Wednesday, February 18, 2026

Various Artists - NME Poll Winners' Concert, Empire Pool, London, Britain, 4-26-1964

NME stands for "New Musical Express," a popular music magazine in Britain. In 2022, I posted a 1965 NME Poll Winners' Concert. Recently, I mentioned I have the 1964 and 1966 concerts as well. That led to a commenter requesting that I post them sooner rather than later. So let's start with this one from 1964.

NME began their yearly music polls, and resulting poll winner's concerts, in 1953. Apparently, the concerts continued until 1971. Since then, the polls and awards have continued, but with more conventional awards ceremonies. Usually, the concerts were broadcast on TV in Britain. However, it seems all the concerts from 1963 and earlier are either lost or otherwise unavailable to the public. (That missing material includes the Beatles performing in the 1963 concert.) Luckily, though, we have versions of the 1964 to 1966 concerts.

In 1964, the Beatles were arguably the biggest stars in the history of popular music. They sold one-fifth of all the music in the world that year, a feat that nobody else has come close to in the years since. So, naturally, they were the big stars of this concert, and were the closing act. By contrast, the Rolling Stones had had a few hits, and were already stars, but they had yet to become superstars. 

This show is basically a "who's who" of the best known British Invasion bands in 1964. Most of these acts would be left behind in a year or two, because musical trends were changing fast back then. But of course a few would thrive and grow even more popular.

I found an account of this concert at the Beatles Bible website. Here's the link:

https://www.beatlesbible.com/1964/04/26/live-nme-poll-winners-all-star-concert-2/

It quotes from a book written by Derek Taylor, who was the main press officer for the Beatles at the time. Here's the quote from Taylor:

"At the end of my first week with NEMS, on the Sunday, I went with [Beatles manager] Brian [Epstein] to Wembley Pool for the New Musical Express Poll-Winners' Award Concert, which comprised two shows. The afternoon show was the main event, with the Beatles topping a bill that included the Rolling Stones, Gerry and the Pacemakers, the Searchers, Billy J. Kramer and the Dakotas, Manfred Mann, Brian Poole and the Tremeloes, Cliff Richard and the Shadows, the Dave Clark Five, the Swinging Blue Jeans, the Hollies, Freddie and the Dreamers, Joe Brown and his Bruvvers, Kathy Kirby, Jet Harris, Big Dee Irwin and the Joe Loss Orchestra. Stars of the evening show – which featured several Epstein acts including Tommy Quickly, the Fourmost, Sounds Incorporated, and (again) Billy J. Kramer – were the Stones. Everyone used Vox amps and it was quite a day out for fans, I'd say. Roger Moore presented awards and so, with a special one for Joe Brown, did Roy Orbison; and afterwards there was a short set from the Merseybeats. Disc jockeys present for the celebrations included David Jacobs, Jimmy Savile and, from WINS Radio New York City, the one and only Murray the K. During the afternoon show, Mick Jagger and Brian Jones visited the Beatle dressing room. ... A huge smile illuminated Jagger's young face and his merry eyes glittered with the delights of success. There was in that dressing-room a glow of liberated young people at large in a beckoning world, their pockets full of fivers, heads full of songs, bodies full of sexuality. Nothing could stop them now."

There are some things we can learn from this quote. One key fact is that the recording presented here isn't the complete show. Other acts who performed included Cliff Richard and the Shadows, the Dave Clark Five, Tommy Quickly, and the Fourmost. I also found mentions elsewhere of others who performed: the Applejacks, Cilla Black, Eden Kane, and Frank Ifield. I'll bet Roy Orbison performed as well, since he was there to accept an award. Elvis Presley, who won "Outstanding Male Singer," sent a recorded message which was played to the audience of about 10,000 people.

The recording quality is a bit rough. Consider it was probably recorded off a TV in 1964, so lower your standards a little bit. But it's still quite listenable, in my opinion. The lead vocals were usually low in the mix, so I used the MVSEP program to boost them for most of the songs. 

In case you're curious about who won the poll awards this year, there's a list at the NME website, which you can see here:

https://www.nme.com/nme-awards/awards-history/1964-606225  

This album is one hour and 58 minutes long. 

