Saturday, August 1, 2020

Melissa Etheridge - The Eagles Tribute - Home Concert, Los Angeles, CA, 5-3-2020

Since the start of July 2020, Melissa Etheridge's home concerts have continued, but behind a pay wall. If she thinks she can make some money that way, I don't want to undermine her. So I won't be posting anything from after that time, unless her policy changes. But I still have some material from before she made that change. Here's another one.

As you can see from the title, it's a tribute to the Eagles. There's about 22 minutes of music, plus another 15 minutes of talking, for a total of 40 minutes. Etheridge has some interesting stories to tell, especially since she's met and performed with Eagle Don Henley.

There's not much else to say other than if you enjoyed the previous Melissa Etheridge concerts I've posted, you should enjoy this one too. The sound quality is the same as on the earlier ones, which means it's very good.

01 talk (Melissa Etheridge)
02 Desperado (Melissa Etheridge)
03 talk (Melissa Etheridge)
04 The Boys of Summer (Melissa Etheridge)
05 talk (Melissa Etheridge)
06 Intro to Peaceful Easy Feeling (Melissa Etheridge)
07 Peaceful Easy Feeling - Take It Easy - Peaceful Easy Feeling (Melissa Etheridge)
08 talk (Melissa Etheridge)
09 Intro to Witchy Woman (Melissa Etheridge)
10 Witchy Woman (Melissa Etheridge)
11 talk (Melissa Etheridge)
12 Lyin' Eyes (Melissa Etheridge)
13 talk (Melissa Etheridge)
14 Take It to the Limit (Melissa Etheridge)

https://www.upload.ee/files/15289556/MelissaE_2020f_EaglsTributeHomeConcrtLsAngelesCA__5-3-2020_atse.zip.html

Instead of the usual screenshot of Etheridge performing at the home concert in question, I thought it would be more interesting if I could find a photo of her with one or more of the Eagles. I did. This photo is of her with Don Henley at a 2002 MusicCares concert honoring Billy Joel.

Fleetwood Mac - Live and Rare, Volume 2 (1968-1970)

Yesterday, I posted "Live and Rare, Volume 1." This is more of the same. It's the second and final album dealing with songs Fleetwood Mac played in concert during the Peter Green years that are officially unreleased and were only recorded on rough sounding bootlegs.

As I wrote for that previous volume, beware that the sound is far from perfect. That said, it's very listenable. I make these albums mainly for myself, and I'm not going to put up with something that sounds like crap. Like I wrote yesterday, these often are good sounding songs from otherwise rough sounding bootlegs.

How is that possible? One way is that it often is harder to record vocals well than the instrumentation. And four of the songs this time around are instrumentals. As I explained with that earlier volume, many of these instrumentals have no easily identifiable name. It's likely for at least some of them that they were spontaneous blues jams with no name at all. So I came up with my own names, using the town names. (I had to add the year for two of them, since there are two from Stockholm, Sweden in different years.)

This album ends in early 1970 because that's when Peter Green left the group. Also, when he left, the variety of songs the band played in concert was drastically reduced. I think the live improv instrumentals came to a halt as well.

Both this volume and the previous one are about 50 minutes long.

01 Goin' Down Slow (Fleetwood Mac)
02 San-Ho-Zay [Instrumental] (Fleetwood Mac)
03 Stockholm '69 Improv [Instrumental] (Fleetwood Mac)
04 Gothenburg Improv [Instrumental] (Fleetwood Mac)
05 If You Let Me Love You (Fleetwood Mac)
06 All Over Again [I've Got a Mind to Give Up Living] (Fleetwood Mac)
07 It Takes Time (Fleetwood Mac)
08 Stockholm '70 Improv [Instrumental] (Fleetwood Mac)


As with the cover art for Volume 1, I didn't have a lot of great photos of the entire Fleetwood Mac band, so I decided to use one of lead guitarist Peter Green, at a further tribute to his recent passing (which happened a few days ago as I write this).

Friday, July 31, 2020

Fleetwood Mac - Live and Rare, Volume 1 (1967-1968)

As I wrote yesterday, legendary guitarist Peter Green died just a few days ago. To further commemorate his passing, I have some more music to post from the time he led Fleetwood Mac.

Be warned that this album isn't for everyone. It contains interesting rare songs performed live that didn't fit anywhere else in my music collection. All of them are officially unreleased. But generally speaking, these songs come from audience bootlegs, so the sound quality isn't up to my usual standards. Some are rougher than others. That said, all of them pass my listenability test, or I wouldn't bother including them.

It's truly remarkable how many different songs Fleetwood Mac performed in concert back in their Peter Green-led years. All of these, I believe, never appeared on any official albums, and most of them only show up on one or a couple of different bootlegged concerts. (There are even more that I wish I could have included, but the sound quality was too poor, or they didn't get bootlegged at all.)

In some cases here, these songs happened to be the best from some fairly bad sounding bootlegs. For instance, there might have been a bootleg where the vocals were recorded badly, but an instrumental from it sounds just fine. The first three songs are all like that. They come from 1967, a year of no decent sounding Fleetwood Mac bootlegs, but for some reason these songs stood out in terms of sounding listenable.

I'll follow this with a second and final "Live and Rare" volume. I have to admit that there are some instrumentals on them with names that I can't identify. It could be they were just blues jams that never had a name in the first place. In such cases, I came up with my own name, using the town they were performed in. There's only one such case here, the song I call "Windsor Improv."

The last song, "All Over Again (I've Got a Mind to Give Up Living)," is kind of a bonus track. I have a different version on "Live and Rare, Volume 2." This one is from 1969, so it doesn't fit with the other songs here from 1967 and 1968. But Peter Green's slow blues guitar playing on "All Over Again" is always amazing, so I want to have every decent sounding version the band did in my collection. Thus, I've stuck one on here, instead of having two versions on "Volume 2."

Finally, thanks to my musical associate MZ for his assistance with this album. He helped me find some of the rare versions here, and also used his sound editing skills to make them more listenable.

01 Evil Woman Blues (Fleetwood Mac)
02 Windsor Improv [Instrumental] (Fleetwood Mac)
03 I'm Goin' Home (Fleetwood Mac)
04 Bleeding Heart [Edit] (Fleetwood Mac)
05 Don't Know Which Way to Go (Fleetwood Mac)
06 The Sky Is Crying (Fleetwood Mac)
07 Too Late to Cry (Fleetwood Mac)
08 Crossroads (Fleetwood Mac)
09 Call It Stormy Monday (Fleetwood Mac)
10 All Over Again [I've Got a Mind to Give Up Living] (Fleetwood Mac)


Good photos of Fleetwood Mac from 1967 or 1968 are very rare, and I've used just about all of the decent ones I could find. Since Peter Green died recently, and he was the leader of the band back then, I decided to honor him by featuring him on this cover. I don't know when or where this photo is from exactly, but I'm guessing it's from around 1968.

Norah Jones - Home Concerts 6, New York City, 6-12-2020 to 6-22-2020

Here's the next in a long series of Norah Jones home concerts. She continues to play about four songs a week in this format. May she keep it up forever! ;)

There's not much to say for this one. If you liked the previous five home concert albums of hers I've posted, you'll like this one too. The sound is perfectly good except for one thing: for many of these songs, the vocals are rather low in the mix. She's on piano for this, and I'm guessing that she kept her face too far from the microphone. But that's just a minor blemish.

Most of the songs are from her most recent album, or previous albums. But there's one very off the wall cover: "Song of the Highest Tower." This was first done by the Cut Worms in 2018. As usual, Jones makes the song her own.

By the way, I want to keep posting more of Jones's home concerts, and I will, but I've run into a snag. While I was on vacation earlier this month (July 10th), she gave a mini-concert that I missed. Instead of posting her performance on her YouTube channel, as usual, she gave a concert for "Amazon Live." She played four songs: "To Live," "Flame Twin," "I'm Alive," and "It's Gonna Be." Unfortunately, it seems Amazon only had this up for a few days, and it has since disappeared. If you have a recording of this show, please let me know so I can keep posting without having a big gap.

