Wednesday, August 6, 2025

Heart - PBS Soundstage, WTTW Studios, Chicago, IL, 7-28-2005

Here's an unusually long episode of the "PBS Soundstage" TV show, featuring the band Heart, from 2005.

The actual TV show edited down performances to fit an hour long time slow. But this is sourced from a DVD, so it includes the entire concert. It includes all of Heart's best known songs, as well as some that were relatively new at the time. Just a year prior to this concert, the band released their first studio album in over ten years, "Jupiters Darling." It was well received by critics, perhaps because they skipped their 1980s "adult contemporary" sound, and went back to more of their 1970s classic rock sound. The following songs come from that album: "Oldest Story in the World," "The Perfect Goodbye," "Lost Angel," "Fallen Ones," "Make Me," "Things," and "Enough."

Ever since Heart was formed in the 1970s, they've had a strong fondness for the band Led Zeppelin, and often covered their songs. I've even put together an entire album of Heart covers of Led Zeppelin songs, which I've posted at this blog. This continues on this concert, with no less than three Led Zeppelin covers: "The Battle of Evermore," "Black Dog," and "Misty Mountain Hop."

This album is an hour and 48 minutes long. 

01 talk (Heart)
02 Sand (Heart)
03 talk (Heart)
04 Kick It Out (Heart)
05 Straight On (Heart)
06 talk (Heart)
07 Oldest Story in the World (Heart)
08 The Perfect Goodbye (Heart)
09 These Dreams (Heart)
10 The Battle of Evermore (Heart)
11 talk (Heart)
12 Love Song (Heart)
13 talk (Heart)
14 Lost Angel (Heart)
15 talk (Heart)
16 Magic Man (Heart)
17 Crazy on You (Heart)
18 Bebe le Strange (Heart)
19 talk (Heart)
20 Fallen Ones (Heart)
21 Make Me (Heart)
22 talk (Heart)
23 Even It Up (Heart)
24 talk (Heart)
25 Dog and Butterfly (Heart)
26 talk (Heart)
27 Alone (Heart)
28 Things (Heart)
29 Love Alive (Heart)
30 talk (Heart)
31 Enough (Heart)
32 Barracuda (Heart)
33 Black Dog (Heart)
34 Misty Mountain Hop (Heart)

https://pixeldrain.com/u/4utbM8H8

alternate:

https://bestfile.io/en/xzKLSfZEOTSMXzv/file

The cover photo is a screenshot taken from a video of this exact concert.

Glastonbury 2025 Poll Results

I can be a lazy bum sometimes, and dealing my Glastonbury Festival 2025 from a few weeks back has been one of those times. But I finally got off my butt to tally the poll results. As I said in the poll, I plan on posting the concerts for those musical acts that got a decent number of votes.

Here are the results: 

Neil Young               XXXXXXXXXXXXXX
Rod Stewart              XXXXXXXX
St. Vincent              XXXXXXXX
Franz Ferdinand          XXXXXX
John Fogerty             XXXXXX
Pulp                     XXXXXX
Wet Leg                  XXXXXX
Alanis Morissette        XXXXX
Father John Misty        XXXXX
Brian Jonestown Massacre XXXX
Beth Gibbons             XXXX
Libertines               XXXX
Prodigy                  XXXX
Weezer                   XXXX
The 1975                 XXX
Amyl & the Sniffers      XXX
Black Uhuru              XXX
Brandi Carlile           XXX
Cymande                  XXX
Olivia Rodrigo           XXX
Nile Rodgers & Chic      XXX
Supergrass               XXX
Inhaler                  XX
Four Tet                 XX
English Teacher          XX
Lola Young               XX
Lorde                    XX
Osees                    XX
Raye                     XX
Anohni & the Johnsons    X
Biffy Clyro              X
Blossoms                 X
Caribou                  X
Faye Webster             X
Glass Beams              X
Gracie Abrams            X    
Japanese Breakfast       X
Kneecap                  X
Lucy Dakus               X
Maccabees                X
Noah Kahan               X
Nova Twins               X
Script                   X
Shed Seven               X
Sprints                  X
Wunderhorse              X

And here's what I plan to do. I hope to post the sets of all those musical acts that got at least three votes. That's assuming I listen to their music and find I don't dislike it though. As for the ones that got one or two votes, sorry, but that's not enough. 22 got three or more votes, so that's a lot of albums to post! I'll add this task to some other projects I'm working on, like posting albums from the winners of the previous BBC poll, PBS Soundstage episodes, rare Top of the Pops BBC sessions, Covered series, and so on. Thanks for taking part in this poll, and I hope you're satisfied with the results.

Tuesday, August 5, 2025

Covered: Henry Mancini: 1959-1998

I have so much material for Covered series albums that I'm going to try to make another concerted effort to post a lot more of them. So here's another, focusing on the songwriting of Henry Mancini.

Mancini is a bit of a left field choice for the Covered series, since he mostly composed instrumental music for movies, and is far removed from rock and roll. But he was responsible for so many classic songs that I feel I can't leave him out. The intro to his Wikipedia article sums him up well, stating that Mancini "was an American composer, conductor, arranger, pianist and flutist. Often cited as one of the greatest composers in the history of film, he won four Academy Awards, a Golden Globe, and twenty Grammy Awards, plus a posthumous Grammy Lifetime Achievement Award in 1995."

Mancini was born in 1924 and grew up in rural Pennsylvania. After graduating from high school, he studied at the prestigious Julliard School of Music in New York City for two years. But then he was drafted in the U.S. Army and fought in World War II from 1943 to 1945. After the war, he became a pianist and arranger for the Glenn Miller Orchestra (which continued despite the fact Miller died in World War II). In 1952, he got a job writing music for movies for Universal Pictures, a major movie studio in Hollywood. 

However, he didn't really become famous until after he left that company in 1958 to become an independent composer and arranger. One of his first jobs was writing the theme for a new TV show called "Peter Gunn." His song, the "Peter Gunn Theme," was a big hit for Duane Eddy, and has since become an often covered classic. It won an Emmy award and two Grammys, and put Mancini in high demand writing for more TV and movie projects.

Mancini typically only wrote music, usually instrumentals. But sometimes he would work with another songwriter who would write the lyrics. His next major hit, "Moon River," was such a case, with the lyrics written by famed songwriter Johnny Mercer. The version sung by actress Audrey Hepburn in the movie of the same name in 1961 went on to win the Academy Award for Best Original Song, as well as Grammys for Song of the Year and Record of the Year.

After that, Mancini kept steadily releasing music for decades, including scores for dozens of movies. He recorded over 90 albums on his own, from big band to jazz to light classical. He became, and remains, one of the biggest names in the "easy listening" genre. 

For this album, I tried to boil the selections down to just his very best known songs, so that even people who aren't typically into can easy listening style can enjoy this. For instance, I find it hard to believe there's anyone out there who doesn't enjoy hearing the highly creative "Pink Panther Theme." Like that song, the vast majority of songs here are instrumentals. "Love Theme from Romeo and Juliet" wasn't actually written by him, but his arrangement changed the song so drastically that I've included it here anyway.

Most of Mancini's best known songs date from the 1960s. After that decade, he switched more to arranging songs written by other people, though he did sometimes write his own material. Some of the songs near the end of this album are covers of songs from much earlier in his career. I generally tried to avoid Mancini's own versions, as I usually do with these Covered albums. But I have two songs by him here since I couldn't find good versions of those ones otherwise.

He was still composing and arranging, though less prolifically, when he died of pancreatic cancer in 1994 at the age of 70 years old. His music made such a cultural impact that in 2004 he was the subject of a U.S. postage stamp. 

This album is 42 minutes long.

01 Peter Gunn Theme (Ray Anthony & His Orchestra)
02 Moon River (Audrey Hepburn)
03 Baby Elephant Walk (Lawrence Welk & His Orchestra)
04 Theme from Hatari (Henry Mancini & His Orchestra)
05 A Shot in the Dark (Shirley Scott)
06 The Shadows of Paris (Elsie Bianchi)
07 Pink Panther Theme (Those Fantabulous Strings)
08 Slow Hot Wind (Sergio Mendes & Brasil 66)
09 Two for the Road (Peggy Lee)
10 Love Theme from Romeo and Juliet [A Time for Us] (Johnny Mathis)
11 Send a Little Love My Way (Anne Murray)
12 Newhart (Henry Mancini)
13 Days of Wine and Roses (Ella Fitzgerald & Joe Pass)
14 Dreamsville (Dave Grusin with Diana Krall)
15 Charade (Monica Mancini)

https://pixeldrain.com/u/YcfTBdHW

alternate: 

https://bestfile.io/en/nDvHfXT0X64bFSQ/file

The cover photo dates from 1985. I don't know any other details.

Pinkerton's (Assorted) Colours - BBC Sessions (1966-1967)

Once again, I'm prioritizing posting BBC material that apparently hasn't even been bootlegged before. This is more material from the "Top of the Pops" BBC radio show that a musical associate has given me. In this case, it's sessions by the British pop group Pinkerton's Colours. 

