Thursday, December 11, 2025

Various Artists - Peace Sunday, Rose Bowl, Pasadena, CA, 6-6-1982, Part 1: Gil Scott-Heron, Jesse Colin Young, Graham Nash, Bonnie Raitt, and Donovan

I really like posting big rock festivals. I feel these often get forgotten. This was a very interesting one. Just look at some of the musical acts that took part: Gil Scott Heron, Jesse Colin Young, Bonnie Raitt, Donovan, Crosby, Stills and Nash, Stevie Wonder, Joan Baez, Bob Dylan, Dan Fogelberg, Stevie Nicks, Linda Ronstadt, Jackson Browne, and Tom Petty. However, the problem with this one is that only known recording is a problematic audience bootleg. However, I have spent many, many hours getting this into listenable shape. It's still far from ideal sound quality, but I think it's definitely worth listening to, after all the audio edits I've made. I've split this long concert into five albums. This is the first one.

First, let me explain what this concert was about. In the early 1980s, the Cold War between the U.S. and Russia (then the Soviet Union) heated up. Ronald Reagan was president of the U.S., and struck a more militaristic posture, such as calling Russia "the evil empire." The U.S. decided to base intermediate nuclear weapons in Western Europe for the first time. This led to a growing anti-nuclear war movement, which was related to an anti-nuclear power movement triggered by the Three Mile Island nuclear accident in 1979. 

This concert in 1982, which was attended by about 85,000 people, was meant to draw attention to the nuclear war issue, and put pressure on the U.S. to reduce it's aggressive policies. It was just one of many around that time. For instance, one week later, there was a protest march and concert in New York City attended by about a million people that was the biggest protest in history up until that time. In 1983, there were 50 simultaneous protests across the U.S. Also in 1983, the TV movie "The Day After" depicted the results of a nuclear war on a family. It was one of the top ten most watched TV shows of all time, showing how concern was spiking over the issue. In Europe, there were even more opposition and protests. Eventually, there were peace talks, and in 1987, the U.S. and Russia signed the Intermediate-Range Nuclear Forces Treaty, which led to the destruction of all intermediate range nuclear weapons. That, and other peace treaties, helped lower the tensions and fear.

It turns out the protesters had good reason to be concerned. In 1983, the world actually came very close to being destroyed in a nuclear war, entirely by accident. A Russian early warning system mistakenly showed five nuclear missiles heading towards Russia. A Russian engineer on duty was supposed to pass the warning up the chain of command. But he had a feeling it was a false alarm, and didn't pass the warning on. It turned out he was right, and the early warning system had malfunctioned.

You can read all about it in this Wikipedia article:

1983 Soviet nuclear false alarm incident - Wikipedia 

The common perception is that the trend of musicians staging benefit concerts for altruistic reasons began with Live Aid in 1985. But this concert was in 1982. And there were others like it in those years, such as the No Nukes concerts in 1979, and the 1982 New York City concert I mentioned above, which starred Jackson Browne, Linda Ronstadt, Bruce Springsteen, James Taylor, Carly Simon, Bonnie Raitt, and many more. (I've only found some of that one, but I'm looking for more.)

Okay, so that explains what this concert was all about. Now, let me address the sound quality issue. As I mentioned above, the only source I could find for this concert is a merely decent audience bootleg. It suffered from the usual problems audience boots have, some one which I could fix, and some I couldn't. It's clear the person who recorded it turned their tape recorder off between songs a lot, so we miss many introductions and other banter. There was nothing I could do about that. 

But the main problem, of crowd noise, was one I could fix, although it turned out to be a very big pain in the ass. For starters, I ran all the songs through the MVSEP program, specifically separating the crowd noise from everything else. Then I wiped out most of the crowd noise, except where it was appropriate to keep, for instance at the ends of songs and during sing-alongs. That alone made a BIG difference. There had been a constant level of backround noise, and I got rid of nearly all of it. 

However, there was more crowd noise that was harder to fix. Often during songs, people near the taper would shout "WOOHOO!" and the like. Sometimes there would be entire conversations. I ran all the songs through MVSEP again, splitting the vocals from everything else. Then I carefully went through the vocals and got rid of anything that didn't belong. Occasionally, the bits I wanted to remove overlapped with singing, and I couldn't remove it. But that was relatively rare. Most of the time, people saved their "woohoos" and such for the instrumental parts.

The result is still not great. But it's way better than before, in my opinion, and sometimes it could be mistaken for soundboard quality. Luckily, the audience bootleg was fundamentally good. If that hadn't been the case, I wouldn't have taken on this time-consuming task.

Luckily, as far as I can tell, the taper did record all the songs by all the musical acts, even if some of the banter is gone. For instance, not only is there no introduction of the first artist, Gil Scott-Heron, the recording began in the middle of some comments he made. And while we have an introduction for Donovan, we don't have one for Jesse Colin Young. Lots of little missing bits like that. But the main thing is the music.

Oh, speaking of the banter, that often was muffled and hard to understand. So I ran all the "talk" tracks through the Adobe voice enhancer program. That only works for talking, not singing, but it really helps with the clarity.

This album is 52 minutes long.  

01 talk (Gil Scott-Heron)
02 Alien (Gil Scott-Heron)
03 talk (Gil Scott-Heron)
04 Please Save the Children (Gil Scott-Heron)
05 talk (Gil Scott-Heron)
06 Shut 'Em Down (Gil Scott-Heron)
07 Imagine (Jesse Colin Young)
08 Let's Get Together with Susie Young, Graham Nash & Jerry Corbitt (Jesse Colin Young)
09 talk (Graham Nash)
10 Military Madness (Graham Nash)
11 talk (Bonnie Raitt & Graham Nash)
12 Love Has No Pride (Bonnie Raitt with Graham Nash)
13 talk (Graham Nash)
14 Sunshine Superman (Donovan)
15 Season of the Witch (Donovan)
16 Mellow Yellow (Donovan)

https://pixeldrain.com/u/JPtfeBmR

alternate:

https://bestfile.io/en/Drcen3BFlcbmwxj/file

I found photos of musical acts performing for all the albums I've made out of this festival, except for this first part. However, I did find this cover of the official program for the festival, and I thought the image of a nuclear bomb blast morphing into a tree was interesting, so I used it. I had to crop it a bit, and clean it up some in Photoshop. Other than that, the only change I made was adding the text at the bottom. All the text at the top was on the original image.

1 comment:

  1. I've never heard of this before, sounds very interesting. Thanks for all your hard work on it!

    ReplyDelete