This album is 45 minutes long.

01 To Live (Norah Jones)
02 Hurts to Be Alone (Norah Jones)
03 Heartbroken Day After (Norah Jones)
04 I'm Alive (Norah Jones)
05 What Am I to You (Norah Jones)
06 After the Fall (Norah Jones)
07 Stumble on My Way (Norah Jones)
08 talk (Norah Jones)
09 Song of the Highest Tower (Norah Jones)
10 talk (Norah Jones)
11 Those Sweet Words (Norah Jones)
12 Thinking about You (Norah Jones)
13 talk (Norah Jones)
 

For the album cover, I took a screenshot from the first home concert here.

Thursday, July 30, 2020

Fleetwood Mac - BBC Sessions, Volume 4: 1969

First off, sadly, I have to report that Peter Green died a few days ago, on July 25, 2020, of natural causes. He was 73 years old. He was a true musical giant in my opinion, one of the greatest lead guitar players of all time. He will be missed, even though most of his musical reputation rests on his years with Fleetwood Mac, from 1967 to 1970.

Only four of the 12 songs on it are officially released. Three more are from "On Air," but that's a dubious "grey market" release. However, I think you'll find there's very little sound quality difference between the released ones and the rest. 
 
The three "On Air" sourced songs are by Chicken Shack, the blues band Christine McVie was in shortly before she joined Fleetwood Mac. I've only included songs from this band where McVie was the lead vocalist.  
 
All of the BBC performances come from just three sessions, and probably the released and unreleased versions ultimately come from the same recorded versions.

There are four songs not from the BBC. Two of these ("San-Ho-Zay" and the "Blue Suede Shoes" medley) come from a Dutch radio show. I'm not a stickler that all songs on a BBC compilation have to actually come from the BBC - I figure other radio or TV show appearances are fair game as well. 

There's nothing wrong sonically with the bonus track, "Albatross." The only reason it's a bonus track is because I have another version of the band playing the song on an earlier album in this BBC series. There are remarkably few instances of the band playing the same song twice on the BBC, so any duplicates are downgraded to bonus tracks.

This album is 40 minutes long, not including the bonus track.
 
UPDATE: On September 26, 2025, I redid the mp3 download file. I'm not sure why, but I had a couple of songs out of chronological order between this album and Volume 4. So I moved some songs from here to there, and from there to here.  
 
01 San-Ho-Zay [Instrumental] (Fleetwood Mac)
02 Blue Suede Shoes - Whole Lotta Shakin' Goin' On - Blue Suede Shoes (Fleetwood Mac)
03 Can't Believe You Wanna Leave (Fleetwood Mac)
04 Blues with a Feeling (Fleetwood Mac)
05 Tallahassee Lassie (Fleetwood Mac)
06 Early Morning Come (Fleetwood Mac)
07 Heavenly (Fleetwood Mac)
08 I'd Rather Go Blind (Christine McVie & Chicken Shack)
09 Hey Baby (Christine McVie & Chicken Shack)
10 Get like You Used to Be [Edit] (Christine McVie & Chicken Shack)
11 Man of the World (Fleetwood Mac)
12 Jumping at Shadows (Fleetwood Mac)
13 Linda [Edit] (Fleetwood Mac)

Albatross [Instrumental] (Fleetwood Mac)
 
 
alternate:  
 

I'm not sure exactly when or where the cover art photo is from. But given their appearance, and especially the inclusion of Danny Kirwan (who joined in 1968), I think it's likely it's from 1969.
 
In 2025, I improved the detail of the image with the use of the Krea AI program. 

Manfred Mann - Ha Ha Said the Clown - Non-Album Tracks (1967)

I've got tons of albums from different bands to post, but Manfred Mann is on a fast track, so here's the next stray tracks album from them.

Manfred Mann didn't release a studio album at all in 1967. I think this was a big mistake, and must have cost the band popularity and credibility. Recall that 1967 was a time of rapidly and drastically changing musical trends. You had to keep up or be left behind. (Some bands, like the Dave Clark Five, Herman's Hermits, and the Searchers, fell way behind around 1967.) As it so happens, Manfred Mann had enough new material for not one but two new studio albums in 1967, and they had hit singles then as well, so their lack of an album that year is even more of a mystery.

I have some songs recorded in 1967 on the last stray tracks album I posted here ("Semi-Detached Suburban Mr. James"), and more on the next album in this series. But all of the songs on this album date from 1967. I have it in rough chronological order by recording date, from January to August 1967.

The big hit song this time around is "Ha Ha Said the Clown." It was a Top 5 song in Britain, and hit Number 1 in some European countries, but it didn't chart at all in the US. Although it's a nice song, it's also a lightweight one, and fare badly with a lot of masterpieces coming out in 1967. Songs like this one help explain why the band got the reputation as a poppy singles band.

Happily, the album has more substance. True, some of the other songs are in the same vein as "Clown," but the band was still showing off its rhythm and blues and/or jazzy chops, as well as dabbling with psychedelic sounds. Six of the songs here were released as A- or B-sides. Two more come from BBC sessions, and for both of those I edited to songs to remove the BBC DJ's talking over the intros. Another song only came out as an album bonus track years later.

That leaves three songs that still remain officially unreleased: "Golden Flower," "She Once Was My Love," and "Rainbow Eyes." This is puzzling to me, because I think they sound just as good as any of the other songs on the album. Luckily, all three come from a bootleg with sterling sound quality, so they sound exactly as good as the released tracks. The song "She Once Was My Love" was a rather messed up take, with the song breaking down and then restarting more than once, as well as having some vocal flubs. But I edited it to make it sound coherent and mistake-free.

This album is fairly short at 35 minutes, but that was how long such albums typically were in those days. By luck, the last song ends with a bit of a reprise of the first song. It's brief and a bit subtle, but it's there.

01 Ha Ha Said the Clown (Manfred Mann)
02 I Love You (Manfred Mann)
03 Feeling So Good (Manfred Mann)
04 The Nitty Gritty [Edit] (Manfred Mann)
05 Golden Flower (Manfred Mann)
06 She Once Was My Love [Edit] (Manfred Mann)
07 Sweet Pea [Instrumental] (Manfred Mann)
08 One Way (Manfred Mann)
09 Rainbow Eyes (Manfred Mann)
10 Hound Dog [Edit] (Manfred Mann)
11 So Long, Dad (Manfred Mann)
12 Funniest Gig (Manfred Mann)

https://www.upload.ee/files/16696647/MANFRDMNN1967_HaHaSadClwn_atse.zip.html

For the cover art, I chose from one of several different versions of the "Ha Ha Said the Clown" single. I made a few changes. For instance, I removed the title of the B-side, which was written right below the title of the A-side. I also moved the location of the record company logo.

Wednesday, July 29, 2020

Chrissie Hynde with James Walbourne - Dylan Lockdown (2020)

UPDATE: The link for this album has been removed, because all the songs here, plus one more, has been officially released as the album "Standing in the Doorway: Chrissie Hynde Sings Bob Dylan."
 
So what has Chrissie Hynde of the Pretenders been up to since the coronavirus lockdown began? She's made a couple of recorded appearances, but they've been short and unremarkable. But she's taken a different approach: together with Jame Walbourne, who has been lead guitarist for the Pretenders since 2008, she's done a series of Bob Dylan covers. Instead of the common acoustic approach during the lockdown, she's worked up full band versions of each song, then released then on the Internet once a week.

Her Dylan versions are excellent. What I particularly like is that she's generally selected less covered songs, including a couple of downright obscure ones. She also picked some of my all-time Dylan favorites, especially "Blind Willie McTell." There are only eight songs, but it totals up to 46 minutes, which is an ideal album length.

I've been collecting her Dylan songs each week. I was going to wait longer before posting, because I didn't know how many covers she'd do. But with this week's song, she mentioned it was the last song of the Dylan series.

If you're at all a Chrissie Hynde/Pretenders fan, or a Bob Dylan fan, you should give this a listen. Lots of artists have officially released albums consisting entirely of Dylan covers. For whatever reason, Hynde decided to release this de facto new studio album on the Internet for free.

