Showing posts with label Toots and the Maytals. Show all posts
Showing posts with label Toots and the Maytals. Show all posts

Friday, September 26, 2025

Toots & the Maytals - Paul's Mall, Boston, MA, 10-22-1975

In my opinion, reggae music peaked in the 1970s, especially the first half of that decade. It's very uncommon to find bootlegs from reggae musical acts that far back, but I've found one here from one of my favorites, Toots and the Maytals.

If I had to pick an ideal time for a live album from this band, it would be right around 1975. If you look at the crowd-sourced ratings of their albums at the rateyourmusic.com website, their two highest rated albums are "Funky Kingston" in 1973 and "In the Dark" in 1974. So they were firing on all cylinders at this time.

One interesting thing about this band is that while they were a Jamaican reggae band, they were more influenced by soul music than most. Lead singer Toots Hibbert in particular idolized Otis Redding, creating a kind of reggae-soul hybrid. One can see that here with a cover of Redding's "I've Got Dreams to Remember."

This concert is pretty short, at 47 minutes. But virtually every song is a classic. The music here is unreleased. The sound quality is excellent. This must have been a soundboard or radio broadcast. The only snag is that there's virtually no audience noise. 

01 Monkey Man (Toots & the Maytals)
02 Time Tough (Toots & the Maytals)
03 In the Dark (Toots & the Maytals)
04 Funky Kingston (Toots & the Maytals)
05 Pressure Drop (Toots & the Maytals)
06 I've Got Dreams to Remember (Toots & the Maytals)
07 Do You Reggae (Toots & the Maytals)
08 Take Me Home, Country Roads (Toots & the Maytals)
09 54-46 Was My Number (Toots & the Maytals)

https://pixeldrain.com/u/CaN69aiS

alternate: 

https://bestfile.io/en/primn3ctpYNlasj/file

The cover photo shows the band's lead singer Toots Hibbert in a concert at Hyde Park, in London, on August 31, 1974.

Sunday, March 17, 2024

Jamaica World Music Festival, Montego Bay, Jamaica, 11-25-1982, Part 1: Toots & the Maytals

It's time for me to post another big rock festival. This is a particularly big one - 18 hours of music! The 1982 Jamaica World Music Festival is fairly unique when it comes to such festivals, due to the sheer diversity of the musical acts involved. Funk star Rick James, who played at the festival, commented during his set, "This is one of the weirdest, strangest, fuckin' combinations of groups ever!" But he also called it "One of the greatest festivals ever in the world."

I couldn't find out a whole lot about the festival, as it mostly seems to have been forgotten. But it was meant to be the first of an annual tradition. It was timed to take place near Christmas, so people from other countries, especially the United States, could come to Jamaica to attend and generally have a vacation while they were there (and hopefully spend a lot of money and help the economy). However, apparently it wasn't planned sufficiently in advance, and many people who wanted to attend were unable to, due to the fact that the plane flights were all full. As a result, attendance was below expectations. Somewhere between 20,000 and 50,000 people attended, with the numbers rising and falling over the course of three evenings of concerts. Because ticket sales were disappointing, it was written off as a failed experiment and never repeated.

But what matters for us the most is that virtually the whole festival was professionally recorded and somehow leaked to the public as bootlegs. Only a few of the acts aren't included here: Rita Marley, the Wailers, Yellowman, and Ronnie Milsap. I purposely didn't include Rita Marley and the Wailers, because in my opinion they were very poor substitutes for having Bob Marley there. Marley died of cancer the year before, and having his wife Rita and/or only his backing band doesn't cut it for me, because they didn't really have successful musical careers out of his shadow. I couldn't find the Yellowman and Ronnie Milsap sets. Furthermore, Jimmy Buffett was on the bill and was supposed to play, but he cancelled for some reason.

That still leaves 17 albums I'll be posting, one album for each of the musical acts over the three days of the festival. None of it has been officially released as far as I know, but all of it has excellent sound quality. I'd rather the names of the acts be surprises as I post them, but suffice to say there were a lot of great acts from rock, pop, soul, reggae, and even country. Due to the festival taking place in Jamaica, the home of reggae music, there was a particular large reggae representation compared to most festivals like this.

That brings me to this particular set, the first one of the first night of the concert. Toots and the Maytals are one of the greatest reggae acts of all time, in my opinion. Unfortunately, they didn't play some of their best known songs, such as "Funky Kingston," "Monkey Man," "Sweet and Dandy," and so on, and "Get Up, Stand Up" is not the Bob Marley and the Wailers classic, but an original with the same name. Still, it's a fine set just the same. (It's also possible that this isn't the complete set, I'm not sure, but the beginning of the next act's set wasn't recorded.)

On a different note, I should mention that I felt obliged to remix not only every single song in this album, but every single song from the entire festival! That's because while the bootleg recordings are all soundboards, it looks like nobody ever bothered to mix them. The main problem was that the vocals were significantly quieter than the instruments in all the songs. 

Also, the audience was very quiet for the entire festival, a common side effect of soundboard recordings that capture what's happening on the stage but only get crowd noise by accident. So I also carefully boosted the volume of the cheering after each and every song in the entire festival. So even if you've had some or all of the sets from this festival, these versions I'll be posting sound better than any prior known version, in my opinion.

This album is 46 minutes long.

