Showing posts with label Barrett Strong. Show all posts
Showing posts with label Barrett Strong. Show all posts

Sunday, March 12, 2023

Various Artists - Covered: Norman Whitfield & Barrett Strong, Volume 3: 1970-1983

Here's the third and last album celebrating the songs of the songwriting team of Norman Whitfield and Barrett Strong. 

As you can see from the song list below, during this time period, they continued their wildly successful hit-making ways through much of the 1970s. It's pretty incredible they wrote three all-time classics, "War," "Just My Imagination," and "Papa Was a Rollin' Stone," on top of all their other classics on the previous two volumes.

Most of their success was for the distinctive Motown record label. But as the 1970s went on, their fortunes declined, as was the case for many Motown related artists. Barrett Strong left Motown by the end of 1973, ending their songwriting collaboration. In retrospect, this clearly was a bad move. Strong tried resurrecting his singing career (he'd had a big hit with "Money (That's What I Want)" way back in 1959). but to very little success. I've included one of his minor solo hits here, "Stand Up and Cheer for the Preacher."

Norman Whitfield fared better for a few years, though he never consistently hit the heights he did while writing song with Strong. His biggest success in the late 1970s was the band "Rose Royce." He plucked them from obscurity and produced several big hits for them. One song he wrote, "Car Wash," was a Number One hit in the US. Some of the other hits, like "Wishing on a Star," were written by others, so they're not included here.

However, the end came quickly for Whitfield. The hits dried up around 1978. A few years after that, he seems to have retired from producing and songwriting. The last song here, "Wherever I Lay My Hat (That's My Home)," was a huge hit for Paul Young in 1983, reaching Number One in Britain. But it actually was written by Barrett and Whitfield (and Marvin Gaye) back in 1962.

Whifield died in 2008 at the age of 68. Strong lived all the way until January 2023, dying at the age of 81.

01 War (Edwin Starr)
02 Just My Imagination [Running Away with Me] (Temptations)
03 You Need Love Like I Do [Don't You] (Clydie King)
04 Superstar [Remember How You Got Where You Are] (Temptations)
05 Smiling Faces Sometimes (Undisputed Truth)
06 Papa Was a Rollin' Stone (Temptations)
07 Take a Look Around (Temptations)
08 It Should Have Been Me (Yvonne Fair)
09 Masterpiece (Temptations)
10 Stand Up and Cheer for the Preacher (Barrett Strong)
11 Car Wash (Rose Royce)
12 Theme Song from 'Which Way Is Up' (Stargard)
13 I Wanna Get Next to You (Rose Royce)
14 Wherever I Lay My Hat [That's My Home] (Paul Young)

https://www.upload.ee/files/17181196/COVRDWhtfildStrng1970-1983Volum3_atse.zip.html

alternate:

https://pixeldrain.com/u/M8jxDgF1

Again, I had a hard time finding good photos of them for the cover. I wound up using different photos and then putting them together. The photo of Strong is from 2004. He's in the front. I don't know what year the photo of Whitfield was taken.

UPDATE: On September 30, 2024, I upgraded the photo with the use of the Krea AI program.

Friday, March 10, 2023

Various Artists - Covered: Norman Whitfield & Barrett Strong, Volume 2: 1968-1970

This is Volume 2 of the Covered series, focusing on the songwriting team of Norman Whitfield and Barrett Strong. This is the time period where their collaboration reached full flower and they had hit after hit after hit.

Barry Gordy, the owner and leader of Motown Records, was known to be very conservative in his decision making. He didn't like being on the cutting edge musically, because that's not what was most commercially successful. But around 1968, Norman Whitfield, as the producer for a few big Motown groups, especially the Temptations, helped innovate what was dubbed "psychedelic soul." It took parts of psychedelic music popular in rock and roll in 1967 and applied it to soul music, expanding the possibilities of what soul music could be. Some of this was influenced by Sly and the Family Stone, which was doing a similar thing at the same time, but much of the innovation was original. This resulted in many more hit songs, all written by Whitfield and Barrett Strong, and a surge of popularity for the Temptations in particular.

I just have a few comments on the songs here. I included a version of "I Heard It through the Grapevine," even though there's a version of that song by Gladys Knight and the Pips on Volume One. Both versions were big hits, and different from each other, so I couldn't pick just one.

I picked the extended (album) version of "Runaway Child, Running Wild" to show off more of Whitfield's "psychedelic soul" production. The single version was five minutes long, but this one is nine and a half minutes long.

All of the songs were hits at the time for Motown artists, except one. That exception is "I Can't Get Next to You." That was a Number One hit in the US by the Temptations in 1969. But since I have a bunch of Temptations songs here, I chose the 1970 version by Al Green, which also was a hit.

This album is 53 minutes long.

01 The End of Our Road (Gladys Knight & the Pips)
02 I Heard It through the Grapevine (Marvin Gaye)
03 Cloud Nine (Temptations)
04 Friendship Train (Gladys Knight & the Pips)
05 That's the Way Love Is (Marvin Gaye)
06 Runaway Child, Running Wild [Extended Version] (Temptations)
07 Gonna Give Her All the Love I've Got (Marvin Gaye)
08 Don't Let the Joneses Get You Down (Temptations)
09 Too Busy Thinking about My Baby (Marvin Gaye)
10 Psychedelic Shack (Temptations)
11 I Can't Get Next to You (Al Green)
12 Message from a Black Man (Derrick Harriott)
13 Ball of Confusion [That's What the World Is Today] (Temptations)

https://www.upload.ee/files/17181193/COVRDWhtfildStrng1968-1970Volum2_atse.zip.html

alternate:

https://pixeldrain.com/u/W7Syoqpr

As with Volume 1, I had a hard time finding material for the cover image. I found a good color photo of Whitfield from 1972, so I used that. He's the one on the right with the big, wide afro hairdo. For Strong, I found a photo of him from 1970 that was in black and white, so I colorized it.