First off, I have to address the band's often changing name. They were first formed in 1964 under the name "the Liberators." Then in 1965, they renamed themselves "Pinkerton's Assorted Colours." In early 1966, their first single under that name, "Mirror, Mirror," reached the Top Ten in Britain. That was their only big chart success however. After their second single, they shortened their name to just "Pinkerton's Colours." In 1968, they shortened their name yet again to simply "Pinkertons." But they still weren't done. In 1969, after some personnel changes, they changed their name to "Flying Machine." Under this name, they had a classic hit (only in the U.S.) with the song "Smile a Little Smile for Me." But that was their only success, and a year later they broke up for good.

Phew! Pick a name and stick with it! Sheesh. I'm calling them "Pinkerton's Colours" because that was their name for the vast majority of the time period dealt with here. 

Everything here is from Top of the Pops BBC sessions, which sound excellent, as they almost always do. Five of the songs here - tracks 4, 5, 9, 10, and 11 - were officially released on an obscure various artists collection ("British Beat Collection: The Beat Era Vol. 3"). The rest all come from my music friend's unreleased Top of the Pops collection. As is usually the case with Top of the Pops sessions from this era, BBC DJs spoke over the beginnings and ends of many of their songs. So I used the UVR5 audio editing program to get rid of that talking. In this case, seven out of the 11 songs here had that problem, all the ones with "[Edit]" in their titles.

I would have dearly loved to have ended this with a performance of "Smile a Little Smile for Me," since I think that's an excellent song. Unfortunately, I couldn't find any BBC performance of it. Perhaps that's because although it reached Number 5 in the charts in the U.S., it didn't make the charts in Britain at all. Unlike "Mirror, Mirror," which was written by a band member, "Smile" was written by professional songwriters Geoff Stephens and Tony Macaulay. I've already included it in my "Covered" album for Macaulay, and I'll also include a different version when I post a Covered album for Stephens.

I don't know much about this band. Here's their Wikipedia page, though it doesn't say a lot:

Pinkerton's Assorted Colours - Wikipedia 

Here also is the page for their rebirth as the Flying Machine:

The Flying Machine (band) - Wikipedia 

Their popularity didn't last long because musical trends were changing fast in 1967, and their pop style rapidly fell out of favor. They never were popular enough to release a full album. So some of the songs here were never recorded for a proper studio release, especially their cover versions of well known songs like "Summer in the City," "Richard Cory," and "You Keep Me Hangin' On."

This album is 27 minutes long. That's pretty short, but that's all the relevant material I could find.

01 The Power of Love [Edit] (Pinkerton's Colours)
02 Mirror, Mirror (Pinkerton's Colours)
03 Don't Stop Loving Me Baby (Pinkerton's Colours)
04 Magic Rocking Horse (Pinkerton's Colours)
05 Summer in the City [Edit] (Pinkerton's Colours)
06 Chains of Love (Pinkerton's Colours)
07 Richard Cory [Edit] (Pinkerton's Colours)
08 You Keep Me Hangin' On [Edit] (Pinkerton's Colours)
09 Mum and Dad [Edit] (Pinkerton's Colours)
10 I'll Always Love You [Edit] (Pinkerton's Colours)
11 On a Street Car [Edit] (Pinkerton's Colours)

https://pixeldrain.com/u/WRW61iyJ

alternate: 

https://bestfile.io/en/F8xIIuQQci9KviI/file 

I don't know much about this photo, except that it's from January 1966, right as their one big hit was rising in the charts.

Love Affair - BBC Sessions, Volume 1: 1968-1969

Up until recently, the only thing I knew about the band Love Affair was that they had a big hit in 1968 with the classic song "Everlasting Love." But it turns out I underestimated them because I'm an American and they were a British band that had much more success in Britain. They didn't even have a single hit in the U.S. Instead, soul singer Carl Carlton had the U.S. hit with "Everlasting Love" around the same time Love Affair took their version all the way to Number One in Britain. Furthermore, they have four more songs in or near the Top Ten in Britain in 1968 or 1969.

It seems that Love Affair is mostly forgotten today, but they were a big deal in Britain for those two years. They were considered pop idols, with screaming fans drowning them out during concerts, similar to what had happened to the Beatles. As a result of their popularity, they performed at a lot of BBC studio sessions, enough for two volumes.

The main reason I'm posting these albums is due to the same musical friend who has been sharing "Top of the Pops" BBC radio show sessions with me. It seems the vast majority of sessions he sent to me by this band not only haven't been officially released, they hadn't even been bootlegged until now. 

As usual for the time period, BBC DJ Brian Matthew talked over the beginnings and endings of many of the songs. So, like I usually do, I used the UVR5 audio editing program to wipe out his talking. That's why ten out of the 15 songs here have "[Edit]" in their titles.

Only five of the performances here have been officially released. Tracks 3, 4, and 15 come from the compilation album "Time Hasn't Changed Us - The Complete CBS Recordings." Tracks 2 and 14 come from different obscure various artists collection albums. 

Released or not, most everything here comes from the Top of the Pops BBC radio show. The only exceptions are tracks 3 and 4, from the BBC TV show "Colour Me Pop," and the last three songs, which are from a BBC studio session hosted by DJ Dave Lee Travis.

The band's biggest hit, "Everlasting Love," actually was released at the end of 1967. The band had two other big Top Ten hits in Britain in 1968: "Rainbow Valley" and "A Day without Love." But for whatever reason, only the first two songs here were performed in 1968. Everything else comes from 1969. I would guess that the band probably did some other BBC sessions in 1968 that have been lost. Unfortunately, I couldn't find a version of "Rainbow Valley" to include, although this album includes versions of all their other hits. Also note that I've included two versions of "Everlasting Love."

The band had a very good soulful sounding lead singer, Steve Ellis. However, he got frustrated with the way the band was pigeonholed as a pop group mostly covering songs written by professional songwriters, and wanted to expand into different styles. So he left the band for a solo career in early 1970. The band continued with a new lead singer, which will be the subject of Volume Two.

This album is 47 minutes long.

01 Everlasting Love (Love Affair)
02 I've Been Trying [Edit] (Love Affair)
03 All Along the Watchtower (Love Affair)
04 A Day in the Life [Instrumental] (Love Affair)
05 One Road [Edit] (Love Affair)
06 Everlasting Love [Edit] (Love Affair)
07 A Day without Love [Edit] (Love Affair)
08 Gone Are the Songs of Yesterday [Edit] (Love Affair)
09 Tinker Tailor [Edit] (Love Affair)
10 Bringing Back the Good Times [Edit] (Love Affair)
11 Rock Me Baby (Love Affair)
12 Something's Gotten Hold of My Heart (Love Affair)
13 Tale of Two Bitters [Edit] (Love Affair)
14 Baby I Know [Edit] (Love Affair)
15 Walk on Gilded Splinters [Edit] (Love Affair)

https://pixeldrain.com/u/2W1EcTmA

alternate:

https://bestfile.io/en/pbSrRLoxOUXdK2p/file

The cover photo shows the band performing on a TV show in 1968.

Various Artists - Lowell George Tribute Concert, The Forum, Los Angeles, CA, 8-4-1979

Lowell George was the lead guitarist and a key songwriter for the band Little Feat throughout the 1970s. In 1979, the band split up due to creative differences, and George released a solo album. He announced plans to restart the band with a slightly different line-up. But on June 29, 1979, while on tour to support his solo album, he died of a heart attack related to an accidental heroin overdose. He was only 34 years old. Only a couple of months after his death, a tribute concert was held in Los Angeles to celebrate his life and his music. Here is what remains available from that concert.

I'm posting this album almost entirely due to the efforts of musical friend Lil Panda. A couple of days ago (as I write this in August 2025), he sent me this concert out of the blue. He'd found a video from the concert on YouTube. The sound quality was fundamentally good, but had issues. I asked him what he did to fix it, and this was his reply: "Phase correction, azimuth adjustment, de-clicking, music rebalance (different for almost every song... trial and error), the repair assistant (vocal work), and spectral repair." So, thanks to his work, this should sound much better than ever before.

Furthermore, I made some additional changes, since I'm more willing to make changes to bootlegs if I think it improves the overall recording. I noticed some minor drop-outs here and there, usually only a second or less of silence. I patched those up when I found them. That's why three of the songs have "[Edit]" in their titles. 

In addition, the video did something strange with the songs "Running on Empty" and "All That You Dream." If you watch the video, they're edited to seem complete, but in fact both of them were edited way down, to less than two minutes long each. By sheer luck, the only officially released performance from this concert is "All That You Dream," from the Little Feat album "Hoy Hoy," and it's the entire song. So I used that instead. For "Running on Empty," most of the song except for the first verse and some of the end was missing. I used a different live version of this song, from the 1979 No Nukes concerts that I've posted elsewhere on this blog, to fill in the missing part of the song. But there are some differences between the versions, so you might notice the edits. Still, I prefer that over having a weirdly short version. That's why that song has "[Edit]" in its title too.

In addition, I made another edit to all the songs. That's because the video usually cut the cheering at the ends of the songs short, to just a couple of seconds. It didn't sound right to me. So I did some copying and pasting of cheering from one song to another until all the songs had a decent amount of applause. 