One final note. I mentioned above that I previously posted the 1965 NME concert. At the same time I'm posting this, I made some changes to that one. I didn't change the music, but I switched out the cover photo for a better one, and changed the write-up a bit. Here's the link to that one:

https://albumsthatshouldexist.blogspot.com/2022/01/various-artists-nme-poll-winners.html

01 Opening Theme [Instrumental] (Unknown)
02 Patchy Girl (Jimmy Savile & the Joe Ross Orchestra Band)
03 talk (Hollies)
04 Rockin' Robin (Hollies)
05 Just One Look (Hollies)
06 talk (Rolling Stones)
07 Not Fade Away (Rolling Stones)
08 I Just Want to Make Love to You (Rolling Stones)
09 talk (Rolling Stones)
10 I'm Alright (Rolling Stones)
11 talk (Joe Ross Orchestra Band)
12 Kayote Vender [Instrumental] (Joe Ross Orchestra Band)
13 talk (Swinging Blue Jeans)
14 Shake, Rattle and Roll (Swinging Blue Jeans)
15 talk (Swinging Blue Jeans)
16 Good Golly, Miss Molly (Swinging Blue Jeans)
17 talk (Searchers)
18 Farmer John (Searchers)
19 talk (Searchers)
20 Don't Throw Your Love Away (Searchers)
21 talk (Searchers)
22 What'd I Say (Searchers)
23 talk (Freddie & the Dreamers)
24 Kansas City - Hey, Hey, Hey, Hey (Freddie & the Dreamers)
25 talk (Freddie & the Dreamers)
26 Send Me Some Lovin' (Freddie & the Dreamers)
27 talk (Freddie & the Dreamers)
28 Short Shorts (Freddie & the Dreamers)
29 talk (Tremeloes)
30 Candy Man (Tremeloes)
31 talk (Tremeloes)
32 Do You Love Me (Tremeloes)
33 talk (Manfred Mann)
34 Sticks and Stones (Manfred Mann)
35 Hubble Bubble (Manfred Mann)
36 talk (Jet Harris & Tony Meechan)
37 Diamonds [Instrumental] (Jet Harris & Tony Meechan)
38 talk (Jet Harris & Tony Meechan)
39 Big Bad Bass [Instrumental] (Jet Harris & Tony Meechan)
40 talk (Kathy Kirby)
41 You're the One (Kathy Kirby)
42 Dance On (Kathy Kirby)
43 talk (Billy J. Kramer & the Dakotas)
44 I'll Keep You Satisfied (Billy J. Kramer & the Dakotas)
45 They Remind Me of You (Billy J. Kramer & the Dakotas)
46 talk (Merseybeats)
47 I Think of You (Merseybeats)
48 talk (Merseybeats)
49 Don't Turn Around (Merseybeats)
50 I'm Gonna Sit Right Down and Cry [Over You] (Merseybeats)
51 talk (Diamonds)
52 Happy Being Fat (Diamonds)
53 talk (Joe Brown & His Bruvvers)
54 I'm Henry VIII, I Am (Joe Brown & His Bruvvers)
55 talk (Joe Brown & His Bruvvers)
56 The Seculy Gas [Instrumental] (Joe Brown & His Bruvvers)
57 talk (Joe Brown & His Bruvvers)
58 What a Crazy World (Joe Brown & His Bruvvers)
59 talk (Gerry & the Pacemakers)
60 I Like It (Gerry & the Pacemakers)
61 talk (Gerry & the Pacemakers)
62 I'm the One (Gerry & the Pacemakers)
63 talk (Gerry & the Pacemakers)
64 Don't Let the Sun Catch You Crying (Gerry & the Pacemakers)
65 talk (Roger Moore)
66 talk (Beatles)
67 She Loves You (Beatles)
68 You Can't Do That (Beatles)
69 talk (Beatles)
70 Twist and Shout (Beatles)
71 Long Tall Sally (Beatles)
72 talk (Beatles)
73 Can't Buy Me Love (Beatles)

https://pixeldrain.com/u/xbVf92xy

alternate:

https://bestfile.io/en/WEnqtuTHJ8jNz7F/file

The cover photo of the Rolling Stones is from this exact concert. It shows Brian Jones on the left, and Mick Jagger on the right, hold maracas. Actually, technically, this is a composite of two photos. One of them had a good Jones but Jagger was messed up, and the other one had a good Jagger but Jones was messed up. So I used Photoshop to combine them. They were in the exact same positions in both photos; it was just a matter of using the best parts.

The original was in black and white. But I colorized it with the use of the Kolorize program. As for the text, I used some promotional material for the album I made for the 1965 NME concert. For this cover, I just copied that over, and changed the dates and musical act names and so forth. 

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