Showing posts with label Bernard Edwards. Show all posts
Showing posts with label Bernard Edwards. Show all posts

Saturday, May 10, 2025

Covered: Nile Rodgers & Bernard Edwards, Volume 2: 1980-2015

Here's the second and final Covered album highlighting the talents of the songwriting duo Nile Rodgers and Bernard Edwards.

As usual, the songs here are in rough chronological order. At the beginning time period for this album, 1980, Rodgers and Edwards were in crisis. They'd had hit after hit in the late 1970s. In fact, the first song here, "Upside Down" by Diana Ross, would top the singles chart in the U.S. and many other countries in 1980. However, pretty much all their hits songs were in this disco genre, and the popularity of disco was crashing hard in 1980. "Upside Down" was one of the last gasps. They basically broke up their wildly successful band Chic, keeping it together only because they owed more records to their record company. Rodgers in particular was depressed by the changing musical trends and developed a bad drug habit.

Disco was so reviled due to overexposure that people actually organized the mass destruction of disco records. Rodgers and Edwards responded by focusing most of their energies on writing and producing songs for other musical acts. Unfortunately, I can only include songs in which they're writers or co-writers, not songs they only produced. But Rodgers in particular became one of the hottest producers in the music business in the 1980s. For instance, he helped produce David Bowie's smash album "Let's Dance" in 1983 and Madonna's smash album "Like a Virgin" in 1984. He also produced albums for Duran Duran, Sheena Easton, Jeff Beck, Thompson Twins, Mick Jagger, the B-52's, Grace Jones, Al Jarreau, Steve Winwood, Cyndi Lauper, and many more. In the 1990s, he produced for Stevie Ray Vaughan, Eric Clapton, David Lee Roth, the Stray Cats, and again many more.

Note that I've included the song "Let's Dance" by David Bowie despite the fact that the song is solely credited to Bowie. That's because in my opinion Rodgers, who produced the song, totally deserved cowriting credit. Believe it or not, when Bowie first presented the song to Rodgers, it was a folk song, with just Bowie's voice and an acoustic guitar! Rodgers utterly transformed the song with a new arrangement, changing the chords, the key, the rhythm, and just about everything else but the basic melody and words. It went on to be a Number One hit in the U.S., Britain, and many other countries. Bowie even later cited Rodgers as the main reason for the song's massive success. (Note that a demo of the song was later released, but this is already after Rodgers had transformed the song, not the original acoustic demo.) 

I would suspect that Rodgers often helped co-write songs as part of his production duties without getting official songwriting credit. One example where he did get credit was "Tick Tock" by Stevie Ray Vaughan (as part of the Vaughan Brothers), which he co-wrote with Vaughan. 

The songwriting success for this duo slowed down as they got older, as is common. That was magnified by the fact that they focused much more on producing. Unfortunately, the Rodgers and Edwards partnership was cut short in 1996 when Edwards died of pneumonia while on tour with Chic in Japan. As I write this in May 2025, Rodgers is still alive and is 72 years old.

By the 2010s, one would have thought that the biggest songwriting success for Rodgers was behind him. But in 2013, he collaborated on four songs with Daft Punk, and of them was "Get Lucky." This would go on to be one of the biggest hits of the decade. It reached Number One in many countries, though it stalled out at Number Two in the U.S. for several weeks. With this new popularity, Rodgers' 1970s band Chic released their first single in 23 years with "I'll Be There" in 2015, and it went to the top of the dance singles chart (though it didn't make the pop singles chart).

Note that nearly all the songs presented here are the original hit versions. But one exception is "Thinking of You" by Paul Weller. He had a Top 20 hit with it in Britain in 2004. However, it first was a hit for Sister Sledge back in 1984. The other exception is "Everybody Dance." I included a hit version by Evolution in 1993. But it was first a hit for Chic back in 1977.

This album is 47 minutes long.

