If you like early Fairport Convention, this is VERY similar. Just like Fairport for their first couple of albums, this group was heavily influenced by American folk rock like the Byrds, the Mamas and the Papas, and Gordon Lightfoot. Also like Fairport, there was an appealing mixture of female and male lead vocals.
Eclection only put out one album, in 1968, also called "Eclection." I'm sure the band would have gone on to be one of the top bands in their genre, along with Fairport Convention and Pentangle, except they fell apart after their first album. But if you like this, definitely get the band's sole album as well. It's very good. I considered posting it here to get more people to notice it, but I ultimately decided against it since I assume it's still in print. Although most people call the band British, that's a stretch. They were based in Britain, true, but only one band member was actually British, and the rest were from various countries around the world.
Here's the Wikipedia link for the band if you want to know more:
As for the Fotheringay connection, Australian singer-songwriter Trevor Lucas was in both bands (and in 1970s versions of Fairport Convention as well). But he didn't make much of an impact on Eclection, since apparently he hadn't developed his songwriting talent yet. Instead, the vast majority of the band's songs were written by a Norwegian named Georg Kajanus. He would have a VERY unexpected music career after Eclection. After a few years in obscurity, he reemerged in the mid-1970s as the lead singer and songwriter for the pop band Sailor, which had a couple hits with their songs that pretty much were exclusively focused on the lifestyles of sailors!
This album is a particularly important one because this band left behind such a small recorded legacy. As far as I can tell, their sole album (plus some extra singles and such added as bonus tracks to the album) and these BBC recordings is all there is. There aren't even lousy audience bootlegs of any concerts.
The band tried to put together a second album, but fell apart before they recorded songs in the studio for it. However, a bunch of songs here presumably were intended for that second album. The first four songs appeared on their 1968 album, and "Please" was an A-side that has been included as a bonus track to that album. But all the rest only were done for the BBC. That's 34 minutes, enough for a studio album at the time. So it could be argued this is their de facto second album, with most of those songs recorded in 1969. Of those extra songs, "Both Sides Now" of course is a cover of the famous Joni Mitchell song, but I believe the rest are originals.
Sound quality has been an issue with these recordings. These BBC versions of first four songs plus "Please" were included as more bonus tracks to their sole album, and those all sound great. The rest were more of a mixed bag. But I discovered that if I used the X-Minus audio editing program to boost the lead vocals relative to the instruments, they sounded a lot better. So I did that for most of the songs. Then there were other songs were BBC DJs talked over the music (I used X-Minus to fix that too), and some had both problems. So the "[Edit]" in the titles could refer to either or both of those problems.
Despite those problems, I think the songs sound much better now. A couple near the end are still a bit rough, but overall, I think the sound quality is pretty good, certainly good enough for official release.
This album is 51 minutes long.
01 Morning of Yesterday [Edit] (Eclection)
02 Nevertheless (Eclection)
03 Will Tomorrow Be the Same [Edit] (Eclection)
04 Violet Dew [Edit] (Eclection)
05 Days Left Behind [Edit] (Eclection)
06 Time for Love [Edit] (Eclection)
07 Please [Edit] (Eclection)
08 Earth [Edit] (Eclection)
09 Put Your Face On [Edit] (Eclection)
10 Both Sides Now [Edit] (Eclection)
11 Restitution [Edit] (Eclection)
12 Charity [Instrumental] (Eclection)
https://www.upload.ee/files/15111492/Eclectin_1968-1969_BBSessions_atse.zip.html
Since the band is so obscure, there are very few photos of them, period. Luckily, there was one good color one, used here, that was included as part of the artwork for a later release of the band's 1968 album. The band made kind of a logo out of the name, so I added that to the upper left corner.
Thank you very much.
ReplyDeleteYour never-ending series of BBC recordings never ceases to amaze. So many gems!!! Know and unknown. Thanks again for sharing.
ReplyDeleteThanks! There's much more coming. As a very rough guess, I'd say I'm about halfway through the mountain of BBC stuff.
DeleteI confess that, every day, I can't wait for the moment when, after a day of work, I can get home and enter your blog - and I'm always surprised, because it's amazing how you have the gift of making good things available!! God bless you. A loving hug from your Brazilian fan.
ReplyDeleteThanks! That means a lot. Lots more coming. :)
DeleteHi Paul - many thanks for this! Eclection were one f my very favourite bands way back! I had the privilege of seeing them live three times and they were superb - much "rockier" than on disc!
ReplyDeleteMay I make a comment here.....
If one refers to the utterly invaluable book "In session tonight" by Ken Garner and BBC session online info, it is evident that the band recorded 29 separate tracks for the BBC (mainly Top Gear) - and so this wonderful post of yours is barely half of their potential output!! Sadly, I think a lot of it has vanished unless someone like me who used to tape Top Gear sessions has a cassette stashed away! LOL
I have two other tracks merely labelled "BBC 1969" which are actually not listed in the Top Gear book - they are "One morning" and "God is real". I'd be happy to send them to you, but they are contained in a one-track compilation and would need separating - should you wish to add them to this great album - if you do it would enhance the available sessions immeasurably??
Let me know if you do and how I can do so...
A comment about personnel - the female singer initially was Kerrilee Male from New Zealand I believe (?), but she left sometime around late 1968 and was replaced by Dorris Henderson.
The latter has a much deeper voice and it is her on the tracks #6-12, and possibly #5?
The band even recorded two versions on 45 of the song "Please" - one with each female vocalist!
Lastly - the dates you have on the track tags are the recording dates - they are not the same as the broadcast dates which most colelctors will be more familiar with!
Keep up the fabulous work!
Best,
Mike
Hi Mike, sure, please send me those tracks. I've never even heard of that book you mention, but it sounds like it would be helpful for me. If you could tell me the correct dates for these, I would appreciate it. With this BBC stuff, I often have to made do with incomplete or inaccurate info I happen to run across on the Internet. If you can correct dates or other info for any other BBC albums, I would definitely appreciate that too. I'm a stickler for accuracy, or at least try to be.
DeleteIt's such a shame about all the lost sessions, for this band and so many others. I'm trying hard to at least preserve and share what still remains.
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