King Crimson - Chesterfield Jazz Club, Chesterfield, Britain, 9-6-1969

Here's a 1969 concert from King Crimson. This band has had many personnel changes over the decades, with only band leader Robert Fripp staying as a constant. Out of all the band's variations, I like their first one the best, the band that recorded the 1969 album "In the Court of the Crimson King." This band was phenomenal live, mixing jazz with rock and helping to kick off the prog rock genre. In 1970 though, the band personnel completely changed, with only Fripp remaining. This is probably the best sounding full length concert from the 1969 era of this band.

Note that this concert has been officially released. But I'm posting it here because it hasn't gotten the attention it deserves. No live recordings from the 1969 version of this band were released until decades later. In 1997, a four CD box set of live recordings was released, called "Epitaph." It contained a version of this concert, but it was missing a few songs, and the sound quality wasn't that good. Then in 2010, a much, much bigger box set was released, called "The Complete 1969 Recordings." That's where I sourced this concert from. It's the complete concert, and the sound quality is better. The box set it comes from is made up of 26 CDs! I figure that not many people are going to splurge for a box set that enormous, which is why I liberated this as a stand-alone album.

The sound quality is pretty good, though not excellent. It originally comes from an audience bootleg instead of a soundboard or FM radio broadcast. But honestly, sometimes audience boots can sound as good as many soundboards, and that's the case here. The one big snag is that there is almost no crowd noise. One interesting thing is that some of the songs are not from the band's debut album, "In the Court of the Crimson King." For instance, there is a cover of the Donovan song "Get Thy Bearings." Also, the last half hour is almost entirely instrumental music that doesn't come from the album. 

Note that this concert took place after the debut album was recorded, but about a month before it was released. So the audience probably didn't know any of these songs beforehand. 

This album is an hour and 24 minutes long. 

01 21st Century Schizoid Man (King Crimson)
02 [Why Don't You Just] Drop In (King Crimson)
03 talk (King Crimson)
04 Epitaph (King Crimson)
05 Get Thy Bearings (King Crimson)
06 talk (King Crimson)
07 I Talk to the Wind (King Crimson)
08 The Court of the Crimson King (King Crimson)
09 Mantra [Instrumental] (King Crimson)
10 Travel Weary Capricorn (King Crimson)
11 Improv [Instrumental] (King Crimson)
12 Mars [The Devil's Triangle] [Instrumental] (King Crimson)

https://pixeldrain.com/u/vM1jL7xd

alternate:

https://bestfile.io/q8h3Y7nzttXztUO/file

The cover image is from a concert in Hyde Park, London, on July 5, 1969. The band opened for the Rolling Stones in front of a huge audience of at least a couple hundred thousand people. That's Robert Fripp on guitar on the left and Ian McDonald on saxophone on the right.

King Crimson - BBC Sessions (1969-1972)

For most musical artists I post about, the problem is that not enough of their music has been officially released. For King Crimson though, the problem is the opposite. Hundreds of concerts have been officially released, so much so that it's hard to tell the good from the bad. So I'm going to post a couple of albums from 1969 that have excellent sound amidst a sea of poor sounding recordings.

This album also neatly fits into my larger BBC project, because most of it are BBC recordings. The band did two BBC studio sessions in 1969. The first three are from one and the next two are from the other. 

But, surprisingly, that's about it. I couldn't find any other BBC material for many years after that. However, I did include one more song, the last one. This one comes from an appearance on the German TV show "Beat Club" in 1972. I consider that program kind of a cousin of the BBC, because a lot of good live performances have survived thanks to that show.

The first four songs are originals that first appeared on the 1969 album "In the Court of the Crimson King." The fifth song, however, is originally by Donovan. The sixth and last song would first appear on the band's 1973 album "Larks' Tongues in Aspic."

This album is 37 minutes long.

01 21st Century Schizoid Man (King Crimson)
02 The Court of the Crimson King (King Crimson)
03 I Talk to the Wind (King Crimson)
04 Epitaph (King Crimson)
05 Get Thy Bearings (King Crimson)
06 Larks' Tongues in Aspic, Part I [Instrumental] (King Crimson)

https://www.upload.ee/files/15194496/KingCrm_1969-1972_BBSessions_atse.zip.html

Boy, it is surprisingly hard to find any good photos of King Crimson in 1969. And you'd think color photography hadn't been invented yet, because they're all in black and white. I eventually found this one, of band members Greg Lake (in back) and Robert Fripp (with glasses). It was in black and white, but I used the Palatte program to colorize it.