I found a 1979 New York Times article about the concert, so I know a little bit about it. Here's the article link (though it may not work for you if you don't have a subscription):

https://www.nytimes.com/1979/08/06/archives/pop-coast-tribute-to-lowell-george.html 

According to the concert, the proceeds from the concert were given to George's family. The concert lasted almost three hours. In addition to the big names included in this album, some others also took part, like Michael McDonald of the Doobie Brothers, Eric Kaz, Craig Fuller, J. D. Souther, Ted Tempelman, and the Tower of Power. But the video here is less than an hour long, and a lot got cut out. Either their roles were cut entirely or they only had minor roles. For instance, Michael McDonald sang back up on one song here, and the Tower of Power horns played on a few of the songs. Generally speaking, Little Feat was the backing band. But I didn't include them in most of the song credits because that would have made the song names longer and I didn't know for sure who played on which song.

The article states that some big musical stars, like Bob Dylan and the Eagles, wanted to perform at the concert as well. However, the surviving Little Feat band members who organized the concert decided to keep it to just the other musicians who knew George well. There also was pressure to have more than one concert, since interest was extremely high, but they decided not to go that route either.

The concert was filmed and recorded with the idea of later releasing an album or film of it. But so far, only that one song mentioned above has been officially released, on a Little Feat album. I've read on social media that it is believed the rest of the film footage has been lost. So this is probably all we're ever going to get. I couldn't even find any information about what other songs were performed, though there must have been many since this is only about one-third of the entire concert.

Thanks again to Lil Panda for digging this up, improving it, and sending it to me. 

This album is 53 minutes long.

01 Tears, Tears and More Tears (Nicolette Larson)
02 Rhumba Girl (Nicolette Larson & Linda Ronstadt)
03 Oh Atlanta [Edit] (Little Feat with Bonnie Raitt, Linda Ronstadt & Nicolette Larson)
04 Runaway [Edit] (Bonnie Raitt with Michael McDonald)
05 Here, There and Everywhere (Emmylou Harris)
06 For a Dancer [Edit] (Jackson Browne)
07 Running on Empty [Edit] (Jackson Browne)
08 talk (Jackson Browne)
09 Your Bright Baby Blues (Jackson Browne)
10 Poor, Poor Pitiful Me (Linda Ronstadt with Nicolette Larson)
11 Blowin' Away (Linda Ronstadt & Bonnie Raitt)
12 All That You Dream (Linda Ronstadt with Nicolette Larson & Rosemary Butler)
13 Willin' (Linda Ronstadt with Emmylou Harris, Rosemary Butler & Nicolette Larson)
14 Dixie Chicken (Little Feat & Everyone)

https://pixeldrain.com/u/bLDhuADx

alternate: 

https://bestfile.io/dwuvGZGMKED7Jiy/file

I had difficulty finding any decent photographs from this concert. There's an entire video of it on YouTube, as mentioned above, but the image quality is very low-res. I eventually found one image I was okay with, which I used as the cover. From right to left, it shows Nicolette Larson, Jackson Browne, J.D. Souther, and Linda Ronstadt. Souther's prominent role is a bit ironic, since he doesn't feature in the actual music here, due to whatever songs he was in not making it to the video. It kind of looks like I edited the photo to squish everyone close together, but in fact that's how it was in the original.

The image was still in pretty poor shape, so I tried to use the Krea AI program to improve it. But I could only do so much, so it's still rough. I also couldn't change the lighting that turned most everything orange, though I tried to make it more colorful.

Olivia Newton-John - BBC Sessions, Volume 1: 1971-1974

As I've mentioned previously, I have a musical associate who has kindly passed on to me some recordings from the BBC radio show "Top of the Pops" that are otherwise extremely rare and often unbootlegged until now. He gave me some of those featuring Australian singer Olivia Newton-John from the early 1970s. So I tried to see if I could find enough material to make an entire BBC album out of it. To my surprise, I found enough for three volumes. Here's the first one.

I doubt Olivia Newton-John needs much in the way of an introduction, considering she's one of the best selling singers of all time, with over 100 million records sold. She first became a star in Britain in 1971 with the songs "If Not for You" and "Banks of the Ohio" both reaching the Top Ten there. So it's not surprising that's when she first starting performing for the BBC. The ultra-rare "Top of the Pops" I previously mentioned are tracks 1 through 5, plus 8 and 13. Some other songs appeared on that radio show, but I checked and they were the same as the record versions. Just playing the record versions became the general trend on that show around 1973, so there are no other performances from her after that year. 

Note that four of these seven had BBC DJ Brian Matthew talking over the music at times. So I did my usual thing and used the UVR5 audio editing program to get rid of the talking. That's why four songs have "[Edit]" in their titles.

Those seven songs by themselves wouldn't be enough to make up an album. So I went digging to see what else I could come up with. I got lucky and found a fan site called "Only Olivia." Here's the URL:

https://www.onlyolivia.com/

It has information of probably every BBC TV show appearance she did, so I was easily able to find most of those on YouTube. That's why I found enough for two albums made up of radio and TV sessions, plus another one consisting of a concert. "Take Me Home, Country Roads" is from the Harry Secombe Show in 1972. "Close to You" is from a BBC TV movie called "The Case." Tracks 9 through 12 are from another BBC TV movie, "The New Fangled Wandering Minstrel Show." That one co-starred Newton-John with singer Georgie Fame, so that includes two duets by them. Note that for some of these songs, including all the ones from the BBC TV movies, were never released in any form on record.

The last three songs are from another BBC TV show, "Clunk Click," in 1974. Like everything else on this album, these performances are officially unreleased. For most of the songs other than the Top of the Pops and TV movie ones, there was audience applause. I used the MVSEP audio editing program to get rid of most of that, so those songs would fit in with the ones without applause.

The bonus track, "It Must Be Love," is a duet with singer Labi Siffre of a hit song he wrote. Unfortunately, the sound quality isn't as good as the rest, so that's why that one is a bonus track. That comes from a short-lived BBC TV show hosted by Newton-John called "Moods of Love," in 1974. There will be more about that show in the next volume.

This album is 44 minutes long, not including the bonus track.

01 Don't Move Away (Olivia Newton-John & Cliff Richard)
02 Help Me Make It through the Night [Edit] (Olivia Newton-John)
03 Banks of the Ohio [Edit] (Olivia Newton-John)
04 Love Song [Edit] (Olivia Newton-John)
05 What Is Life [Edit] (Olivia Newton-John)
06 Take Me Home, Country Roads (Olivia Newton-John)
07 Close to You (Olivia Newton-John & Cliff Richard)
08 Just a Little Too Much (Olivia Newton John)
09 All I Ever Need Is You (Olivia Newton-John)
10 Will You Love Me Tomorrow (Olivia Newton-John & Georgie Fame)
11 Scarborough Fair (Olivia Newton-John)
12 Yeh Yeh (Olivia Newton-John & Georgie Fame)
13 Let Me Be There (Olivia Newton-John)
14 Long Live Love (Olivia Newton-John)
15 Have Love Will Travel (Olivia Newton-John)
16 Angel Eyes (Olivia Newton-John)

It Must Be Love (Olivia Newton-John & Labi Siffre) 

https://pixeldrain.com/u/qQ11Yavo

alternate:

https://bestfile.io/rgMCXfje6zrNTeU/file

The cover photo shows Olivia Newton-John while on the BBC TV show "Presenting Nana Mouskori," in 1974. A couple of performances from that show are on Volume 2 in this series.

Monday, August 4, 2025

Covered: Lee Hazlewood, Volume 2: 1968-2023

Here's Volume Two of my Covered Series albums highlighting the songs written by Lee Hazlewood.

A large percentage of the songs in Volume One were hits. That's much less the case here, since most of this deals with a far less portion of his career, basically from about 1970 onwards until his death (due to cancer) at the age of 78 in 2007.

The first song here, "Some Velvet Morning," was a hit, and is one of his best known songs. What a fascinating song it is. In 2003, the British newspaper The Daily Telegraph placed the single at the Number 1 spot on their 50 Best Duets Ever list. Here's a portion from the article about that list: "These two weirdly complementary sides of Hazlewood's persona unite on 'Some Velvet Morning,' a standout track from Nancy and Lee. On that track, Hazlewood and Sinatra sound like they don't inhabit the same universe, let alone the same song. ... 'Some Velvet Morning' sounds like two songs spliced together by a madman, or an avant-garde short film in song form." 

In the late 1960s, Hazlewood and Sinatra were keeping their successful hit formula going. "Lady Bird" was another big hit song as a duet sung by them, although just to vary things up a bit I've included a version by Virgil Warner & Suzi Jane Hokom instead. (Hokom was Hazlewood's girlfriend in the late 1960s and into the early 1970s.) However, his fortunes changed drastically around 1970, when he decided to move to the Sweden. He ended up living there for ten years. He later claimed that he went there for several reasons, including so his son could avoid getting drafted to fight in the Vietnam War, tax trouble, and bailing out on a failing record company he had tried to run for a few years. One song here, "No Train to Stockholm," details some of his feelings about making that move.

Unfortunately, back in that era, the world was less connected, and going to Sweden was almost suicide for his music career. For instance, his highly successful collaboration with Nancy Sinatra mostly had to come to an end. However, they did reunite occasionally, for instance with an album called "Nancy and Lee Again" in 1972. That contained a Number Two hit in Britain, "Did You Ever." But I didn't included that song here because Hazlewood wasn't involved in writing it.