01 In the Summertime (Chrissie Hynde with James Walbourne)
02 You're a Big Girl Now (Chrissie Hynde with James Walbourne)
03 Standing in the Doorway (Chrissie Hynde with James Walbourne)
04 Sweetheart like You (Chrissie Hynde with James Walbourne)
05 Blind Willie McTell (Chrissie Hynde with James Walbourne)
06 Love Minus Zero-No Limit (Chrissie Hynde with James Walbourne)
07 Don't Fall Apart on Me Tonight (Chrissie Hynde with James Walbourne)
08 Tomorrow Is a Long Time (Chrissie Hynde with James Walbourne)

I was planning on making my own cover art for this album, as usual. But when Googling for a picture of Chrissie Hynde and James Walbourne together, I stumbled across some album art a person named spunky2018 made for the Dylan lockdown series. So even though I found some pictures of them together, I've used this one instead. I like how spunky2018 made it in the style of an old Dylan album.

The Petersens - Home Concerts 1, Branson, MO, 4-7-2020 to 7-17-2020

I was looking for something on YouTube the other day and stumbled across the Petersens. I liked them enough to post this album. One way they came up was because they've performed with the Reina del Cid and Toni Lundgren duo. If you like that duo, this is very much in the same vein. Technically, the Petersens are considered bluegrass, but I generally am not a fan of bluegrass yet I'm a fan of this. It's more like they play roots music in the folk, country, singer-songwriter type genres, with some bluegrass touches, such as banjo, mandolin, and fiddle.

The Petersens are very much a family band. As far as I can tell, the band consists of a mother, son, three daughters, plus one non-family member. So you get a fuller sound than Reina del Cid and Toni Lundgren, though they generally play the same kind of songs. The Petersens are based in Branson, Missouri, which is kind of a country music entertainment mecca, and seem to spend most of their time playing concerts there. But they've put up some home concert videos during the coronavirus lockdown, with some of them getting millions of hits. I'm sure there are oodles of family bands playing music like this all over the US and beyond, but the Petersens stand out due to their talent.

As I write this, they've done three home concerts of 20 to 30 minutes each that have been posted on YouTube, plus various single songs posted there as well. This album gathers one of the home concerts and all of the stray single songs into an album that hopefully sounds like one coherent concert. I plan on posting another album by them that consists of the other two home concerts combined. I've arranged things so that both albums end up being between 45 and 50 minutes long.

I have to admit that I'm not a fan of most gospel music. The Petersens are a Christian band and play a fair number of gospel/religious songs. But because I'm not a fan of that kind of stuff, I left off a few songs of that type. None of the songs on this album are gospel songs. Here's what you get instead, by the original artists:

01 When You Say Nothing at All - Keith Whitley / Alison Krauss
02 If I Needed You - Townes Van Zandt / Emmylou Harris & Don Williams
03 You Can't Make Old Friends - Kenny Rogers
05 Southern Nights - Glen Campbell
07 Amarillo by Morning - George Strait
09 She's Got You - Patsy Cline
11 Swallowtail Jig [Instrumental] - Irish traditional
13 Moments - Petersens original
15 Take Me Home, Country Roads - John Denver
16 I Feel the Blues Moving In - Del McCoury
17 Carolina in My Mind - James Taylor
18 Landslide - Fleetwood Mac

As you can see, most of the songs are classic hits, especially country classics. The Petersens do occasionally write their own songs, but only one of them appears on this album. I have a couple more originals on the other album of theirs I plan on posting. I've found their originals generally hold up to the high standards of the covers they do.

Here's the usual song list:

01 When You Say Nothing at All (Petersens)
02 If I Needed You (Petersens)
03 You Can't Make Old Friends (Petersens)
04 talk (Petersens)
05 Southern Nights (Petersens)
06 talk (Petersens)
07 Amarillo by Morning (Petersens)
08 talk (Petersens)
09 She's Got You (Petersens)
10 talk (Petersens)
11 Swallowtail Jig [Instrumental] (Petersens)
12 talk (Petersens)
13 Moments (Petersens)
14 talk (Petersens)
15 Take Me Home, Country Roads (Petersens)
16 I Feel the Blues Moving In (Petersens)
17 Carolina in My Mind (Petersens)
18 Landslide (Petersens)

https://www.upload.ee/files/15635016/TPetersns_2020_HmeConcrts1BransnMO__4-7-2020_to_7-17-2020_atse.zip.html

Although there the Petersens have six members in their band, the cover art photo only shows three of them, the three daughters. I watched their video of "Landslide," and I thought it looked really nice with the flowers in their hair and the river in the background, so I took a screenshot of that. For the cover art of the other album I plan on posting, I'll include the other band members as well.

Tuesday, July 28, 2020

Richard Thompson with Zara Phillips - Folk on Foot - Home Concert, Montclair, NJ, 5-25-2020

I've posted a couple of Richard Thompson 2020 home concerts. He did another one in early July that's especially nice. But before I post that one, I want to post this earlier one.

I hesitated to post it, because the actual concert for the ("Folk on Foot" festival) was rather short, at only 24 minutes. But I've managed to find a few more songs he did here and there around the same time, increasing the length to 32 minutes (if you don't count the bonus track). That's still pretty short, but enough to post as an album.

In terms of song selection, most of these are fairly obscure choices from his extensive catalog. I believe only three of them ("Keep Your Distance," "If I Could Live My Life Again," and "I Want to See the Bright Lights Tonight") are repeats from the other three 2020 home concerts of his that I've posted already. And no more songs are repeats from the early July 2020 show mentioned above that I'll be posting soon.

The sound quality is very good in general. The only exception is the bonus track, "Jack O' Diamonds." That is one of the extras, generally done for various benefit concerts or Internet shows. Unfortunately, "Jack O' Diamonds" was badly recorded, with the vocals way down low and way too much reverb.

01 The Sun Never Shines on the Poor (Richard Thompson)
02 talk (Richard Thompson)
03 Sloth (Richard Thompson)
04 talk (Richard Thompson)
05 Stony Ground (Richard Thompson)
06 talk (Richard Thompson with Zara Phillips)
07 Keep Your Distance (Richard Thompson with Zara Phillips)
08 talk (Richard Thompson with Zara Phillips)
09 She Never Could Resist a Winding Road (Richard Thompson with Zara Phillips)
10 talk (Richard Thompson with Zara Phillips)
11 I Want to See the Bright Lights Tonight (Richard Thompson with Zara Phillips)
12 One Door Opens (Richard Thompson)
13 talk (Richard Thompson)
14 If I Could Live My Life Again (Richard Thompson)
15 A Heart Needs a Home (Richard Thompson with Zara Phillips)

Jack O' Diamonds (Richard Thompson)

https://www.upload.ee/files/15271085/RichrdT_2020c_FlkonFootHomeConcrtMontclairNJ__5-25-2020_atse.zip.html

The cover art photo is a screenshot from the exact concert in question. I wanted to use a photo of both Thompson and Zara Phillips, but they were too far apart for a good picture.

Elle Cordova & Toni Lindgren - Sunday Mornings with Elle and Toni, Volume 2: 2016-2017

A few weeks ago, I posted the first of many albums I plan on posting featuring acoustic cover versions by Elle Cordova and Toni Lindgren. Don't feel bad if you've never heard of them. I hadn't until last month, and they're not that well known. But Elle Cordova is a talented songwriter (check out her original albums), and together they do really nice, mellow versions of great songs from a wide variety of genres.

As with the last album I posted, most of these songs are fairly well known, but they also have some unexpected choices that work out well. For instance, if you look at their general roots rock vibe, you wouldn't expect a Beyonce song, but they play one here. Ditto with a Prince song. They also do a song by David Rawlings, who I'd never heard of before. So it's a good mix of the familiar and less familiar.

