If you think about the dozens and dozens of Motown classic hits from the 1960s, Holland-Dozier-Holland wrote most of them. Unfortunately, they left the Motown company in 1968 due to a disagreement about their role and how much they should be paid. But they formed their own record companies and continued to write many hits well into the 1970s. Their collaboration slowly fell apart that decade, but they still had some individual successes well after the 1970s, even into the 2000s.
It's hard to even fathom just how successful the Holland-Dozier-Holland songwriting team was. They wrote about 400 songs together. About 130 of those were hits on the U.S. pop charts. And that doesn't even include more hits that weren't written by all three of them. About 40 of their hits reached Number One on either the pop or soul charts. Just for the Supremes, they wrote ten Number One pop hits! Also, nine of their songs have made it to Rolling Stone Magazine's list of the top 500 songs of all time. I'm sure that's more than anyone else I've included in my Covered series so far.
Eddie and Brian Holland are brothers, with Eddie being two years older. As I write this in 2024, both of them are still alive and are in their 1980s. Lamont Dozier died in 2022 at the age of 81. All three of them were born and raised in Detroit, Michigan. Brian Holland was the first to start a musical career, putting out a solo single in 1958. He didn't have much success at first, but that single was produced by Barry Gordy, the future owner of Motown Records, and he gradually got more involved with that company, which was founded in 1959.
Brian brought his brother Eddie into the Motown company. At first, Eddie tried to have success as a performer. He did have a hit in 1961 with the song "Jamie," which reached Number 30 on the U.S. singles chart. He put out a steady stream of singles from 1958 until 1964, with a couple more minor hits. One of them, "Leaving Here," is included here. But he suffered from stage fright and ended his career as a performer in 1964. He and his brother decided they preferred songwriting and producing.
The first really big success any of these three songwriters had was with the song "Please Mr. Postman." There were no less than five songwriters credited for the song, but one of them was Brian Holland. The song was a huge success for the Motown act the Marvelettes, reaching Number One on the U.S. singles chart in 1961.
Shortly after that, Lamont Dozier started to enter the picture. He had been a member of various bands as far back as 1957. He even released three singles in 1961 under the name "LaMont Anthony." But in 1962, he joined the Motown company and soon started working with the Holland brothers, both writing and producing songs.
I found a 2022 interview with Holland-Dozier-Holland that took place shortly before Dozier died that year. In it, they described how their songwriting partnership worked. Brian Holland explained, "I mainly wrote the melodies and tracks with Lamont, and Eddie wrote the majority of the lyrics. Occasionally, Lamont and I would also come up with lyric ideas."
Eddie Holland further explained, "Early on, Brian and Lamont were already writing together, and they were very prolific at writing melodies and producing tracks. It was the lyric writing which slowed them down. So I suggested that I join the team as a lyricist, so that their production output would be much higher. With the three of us, we were able to finish many songs and produce more projects."
Here's the Wikipedia entry for the Holland-Dozier-Holland songwriting team. You can also find entries for each of them individually, but those don't say much:
Holland–Dozier–Holland - Wikipedia
Some of the first songs on this album were written by only one or two members of this threesome, often with others. The first song here written by all three was "Come and Get These Memories," a hit for Martha and the Vandellas in 1963. Shortly thereafter, the three of them composed "(Love Is Like A) Heat Wave," which was a massive hit by Martha and the Vandellas later in 1963, and has been a hit multiple times since then.
From that point on, it was like they could do no wrong. They soon became the top songwriting entity for Motown, and were usually assigned to write songs for the biggest stars signed to that label. Lamont Dozier later recalled, "It was just an awesome time (back at Motown). We had a huge amount of success. During this period, whatever we touched seemed to go straight into the Top 10. It was as if we stumbled onto the best door on 'The Price Is Right,' where the prizes just keep on coming and coming!"
Normally with albums in this series, I sort the songs chronologically, but loosely, based on the year of release. But because the Holland-Dozier-Holland team had so many hits one after another, I've strived to order them even more accurately, so you can see the exact order of their hits. I've only made occasional exceptions to that. For instance, I bumped up "Come and Get These Memories" a bit so there wouldn't be four Marvelettes songs in a row.
This album is 40 minutes long.
01 Please Mr. Postman (Marvelettes)
02 Playboy (Marvelettes)
03 Someday, Someway (Marvelettes)
06 Come and Get These Memories (Martha & the Vandellas)
04 Strange I Know (Marvelettes)
07 [Love Is Like A] Heat Wave (Martha & the Vandellas)
05 Locking Up My Heart (Marvelettes)
08 Mickey's Monkey (Smokey Robinson & the Miracles)
09 You Lost the Sweetest Boy (Mary Wells)
10 Can I Get a Witness (Marvin Gaye)
11 I Gotta Dance to Keep from Crying (Smokey Robinson & the Miracles)
12 Quicksand (Martha & the Vandellas)
13 When the Lovelight Starts Shining Through His Eyes (Supremes)
14 A Love like Yours [Don't Come Knocking Everyday] (Martha & the Vandellas)
15 Leaving Here (Eddie Holland)
https://www.upload.ee/files/17402265/COVRDHOLLNDDZRHLLND1961-1963Vlum1_atse.zip.html
alternate:
https://pixeldrain.com/u/cDyiGUhr
One reason I didn't post Holland-Dozier-Holland albums in my Covered series prior to this is I didn't think I could make worthy album covers. But recently with my discovery of the Krea AI program, I can finally make the covers I wanted. The problem is there simply aren't that many photos of these three songwriters, either solo or together, until they started appearing at awards ceremonies when they had reached old age. For this cover, I couldn't find any good photos of them from 1961 to 1963. Instead, I used a photo of Brian Holland and Lamont Dozier together in 1965, plus another photo of Eddie Holland from that time period. Both photos were in black and white, so I used the Palette program to convert them to color. Then, using Photoshop, I rearranged their bodies so their heads were closer and at the same height level. Finally, I used the Krea AI program to increase the image detail and quality.
From right to left, that's Eddie Holland, Brian Holland, and Lamont Dozier.
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