For much of the 1970s and 80s, he was semi-retired from the music business, although he did release his own albums from time to time. But as more time passed, his music was discovered by younger generations, and his music increasingly achieved a kind of cult status. That led to tribute albums, collaborations, and so on. He also revived his own performing career, including another album with Sinatra in 2004, and a well-regarded final album "Cake or Death," released in 2006, just one year before he died. The song "Baghdad Knights" is from that album.

A lot of the choices here are highly idiosyncratic, meaning someone else putting this together almost certainly would have made many different selections. I tried including at least a little bit of some of his different styles, including three songs he released in his own name, since I couldn't find good cover versions for those. 

This album is 48 minutes long.

01 Some Velvet Morning (Nancy Sinatra & Lee Hazlewood)
02 You Turned My Head Around (Ann-Margret)
03 Sweet Ride (Dusty Springfield)
04 Lady Bird (Virgil Warner & Suzi Jane Hokom)
05 No Train to Stockholm (Lee Hazlewood)
06 For a Day like Today (Suzi Jane Hokom)
07 She Comes Running (Waylon Jennings)
08 Paris Summer (Nancy Sinatra & Lee Hazlewood)
09 Las Vegas (Lee Hazlewood)
10 Easy and Me (Kathryn Williams)
11 The Cheat (Jarvis Cocker & Richard Hawley)
12 It's Sunday Morning (Kid Loco with Tim Keegan)
13 Baghdad Knights (Lee Hazlewood)
14 The Night Before (Kristoffer & the Harbour Heads)
15 Your Sweet Love (Sungaze)

https://pixeldrain.com/u/15hZDJ7S

alternate:

https://bestfile.io/1jUKwWZhrurYWeZ/file

I don't know what year the cover photo is from. But I think it's from a little later than the cover photo for Volume 1, due to a little more grey in his hair.

Sunday, August 3, 2025

Covered: Lee Hazlewood, Volume 1: 1956-1967

It's time to highlight another talented songwriter in my Covered series. This time, it's Lee Hazlewood. He's best known for writing hit songs for Nancy Sinatra, especially the huge hit "These Boots Are Made for Walkin'." But he did a lot more than that. He had a quirky style with songwriting, production, and his own singing so unique that he practically created his own musical genre. The intro paragraph to his Wikipedia entry states: "His collaborations with Sinatra as well as his solo output in the late 1960s and early 1970s have been praised as an essential contribution to a sound often described as 'cowboy psychedelia' or 'saccharine underground.'" I found enough interesting cover versions of his songs for two volumes.

Hazlewood had an unusual career, just like how he had an unusual sound. It seems he marched to the beat of his own drummer. Sometimes that meant big hits, sometimes obscure records. 

He was born in 1929, and mostly grew up in Texas. After serving in the military during the Korean War in the early 1950s, he began working as a DJ. This gave him a foot in the door into the music business. He soon started producing and well as selling songs he'd written. His first big hit was "The Fool" by Sanford Clark in 1956. After that, he had the most success in the late 1950s and early 1960s writing songs for guitarist Duane Eddy. His biggest success was with "Rebel-'Rouser," a Top Ten hit in the U.S. in 1958 and a true classic. He wrote a whole series of hits for Eddy, most (but not all) of them guitar-based instrumentals. I only included a few of those here because, in my opinion, most of them are similar to each other and don't really stand out.

Hazlewood's hits for Duane Eddy petered out by the end of 1963, probably due to a change in the public's musical tastes. That was right when the Beatles and the British Invasion hit it big. Hazlewood was so disappointed in the change that he took a break from the music business for most of 1964. 

But in 1965, his career resumed when he got a chance to work with Nancy Sinatra. She was both very beautiful and a talented singer. Plus she was the daughter of music legend Frank Sinatra. However, she'd had a series of nothing but failed singles from 1961 to 1965, and was in danger of being dropped from her record label. Then she began working with Hazlewood. He drastically changed her sound, including having her sing in a lower register, and with a more sultry style. Their first single in 1965 didn't do that well. But their second one was "These Boots Are Made for Walkin'," which went to Number One in the U.S. singles charts and instantly turned Sinatra into a big star. That led to a whole series of hit songs he for Sinatra through the end of the 1960s.

The Sinatra collaboration turned Hazlewood into a minor star as well. That's because not only did he write and produce all her hits, he sang on some hit duets with her as well. It was a very odd combination, since Hazlewood had a low, gruff voice that typically wasn't found on hit records. But the clash with Sinatra's conventionally pretty voice somehow worked, in large part due to Hazlewood's songwriting and production.

The account of his career will continue with the second volume. Note that, on this volume, I generally stuck with the hit versions, even though that means a big cluster of Nancy Sinatra songs in the second half. Those versions are so distinctive and definitive that it seemed wrong to use different ones.

This album is 48 minutes long. 

01 The Fool (Sanford Clark)
02 Snake Eyed Mama (Don Cole with Al Casey)
03 Don't Look Now, but I've Got the Blues (B.B. King)
04 Rebel-'Rouser (Duane Eddy)
05 The Girl on Death Row (Lee Hazlewood with Duane Eddy & His Orchestra)
06 Shazam (Duane Eddy)
07 Guitars, Guitars, Guitars (Al Casey with the K-C-Ettes)
08 [Dance With] The Guitar Man (Duane Eddy)
09 Baja (Astronauts)
10 These Boots Are Made for Walkin' (Nancy Sinatra)
11 Friday's Child (Nancy Sinatra)
12 Need All the Help I Can Get (Suzi Jane Hokom)
13 How Does That Grab You, Darlin' (Nancy Sinatra)
14 Sugar Town (Nancy Sinatra)
15 Guitar on My Mind (Duane & Miriam Eddy)
16 Sand (Nancy Sinatra & Lee Hazlewood)
17 Summer Wine (Nancy Sinatra & Lee Hazlewood)
18 The Last of the Secret Agents (Nancy Sinatra)

https://pixeldrain.com/u/HjpmSyrP

alternate: 

https://bestfile.io/J50fzMok1feovMx/file

I had a hard time finding good color images of Hazlewood when he was young, so I had to resort using an album cover photo. The cover image was taken from a 1960 album called "Something Special."

Saturday, August 2, 2025

k.d. lang - PBS Soundstage, WTTW Studios, Chicago, IL, 8-16-1993

Here's another episode of the great TV show "PBS Soundstage." This time, it's singer-songwriter k.d. lang from 1993. 

(By the way, note that for one year, the program used the name "Center Stage" instead of "Soundstage." This is one of the shows from that year. But I'm calling it "Soundstage" to be consistent with all of the other many years of the show.) 

This concert took place around the time of lang's peak popularity. The year before, she released the studio album "Ingenue." It sold over two million copies in the U.S., mainly due to the hit single "Constant Craving." At the time of this concert, she was still touring to support that album, even though it took place over a year later. 

1992 was also an eventful year for lang, because that year she came out as openly lesbian. The reason I mention that is due to the banter in track 5, where she teases she's about to announce her lesbian status for the first time. That was a joke, because surely the vast majority of fans in the audience knew that already, since it made news headlines at the time (and caused some country radio stations to stop playing her songs). And she did the same joke in all her concerts that year. I think she drew the joke out way, way too long (over two minutes), but whatever.

This concert has some song edits, because this was one of those episodes where some non-musical segments were included, and sometimes narrative talk ran over parts of songs. Also, more than the first half of the song "Crying" was missing. I found another soundboard bootleg from 1993 and used that to fill in the missing section, but it wasn't an ideal fit. You can probably still hear the transition. But those are the reasons some songs have "[Edit]" in the titles.

This album is 54 minutes long.

01 Luck in My Eyes (k.d. lang)
02 Don't Let the Stars Get in Your Eyes (k.d. lang)
03 Save Me [Edit] (k.d. lang)
04 Still Thrives This Love (k.d. lang)
05 talk (k.d. lang)
06 Miss Chatelaine (k.d. lang)
07 The Mind of Love (k.d. lang)
08 Wash Me Clean (k.d. lang)
09 Ridin' the Rails (k.d. lang)
10 Trail of Broken Hearts (k.d. lang)
11 Big, Big Love (k.d. lang)
12 Constant Craving [Edit] (k.d. lang)
13 Crying [Edit] (k.d. lang)
14 Barefoot (k.d. lang)
15 Big Boned Gal (k.d. lang)

https://pixeldrain.com/u/vSHoRMRh

alternate:

https://bestfile.io/en/LnGhJUNp7eLFaFX/file

The cover photo is from this exact concert. 

Friday, August 1, 2025

Billy Joel - Cold Spring Harbor (Original Mix) (1971) (A MIKE SOLOF GUEST POST)

Billy Joel's 1971 debut album, "Cold Spring Harbor," has issues. It's a long and tangled tale. But the gist of it is because Joel was just starting his music career, he didn't have much control over the production of the album. And he had wound up signed to a marginal record label that did a lot of dumb things, including forcing a producer on him he didn't get along with, who produced his songs in ways he didn't want. But the worst thing of all was that the final master was accidentally sped up by three percent for all the songs! That may not sound like much, but it made his voice sound strangely high. Joel hated it with a passion, but there was nothing he could do. In retrospect, his voice was naturally higher at that time, since it was still changing in his early 20s, so that made the problem worse. He would sound noticeably different on his next album, just two years later.