UPDATE: On September 30, 2024, I upgraded the photo with the use of the Krea AI program.

Tuesday, March 7, 2023

Various Artists - Covered: Norman Whitfield & Barrett Strong, Volume 1: 1960-1967

The Covered series rises from the dead again. Singer and songwriter Barrett Strong died over a month ago as I write this in March 2023. He died on January 28, 2023. He was 81 years old. I got a request in the comments section to include him in the Covered series. I thought that was a good idea, except he mostly wrote songs with producer Norman Whitfield, so this features songs by either or both of them, though most often both.

Strong is probably best known as the singer on the classic 1959 hit "Money (That's What I Want)." It was a very pivotal record because it was the very first hit for the soon to be legendary record company Motown Records. Rolling Stone Magazine has listed it as one of the 500 greatest songs of all time. Technically, the song was only written by Barry Gordy (the founder of Motown) and Janie Bradford. However, Strong has always claimed he had a role in writing it, and his name was on the credits as late as 1968. Given his later track record of songwriting success, I'm giving him the benefit of the doubt in having a role.

Strong had a strange career because he had that big hit, and he clearly was a talented singer. But he soon retired from singing and releasing records in favor of being a professional songwriter for the Motown label. (Yet in the 1970s he would briefly resurrect his singing career, as I will explain another time.) 

Whitfield and Strong soon began writing songs together, because they co-wrote "Wherever I Lay My Hat (That's My Home)," which was a minor hit for Marvin Gaye in 1962. I'm not including it here because it was a Number One hit for Paul Young in the 1980s, so I will be including that version. But I guess it took time for their songwriting partnership to jell, because most of the songs on this volume were written by Whitfield or Strong with others, not with each other. They would hit their stride as a songwriting team with "I Heard It through the Grapevine" in 1967, one of the most popular songs of all time (and of course also on that Rolling Stone Magazine list), and almost always wrote together after that.

Whitfield began as a songwriter for Motown in the early 1960s at the tender age of 19. He was fairly successful, co-writing songs like "Too Many Fish in the Sea" and "Needle in a Haystack." But he slowly moved into production, most crucially taking over production of all records by the Temptations in 1966. He would do so well in that that his production work generally overshadowed his songwriting.

If you want to know more, here's the Wikipedia page on Strong:

Barrett Strong - Wikipedia

And here's the page on Whitfield:

Norman Whitfield - Wikipedia 

Note that for different songwriters in the Covered series, I use different self-imposed rules. If an artist generally doesn't have a lot of hits, I usually pick the versions of the songs that I like the most, and try to keep it to one song for each artist. But with Whitfield and Strong, it's pretty much ALL hits in this collection, and enough for three volumes. I decided to usually go with the biggest hit versions, since those usually were also the best. Thus, there tends to be many songs by a small group of musical artists, because Strong and Whitfield typically were only assigned by Motown to those artists.

One oddity here is the song "Stay in My Corner," by the Dells. I believe it's the only song in this volume that wasn't done by a Motown artist. Strong was one of three co-writers on that, without Whitfield. It was first released by the Dells in 1965, but they had a Number One hit on the R&B charts in the US with it in 1968.

Generally speaking, the songs appear here in chronological order by year, though I moved a couple a little bit to limit the number of times there were two songs in a row by the same artist.

This album is 53 minutes long.

01 Money [That's What I Want] (Barrett Strong)
02 Pride and Joy (Marvin Gaye)
03 He Was Really Sayin' Somethin' (Velvelettes)
04 Girl [Why You Wanna Make Me Blue] (Temptations)
05 Needle in a Haystack (Velvelettes)
06 Too Many Fish in the Sea (Marvelettes)
07 Throw a Farewell Kiss (Velvelettes)
08 Can't You See [You're Losing Me] (Mary Wells)
09 A Bird in the Hand [Is Worth Two in the Bush] (Velvelettes)
10 Stay in My Corner (Dells)
11 Lonely, Lonely Girl Am I (Velvelettes)
12 [I Know] I'm Losing You (Temptations)
13 Ain't Too Proud to Beg (Temptations)
14 [Stop Leading Me On] I Know How to Love Her (Jimmy Ruffin)
15 Beauty Is Only Skin Deep (Temptations)
16 Everybody Needs Love (Gladys Knight & the Pips)
17 I Wish It Would Rain (Temptations)
18 Take Me in Your Arms and Love Me (Gladys Knight & the Pips)
19 You're My Everything (Temptations)
20 I Heard It through the Grapevine (Gladys Knight & the Pips)

https://www.upload.ee/files/17181194/COVRDWhtfildStrng1959-1967Volum1_atse.zip.html

alternate:

https://pixeldrain.com/u/ZfJyBDgZ

I actually finished putting these Whitfield and Strong volumes together a couple of weeks ago. But I didn't post them because I couldn't figure out what to do for the cover art. The number of photos of Whitfield and Strong together is extremely small, and most of them are of low quality. I especially had trouble finding any for this time period, because they got famous. 

Eventually, I found this one, which is from 1969, probably at some awards ceremony because they're wearing tuxedos. It was black and white, naturally, and very small, but I did my best to enlarge it, colorize it, and make it look decent. Although it's from 1969, it was right before both of them got afros. From other, even worse pictures, usually of just one of them, I can saw they looked pretty much like this for most of the 1960s, with short haircuts and little facial hair.

UPDATE: On September 30, 2024, I upgraded the photo with the use of the Krea AI program.