This is a completely unreleased bootleg, with excellent sound quality. It seems that a German radio station made the recording, though it appears it was never actually broadcast. However, despite the quality, this bootleg hasn't gotten around much due to many sonic flaws. But thanks to many recent improvements with audio editing technology, I was able to fix nearly all of the flaws, so this should be a really good listen.
Since this is my first (but hopefully not last) Phil Ochs post, I just want to say that I think he's very underrated. He was most popular in the 1960s, then had increasing mental problems in the early 1970s (he suffered from depression and being bipolar), finally committing suicide in 1976. Being a politically progressive person myself, I like the fact that his songs were very political and pulled no punches. He probably isn't so well remembered today precisely because he was so provocative and radical with his songs. For instance, he didn't just sing in "stop the war" generalities about the Vietnam War, he sang about human rights atrocities committed by U.S. soldiers (this before events like the My Lai Massacre were generally known) as well as the overall immorality of certain aspects of U.S. foreign policy. A lot of people may disagree with his views, but it can't be denied that felt strongly about his opinions and thought he was being patriotic in his own way by shining a spotlight on problems he thought needed fixing.
If you want to know more about him, here's his Wikipedia page:
This concert recording is directly tied to his political activism. It took place during a rock festival, but not a typical one. The following is a relatively short summary of what I learned from the German Wikipedia entry about the festival (translated into English). The Burg-Waldeck Festival began in 1964, held in a remote location near the ruins of the Waldeck castle in Germany. It started out both as a festival and kind of a workshop, where creative people of all types could meet and exchange ideas. There were lectures, poetry readings, training sessions, and more, as well as typical musical performances, mostly of acoustic folk music.
With each passing year, the festival got larger, but also more radical with its leftist politics. The youth of many countries were getting radicalized as the 1960s went on, thanks to the Vietnam War and the counter-culture movement. That was especially true in Germany, where many youths were having a dramatic opposing reaction to the Nazism of their parents' generation. So, for instance, by the 1967 festival, the official theme of the festival was the political song.
Things got even more radical in the 1968 festival. It also was the biggest, with 6,000 people showing up. Phil Ochs and Odetta were the only big names from the U.S. to show up, but there were performers from other countries, especially Germans singing in German. But even as radically leftist the festival had become, it wasn't radical enough for some. Many German socialists and even communists came to the festival and caused trouble, especially when there were performers who they didn't consider radical enough. They often occupied the stage, waved Vietcong flags, read leaflets, and demanded political discussions instead of musical performances. Due to this chaotic situation, many performers were afraid to go on stage. There were numerous delays and cancellations.
Given all that, it was probably a fortunate thing for Ochs that his songs were almost all political, and often expressed some pretty radically leftist views. But even he had trouble with some elements in the crowd. You can hear that on this recording with his comments in the very first track. And later, he made more comments along those lines, and also played some songs that criticized people on the left as well, for instance "Outside of a Small Circle of Friends."
By the way, the next Burg-Waldeck festival in 1969 would also be the last. The political situation got more out of hand as some people radicalized even more, while others did not. Plus, the general folk music tone of the festival was out of touch with the increasing focus on rock music with full bands. There even was some violence, apparently most done by conservative locals who hated the festival. For instance, cables were cut, car tires were punctured, a wooden stage was burned down, and a stage sculpture was blown up!
Anyway, getting back to the music, the festival went from June 12th to June 17th. Ochs performed multiple times. It seems there's no telling what date or dates this music is from, which is why I didn't give a special date in the album title. It almost certainly is from at least two different concerts, and probably three (if not more), since he performed six songs twice and one song three times in the bootleg recording I took this from. I've cut things down so there is just one version of each song. There's also no telling the "correct" order, so I generally stuck with the order of the bootleg I came across, but I moved two songs to the end that sounded like natural closers.
It turns out there was also great variety in the sound quality of the songs. The first few had no problems. But after that, the overall sound quality stayed high, but there were static interruptions and slight cuts of silence here and there. In the notes I found, this apparently was on the original recording, not some later digital artifacts. For the silent bits, I generally just deleted the gaps when they were small enough, usually only a fraction of a second. But bigger ones were problematic, since simply deleting them interrupted the rhythm of the songs. Luckily, there weren't too many of those. But when there were, I often managed to patch in bits from elsewhere in the song, for instance with repeating choruses. For one particularly big gap in the song "Joe Hill," I had to use a few seconds from a bootleg of a different concert.
But just as common, or more common, were the bursts of noise or static. Up until recently, I would have been helpless to fix this. But I found a way, using the iZotope audio editing program. I ran the troubled parts of songs through that program's "de-rustle" feature, and that got rid of the noises nearly every time while keeping the music. Probably some of the musical richness was lost, so I tried to use that only when necessary. Those are the songs with "[Edit]" in the names. I actually made even more edits than for just those songs (and it would be long and boring to explain them all), but those were the really tricky ones. There's probably a few little problems remaining here and there, but hopefully I got rid of the vast majority of them.
Anyway, it was a lot of work, but this should now be one of a handful of the best Ochs recordings out there, bootleg or official. For all the songs, it was just his voice and his acoustic guitar. There's also a fair amount of interesting banter before most of the songs.
This album is an hour and 18 minutes long.
01 talk (Phil Ochs)
02 Flower Lady (Phil Ochs)
03 talk (Phil Ochs)
04 Outside of a Small Circle of Friends (Phil Ochs)
05 talk (Phil Ochs)
06 Changes (Phil Ochs)
07 Rhythms of Revolution (Phil Ochs)
08 talk (Phil Ochs)
09 Joe Hill [Edit] (Phil Ochs)
10 talk (Phil Ochs)
11 Draft Dodger Rag [Edit] (Phil Ochs)
12 White Boots Marching in a Yellow Land [Edit] (Phil Ochs)
13 I'm Gonna Say It Now [Edit] (Phil Ochs)
14 talk (Phil Ochs)
15 Crucifixion [Edit] (Phil Ochs)
16 Floods of Florence [Edit] (Phil Ochs)
17 talk (Phil Ochs)
18 There but for Fortune [Edit] (Phil Ochs)
19 Is There Anybody Here [Edit] (Phil Ochs)
20 talk (Phil Ochs)
21 The Highwayman (Phil Ochs)
22 talk (Phil Ochs)
23 Cops of the World (Phil Ochs)
24 talk (Phil Ochs)
25 I Ain't Marchin' Anymore (Phil Ochs)
26 talk (Phil Ochs)
27 The War Is Over (Phil Ochs)
https://pixeldrain.com/u/MshzUys6
alternate:
https://bestfile.io/en/jncKXCQM5VejCyU/file
This cover photo is from this exact concert. I found a black and white movie of one of the songs, and took a screenshot from it. Then I used the Palette program to colorize it. After that, I used the Krea AI program to sharpen the image.
Definitely underrated. Beautiful post
ReplyDeleteThank you for this! Phil Ochs was so good, and such a tragic figure, folk music's Salieri to Dylan's Mozart.
ReplyDeleteAny pete Seeger?
ReplyDeleteI thought I had pretty well all Ochs' recordings, so this is a welcome surprise. I'll look forward to hearing it.
ReplyDeleteIncredible. Thank you for your hard work and meticulous attention to detail!
ReplyDeleteThanks - I am very happy to have this live recording. I saw him in concert at the University of Wisconsin in 1968 or 69. He deserves to be remembered as a songwriter and performer.
ReplyDeleteWhat a great surprise--thank you for all your work on this project and for making it available!
ReplyDelete