Joel also signed a terrible record contract, though luckily it ended up being for just that debut album. That means that, even until now in 2025, he's had no control over that album. In 1983, after Joel became a superstar, the record company remixed the album to fix the speed problem. But they made lots of changes Joel didn't approve of as well, including hiring musicians to add new parts to some songs. The kicker though was that the version that finally got rereleased with those changes STILL hadn't fixed the speed problem! Seems like that was a clown car of a record company.

And that's how things still stand today, with the original version having issues, and the remix version having other issues, and both versions running too fast. In short, there's no good version of this album.

So guest poster Mike Solof decided to fix this. He took the original version and adjusted the speed of all the songs. But he also lowered the pitch of the songs by six to ten percent, depending on the song. That was an effort to make Joel's high voice at the time sound more like the voice he's had for all his other music. 

There's a lot more to the story behind this album and its problems. I recommend you watch the HBO Max Billy Joel documentary "And So It Goes," released just a week or so ago as I write this in August 2025. It has a whole section about it. Also, here's the Wikipedia article on the album, which explains a bit:

Cold Spring Harbor (album) - Wikipedia 

But mostly, check out the PDF Mike made that's included in the download file. It has some interesting quotes from Joel himself about the problems with the album and its remix, and Mike explains more about the things he did to fix those problems. 

This album is really a gem that has never gotten its due because of all the problems mentioned above. It's still not perfect, since some production choices can't be undone. But hopefully you'll be able to hear it in a brand new light with this improved version. 

This album is 33 minutes long.

01 She's Got a Way (Billy Joel)
02 You Can Make Me Free (Billy Joel)
03 Everybody Loves You Now (Billy Joel)
04 Why Judy Why (Billy Joel)
05 Falling of the Rain (Billy Joel)
06 Turn Around (Billy Joel)
07 You Look So Good to Me (Billy Joel)
08 Tomorrow Is Today (Billy Joel)
09 Nocturne [Instrumental] (Billy Joel)
10 Got to Begin Again (Billy Joel)

https://pixeldrain.com/u/H7Kon97T

alternate: 

https://bestfile.io/03UwPXPdpG7f1Bc/file 

This is the official cover of the album. However, that's in black and white. I used the Kolorize program to colorize it, since I wanted to make it a little different to show this is an alternate version.

Paul McCartney - Portland Building Ballroom, Nottingham University, Nottingham, Britain, 2-9-1972

Here's a timely post, if you're into bootleg collecting, like I am. Just a few days ago (as I write this on the last day of July 2025), a bootleg emerged on the Internet for the first time. Actually, this recording of this concert had been well known by Paul McCartney fans for a long time, because this was McCartney's very first concert with his new band Wings, since he'd been a member of the Beatles in the 1960s. But the audience recording had poor quality. The news is that a much, much better version has emerged, and that's the version I'm posting here.

Unfortunately, some people privately hoard interesting music recordings for whatever reason. (If you're one of those people, please share, before most of the interested people pass on!) In this case, somebody had a reel-to-reel recording of this concert, and didn't share it for decades. A reel-to-reel recording is still an audience recording, of lesser sound quality than most soundboard or FM radio bootlegs. But it also indicates a recording device of significantly better recording ability than the typical tape recorders people were sneaking into concerts at the time.

Earlier in July 2025, Beatles fans AdamBound and Juan Cena noticed this reel-to-reel recording was on sale. They bought it, then they improved it. For instance, they corrected the speed, as it ran a bit slow. Then they posted it at the Beatlegs forum, which is where I got it. In addition to sounding better than all previously known versions, it was seven minutes longer, including a second version of the song "Give Ireland Back to the Irish."

I made some additional changes to further improve the sound. One problem was that two songs were cut off right at the beginning, "Blue Moon of Kentucky" and "Bip Bop." Only a few seconds were lost in each case, as the recording person was a few seconds slow hitting the "record" button. I found another bootleg from just two days later, in Hull, Britain, and used that to patch in the missing seconds for each song. That's why those two have "[Edit]" in their titles. "Lucille" and "Long Tall Sally" each had drop outs that lasted a couple of seconds in the middle of the songs. I patched those up using music from elsewhere in the song. That's why those two are edited too.

Furthermore, I made three big changes to all the songs. One was that the voices on stage were quite low during all the banter between songs. I boosted those considerably, so now it's easy to hear what McCartney and his band mates had to say. Secondly, I used MVSEP to remove all the crowd noise during the songs while keeping them at the ends of songs. Third, I boosted the lead vocals relative to the instrumental parts when I thought that helped, which was for most songs. Thus, this album should sound even better. Still not a soundboard, but getting there.

The band performed two short sets. Clearly, the first part of the first set wasn't included in this recording. We know other songs were played, since McCartney made reference to playing "Lucille" for the second time, when there's only one version here. (There are two versions of "Give Ireland Back to the Irish" though. Since the band had just formed, they didn't know that many songs yet.) Aside from the first "Lucille," we don't know how many other songs were missed. But judging by other set lists from the days just after this concert, probably only a couple others, maybe a little more.

McCartney wanted his new band to get better performing some concerts before they dig really big concerts and faced the scrutiny of the press. So they came up with the idea of just spontaneously showing up at universities and giving concerts before any media hoopla could catch up with them. They chose universities because there was guaranteed to be an audience of interested young people gathered together there. This concert was performed during lunch time to a packed room of only about 700 to 800 people. That was a far cry from the huge stadiums McCartney performed when the Beatles went on tour!

There are a lot of very interesting stories connected to this concert. But I don't have to write about them here, because there's a lovely webpage all about this concert, which you can find here:

Wings concert at Nottingham University in Nottingham on Feb 9, 1972 (Lunchtime) 

It has lots of quotes from band members and audience members, photos, and much more. I strongly recommend checking it out. That same website has another interesting page about the events that led up to the concert:

Wings departs for their University Tour • The Paul McCartney Project 

This album is 54 minutes long. 

01 Blue Moon of Kentucky [Edit] (Paul McCartney)
02 talk (Paul McCartney)
03 Give Ireland Back to the Irish (Paul McCartney)
04 talk (Paul McCartney)
05 Help Me (Paul McCartney)
06 talk (Paul McCartney)
07 Thank You Darling (Paul McCartney)
08 talk (Paul McCartney)
09 Wild Life (Paul McCartney)
10 talk (Paul McCartney)
11 Bip Bop [Edit] (Paul McCartney)
12 talk (Paul McCartney)
13 Shuffle Blues (Paul McCartney)
14 talk (Paul McCartney)
15 The Mess (Paul McCartney)
16 talk (Paul McCartney)
17 My Love (Paul McCartney)
18 talk (Paul McCartney)
19 Give Ireland Back to the Irish [Second Version] (Paul McCartney)
20 talk (Paul McCartney)
21 Lucille [Edit] (Paul McCartney)
22 talk (Paul McCartney)
23 Long Tall Sally [Edit] (Paul McCartney)

https://pixeldrain.com/u/6ggzcJbt

alternate: 

https://bestfile.io/D6OdYMft1UfMpef/file 

The cover photo comes from this exact concert. I could only find one photo known to be from this concert. It was in black and white, but I used the Kolorize program to colorize it. Then I used the Krea AI program to improve the quality. 

Thursday, July 31, 2025

Don McLean - BBC Sessions, Volume 6: In Concert, New York City, 1-25-1982

Here's the sixth and presumably final Don McLean BBC album I plan on posting. (If I find more, I'll be happy to post them, but I'm very surprised to find this much.) Out of the five album concerts in this series, this is one of the best, if not the best. The sound quality is excellent, and the song selection represents his career well. 

The only problem is "American Pie" isn't included. He probably played it in the full concert, but just didn't include it in the edit down to fit the hour long time slot. It seems he was sick of the song by this time, just as he'd only included a very short version in his 1978 BBC TV special (which is Volume 5 in this series).

This was first broadcast in the U.S. as part of the King Biscuit Flower Power radio program. However, it was later broadcast by the BBC, and more than once. That makes it a BBC concert in my book. Some purists may disagree, but note that I probably wouldn't be posting this otherwise. Unfortunately, I don't know the location of the venue, other that it took place somewhere in New York City. So if anyone does know, please tell me so I can change the title.

McLean's prime period of commercial success lasted from 1971 until 1981. After having no hits in the late 1970s, he had a revival, with "Crying" a big hit in 1980, as well as the Top Forty hits "Since I Don't Have You" and "Castles in the Air" in 1981. So this was a particularly good time for a concert recording like this, especially since he performed all three of those songs.

This album is 59 minutes long.