01 Pressure Drop (Toots & the Maytals)
02 Get Up, Stand Up (Toots & the Maytals)
03 Beautiful Woman (Toots & the Maytals)
04 Never Get Weary Yet (Toots & the Maytals)
05 Going Away (Toots & the Maytals)
06 All the Time (Toots & the Maytals)
07 You Don't Know (Toots & the Maytals)
08 Reggae Got Soul (Toots & the Maytals)
09 talk (Toots & the Maytals)

https://www.upload.ee/files/17314996/VA-JmicaWrldMsicFstvlMntgoByJmica__11-25-1982Prt01TootsnthMytls_atse.zip.html

alternate:

https://pixeldrain.com/u/1Xj3VT5Z

I was able to find cover photos from the festival for most of the acts, but unfortunately not for this one. One fact I know about the festival is that the concerts didn't start until 7 P.M. each night. So I found a photo of the band's lead singer Toots Hibbert in the dark, since I figure the different sets generally took place in the dark. This cover photo is from a concert in Chicago in April 1982.

As far as the text goes, I used the same font used on some of the promotional materials for the festival. I also used some of the same colors. I'm sure it's not a coincidence that those colors - green, red, and yellow - are closely associated with reggae music.

Saturday, January 20, 2024

Bonnie Raitt - I Feel So Damn Good - Non-Album Tracks (2007-2012)

I started posting Bonnie Raitt stray tracks albums in 2019. I've posted nine of them so far, and I'm still at it. Here's the tenth, with two more to go.

This is the usual mix of released and unreleased tracks, with an unusual amount of duets. The first five songs are officially released, along with track 9, "Ain't Nothin' in Ramblin'." They're the usual mix of songs from soundtracks, tribute albums, appearances on other artists' albums, and the like.

The unreleased songs all have excellent sound quality. "Done Changed My Way of Living" is from a TV show appearance with no studio audience, and "A Sunday Kind of Love" is from a TV show appearance with an audience. The other two are from concert bootlegs. Since this is a mix of live and studio tracks, I used audio editing programs to wipe out the crowd noise on the live ones.

The bonus track is just a bonus track for two reasons. One, the sound quality is rough. (It's from an audience bootleg.) But also, it's a Marc Cohn that had Cohn singing most of it, and Raitt only on backing vocals. Still, it has a lot of good slide guitar work from Raitt, so I figured it was worth bonus track status, at least.

This album is 40 minutes long, not including the bonus track.

01 Bartender's Blues (Bonnie Raitt)
02 Walking the Dog (Bonnie Raitt & Weepin' Willie Robinson)
03 Separation Blues [Mama's Gone, Goodbye] (Maria Muldaur & Bonnie Raitt)
04 Premature (Toots & the Maytals & Bonnie Raitt)
05 Yes We Can, Can (Maria Muldaur, Bonnie Raitt & Linda Tillery)
06 Done Changed My Way of Living (Taj Mahal & Bonnie Raitt)
07 She Caught the Katy and Left Me a Mule to Ride (Taj Mahal & Bonnie Raitt)
08 A Sunday Kind of Love (Alicia Keys & Bonnie Raitt)
09 Ain't Nothin' in Ramblin' (Bonnie Raitt)
10 I Feel So Damn Good [I'll Be Glad When I Got the Blues] (Bonnie Raitt with Mike Finnigan)

29 Ways (Marc Cohn with Bonnie Raitt)

https://www.upload.ee/files/16182058/BONNRITT2007-2012_IFelSoDmnGod_atse.zip.html

The cover photo is from 2007. I don't know any details.

Thursday, March 16, 2023

Toots & the Maytals - BBC in Concert, Glastonbury Festival, Worthy Farm, Pilton, Britain, 6-27-2010

Toots and the Maytals are one of a very few number of legendary reggae bands. They're actually credited in the Oxford English Dictionary for the word "reggae," due to their 1968 song "Do the Reggae." Lead singer Toots Hibbert mixed soul with reggae, and Rolling Stone Magazine lists him as one of the 100 greatest singers of all time.

Given all that, I wanted to post whatever BBC material they did, as part of my larger BBC project. I could only find this one show from relatively late in the band's career. (Hibbert died in 2020.) But this bootleg recording is a solid performance with all the big hits, and the sound quality is excellent. So here it is.

Apparently, Hibbert isn't one to waste words, because there's no banter at all between songs. Plus, the band barely gave the audience a moment to rest before launching into the next song. There's not much else to say except I don't think you need to be a die-hard reggae fan to enjoy this, since virtually all of these songs are well known classics of the genre.

This album is 58 minutes long.

01 talk (Toots & the Maytals)
02 Pressure Drop (Toots & the Maytals)
03 Pomp and Pride (Toots & the Maytals)
04 Time Tough (Toots & the Maytals)
05 Sweet and Dandy (Toots & the Maytals)
06 Reggae Got Soul (Toots & the Maytals)
07 Bam Bam (Toots & the Maytals)
08 Funky Kingston (Toots & the Maytals)
09 Never Get Weary (Toots & the Maytals)
10 Take Me Home, Country Roads Intro (Toots & the Maytals)
11 Take Me Home, Country Roads (Toots & the Maytals)
12 Monkey Man (Toots & the Maytals)
13 54-46, That's My Number (Toots & the Maytals)

https://www.upload.ee/files/16700846/TOTSNTMYTLS2010_BBinConcrtGlastnbryFestivl__6-27-2010_atse.zip.html

The cover photo is from this exact concert. I used some Photoshop tricks to extend the background higher above his head. The band name font comes from one of their albums, but I squished it vertically to fit.