Indeed, nearly all the songs here are from his demos, generally released on his three Scoop albums. There's also one demo from a bootleg with slightly less sound quality ("What Is Love"). Furthermore, there are two songs from a bootleg of a concert he did in 1981. One is the R&B standard "Big Boss Man."
The other needs some explanation, because it's the song "Body Language," and I've put two versions of that here. One is from a demo and the other is from the concert. The reason I'm including both is because they're so different. One is less than two minutes, and the other is over five minutes long, for starters. The sound quality of the two songs from the concert are also slightly below the other songs, but I think they're worth including, especially since they've hardly even been bootlegged.
By the way, I didn't include one song from this time period that was included on "Scoop 3," and that's "Theme 017." In my opinion, it's an unimpressive and short instrumental. However, I've thrown it on as a bonus track, because why not.
01 Prelude No. 556 [Instrumental] (Pete Townshend)
02 Dance It Away (Pete Townshend)
03 Body Language [Demo Version] (Pete Townshend)
04 You're So Clever (Pete Townshend)
05 Zelda (Pete Townshend)
06 Ascension Two (Pete Townshend)
07 Dirty Water (Pete Townshend)
08 Driftin' Blues (Pete Townshend)
09 Big Boss Man (Pete Townshend)
10 It's in Ya [It's in You] (Pete Townshend)
11 What Is Love (Pete Townshend)
12 Holly like Ivy (Pete Townshend)
13 Man Watching (Pete Townshend)
14 Vivienne (Pete Townshend)
15 Body Language (Pete Townshend)
16 Baroque Ippanese [Instrumental] (Pete Townshend)
Theme 017 [Instrumental] (Pete Townshend)
https://pixeldrain.com/u/B5dBTd6H
alternate:
https://bestfile.io/en/ojvU0lCvgbWy8Qx/file
Admittedly, I pictured a pretty strange photo for the cover art. But it is a pic of Townshend in 1982, doing a promo for MTV. It seemed fitting to have an unusual expression for an album called "Body Language." In January 2025, I used the Krea AI program to sharpen up the image some.
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