01 He's Got You [She's Got You] (Don McLean)
02 talk (Don McLean)
03 Vincent (Don McLean)
04 Orphans of Wealth (Don McLean)
05 talk (Don McLean)
06 Tapestry (Don McLean)
07 Castles in the Air (Don McLean)
08 Crying (Don McLean)
09 Since I Don't Have You (Don McLean)
10 Jerusalem (Don McLean)
11 Believers (Don McLean)
12 It Doesn't Matter Anymore (Don McLean)
13 talk (Don McLean)
14 Banjo Pickin' [Instrumental] (Don McLean)
15 talk (Don McLean)
16 Under the Double Eagle - Salt Creek [Instrumental] (Don McLean)
17 talk (Don McLean)
18 Building My Body (Don McLean) (Don McLean)
19 Wonderful Baby (Don McLean) (Don McLean) 

https://pixeldrain.com/u/RppwkaWf 

alternate: 

https://bestfile.io/en/iKISTncc5G1BAug/file 

The cover photo is from a concert at Park West in Chicago, IL, on April 11, 1981.

Monday, July 28, 2025

Billy Joel - An Angry Young Man: The Bottom Line, New York City, 6-10-1976, Early Show (A MIKE SOLOF GUEST POST)

The last couple of nights, I watched the new five-hour long documentary about Billy Joel's life, "And So It Goes." It's very good. I highly recommend it, if you're a fan. Watching that made me appreciate his music more than before, and gave me the desire to post some more music by him. I knew that musical associate Mike Solof is a big Billy Joel fan, so I recently asked him about what to post. He said this is his favorite Joel concert recording of all time, so here we are.

At this point in Joel's music career, he had only been moderately successful. The album he released a month before this concert, "Turnstiles," didn't sell well, and neither did the previous one. That would put him in danger of being dropped by his record label. He would respond with a massive hit album in 1977, "The Stranger." So it's curious at first that Mike considers this is favorite Joel concert recording, since it doesn't include the many hits from "The Stranger," not to mention the albums that came after that. But perhaps that's its strength. The pre-superstar set list is pretty different from the ones that would come later.

This concert was broadcast live on the radio at the time, which is why there are excellent sounding recordings of it, despite it remaining unreleased. I got it all ready to go, and was minutes from posting it. Then Mike found an even BETTER sounding source. So I had to redo the whole thing. Sigh! But it was worth it, because the sound quality between the two sources was very noticeable.

By the way, the usual bootleg of this contains a lot of DJ talking between songs. In particular, there were three encores, and the DJ filled all the time of the crowd cheering with some pointless chatter. I got rid of that. In fact, I cut out most of the encore cheering, period, so one doesn't have to hear just a lot of cheering. That shortened the album by about five minutes. But I also got rid of some other DJ talk between songs. It should be DJ-free now.

This is an album both Mike and I did a lot of work on. But Mike wrote a PDF file of notes on it. So please give that a read as well. It also includes a bunch of other photos from the three Bottom Line shows that included this one. 

This album is an hour and 36 minutes long. 

01 Prelude - Angry Young Man (Billy Joel)
02 Somewhere Along the Line (Billy Joel)
03 talk (Billy Joel)
04 Summer, Highland Falls (Billy Joel)
05 talk (Billy Joel)
06 Piano Man (Billy Joel)
07 talk (Billy Joel)
08 Root Beer Rag [Instrumental] (Billy Joel)
09 talk (Billy Joel)
10 James (Billy Joel)
11 Travelin' Prayer (Billy Joel)
12 talk (Billy Joel)
13 New York State of Mind (Billy Joel)
14 talk (Billy Joel)
15 The Entertainer (Billy Joel)
16 The Ballad of Billy the Kid (Billy Joel)
17 talk (Billy Joel)
18 I've Loved These Days (Billy Joel)
19 talk (Billy Joel)
20 Miami 2017 [Seen the Lights Go Down on Broadway] (Billy Joel)
21 Captain Jack (Billy Joel)
22 talk (Billy Joel)
23 All You Wanna Do Is Dance (Billy Joel)
24 Ain't No Crime (Billy Joel)
25 Weekend Song (Billy Joel)
26 Souvenir (Billy Joel) 

https://pixeldrain.com/u/2S5mS4SK 

alternate: 

https://bestfile.io/PyyF8RsyJIpP5cL/file 

The cover photo is from this exact concert... maybe. It is from the Bottom Line this month. But he performed three nights there in a row. It's from one of those nights. 

Wednesday, July 23, 2025

Various Artists - Elvis: The Tribute, Pyramid Arena, Memphis, TN, 10-8-1994

Here's another interesting tribute concert, with loads of big stars. All of the songs performed were made famous by Elvis Presley. 

This concert seems to have mostly disappeared down the memory hole. An album of highlights from the concert was released, called "It's Now Or Never: The Tribute To Elvis." However, it's only 45 minutes long, containing just 15 songs. But the full two plus hour long concert was broadcast on TV at the time, so excellent sounding video footage of it exists.

This concert took place in 1994 despite the lack of any big anniversary or other important timely reason for it. Instead, the Elvis Presley estate decided that Presley's music was being forgotten by younger generations, so the concert was meant to help bring his music back into the spotlight.

As you can see from the album cover or the song list, a great many music stars performed in this concert. A few more - Jon Bon Jovi, Jeff Beck, and Cher, at least - backed out at the last minute. I found that mentioned in a newspaper article, though it didn't give a reason why. 

I used two versions of the video files of this concert, converted them to audio format, and broke them into mp3s. During that process, I cut out some material. There were several sections of a few minutes each that consisted of short films highlight different aspects of Presley's life. I removed all of those, plus their intros, since they were meant mainly to be seen, not heard. I also edited out some more talk by the announcers. However, I kept all the intros relevant to the songs. Plus, of course, I kept all the music.

The concert was mostly hosted by Karen Duffy, an MTV DJ, and singer-songwriter Kris Kristofferson. But actor John Stamos introduced a few acts, and TV host Phil Donohue introduced one, and sometimes one act introduced the next one.

Occasionally, I had a little trouble with the edits at the starts and ends of songs. For instance, there were quick cuts to or away from TV commercials, as well as the short films I mentioned above. I tried my best to smooth things out, but occasionally the transitions between tracks is abrupt.

Scotty Moore, D.J. Fontana, James Burton, and the Jordanaires didn't have any performances on their own. However, all of them were key backing musicians or singers for Presley. From time to time, they backed up some of the other music acts. 

All of the performances were live from the concert, with two exceptions. I think "Too Much" by NRBQ actually took place before the TV broadcast began. But I slotted it into a logical spot in the concert. And U2 didn't show up for the concert, but sent video footage of their performance to be broadcast instead.

By the way, if you want to know more about the concert, I found a New York Times article of it from the time. Here's the link (I think you have to click on Option 2 to see it):

RemovePaywall | Free online paywall remover 

This album is two hours and three minutes long.

01 talk (Karen Duffy)
02 Good Rockin' Tonight (Sammy Hagar)
03 Too Much (NRBQ)
04 Baby, Let's Play House (Michael Hutchence & NRBQ)
05 talk (Kris Kristofferson & Karen Duffy)
06 talk (Chet Atkins)
07 How's the World Treating You (Chet Atkins)
08 talk (Karen Duffy)
09 Mystery Train (Dwight Yoakam)
10 talk (Kris Kristofferson)
11 Don't Be Cruel (Marty Stuart with the Jordanaires)
12 talk (Marty Stuart)
13 All Shook Up (Cheap Trick)
14 talk (John Stamos)
15 That's Alright Mama (Kris Kristofferson)
16 talk (Kris Kristofferson)
17 One Night (Billy Ray Cyrus with the Jordanaires)
18 talk (Karen Duffy)
19 Lawdy Miss Claudy (Travis Tritt)
20 talk (Karen Duffy)
21 Blue Moon [Edit] (Chris Isaak with Scotty Moore & D.J. Fontana)
22 Love Me (Mavericks)
23 talk (John Stamos)
24 talk (Carl Perkins)
25 Blue Suede Shoes (Carl Perkins with Scotty Moore & D.J. Fontana)
26 talk (Carl Perkins)
27 Rip It Up (Iggy Pop)
28 Memories (Mac Davis)
29 talk (Mac Davis)
30 talk (Bryan Adams)
31 Hound Dog (Bryan Adams with Scotty Moore & D.J. Fontana)
32 talk (Kris Kristofferson)
33 Always on My Mind (Sam Moore)
34 talk (Karen Duffy)
35 Heartbreak Hotel (John Cale)
36 talk (Karen Duffy)
37 I Want You, I Need You, I Love You (Ann Wilson)
38 talk (Karen Duffy)
39 Teddy Bear (Tanya Tucker)
40 talk (Kris Kristofferson)
41 Trouble (Paul Rodgers)
42 talk (Phil Donahue)
43 [Marie's the Name] His Latest Flame (Scorpions)
44 Can't Help Falling in Love (U2)
45 talk (Kris Kristofferson & Karen Duffy)
46 It's Now or Never (Wet Wet Wet)
47 talk (Mac Davis)
48 Love Me Tender (Tony Bennett)
49 talk (Mac Davis)
50 Young and Beautiful (Aaron Neville)
51 talk (Mac Davis)
52 Jailhouse Rock (Michael Bolton with Scotty Moore, D.J. Fontana & Carl Perkins)
53 talk (Karen Duffy)
54 Tryin' to Get to You (Faith Hill)
55 talk (John Stamos)
56 See See Rider (Jerry Lee Lewis with James Burton & NRBQ)
57 Kentucky Rain - Suspicious Minds (Eddie Rabbitt & Mavis Staples)
58 talk (Karen Duffy)
59 Burning Love (Melissa Etheridge)
60 talk (John Stamos)
61 Amazing Grace (Billy Ray Cyrus & Everyone)

https://pixeldrain.com/u/GWnJSkKo

alternate: 

https://bestfile.io/cqa2ziePj3VTmo8/file 

The cover image is a pretty weird one for this concert, but bear with me for the explanation. It depicts Michael Jackson and Lisa Marie Presley (the daughter of Elvis Presley). They had recently gotten married at the time of this concert. (Their marriage only lasted from 1994 to 1996). The weird thing is that neither of them performed at this concert. However, they did attend it. At one point near the end, you can hear the announcer mention their names, along with those of Janet Jackson (Michael Jackson's sister) and Priscilla Presley (Lisa Marie Presley's mother). All four of them briefly stood up and waved to the crowd. 

