternate versions so this didn't basically turn into an Everly Brothers greatest hits of sorts. I tried hard not to have more than one song by any one artist. I mostly succeeded, although in the end I went with two by the Everly Brothers. I included their version of "Bye Bye Love" because it's so iconic, and there isn't a really famous version done by someone else. I also included their version of "Problems" because there were almost no cover versions of it I could find.

This album is 56 minutes long.

01 Nightmare (Jack Turner)
02 How's the World Treating You (Elvis Presley)
03 Bye Bye Love (Everly Brothers)
04 Problems (Everly Brothers)
05 Raining in My Heart (Buddy Holly & the Crickets)
06 Let's Think about Living (Bob Luman)
07 Mexico (Bob Moore & His Orchestra)
08 So How Come [No One Loves Me] (Beatles)
09 Some Sweet Day (Fairport Convention)
10 All I Have to Do is Dream (Bobbie Gentry & Glen Campbell)
11 Rocky Top (Laurie Anderson)
12 Take a Message to Mary (Bob Dylan)
13 Brand New Heartache (Gram Parsons & Emmylou Harris)
14 Love Hurts (Nazareth)
15 Devoted to You (James Taylor & Carly Simon)
16 Poor Jenny (Rockpile)
17 Wake Up Little Susie (Simon & Garfunkel)
18 Bird Dog (Joan Jett & the Blackhearts)
19 Like Strangers (Emmylou Harris)
20 Living with the Shades Pulled Down (George Thorogood & the Destroyers)
21 Sleepless Nights (Norah Jones) 

https://www.upload.ee/files/17180160/COVERDBoudlxBryntFelceBrynt_atse.zip.html

alternate link:

https://pixeldrain.com/u/MtwpaKtJ

For the album cover, I couldn't find a really good color photo of the Bryants together, so I took a black and white one and colorized it. I don't know what year it's from, but based on their appearance it has to be when they were young. In the original photo, Boudleaux was considerably higher up than Felice - he must have been a tall guy. I moved her up and closer to him so I could prominently feature their faces.

UPDATE: On September 29, 2024, I upgraded the photo with the use of the Krea AI program.

Various Artists - Covered: Buddy Holly: 1957-2011

It's been a while, but don't worry, I haven't stopped the "Covered" series, highlighting great songwriters. In fact, I have a lot of big names to get to. But first, I want to finish off songwriters who got started in the 1950s before moving on to those who got started in the very creatively fertile 1960s.

The last 1950s artist I want to deal with is Buddy Holly. He hit the big time in 1957, but died in a plane crash just two years later, in 1959. Since he was only 22 years old when he died, one has to wonder at all the music he could have done if he'd lived.

Holly was a particularly big influence on the Beatles. In fact, the name "the Beatles" was inspired in large part by the name of Holly's backing band, the Crickets. (The name for the Hollies was even more directly inspired by Holly, by the way.) But what perhaps influenced the Beatles the most was the example of Buddy Holly being a singer who wrote most of his songs. (Chuck Berry was the other big 1950s example of that.) 

With that in mind, I wanted to include Holly in my "Covered" series to highlight the songs he wrote or co-wrote. It turns out he didn't write some of the songs that are closely associated with him. For instance, he did NOT have a role in writing any of these songs:

Heartbeat
I'm Gonna Love You Too
It Doesn't Matter Anymore
Midnight Shift
Oh Boy
Raining in My Heart
Rave On
Reminiscing

I was disappointed to learn he didn't write those, even though he was the first artist to release most of them. But he did write lots of good ones, including some all-time classics. Not many covers of his songs have been big hits, though there have been some. So I mostly picked covers that I liked the best. I generally included versions of his best known songs, but I included a few rarities, usually because I found some interesting versions of those.

The total length of the album is 46 minutes, and I only have one album for him. I could have made it considerably longer, but I wanted to keep the quality control high.