Note that the first album I posted in this series dealt with the years 2013 to 2015, and this one deals with 2016 to 2017. In fact, there was only one song from 2015 on the previous album, and there is over a year and a half gap between the last song on that album and the first one here. Partially, that's because they did some original songs during that time for their weekly YouTube releases, which don't fit the covers format here. But it also seems they suspended their weekly releases for a while. Happily, since they've resumed in 2016, they've been doing it consistently all the way until the present day.

This album is 45 minutes long.

Here is a list of the original artists for each song:

01 Jambalaya (On the Bayou) - Hank Williams
02 Tennessee Waltz - Patti Page
03 English Tea - Paul McCartney
04 I Just Don't Think I'll Ever Get Over You - Colin Hay
05 XO - Beyonce
06 Mountain Dew - traditional
07 Doctor My Eyes - Jackson Browne
08 I Will Always Love You - Dolly Parton / Whitney Houston
09 Step into Christmas - Elton John
10 When You Were Mine - Prince
11 Tonight I'll Be Staying Here with You - Bob Dylan
12 Ruby - David Rawlings
13 Rollin' in My Sweet Baby's Arms - traditional

Here is the usual song list:

01 Jambalaya [On the Bayou] (Elle Cordova & Toni Lindgren)
02 Tennessee Waltz (Elle Cordova & Toni Lindgren)
03 English Tea (Elle Cordova & Toni Lindgren)
04 I Just Don't Think I'll Ever Get Over You (Elle Cordova & Toni Lindgren)
05 XO (Elle Cordova & Toni Lindgren)
06 Mountain Dew (Elle Cordova & Toni Lindgren)
07 Doctor My Eyes (Elle Cordova & Toni Lindgren)
08 I Will Always Love You (Elle Cordova & Toni Lindgren)
09 Step into Christmas (Elle Cordova & Toni Lindgren)
10 When You Were Mine (Elle Cordova & Toni Lindgren)
11 Tonight I'll Be Staying Here with You (Elle Cordova & Toni Lindgren)
12 Ruby (Elle Cordova & Toni Lindgren)
13 Rollin' in My Sweet Baby's Arms (Elle Cordova & Toni Lindgren)

https://www.upload.ee/files/17363678/ELLECRDVATNILINDRN2016-2017SndyMrnngswthEllTniVlum2_atse.zip.html

alternate:

https://pixeldrain.com/u/8vsczDtf

The cover photo comes from a YouTube video recorded in Las Vegas in 2017. Fittingly for the location, they did the song "The Gambler." Unfortunately, I felt I couldn't include this version due to the poor sound quality, thanks to it being recorded in a crowded location. It was almost the only one I had to completely reject due to sound quality issues. But don't worry, because they did another version later that was recorded much better, so that appears on a later album in this series.

Monday, July 27, 2020

Larkin Poe - Yet Even Still More Tip O' the Hat - Various Cover Versions (2020)

I am so very, very glad to post this album. I've been steadily collecting Larkin Poe's "Tip O' the Hat" video performances since the start of 2020, waiting for enough to make up an album that's about 45 minutes in length, and I finally have enough.

If you haven't listened to any of these "Tip O' the Hat" albums, what are you waiting for? They're great. I'm a big fan of acoustic music, and it's fun hearing these sisters do acoustic versions of what are often full band songs, even including hard rockers like "Iron Man" by Black Sabbath or "Carry On Wayward Son" by Kansas.

Like the previous albums in this series, most of the songs are classic hits, but there are a few unexxpected choices, such as "Highland Wedding" or "Stealin'." Once again, I'm impressed by their musical tastes.

This is the list of the original artists that made each song famous:

01 Stealin' - traditional / Grateful Dead
02 Sharp Dressed Man - ZZ Top
03 Highland Wedding [Instrumental] - Steve Morse
04 Ramblin' Man - Allman Brothers Band
05 Iron Man - Black Sabbath
06 Kokomo Blues - Mississippi Fred McDowell
07 Southern Cross - Crosby, Stills and Nash
08 Ballad of Curtis Loew - Lynyrd Skynyrd
09 Man of Constant Sorrow - traditional / Stanley Brothers
10 Rocky Mountain Way - Joe Walsh
11 Nights in White Satin - Moody Blues
12 Carry On Wayward Son - Kansas
13 The Dance - Garth Brooks
14 Bell Bottom Blues - Derek & the Dominos
15 Lean on Me - Bill Withers

As an aside, when this album series started, I named the first one "Tip O' the Hat," then the second one "More Tip O' the Hat," then "Still More Tip O' the Hat." Things kind of got out of control with "Yet Still More Tip O' the Hat" and this one, "Yet Even Still More Tip O' the Hat." I'm having silly fun with the increasingly long-winded titles. If you have any suggestions on what I should name the next one, please let me know.

Here's the usual song list:

01 Stealin' (Larkin Poe)
02 Sharp Dressed Man (Larkin Poe)
03 Highland Wedding [Instrumental] (Larkin Poe & Mike Seal)
04 Ramblin' Man (Larkin Poe)
05 Iron Man (Larkin Poe)
06 Kokomo Blues (Larkin Poe)
07 Southern Cross (Larkin Poe)
08 Ballad of Curtis Loew (Larkin Poe)
09 Man of Constant Sorrow (Larkin Poe)
10 Rocky Mountain Way (Larkin Poe)
11 Nights in White Satin (Larkin Poe)
12 Carry On Wayward Son (Larkin Poe)
13 The Dance (Larkin Poe)
14 Bell Bottom Blues (Larkin Poe)
15 Lean on Me (Larkin Poe)

https://www.upload.ee/files/16693437/LARKNPO2020_YetEvnStillMreTpOtheHt_atse.zip.html

For the cover art, I used a photo of Larkin Poe at a Grammy Awards ceremony in Los Angeles in January 2020. Rebecca is on the left (with the darker hair) and Megan is on the right.

Monday, July 6, 2020

Manfred Mann - Semi-Detached Suburban Mr. James - Non-Album Tracks (1966-1967)

Here's the next in my series of albums that gather all the good songs the 1960s versions of Manfred Mann ever did.

The one big hit here is "Semi-Detached Suburban Mr. James." In my opinion, it's a good example of what makes 1960s music great: excellent melody, interesting lyrics, and a solid performance. It's the only A-side. Remarkably, only three more songs were released in the 1960s. Another, "Wang Dang Doodle," is a BBC performance (with the BBC DJ's annoying talking over the start of the song removed). Five more were only released decades later as bonus tracks.

Remarkably, two more, "Seasons in the Sun" and "I Want to Be Wanted," still remain unreleased. However, there's a bootleg of some Manfred Mann studio sessions in the late 1960s, and it has excellent sound, just as good as the released stuff. These songs come from that, so there's no sound quality problem. (And I'll draw more from them on following albums.) Note that "Seasons in the Sun" was a massive hit for Terry Jacks in 1973, hitting number one in the US, Britain, and many other countries. A lot of people (including me) found that hit annoying because it was overly maudlin and sappy. But note this version predates the hit by many years (the original was done in French in 1961), and isn't nearly as problematic. In fact, it sounds a bit underproduced. I'm guessing it has remained unreleased because they never quite finished the recording.

I did some research to figure out the month each song was recorded, and then ordered them as chronologically as I could. The first songs are from June 1966, and the last three are from January 1967. Some of the songs going back to June 1966 were finally released as bonus tracks to the "Up the Junction" soundtrack, but this is a bad fit, since that album came out in 1968. There really should have been a proper Manfred Mann studio album in 1967, but there wasn't.

The album is on the short side, at 34 minutes, but it's a solid set of songs.

01 Eastern Street (Manfred Mann)
02 I Wanna Be Rich (Manfred Mann)
03 Let It Be Me (Manfred Mann)
04 Miss JD [Instrumental] (Manfred Mann)
05 Wang Dang Doodle [Edit] (Manfred Mann)
06 Mohair Sam (Manfred Mann)
07 Lovebird (Manfred Mann)
08 Semi-Detached Suburban Mr. James (Manfred Mann)
09 Seasons in the Sun (Manfred Mann)
10 All I Wanna Do (Manfred Mann)
11 I Want to Be Wanted (Manfred Mann)
12 Brown and Porter's [Meat Exporters] (Manfred Mann)

https://www.upload.ee/files/16696642/MANFRDMNN1966c-1967_SmiDetchedSburbnMrJmes_atse.zip.html

The album cover art is based on the cover for the "Semi-Detached Suburban Mr. James" single. Except that had the name of the B-side filling the upper right of the cover. I didn't want that, so I removed it, then stretched the A-side name and the band's name sideways to fill up that space. Also, the only color on the original was the pink around the band's name, and I thought that looked a bit boring. So I added some blue and green tinting to the band photo.