The main reason I chose them for the cover is because this was the only decent photo from the concert that I could find. The mere fact they were at the concert made news, especially due to the fact that they had just been recently married. I think the image shows the two of them backstage before or after the concert. Even this picture was rather low-res and rough, but I used the Krea AI program to improve the image quality. 

Susan Maughan - BBC Sessions (1964-1971)

I have to admit that, until I put this album together, I'd never even heard of British singer Susan Maughan. I can't say I'm a big fan of her music either. However, I have access to some really rare and unreleased recordings from the BBC radio show "Top of the Pops," and I'm trying to post albums by just about any reasonably good music acts who had an album's worth of such recordings, and Maughan qualifies. So here we are with her BBC album. 

All but three of the songs here are officially unreleased. Those three, tracks 10 through 12, come from a rare various artists compilation called "British Beat Girls Live on Air: 1965-1970." I believe everything else has been unbootlegged until now.

There were many British female singers on the pop charts in Britain in the early and mid-1960s, virtually all of them singing cover songs only. Most had one or two hits, if that, and then quickly faded away. The music blog https://albumsiwishexisted2.blogspot.com/ has put together compilations for many of them who weren't famous enough to have official greatest hits albums. Maughan never got to be an especially big star. She had one big hit in Britain, a cover of "Bobby's Girl," which went all the way to Number Three in the British charts in 1962. She had two smaller hits in 1963. That made up most of her chart success, although she continued to release singles and albums into the 1970s. However, unlike many other singers with a similar amount of success, she had enough BBC sessions survive to make an album. 

"Survive" is a key word in that previous sentence. The vast majority of "Top of the Pops" recordings that survive date from the middle of 1964 and after, because that's when the BBC started sending albums of the show to affiliate stations outside of Britain, and most of those survived in excellent condition. Maughan's commercial peak was from 1962 to 1963, so I'll bet more BBC sessions from those years took place but didn't survive. For instance, I couldn't find a worthy sounding version of her big hit "Bobby's Girl," although one or two rough TV broadcasts of it survive on YouTube.

That said, what is included here is interesting if you into 1960s pop music, like I am. All the Top of the Pops recordings date from 1964 and 1965, with one exception, which I will explain shortly. Those make up everything but the final two tracks. Since she didn't have many hits of her own, she sometimes did hits by others, such as "I'm into Something Good," "Downtown," "Yeh Yeh," "It's Not Unusual," and even "Blowin' in the Wind." As far as I can tell, she never released any versions of those songs I just mentioned on record, though I could have missed some things.

The last two songs come from much later, 1971. After putting all her Top of the Pops sessions together, I checked to see if I could find any other BBC performances. I only found one, "You've Made Me So Very Happy," from a BBC TV show in 1971. The final track, "I Saw a Rainbow," is from a Top of the Pops session in 1971 as well. Maybe her career had a minor revival that year.

This album suffers somewhat from the usual problem of Top of the Pops recordings from the era: annoying BBC DJ Brian Matthew talking over the beginnings and ends of songs. Luckily for Maughan, only five of her songs here had that problem, which is a lower percentage than usual. Those are the ones with "[Edit]" in their names. I did my usual thing of using the UVR5 program to remove the DJ talking while keeping the music. 

Here's a Wikipedia link, if you want to know more about her:

Susan Maughan - Wikipedia 

This album is 43 minutes long. 

01 Little Things Mean a Lot (Susan Maughan)
02 I'm into Something Good (Susan Maughan)
03 That Other Place (Susan Maughan)
04 Make Him Mine (Susan Maughan)
05 Downtown [Edit] (Susan Maughan)
06 Yeh Yeh (Susan Maughan)
07 Don't Be Afraid [Edit] (Susan Maughan)
08 You Can Never Get Away from Me (Susan Maughan)
09 It's Not Unusual (Susan Maughan)
10 When She Walks Away (Susan Maughan)
11 Blowin' in the Wind [Edit] (Susan Maughan)
12 That Other Place (Susan Maughan)
13 Poor Boy (Susan Maughan)
14 Here It Comes Again (Susan Maughan)
15 Your Girl [Edit] (Susan Maughan)
16 You've Made Me So Very Happy (Susan Maughan)
17 I Saw a Rainbow [Edit] (Susan Maughan)

https://pixeldrain.com/u/aWdPSgGE 

alternate:

https://bestfile.io/lHLnk7g4oicgWcx/file

The cover photo was taken backstage at Earl's Court, in London, in January 1964.

Burton Cummings & Randy Bachman (of the Guess Who) - PBS Soundstage, WTTW Studios, Chicago, IL, 1977

If you're a fan of the Canadian band the Guess Who, this is a particularly interesting episode of the "PBS Soundstage" TV show. It's a reunion of the two biggest names from the Guess Who, Burton Cummings and Randy Bachman.

Burton Cummings was the lead singer and a key songwriter for the Guess Who, from 1965 to 1975, when he broke up the band for the first time. (There would be later reunions.) But Randy Bachman was also a key member, being the lead guitarist and also another important songwriter. However, he left the band in 1970, right at the height of their success.

At the time of this concert, both Cummings and Bachman had a lot of success with their post-Guess Who careers. Cummings had just started his solo career, with one solo album in 1976. But that contained the single "Stand Tall," which was a very big hit, selling over a million copies in the U.S. alone. It would be the biggest hit of his solo career by far. However, Bachman was even more successful. From 1973 to 1977, he led the band Bachman-Turner Overdrive. They arguably were even more successful than the Guess Who. They had six hits in the U.S., including the big hits "Takin' Care of Business" and "You Ain't Seen Nothin' Yet." However, in March 1977, he quit Bachman-Turner Overdrive, and they didn't have much success without him.

Unfortunately, I don't know when in 1977 this concert took place. If anyone knows, please tell me so I can update the album title and such. But I'm guessing it took place after March 1977, when Bachman didn't really have a band to perform with anymore, at least for a little while. It seems Cummings and Bachman performed some concerts together in 1977, although they didn't release any music. In addition to this concert, they also did an hour-long TV special for Canadian TV (the CBC), which was broadcast in October 1977. 

After 1977, both Cummings and Bachman had less success with their solo careers. That led to the first big official Guess Who reunion in 1983. More reunions occasionally followed, and sometimes Cummings and Bachman recorded or toured together without the Guess Who name.

This concert has a little bit of everything. There are Guess Who songs (sung by Cummings), Bachman-Turner Overdrive songs (sung by Bachman), and solo songs. There's some acoustic music, and some with a full band. There are solo highlights for Cummings, and solo highlights for Bachman.

Unfortunately, a few of the songs got a little clipped at their starts or ends, due to quick cuts to commercials and that sort of thing. I tried to fix those a bit, which is why four songs have "[Edit]" in their titles. Also note that some of these songs are short versions because they were parts of medleys. For instance, "Laughing" is only about a minute long.

This album is 52 minutes long.

01 Your Backyard (Burton Cummings & Randy Bachman)
02 Never Had a Lady Before (Burton Cummings & Randy Bachman)
03 Laughing [Edit] (Burton Cummings & Randy Bachman)
04 These Eyes [Edit] (Burton Cummings & Randy Bachman)
05 Undun (Burton Cummings & Randy Bachman)
06 American Woman (Burton Cummings & Randy Bachman)
07 No Time (Burton Cummings & Randy Bachman)
08 Let It Ride - Lookin' Out for Number One - Hey You (Burton Cummings & Randy Bachman)
09 You Ain't Seen Nothin' Yet (Burton Cummings & Randy Bachman)
10 My Own Way to Rock (Burton Cummings & Randy Bachman)
11 Framed [Edit] (Burton Cummings & Randy Bachman)
12 Stand Tall (Burton Cummings & Randy Bachman)
13 Charlemagne (Burton Cummings & Randy Bachman)
14 Takin' Care of Business [Edit] (Burton Cummings & Randy Bachman)

https://pixeldrain.com/u/3ah2VV71

alternate: 

https://bestfile.io/rafE5Cu48hgeeGa/file

A video of the full Soundstage show can be found on YouTube. Unfortunately, the image quality is poor. So, for the album cover here, I took a screenshot from their other 1977 special together, the CBC one I mentioned above. That's Bachman with his back turned and Cummings on keyboards. 