01 Words of Love (Diamonds)
02 Lonesome Tears (Carolyn Hester)
03 Crying, Waiting, Hoping (Beatles)
04 Not Fade Away (Rolling Stones)
05 Love's Made a Fool of You (Bobby Fuller Four)
06 Well... All Right (Blind Faith)
07 Learning the Game (Bunch)
08 Everyday (Don McLean)
09 Peggy Sue (John Lennon)
10 It's So Easy (Linda Ronstadt)
11 True Love Ways (Elvis Costello)
12 Wishing (Mary Chapin Carpenter & Kevin Montgomery)
13 That Makes It Tough (Lazy Cowgirls)
14 Maybe Baby (Paul McCartney)
15 Think It Over (Graham Nash & the Crickets)
16 I'm Lookin' for Someone to Love (Imelda May)
17 Changing All Those Changes (Nick Lowe)
18 Peggy Sue Got Married (John Doe)

https://pixeldrain.com/u/VZWo1CvK

alternate link:

https://bestfile.io/en/sMg2IJiMic5ntzp/file

I'm amazed that I wasn't able to find a single good color photo of Holly. I did find a few, but they were all lacking for one reason or another, such as showing him as part of a group, so I couldn't show just his head without zooming way in and having a drastic loss of picture quality. Since I hate using black and white photos, I resorted to using a colorized photo of him. I think it's a particularly good one, so it's hard to tell, but it is colorized.

UPDATE: On September 29, 2024, I upgraded the photo with the use of the Krea AI program.

Various Artists - Covered: Burt Bacharach & Hal David, Volume 1: 1957-1963

Here's a big project. Continuing my "Covered" series, this is the first of five albums dealing with songs written by Burt Bacharach and/or Hal David.

I'd like to think that Burt Bacharach is a household name. If he isn't anymore, he should be. If you don't know him, you must know many of his songs. Hal David is much less known, because he avoided publicity while Bacharach has been a public performer and a hobnobbing celebrity. But, generally speaking, Bacharach created the melodies and David wrote the lyrics. Together, they were one of the greatest songwriting teams of all time.

As usual with this series, I don't want to go into great detail about their life stories. Instead, here are their Wikipedia pages if you want to know more:

https://en.wikipedia.org/wiki/Burt_Bacharach

https://en.wikipedia.org/wiki/Hal_David

I feel obliged to say some more, to make clear who wrote what. David was seven years older than Bacharach, and got started with songwriting much earlier. He began writing songs professionally in the early 1940s. I only listened to a few of those early efforts, and I didn't judge any of them worthy of inclusion. He didn't really get on a winning streak until he met up with Bacharach in 1957 and they began collaborating.

Thus, most of the songs on this album were co-written by the two of them. But not all, because sometimes they would collaborate with others. For instance, "Sea of Heartbreak," Broken-Hearted Melody" and "Johnny Get Angry" were all written by David with someone other than Bacharach.

There's a very important point I want to make clear: for all five albums in this series, I have not included any songs performed by Dionne Warwick, unless I simply couldn't find any other versions of a particular song. The reason for that is because Bacharach-David songs are so closely linked to Warwick that her 1960s greatest hits albums are like 90 percent songs by them. She did many albums where virtually every song was written by them. I figure that anyone who is even remotely a fan of Bacharach-David songs has a Warwick's greatest hits at the very least, so I wanted to try something different here and see how their music fared with other singers. (If you don't have that, then please get one now! She really was the best singer for their style of music.)

Generally speaking, I've tried to include the hit versions, unless I deem those not very good. Bacharach and/or David were such successful songwriters that almost all the songs here were hits.

That said, I didn't include all their hits. Sometimes, they could get dangerously close to "easy listening" or Muzak-styled music. I generally don't like that kind of music, and I make these albums mainly for my own listening enjoyment, so if there was something I didn't like, I didn't include it. One example for the time period of this album is "American Beauty Rose," a song co-written by David that was a hit for Frank Sinatra in 1961. It just seemed generic for that kind of music, and not worthy of making the cut.

Each album in this series is about 45 to 50 minutes long.

01 The Story of My Life (Michael Holliday)
02 Magic Moments (Perry Como)
03 Broken-Hearted Melody (Sarah Vaughan)
04 Mexican Divorce (Drifters)
05 Sea of Heartbreak (Don Gibson)
06 I Wake Up Crying (Chuck Jackson)
07 Baby, It's You (Shirelles)
08 Tower of Strength (Gene McDaniels)
09 Please Stay (Drifters)
10 [The Man Who Shot] Liberty Valance (Gene Pitney)
11 Only Love Can Break a Heart (Gene Pitney)
12 It's Love that Really Counts [In the Long Run] (Shirelles)
13 Any Day Now [My Wild Beautiful Bird] (Chuck Jackson)
14 Johnny Get Angry (Joanie Sommers)
16 Blue Guitar (Richard Chamberlain)
18 Twenty Four Hours from Tulsa (Gene Pitney)
19 Don't Make Me Over (Dee Dee Sharp)