Saturday, July 4, 2020

Grace Potter - Twilight Hour, Volume 1 - Home Concert, Topanga, CA, 4-27-2020

Some musicians have used the coronavirus pandemic lockdown time to take an extended vacation, or otherwise relax. Whereas others have been busy, and actually found new fans through their home concerts. Grace Potter definitely falls into the second category. I'd never heard of her until recently, and she's not super famous. But she's been doing a weekly home concert since early in the lockdown time period, and that came to my attention, since I've been very interested in home concerts in general lately.

She's put out albums since 2004, but they haven't done that well. I think a big problem has been the production. I read some user reviews at rateyourmusic.com, and many had the same complaint, that the music was too slick and overproduced, sucking the life out of it. In my opinion, the home concert format is the ideal cure for that problem. For her weekly shows, she does the occasional song all by herself, but more are done with a band. However, it's a very limited band, often just a drummer and a guitarist, while she alternates between keyboards and guitar. So there's no possible way the music can be slick and/or overproduced.

I must say, I'm really impressed by her talent. Clearly, she has an impressive voice. But she also is a very capable songwriter, and she is talented on the guitar and keyboards as well. She's the real deal.

She also has great taste in music. I plan on posting a whole bunch of her home concerts here. For most of them, a majority of the songs she does are covers. But for this concert, she mostly does originals. The exceptions are: "House of the Rising Sun" (made famous by the Animals), "Black Hole Sun" (by Soundgarden), and "As the World Falls Down" (by David Bowie). Note that the last two songs were recorded on the exact same day, but were done separately, for the rollingstone.com home concert series "In My Room."

If you haven't heard of Grace Potter before, I recommend you check her out.

01 Gumbo Moon (Grace Potter)
02 The House of the Rising Sun (Grace Potter)
03 Black Hole Sun (Grace Potter)
04 Here's to the Meantime (Grace Potter)
05 Falling or Flying (Grace Potter)
06 Apologies (Grace Potter)
07 Medicine (Grace Potter)
08 As the World Falls Down (Grace Potter)
09 Paris [Ooh La La] (Grace Potter)
10 Shout It Out (Grace Potter)
11 Release (Grace Potter)

https://www.upload.ee/files/15835930/GraceP_2020_TwilghtHourVolme1HmeConcrtTopangaCA__4-27-2020_atse.zip.html

For many of her home concerts, she's created her own promotional art, drawing it on a chalkboard in her house. This is one such example. I'm impressed by her drawing talent as well as her musical talent. I didn't know a simple chalkboard drawing could look that good.

Thursday, July 2, 2020

Elle Cordova & Toni Lindgren - Sunday Mornings with Elle & Toni, Volume 1: 2013-2015

So the other day I was searching for something on YouTube, and I came across a home concert by a musical act I'd never heard of, Reina del Cid. Since I've been posting a lot of home concerts here, I clicked on it to see if it was up my alley, and I discovered that it definitely was. So much so that I began looking for more music by the same artist, and now I'm starting to post some of that.

It turns out that Reina del Cid is the stage name of the singer-songwriter Rachelle Cordova. Note: in 2024, she changed her name to Elle Cordova, and her duo name to Elle and Toni. So I've followed suit and renamed these albums. I will attempt to stick to the newer name from this point forward in this text.

She's 32 years old as I write this in 2020, and has released four albums since 2012. Virtually everything she's done has been in partnership with Toni Lindgren, who is an excellent lead guitarist, and well as backing vocalist. I consider Lindgren's guitar playing kind of the "secret sauce" that takes their performances to the next level.

The official Elle and Toni albums consist of her original songs, which are very good. I've been tracking those albums down and enjoying them. The music is in an acoustic mode. Sometimes there's bass and drums, plus other occasional instruments, but those are done acoustically as well, usually with a light touch. For the songs here, the vast majority are with just Cordova on vocals and acoustic guitar, while Lundgren plays lead on another acoustic guitar. I really enjoy their mellow sound. Cordova's lead vocals don't wow with extraordinary range or timbre or anything like that, but there's a certain "je ne sais quoi" that I enjoy.

These two musicians have had a nice tradition going. Starting in 2013, they've been posting one video per week on YouTube, which they call "Sunday Mornings with Elle and Toni." Naturally, the videos come out every Sunday. They've played many originals over the years, but at a rate of one song per week, I don't think even Neil Young or Bruce Springsteen could keep up with new songs every single week. So they're mostly covers, and I've only collected the covers. If you want to hear the originals, very much in the same style, check out the studio albums, or look at the Elle and Toni YouTube page.

One thing I very much enjoy about this duo is their taste in music. They play songs by a wide variety of artists, so wide that after doing this since 2013, they rarely play more than one song by the same artist. They specialize in singer-songwriter-esque rock and folk, but they range all over the place, including country and bluegrass. I've discovered a bunch of excellent songs I'd previously missed due to their cover versions.

I plan on posting a whole series of albums that gathers up the covers from their "Sunday Mornings" YouTube page. Note that in recent years, Elle and Toni have created a Patreon webpage, which you can find here:

https://www.patreon.com/reinadelcid

Some of the weekly videos are still posted for free on YouTube, while others are only available through the Patreon page, and you have to pay to get access to those. I don't want to play a part in ruining that revenue stream, so I'll only be posting the videos that are freely available on YouTube. The songs are in chronological order from when they were posted, which appears to almost always have been the same day they were performed.

This album is 44 minutes long.

Here are the original artists for each song:

01 Auld Lang Syne - traditional
02 Red Is the Rose - traditional
03 Tupelo Honey - Van Morrison
04 Who Put the Bomp [In the Bomp, Bomp, Bomp] - Barry Mann
05 I Shall Be Released - Bob Dylan
06 I'll Be There - Ray Price
07 Colours - Donovan
08 Angel from Montgomery - John Prine / Bonnie Raitt
09 Kodachrome - Paul Simon
10 Beyond the Sea - Bobby Darrin
11 21st of May - Nickel Creek
12 Ophelia - Band
13 Run Rudolph Run - Chuck Berry
14 Wild Mountain Thyme - traditional

Here's the usual song list:

01 Auld Lang Syne (Elle Cordova & Toni Lindgren)
02 Red Is the Rose (Elle Cordova & Toni Lindgren)
03 Tupelo Honey (Elle Cordova & Toni Lindgren)
04 Who Put the Bomp [In the Bomp, Bomp, Bomp] (Elle Cordova & Toni Lindgren)
05 I Shall Be Released (Elle Cordova & Toni Lindgren)
06 I'll Be There (Elle Cordova & Toni Lindgren)
07 Colours (Elle Cordova & Toni Lindgren)
08 Angel from Montgomery (Elle Cordova & Toni Lindgren)
09 Kodachrome (Elle Cordova & Toni Lindgren)
10 Beyond the Sea (Elle Cordova & Toni Lindgren)
11 21st of May (Elle Cordova & Toni Lindgren)
12 Ophelia (Elle Cordova & Toni Lindgren)
13 Run Rudolph Run (Elle Cordova & Toni Lindgren)
14 Wild Mountain Thyme (Elle Cordova & Toni Lindgren)

https://www.upload.ee/files/17363673/ELLECRDVATNILINDRN2013-2015SndyMrnngswthEllTniVlum1_atse.zip.html

alternate:

https://pixeldrain.com/u/EAxVdtJQ

The cover art is a screenshot from the video for "Tupelo Honey" included here.