Various Artists - An All-Star Tribute to Joni Mitchell, Hammerstein Ballroom, New York City, 4-6-2000

For a few years in the late 1990s and early 2000s, the TNT TV network hosted a few annual "all-star tributes" to some music legends. I've already posted albums of such tribute shows to Johnny Cash, Brian Wilson, and Paul Simon. Here's another one, celebrating the music of Joni Mitchell.

This concert actually featured Joni Mitchell herself, but she had a relatively minor role. At the very end, she performed one song and gave a short speech. Instead, the bulk of the concert consisted of famous musical acts performing her songs. Just look at the cover or at the song list to see the names. There also were some famous non-musicians who talked a little bit between songs, such as actors Susan Sarandon and Laurence Fishburne, and the main host, Ashley Judd. Plus, I never thought my music blog would have a track by Hillary Clinton, but here we are.

If I recall correctly, there was some more stuff to this concert that I edited out, such as testimonials about Mitchell's life and career, narrated by the likes of Goldie Hawn and Rosie O'Donnell. I kept the focus on the songs, and introductions to the songs.

The Stone Temple Pilots were also due to perform at this concert. However, the band's lead singer, Scott Weiland, blew his voice out by performing three full concerts the day before. They were due to perform the song "Woodstock." At the last minute, Richard Thompson stepped up to perform that song instead. That's why he's the only performer here to do two songs, because he also had been scheduled to perform the song "Black Crow." 

Note that the final song, "The Circle Game," faded out before it ended. Probably that's when the TV broadcast came to an end. I extended it a bit by repeating a chorus from earlier in the song and then fading it out. That's why that song has "[Edit]" in its title.

There's an amazing official Joni Mitchell website, www.jonimitchell.com. It has a webpage just on this concert, with lots of pictures and dozens of newspaper articles about it. Here's a link:

Joni Mitchell - 2000.04.06 | An All-Star Tribute To Joni Mitchell Hammerstein Ballroom | New York 

This album remains officially unreleased as an audio album. However, a DVD of it has been released. But this is about ten minutes longer. The sound quality is excellent. 

This concert is an hour and 18 minutes long. 

01 Raised on Robbery (Wynonna Judd & Bryan Adams)
02 talk (Ashley Judd)
03 Carey (Cyndi Lauper)
04 talk (Ashley Judd)
05 Woodstock (Richard Thompson)
06 talk (Hillary Clinton)
07 Chelsea Morning (Shawn Colvin & Mary Chapin Carpenter)
08 Big Yellow Taxi (Shawn Colvin & Mary Chapin Carpenter with James Taylor)
09 talk (James Taylor)
10 River (James Taylor)
11 talk (Ashley Judd)
12 You Turn Me On, I'm a Radio (Wynonna Judd)
13 talk (Susan Sarandon)
14 Help Me (k.d. Lang)
15 talk (Laurence Fishburne)
16 The Dry Cleaner from Des Moines (Cassandra Wilson)
17 talk (Ashley Judd)
18 The Circle Game (Sweet Honey in the Rock)
19 talk (Ashley Judd)
20 talk (Shawn Colvin & Mary Chapin Carpenter)
21 Amelia (Shawn Colvin & Mary Chapin Carpenter)
22 talk (Ashley Judd)
23 Black Crow (Richard Thompson)
24 talk (Richard Thompson)
25 talk (Ashley Judd)
26 Free Man in Paris (Elton John)
27 talk (Elton John)
28 A Case of You (Diana Krall)
29 talk (Ashley Judd)
30 talk (Tony Bennett)
31 Both Sides Now (Joni Mitchell)
32 talk (Joni Mitchell)
33 The Circle Game [Reprise] [Edit] (Joni Mitchell & Everyone)

https://pixeldrain.com/u/acNAjTY6

alternate: 

https://bestfile.io/GVHWLt1ZTKXHMpu/file

The cover photo is from this exact concert. From left to right, that's Joni Mitchell, James Taylor (in back), Cassandra Wilson, Shawn Colvin, and Elton John.

America with Christopher Cross - PBS Soundstage, WTTW Studios, Chicago, IL, 3-24-2005

Here's another episode of the great TV series "PBS Soundstage." This one features the band America.

Note that there's a guest star on this, like there are on many episodes of this show. This time, it's Christopher Cross. However, his role is relatively minor compared to other guest appearances on the show. He didn't sing any songs on his own. Instead, he helped sing two big America hits, "Lonely People" and "A Horse with No Name."

When the band was formed in 1970, it consisted of three singer-songwriters: Gerry Beckley, Dewey Bunnell, and Dan Peek. But Peek left in 1977 never to return, concentrating on a career with Christian music instead. So by the time of this concert, the band was a duo of Beckley and Bunnell. By 2005, their hits were long behind them and they'd turned into a well-honed oldies act. They would have a comeback with a well-received new album in 2007, but that hadn't happened at the time of this concert.

So one gets all the expected hits from the band's heyday in the 1970s and 80s. Although this show is unreleased as an audio album, it has been released on DVD, which is why this episode is longer than the show's usual one hour time. The sound quality is excellent. 

This album is an hour and 16 minutes long. 

01 Riverside (America)
02 Ventura Highway (America)
03 You Can Do Magic (America)
04 talk (America)
05 Don't Cross the River (America)
06 Daisy Jane (America)
07 talk (America)
08 The Last Unicorn (America)
09 I Need You (America)
10 Head and Heart (America)
11 Till the Sun Comes Up Again (America)
12 Tin Man (America)
13 talk (America)
14 Muskrat Love (America)
15 talk (America)
16 The Border (America)
17 talk (America)
18 Woman Tonight (America)
19 Only in Your Heart (America)
20 talk (America)
21 California Dreamin' (America)
22 talk (America)
23 Lonely People (America with Christopher Cross)
24 Sandman (America)
25 Sister Golden Hair (America)
26 All My Life (America)
27 A Horse with No Name (America with Christopher Cross) 

https://pixeldrain.com/u/2xwcW7Gx

alternate:

https://bestfile.io/EeqBz8ePGjYm0CA/file 

The cover image is from this exact concert. 

Monday, July 21, 2025

Dr. Hook - Old Grey Whistle Test, BBC Television Theatre, Shepherd's Bush, London, Britain, 11-25-1975

I was all set to post a "PBS Soundstage" episode starring the American band Dr. Hook. But then I noticed I have a BBC concert by that band that I meant to post months ago, but forgot about. So I'm posting that here first. The Soundstage episode will be posted soon as well.

 First off, note that this band was called "Dr. Hook and the Medicine Show" from its start in the late 1960s until 1975. But by the time this concert took place, they had shortened their name to just "Dr. Hook," so that's the name I'm using here.

Dr. Hook had a lot of success, mostly in the 1970s. Between 1972 and 1982, they had nine Top Forty songs in the U.S. But they don't seem to be that well remembered today. Perhaps that's because they covered a lot of musical ground, from jokey songs (mostly written by Shel Silverstein) to weepy ballads. Or perhaps it's because they were known for a wild and amusing stage show, which is hard to capture for posterity unless you were actually there to remember it. But in any case, they were an interesting band that always knew how to capture people's attention.

At the time of this concert, the band was best known for three songs: "The Cover of 'Rolling Stone,'" "Silvia's Mother," and "Only Sixteen." All three were Top Ten hits in the U.S. But strangely, neither of the first two were included here. In banter between songs, they hinted that the BBC didn't like "The Cover of 'Rolling Stone'" because it mentioned a specific product, which was against BBC policy at the time. (In 1970, the Kinks even had to rerecord "Lola" just to change the words "Coca Cola" to "cherry Cola" so it could get played by the BBC.) But the failure to include "Silvia's Mother" is even stranger, since it was their one and only British hit at the time, and a big one too, reaching Number Two in Britain in 1972.

Normally, the BBC TV show The Old Grey Whistle Test had several different musical acts perform on each episode. But sometimes they had one episode featuring just one act, and this was one such case. This remains officially unreleased.

Note that Dr. Hook did another BBC concert in 1980. I've found most of the songs for it on YouTube, but without any of the banter between songs, and very little applause. Also, I don't know the song order. So I'm not willing to post that one just yet. I hope a better version will emerge. (If you have one, please share!) If and when I do post that, this one will get renamed to "BBC Sessions, Volume 1." 

This album is 39 minutes long. 

01 talk (Dr. Hook)
02 The Millionaire (Dr. Hook)
03 talk (Dr. Hook)
04 The Yodel Song (Dr. Hook)
05 talk (Dr. Hook)
06 Get My Rocks Off (Dr. Hook)
07 talk (Dr. Hook)
08 Only Sixteen (Dr. Hook)
09 talk (Dr. Hook)
10 Rollin' in My Sweet Baby's Arms (Dr. Hook)
11 talk (Dr. Hook)
12 Everybody's Making It Big but Me (Dr. Hook)
13 Carry Me, Carrie (Dr. Hook)
14 Happy Trails (Dr. Hook)

https://pixeldrain.com/u/eH97jR4b 

alternate: 

https://bestfile.io/mhbzRLq9KHuGi8a/file

The cover photo is a screenshot from this exact concert. I used Krea AI to improve the picture quality.