https://www.upload.ee/files/17175671/COVRDBACHDAVD1957-1963Vlum1_atse.zip.html

alternate link:

https://pixeldrain.com/u/X1EysT49

Photographs of Bacharach are easy to find, because he was a prominent public figure. But photos of Bacharach and David are very hard to find, because David was so low profile. I don't know when or where this photo is from, but I think it's from the early 1960s, judging by the way David's hairline receded over the years. David is standing and Bacharach is sitting at a piano.

UPDATE: On September 29, 2024, I upgraded the photo with the use of the Krea AI program.

Various Artists - Covered: Otis Blackwell: 1955-1983

Who the heck is Otis Blackwell, you ask? He's not exactly a household name. But he's written some of the greatest songs of all time, including "Don't Be Cruel," "Return to Sender," "Fever," and "Great Balls of Fire." I'm continuing my "Covered" series with my personal favorites of the songs he wrote.

I don't want to recount his entire life story, so here's the Wikipedia link on him if you want to learn more:

https://en.wikipedia.org/wiki/Otis_Blackwell

I've only made one album's worth of songs from him because although he wrote many songs over the years, in my opinion only a relatively small number were special. But boy were they special! It's estimated that over 150 million records sold have his name in the songwriting credits.

Blackwell tried being a professional singer before turning all of his attention to songwriting. The first song here is sung (and written) by him. He put out a bunch of singles from 1953 to 1958, but he had very little success despite being a good singer. In fact, he recorded demos for the songs Elvis Presley turned into hits. On a rare later song from 1970, "It's All Over Me," you can see he sounds very Elvis-esque.

As with the case with many other songwriting who found success in the 1950s, that success came to a drastic half around 1964, when the Beatles and Bob Dylan drastically changed the music industry. It seems he had almost no new songs after about that time, though I've included one, "Back Trail," that was first recorded by him in 1977.

As a general rule for this Covered series, I don't like to include two versions of the same song. But I couldn't resist in this case. I put a version of "Breathless" by X at the very end of the album even though I included the original version by Jerry Lee Lewis, because I love the X version so very much.

Blackwell died in 2002 after a long life. I hope putting this album together and presenting it here will help him get a tiny bit more recognition, which he very much deserves.

This album is 48 minutes long.

UPDATE: On May 20, 2025, I added a song, "My Pidgeon's Gone." I found it while investigating another Black songwriter from this era, Jesse Stone. Though written by Blackwell (under an alias), it's actually performed by Stone under an alias, Charles Calhoun.

01 Let the Daddy Hold You (Otis Blackwell)
02 Don't Be Cruel (Elvis Presley)
03 My Pidgeon's Gone (Charles Calhoun [Jesse Stone])
04 Paralyzed (Elvis Presley)
05 Great Balls of Fire (Jerry Lee Lewis)
06 All Shook Up (Elvis Presley)
07 Fever (Peggy Lee)
08 Breathless (Jerry Lee Lewis)
09 Hey Little Girl (Dee Clark)
10 Please Mister Mayor (Roy Clark)
11 Let's Talk about Us (Jerry Lee Lewis)
12 Brace Yourself (Ben E. King)
13 Handy Man (Jimmy Jones)
14 Livin' Lovin' Wreck (Jerry Lee Lewis)
15 Return to Sender (Elvis Presley)
16 Home in Your Heart (Solomon Burke)
17 Daddy Rolling Stone (Who)
18 It's All Over Me (Otis Blackwell)
19 Back Trail (Lonnie Brooks)
20 Breathless (X)

https://pixeldrain.com/u/y6e8L9Mg

alternate:

https://bestfile.io/en/cGlgWtliw8h7Fpl/file

This is the third songwriter or songwriter team I've deal with so far in this series. As with the other two, I've had a heck of a time finding any color photos, unless they're from much later in life. But I'm really happy with this pic used for the cover art, because it shows Blackwell sitting at the piano in the process of writing a song.

Note that, months later, I figured out how to colorize the pic, and did so.