Wednesday, July 1, 2020

Imelda May - I'm Crying - Non-Album Tracks (2014-2016)

It's time for another Imelda May stray tracks album. This one deals with the years 2014 to 2016. If you like her past ones, you'll be sure to like this one too.

This album is unusual for this stray tracks series in that the vast majority of the songs are officially unreleased. Only three of the 12 songs were officially released. That said, the sound quality is still pretty good. Another six of the songs come from appearances on TV shows, and those all sound very good as well.

This time around, many of the songs are covers of classic songs in a wide variety of genres. She does a New Wave song ("Say Hello, Wave Goodbye"), a Motown song ("Get Ready"), a soul song ("You Send Me"), a British Invasion song ("You Really Got Me"), and many more. She even does a version of "Bein' Green," a song best known due to the version by Kermit the Frog!

01 Your Sister Can't Twist [But She Can Rock 'n' Roll] (Imelda May)
02 Tears of Clew Bay (Imelda May)
03 Baby What You Want Me to Do - Hit the Road, Jack - A Big Hunk o' Love (Imelda May & Jools Holland)
04 Top to Bottom Boogie (Jools Holland with Imelda May)
05 Every Night about This Time (Sinead O'Connor & Imelda May)
06 Get Ready (Smokey Robinson & Imelda May)
07 Say Hello, Wave Goodbye (Imelda May & Marc Almond)
08 Wayfaring Stranger (Lulu & Imelda May)
09 You Really Got Me (Imelda May)
10 I'm Crying (Imelda May)
11 Bein' Green (Imelda May)
12 You Send Me (Imelda May)

https://www.upload.ee/files/15602702/ImeldaM_2014-2016_ImCryng_atse.zip.html

The cover is a promotional photo from 2014.

Sunday, June 28, 2020

Larkin Poe - Brooklyn Bowl, Nashville, TN, 6-27-2020

I've posted a lot of Larkin Poe music lately. What's different about this one? First off, it's brand new. It's a concert that literally took place a few hours ago. This is the first time I've posted a concert that happened on the same day, and I'm psyched about that. More importantly, I've posted acoustic music from them recently, but this is a full-band concert. It's the Lovell sisters, Megan and Rebecca, on electric guitars instead of acoustic ones, with a bassist and drummer added. It's also a complete concert, at one hour and 16 minutes.

Is this a home concert? Kind of. Technically it isn't, since it was recorded at the Brooklyn Bowl. That might sound like a grand venue such as the Hollywood Bowl, but it's actually a bowling rink. However, in another way it is, because there was absolutely no audience for this concert. It was professionally recorded and filmed by them to be broadcast over the Internet. It's odd sometimes to have a rocking song come to an end and be greeted by total silence. But on the plus side, one can hear the music even better without the usual hollering and cheering.

Just a week or two prior to this, Larkin Poe released their latest album "Self Made Man." The set list leans heavily on songs from that album. I believe all the songs are originals, except for three blues songs ("Preachin' Blues," "John the Revelator," and "Come On in My Kitchen," plus a snippet of "Blue Sky" by the Allman Brothers Band.

Lately, the coronavirus pandemic has been getting worse in the US (so please keep social distancing!). I wonder if this sort of concert - playing in an venue outside one's home but to all empty seats - will become common in the months to come. Strange times!

01 She's a Self Made Man (Larkin Poe)
02 talk (Larkin Poe)
03 Keep Diggin' (Larkin Poe)
04 Trouble in Mind (Larkin Poe)
05 talk (Larkin Poe)
06 Bleach Blonde Bottle Blues (Larkin Poe)
07 talk (Larkin Poe)
08 Back Down South - Blue Sky (Larkin Poe)
09 talk (Larkin Poe)
10 Preachin' Blues (Larkin Poe)
11 talk (Larkin Poe)
12 Freedom (Larkin Poe)
13 John the Revelator (Larkin Poe)
14 talk (Larkin Poe)
15 Tears of Blue to Gold (Larkin Poe)
16 talk (Larkin Poe)
17 Danger Angel (Larkin Poe)
18 When God Closes a Door (Larkin Poe)
19 talk (Larkin Poe)
20 Ex-Con (Larkin Poe)
21 talk (Larkin Poe)
22 Easy Street (Larkin Poe)
23 talk (Larkin Poe)
24 Blue Ridge Mountains (Larkin Poe)
25 talk (Larkin Poe)
26 Holy Ghost Fire (Larkin Poe)
27 Wanted Woman - AC-DC (Larkin Poe)
28 talk (Larkin Poe)
29 Come On in My Kitchen (Larkin Poe)

https://www.upload.ee/files/15262142/LarkinP_2020d_BrooklynBwlNashvilleTN__6-27-2020_atse.zip.html

The cover art is taken from a photo I found at Larkin Poe's Instagram account, taken in front of the venue.

Thursday, June 25, 2020

Manfred Mann - As Is - Non-Album Tracks (1966)

Here's the next in my series of Manfred Mann 1960s albums. This is essentially the officially released British album "As Is." I've included the entire album "as is" (ha ha), but I've added some extra songs.

This album is notable as the first one with the band's new lead vocalist Mike D'Abo, who replaced Paul Jones. Personally, I prefer the D'Abo era. Both were very good vocalists, but D'Abo also was a talented songwriter, including some songs you wouldn't expect, such as "Handbags and Gladrags," a hit for Rod Stewart, and "Build Me Up Buttercup," a hit for the Foundations.

The band had already been moving away from their rhythm and blues sound at the end of the Paul Jones era. Musical trends were changing fast in 1966, and the band fought to stay relevant. While the band wasn't "cutting edge" by any means, you can hear on this album how they continued to diversity their sound.

As far as the extra songs, the first three are from Mike D'Abo and his band just before he joined Manfred Mann. I figured these three songs are pretty good, and I didn't find any better place to put them, so I've stuck them at the start of this album. The song "(Accept My) Invitation" is particularly important because the rest of the Manfred Mann band heard D'Abo sing that in a concert, and were so impressed that they invited him to join the band. The last song is just a little short unreleased acoustic guitar instrumental, but I thought it was nice enough to include.

This album is 41 minutes long.

01 Gonna Make a Woman of You (Mike D'Abo & a Band of Angels)
02 Leave It to Me (Mike D'Abo & a Band of Angels)
03 [Accept My] Invitation (Mike D'Abo & a Band of Angels)
04 Trouble and Tea (Manfred Mann)
05 A Now and Then Thing (Manfred Mann)
06 Each Other's Company (Manfred Mann)
07 Box Office Draw (Manfred Mann)
08 Dealer, Dealer (Manfred Mann)
09 Morning After the Party (Manfred Mann)
10 Another Kind of Music (Manfred Mann)
11 As Long as I Have Loving (Manfred Mann)
12 Autumn Leaves [Instrumental] (Manfred Mann)
13 Superstitious Guy (Manfred Mann)
14 You're My Girl (Manfred Mann)
15 Just like a Woman (Manfred Mann)
16 Acoustic Guitar [Instrumental] (Manfred Mann)

https://www.upload.ee/files/16695553/MANFRDMNN1966b_AsIs_atse.zip.html

The album cover is the exact cover from the official album. However, in the bottom left, there was a list of the songs on the album. I didn't want that, because I added some songs. So I used Photoshop to erase those words.

Melissa Etheridge - Home Concert Covers, Volume 3, Los Angeles, CA, 4-23-2020 to 4-29-2020

Melissa Etheridge played over 50 home concerts every day without pause, each one roughly half an hour to an hour. That came to a sudden halt on May 13, 2020, because she found out that day that her son Beckett, age 21, died of causes related to opiod addiction. She took over a month off to grieve.


On June 20th, she reemerged with more home concerts. However, she has changed her model. Instead of posting her concerts for free on the Internet, she's starting a subscription service at etheridgetv.com. If that's her plan, I don't want to undercut it by posting material behind a pay wall for free here. That said, I still have a lot of material to post through May 2020, such as this album.