King Crimson - Are - Non-Album Tracks (1969-1970)

I have to admit that I'm not a big King Crimson fan. What I do love is their very first album, 1969's "In the Court of the Crimson King." Unfortunately, the membership of the band has frequently changed over the years, and that version of the band only released that one album before splitting up. So what I've tried to do is create a follow up album that comes close to the top level of that first album.

One could argue that the band's second album, 1970's "In the Wake of Poseidon," had many of the same band members on it, but that's only partially true. "In the Court of the Crimson King" was released in October 1969, and around the end of that year, band members Ian MacDonald, Michael Giles, and Greg Lake left, leaving only guitarist Robert Fripp. (Fripp would be the only constant in the band over its many iterations across the decades.) Lake went on to join Emerson, Lake and Palmer, and MacDonald and Giles released one album together, called "McDonald and Giles," before breaking up their duo.

The key band member in this situation, in my opinion, is Greg Lake. He was the lead vocalist for all the songs on the first album, and thus his distinctive voice was a key part of the band's sound. It seems Fripp realized this, because after Lake left, he was hired back as a session musician to sing most of the songs on "In the Wake of Poseidon." In my opinion, that album tried hard to repeat the formula of the first album, with a similar sound and often a track-by-track match. However, I also feel that it's not nearly as good. The songs were good, but it was essentially Fripp plus a bunch of studio musicians (including Lake) instead of a real band, with the cohesion and fire of the band from the first album.

Thus, what I've tried to do as much as possible is include recordings made while the original band was still in existence. Most of them are actually early versions of songs that appeared on "In the Wake of Poseidon." The good news is that King Crimson is a band that has decided to empty their vault of recordings, releasing dozens upon dozens of live albums, as well as lots of previously unreleased studio recordings. The band news is, when it comes to 1969 and 1970 material, nearly all of it sucks, due to sound quality issues. Just about all of the officially released live recordings from this time, for instance, would be considered poorly recorded audience-sourced bootlegs.

Luckily, there are a few high sound quality recordings here and there. Three of them come from a concert at the Fillmore West in San Francisco in December 1969, when the original band was still together. Another comes from a BBC performance from August 1969. There are three more songs on "In the Wake of Poseidon" that were written later or I couldn't find a good version. So I've resorted to using the versions from that album for two of them. The last one, "Cadence and Cascade," is the one song from that album that wasn't sung by Lake. But luckily Lake did sing a guide vocal at one point, and that version was eventually released as a bonus track. So I've used that version.

The end result is an album that is much like "In the Wake of Poseidon," with most of the same songs, what I believe are better versions. Plus, there are a few changes or additions, such as a nice version of Donovan's "Get Thy Bearings." I've replaced "In the Wake of Poseidon" with this in my music collection.

For a bonus track, I've included an interesting early version of the song "In the Court of the Crimson King" for the album of the same name. It's only downgraded to a bonus track because it repeats a song from that album. It's one of a very small number of songs played on the BBC by the original band with excellent sound.

01 Mars [The Devil's Triangle] [Instrumental] (King Crimson)
02 Get Thy Bearings (King Crimson)
03 [Why Don't You Just] Drop In (King Crimson)
04 A Man, a City [Early Version of Pictures of a City] (King Crimson)
05 In the Wake of Poseidon [Including 'Libra's Theme'] (King Crimson)
06 Cadence and Cascade [Greg Lake Vocal Version] (King Crimson)
07 Cat Food (King Crimson)

In the Court of the Crimson King [Alternate Version] (King Crimson)

https://www.upload.ee/files/15847867/KingCrm_1969-1970_Are_atse.zip.html

There's only one reason I've named this album "Are," and that's because of the cover art. I couldn't find any really good color photos of the original band. But I did find a very nice concert poster from that era. It was rectangular, as most posters are, but I simply squished the whole thing vertically and I think it works just as well. In addition to the band's name at the top, it only has one word on it, "ARE" in the middle. Thus, the album title. ;)

Perhaps there was meant to be more at the bottom, so the whole thing would say "King Crimson are..." something, but I found several versions on the same poster on-line, and none of them added anything else. Maybe it was just the arty weirdness of that era to leave the meaning of words rather mysterious. Also arty and weird is how parts of the poster seem to be made out of tin foil or something similarly metallic and shiny.