Various Artists - Covered: Doc Pomus & Mort Shuman, Volume 1: 1950-1962

A few days ago, I posted my first "Covered" series, which is made of three albums of songs written by Jerry Leiber and Mike Stoller. I plan to post a bunch more of these to highlight the works of great songwriters. Here's the next one.

I don't think the songwriting team of Doc Pomus and Mort Shuman is as famous as Leiber and Stoller. But I'd argue they were just as commercially successful and just as talented. I don't want to go into great detail about their personal histories, since these write-ups I write are probably too wordy already. Here are the relevant Wikipedia entries:

https://en.wikipedia.org/wiki/Doc_Pomus

https://en.wikipedia.org/wiki/Mort_Shuman

But I will say they were unusually colorful characters, especially Pomus. There's a fascinating documentary film about his life called "A.k.a. Doc Pomus," which I recommend you watch. He had an extremely eventful and interesting life. *By the way, both he and Shuman died in 1991.)

Pomus was hit with polio when a child, and it afflicted him the rest of his life to the point that he spent most of his life in a wheelchair. He also was a white Jewish guy. Yet as soon as he became an adult, he started a career as a blues singer. He wasn't that good a singer, to be honest, but he was able to make a modest living out of it doing concerts, probably due to the novelty factor of being a white Jewish guy singing the blues, and handicapped to boot. I have two songs here from his solo career, which petered out after a few years.

By about 1956, he switched his musical efforts to songwriting. He'd had some success with that already, especially the song "Chains of Love," which was a hit for Big Joe Turner. (Note that he's not credited for writing it through, because he sold his songwriting share for a small amount of money.) Starting around 1957, he began having a lot more success.

Around 1958, Pomus met Shuman through a family connection. Pomus was in his thirties and Shuman was only 18 and had no songwriting experience at all. But Pomus saw something in him, and figured it would be good to get a teenager's perspective since his songs were mainly aimed at teenagers. Shuman quickly learned the art of songwriting and they became a very successful team. Typically, Pomus wrote the lyrics and Shuman wrote the melody. But this wasn't always the case. This can be seen by the fact that both had hits writing songs all by themselves as well.

I've chosen the songs for this series mainly because I like listening to them. But I also have tried to include all the significant hits. Luckily, the hits are usually the best songs, so it's typically easy to include them.

For this album, the only major hit I'm missing is "Young Blood," a hit for the Coasters in 1957. The reason I didn't include it is because Pomus wrote it with none other than Leiber and Stoller, before he began working with Shuman, and I've included the Coasters version in my Leiber and Stoller collection. Instead, I'm including a different version of "Young Blood" here, but it goes on a later album. (Bad Company had a hit with the song in 1976.)

I've made three albums of Pomus and/or Shuman songs. Each one of them is about 45 to 50 minutes long.

01 Send for the Doctor (Doc Pomus)
02 Chains of Love (Big Joe Turner)
03 Heartlessly (Doc Pomus)
04 Lonely Avenue (Ray Charles)
05 Boogie Woogie Country Girl (Big Joe Turner)
06 Love Roller Coaster (Big Joe Turner)
07 A Teenager in Love (Dion & the Belmonts)
08 Hushabye (Mystics)
09 Turn Me Loose (Fabian)
10 A Mess of Blues (Elvis Presley)
11 Save the Last Dance for Me (Drifters)
12 This Magic Moment (Drifters)
13 Surrender (Elvis Presley)
14 I Count the Tears (Drifters)
15 [Marie's The Name] His Latest Flame (Elvis Presley)
16 Young Boy Blues (Ben E. King)
17 Little Sister (Elvis Presley)
18 First Taste of Love (Ben E. King)
19 Gonna Get Back Home Somehow (Elvis Presley)

https://www.upload.ee/files/17181041/COVRDPomsShumn1950-1962Volum1_atse.zip.html

alternate:

https://pixeldrain.com/u/xvouYk3A

I suspect the reason more people don't know about Pomus and Shuman is because they kept a very low public profile. One result of that is that I had a hard time finding any photos of them together. All the photos I could find are black in white. So I've colorized them to help distinguish them from each other. I'm not sure what year this photo was taken, but I'd guess it's from around 1960, give or take a couple of years.

UPDATE: On September 30, 2024, I upgraded the photo with the use of the Krea AI program.