This follows the same format as the two previous Etheridge home concert covers collections I've posted here. Namely, since she's so talkative between songs, I've created two download files. One includes the talking. In this case, that's 58 minutes long. The other is just the songs. That's only 36 minutes. And if it isn't clear enough already, this is only cover versions.

There's not much else to say except I think she's a pretty interesting story teller. So if you're a fan, you should consider hearing the version with talking at least once. But if you're looking to long-term repeat listenability, you might want to focus on the music only version for that.

Oh, one final comment. Back in February, I was pleasantly surprised when all these home concerts started happening. For me, those have been one of the best silver linings to the otherwise very dark coronavirus cloud. It's been a boon for people like me who are into acoustic performances. I'm happy to report this is the 40th one I've posted, with more new ones popping up all the time. :)

Here's a list of the original artists for each song:

01 Apartment No. 9 - Tammy Wynette
02 Heroes - David Bowie
03 Mandy - Barry Manilow
04 Since I Fell for You - Lenny Welch
05 After the Glitter Fades - Stevie Nicks
06 Drift Away - Dobie Gray
07 Angie - Wild Horses - Rolling Stones
08 Let's Get It On - Marvin Gaye

Here's the usual song list for the version with the talking:

01 talk (Melissa Etheridge)
02 Apartment No. 9 (Melissa Etheridge)
03 talk (Melissa Etheridge)
04 Heroes (Melissa Etheridge)
05 talk (Melissa Etheridge)
06 Mandy (Melissa Etheridge)
07 talk (Melissa Etheridge)
08 Since I Fell for You (Melissa Etheridge)
09 talk (Melissa Etheridge)
10 Intro to After the Glitter Fades (Melissa Etheridge)
11 After the Glitter Fades (Melissa Etheridge)
12 talk (Melissa Etheridge)
13 Drift Away (Melissa Etheridge)
14 talk (Melissa Etheridge)
15 Angie - Wild Horses (Melissa Etheridge)
16 talk (Melissa Etheridge)
17 Let's Get It On (Melissa Etheridge)

Here's the music-only song list:

01 Apartment No. 9 (Melissa Etheridge)
02 Heroes (Melissa Etheridge)
03 Mandy (Melissa Etheridge)
04 Since I Fell for You (Melissa Etheridge)
05 After the Glitter Fades (Melissa Etheridge)
06 Drift Away (Melissa Etheridge)
07 Angie - Wild Horses (Melissa Etheridge)
08 Let's Get It On (Melissa Etheridge)

https://pixeldrain.com/u/wY5md5Us

alternate:

https://bestfile.io/en/cAz9poWcmlZs0b7/file

Music only version:

https://pixeldrain.com/u/MA5RqrFk

alternate:

https://bestfile.io/en/lDEySBjT8nohCew/file

The cover art comes from an appearance she made on a radio show, while she was in the room where she does her home concert. I used that as a source instead of a screenshot from one of her home concerts, because this one had a good close up of her head, whereas her home concerts usually are zoomed out and show her entire body. I'll probably use an example of that next time around.

Pete Townshend - Life to Life - Non-Album Tracks (1985-1989)

Oops! I was convinced that I'd posted this album months ago. It's a stray tracks album, and I went on to post the rest of the albums in that series. Somehow, it came to my attention that I'd missed this one, so here we go. If you suspect I've missed other albums that are in a series, please let me know.

In the 1980s, Pete Townshend had a fairly active solo career. In 1985, he released the album "White City," which I think is one of his best. This starts with a couple of bonus tracks from that album, and continues to a B-side from his next album in 1989. In between are mostly demos and live tracks. I believe five songs are not written by him: "Save It for Later," "Night Train," "Cool Jerk," "That's Alright, Mama," and "I Put a Spell on You."

"Dig" was a minor hit from Townshend's 1989 album "The Iron Man." But that version was played by the Who, and the lead vocals were sung by Who singer Roger Daltrey. This is a rare B-side version actually sung by Townshend.

In terms of sound quality, everything here is fine. Only two songs are officially unreleased, and both of those sound as good as any official live album.

This album is 46 minutes long.

01 Save It for Later (Pete Townshend)
02 Night School (Pete Townshend)
03 Lonely Words (Pete Townshend)
04 That's All Right, Mama (Pete Townshend)
05 Life to Life (Pete Townshend)
06 Night Train (Pete Townshend)
07 I Put a Spell on You (Pete Townshend)
08 Cool Jerk [Instrumental] (Pete Townshend)
09 Real World [Can You Really Dance] (Pete Townshend)
10 How Did You Love Me Then [Version 1] (Pete Townshend)
11 Penny Drop (Pete Townshend)
12 Dig [Pete Vocal Version] (Pete Townshend)

https://pixeldrain.com/u/i2Jaimob

alternate:

https://bestfile.io/en/eK3UfC9AbupWxxA/file

The cover art photo is from a mid-1980s publicity photo.

Wednesday, June 24, 2020

Tom Petty Problem

It is as I feared with the Tom Petty albums. As I mentioned here before, I got two takedown notices for Tom Petty albums in the past couple of weeks. Although I only got warnings about those two specific albums, virtually all the Zippyshare download links to all his albums stopped working. So I switched over to Yandex links for a bunch of them. A short time later, all of those stopped working as well, and my Yandex account has been suspended to boot. So now, all Yandex links have stopped working, even the non-Tom Petty ones. I hope that's temporary, but only time will tell.

Because of these problems, I've removed all the Tom Petty download links. I don't want to risk the whole blog disappearing because of one artist. However, you should be aware that all my files are still available through the free file sharing program SoulseekQt, and I haven't received any warnings there. So you could still look up information on albums here and find the music there (for now, anyway).

Various Artists - Picture Show: A Tribute Celebrating John Prine, Home Concert, 6-11-2020

Singer-songwriter John Prine passed away on April 9, 2020, at the age of 73. He died of the coronavirus. It pains me to admit that I never got into his music, even though I could tell he was a very talented songwriter. The problem I've had is his voice. It just doesn't appeal to me, for whatever reason.

Given that, I've been keen to find instances of other musicians covering his songs, because he is such a top-notch songwriter. So I was very pleased to learn about a home concert on June 11, 2020, entirely dedicated to his songs, featuring lots of well-known musicians, such as Bonnie Raitt, Kacey Musgraves, Brandi Carlile, Vince Gill, Margo Price, Jason Isbell, and many more. Most of them sang just one song, but a few sang two. There's no location for the concert per se, because the various artists performed them in their own homes and then sent in video recordings.

This concert is an hour and 17 minutes long. It contains all the musical performances, but it's far from complete. That's because there was a lot of talking between songs that I cut out. There were a number of famous friends of Prine's who gave spoken tributes as well, such as Bill Murray, Billy Bob Thorton, and Stephen Colbert. While interesting, I don't think those had much repeat listen value, so I edited them out. There also were some snippets of Prine himself talking from when he was younger, but I cut those out as well, for the same reason. There were a few bits of him singing, but only snippets of songs, not complete songs, so those got the axe as well.

I still left in some talking though, when musicians spoke a little bit before playing their songs. I also left in a few cases where Prine's wife, Fiona Whelan Prine, briefly introduced some of the performers. Strangely, she did that for some and not for others, so not every musician gets an introduction.

Anyway, if you're a fan of Prine's music already, you should enjoy these excellent versions. If you're not yet, this could be a good introduction, including most of his best known songs.

As far as sound quality goes, it's variable, based on the recording conditions for each artist. Some are a bit rough. For instance, the Secret Sisters recorded outside, and one can hear birds chirping the whole time. But overall, the sound is pretty good.