01 Upside Down (Diana Ross)
02 Backfired (Debbie Harry)
03 Why (Carly Simon)
04 The Jam Was Moving (Debbie Harry)
05 Let's Dance (David Bowie)
06 Kissing with Confidence (Will Powers with Carly Simon)
07 Tick Tock (Vaughan Brothers)
08 Everybody Dance (Evolution)
09 Thinking of You (Paul Weller)
10 Get Lucky (Daft Punk)
11 I'll Be There (Chic)

https://pixeldrain.com/u/ZPKXNq3N

alternate:

https://bestfile.io/en/k5MpBQsKfqqwW8O/file

For the cover image, I found black and white photos of Rodgers and Edwards in 1981. I combined them and moved their bodies close together. Then I colorized them using the Kolorize and Photoshop programs.

Covered: Nile Rodgers & Bernard Edwards, Volume 1: 1977-1980

With my Covered series, highlighting talented songwriters who often didn't find fame as performance artists, I still have lots of albums I want to post that go back to the 1950s and 60s. But just for fun, I want to go forward to the late 1970s and after to showcase a songwriting duo who are all about getting you to dance: Nile Rodgers and Bernard Edwards. I have two albums of their songs. Both of them would make a great mix tape to play at a dance party, as they're filled with some of the biggest and best dance songs of all time.

Nile Rodgers and Bernard Edwards both grew up in New York City. They met in 1970 as touring musicians in 1970 when their music careers were just getting started. They formed a band in 1972 which would eventually evolve in Chic. Rodgers played guitar (in 2023, Rolling Stone Magazine would list him as the seventh greatest guitarist of all time for his massive influence) and Edwards played bass. They finally got their first big break in 1977 with the song "Dance, Dance, Dance," which they wrote for their band Chic. For the next few years, they repeatedly rode the disco wave to the top of the charts. "Le Freak" by Chic in particular was massive, selling seven million worldwide and becoming one of about 20 best selling singles of all time up until that point. "Good Times" also deserves special note. In addition to hitting Number One in the U.S. singles chart, Rolling Stone Magazine ranked it number 68 in their list of the 500 greatest songs of all time.

"Good Times" also turned out to be one of the most sampled songs of all time. That's why "Rapper's Delight" is included here as well. Normally, I don't include songs in any Covered series albums if they are basically just prominent samples with rap lyrics on top. But I'm making a special exception for "Rapper's Delight." It's one of the first and most important rap songs of all time. It introduced the term "hip hop" to the world in its lyrics. Rolling Stone Magazine also put it in the last of the 500 greatest songs of all time. It also is so heavily based on "Good Times" that Rodgers sued for a copyright violation as soon as he heard the song. He and Edwards were quickly added as songwriters and received royalties.

But while Rodgers and Edwards wrote Chic's hits and also produced them, they didn't stop there. They also began writing and producing songs for others, and had yet more massive hit singles doing so. During this time period, they especially had success writing songs for Sister Sledge and Diana Ross.

Here are the Wikipedia entries for Rodgers:

Nile Rodgers - Wikipedia 

and Edwards:

Bernard Edwards - Wikipedia 

I don't think Rodgers and Edwards get the credit they deserve, probably because dance music isn't highly valued by music critics. But I'd argue they've had far greater musical impact on the world than most famous "serious" singer-songwriters. Keep in mind this is only Volume 1. Volume 2 will follow shortly.  

This album is 43 minutes long.

01 Dance, Dance, Dance [Yowsah, Yowsah, Yowsah] (Chic)
02 I Want Your Love (Chic)
03 Lost in Music (Sister Sledge)
04 Le Freak (Chic)
05 Rapper's Delight (Sugarhill Gang)
06 He's the Greatest Dancer (Sister Sledge)
07 Spacer (Sheila & B. Devotion)
08 Good Times (Chic)
09 I'm Coming Out (Diana Ross)
10 We Are Family (Sister Sledge)
11 My Old Piano (Diana Ross)

https://pixeldrain.com/u/uAdbwKHa

alternate:

https://bestfile.io/en/38L4D6zbNKGVsCA/file

I couldn't find a good photo of Rodgers and Edwards together. However, I found a photo of the entire Chic band posing for a French TV show in 1979. I removed the other three band members and moved Rodgers and Edwards together. Edwards is the one wearing glasses.