01 talk (John Dickerson)
02 Hello in There (Jason Isbell & Amanda Shires)
03 Clocks and Spoons (Jason Isbell & Amanda Shires)
04 talk (Fiona Whelan Prine)
05 Burn One with John Prine (Kacey Musgraves)
06 talk (Kacey Musgraves)
07 Spanish Pipedream (Kacey Musgraves)
08 talk (Kacey Musgraves)
09 All the Best (Margo Price & Jeremy Ivey)
10 talk (Fiona Whelan Prine)
11 Caravan of Fools (Dan Auerbach, Pat McLaughlin & Dave Ferguson)
12 talk (Brandi Carlile)
13 Your Flag Decal Won’t Get You into Heaven Anymore (Brandi Carlile)
14 Mexican Home (John Dickerson)
15 Far from Me (Kenneth Blevins, David Jacques, Fats Kaplin, Jason Wilber & Sara Watkins)
16 talk (Vince Gill)
17 Some Things Never Get Old (Vince Gill)
18 talk (Jody Whelan)
19 Paradise (Jack Prine & Tommy Prine)
20 talk (Secret Sisters)
21 Souvenirs (Secret Sisters with Ricky Rogers)
22 Illegal Smile (Todd Snider)
23 In Spite of Ourselves (Kevin Bacon & Kyra Sedgwick)
24 talk (Fiona Whelan Prine)
25 Summer’s End (Rita Wilson)
26 talk (Sturgill Simpson)
27 Speed of the Sound of Loneliness (Sturgill Simpson)
28 talk (Eric Church)
29 She Is My Everything (Eric Church)
30 Crazy as a Loon (Kurt Vile, John Paul White, Jim James, Pat McLaughlin & Courtney Marie Andrews)
31 Unwed Fathers (Kelsey Waldon)
32 talk (Fiona Whelan Prine)
34 Angel From Montgomery (Bonnie Raitt)

https://www.upload.ee/files/16701223/VA-PictreShwTrbuteClebrtingJhnPrineHmeConcrt__6-11-2020_atse.zip.html

For the album cover, I used a photo of John Prine that was included in the promotional material for this concert. For the text, I copied and pasted from more promotional material, then added the line about the home concert plus the date.

Tuesday, June 23, 2020

Norah Jones - Home Concerts 5, New York City, 5-28-2020 to 6-11-2020

At this point, I almost feel embarrassed that I'm posting so many Norah Jones albums lately, when there's so many other artists to get to. But that's just due to the coincidence that I've been fixing her previous albums I've posted due to a big fan sharing more of her music with me, and that she's been very busy playing home concerts, and I want to keep up with that. This is an example of the latter.

I'm happy to report that Jones keeps on going and going like the Energizer bunny when it comes to home concerts. She typically does one show of about four songs per week, but sometimes she does two. This album is a compilation of three different home concerts.

Unfortunately, the first one, which consists of the first four songs, wasn't miked well. The piano is louder than the vocals. I've increased the volume slightly on that one relative to the rest of album so you can hear her vocals well, but that means the piano is extra loud too. I don't see any way to fix that.

Otherwise, this is the same ol' good stuff, just like her other home concerts. This time around, virtually all the songs are ones that have appeared on her albums. But one notable exception is the song I've titled "Light Wind Blowing," which is a brand new original. In terms of content, it seems to be a commentary about the recent murder of George Floyd and the Black Lives Matter movement and protests in general, so that's interesting.

Generally speaking, I like to make these albums around 45 minutes long. This one is 47 minutes long.

01 My Heart Is Full (Norah Jones)
02 Black (Norah Jones)
03 Bessie Smith (Norah Jones)
04 Nightingale (Norah Jones)
05 Peace (Norah Jones)
06 Fleurette Africaine [African Flower] [Instrumental] (Norah Jones)
07 Light Wind Blowing (Norah Jones)
08 Don't Know Why (Norah Jones)
09 It's Gonna Be (Norah Jones)
10 Not Too Late (Norah Jones)
11 Don't Be Denied (Norah Jones)

https://www.upload.ee/files/15634025/NorahJ_2020_HomeCncerts5__5-28-2020_to_6-11-2020_atse.zip.html

For the album cover, I could have gone with an image of her playing the piano or guitar from one of her recent home concerts. But I've done that for all her other home concert albums, and that gets a little bit repetitive. Instead, she made an appearance on the "Today" show in early May 2020, so I used a photo from that.

Monday, June 22, 2020

Pugwash - Home Concert, Dublin, Ireland, 6-20-2020 (Kinks Songs)

I just posted an album of Pugwash (a.k.a. Thomas Walsh) playing the Kinks' classic 1968 "Village Green Preservation Society" album at a home concert only a couple of days ago. He started by playing the songs from that album in order. Then he went on to play a bunch of additional Kinks songs. He did so many bonus songs that that portion of the concert was actually longer than the VGPS album. So I'm posting this as a separate album. It's 54 minutes long.

Please read the post I just made about him covering the VGPS album that explain Pugwash and the context of the home concert he's been doing. I mentioned a number of caveats about the sound quality, such as how he was winging it, doing these from memory, and sometimes making mistakes. Everything I said there applies here, including the problem of his cell phone ringing from time to time. After all, it's  the second half of the exact same home concert.

As far as the songs chosen, there doesn't seem to be any logic to them other than these happen to be the songs he loves the most and thus is able to play them from memory. Not surprisingly, the vast majority come from the Kinks' classic era of the late 1960s and early 1970s. The only exceptions to that are "Set Me Free," from even earlier in the 1960s, and "How Are You" and "Quiet Life" from the 1980s. Note that "Quiet Life" is only part of the song, since that's all he could remember. But I included it anyway since it's an interesting rarity.

All the songs here are the order he played them. The exception is the last four songs, which don't come from this concert at all. As I mentioned in the other blog post, he's been doing one home concert at week since the coronavirus pandemic began, and from time to time he played Kinks songs. The majority of those were the same songs he did in this home concert, but these four songs were not repeats, so I've included them. They have the exact same sound quality, since they were recorded in the exact same conditions.

01 Wonderboy (Pugwash)
02 Days (Pugwash)
03 Two Sisters (Pugwash)
04 Lola (Pugwash)
05 Get Back in Line (Pugwash)
06 Victoria (Pugwash)
07 Set Me Free (Pugwash)
08 Mr. Pleasant (Pugwash)
09 How Are You (Pugwash)
10 Waterloo Sunset (Pugwash)
11 Apeman (Pugwash)
12 This Time Tomorrow (Pugwash)
13 A Long Way from Home (Pugwash)
14 Quiet Life (Pugwash)
15 Harry Rag (Pugwash)
16 The Moneygoround (Pugwash)
17 Death of a Clown (Pugwash)
18 Big Black Smoke (Pugwash)

https://www.upload.ee/files/15267501/Pugwsh_2020_HomeConcrtDublinIrelnd__6-20-2020__KnksSngs__atse.zip.html

For the album I just posted, of Pugwash playing the "Village Green Preservation Society" album, I used the Kinks' cover art as the basis for the Pugwash version. For this album, I thought it would be fun to do something similar. I noticed that he played the most songs from the Kinks' 1970 album "Lola vs. Powerman and the Moneygoround, Part 1." I believe there are six songs from that album. Luckily, it turns out that album cover only had one person's head on it, of the band's main singer and songwriter Ray Davies, so it was easy for me to change that to the head of Pugwash's Thomas Walsh. Then I changed the text, using the same font color and type as the original album.

Pugwash - Home Concert, Dublin, Ireland, 6-20-2020 (Village Green Preservation Society)

I'm a big fan of Pugwash. That's essentially Thomas Walsh, since he writes and sings all the songs, and is the only current member. (From now on, I'll call Wash "Pugwash," since that's how he seems to prefer it, much like Gordon Sumner of the Police calling himself "Sting.") I've posted two albums here of the Duckworth Lewis Method, a band composed of Walsh and Neil Hannon from the Divine Comedy that exclusively sings songs about the sport of cricket. But this is the first album I've posted just of Pugwash.

Pugwash has been releasing albums since the early 2000s, which makes that band a relative babe in the woods compared to the other musicians I typically post about here. But Pugwash is heavily influenced by music from the 1960s and 70s, most especially the Beatles, the Kinks, and Jeff Lynne of ELO. So to ease listeners in to hearing his own music, I thought I'd start with him doing covers by his musical heroes.

It turns out that Pugwash knows a remarkable number of cover songs on the guitar. He probably could do hundreds by memory. It also turns out that he's been extremely musically prolific during the coronavirus pandemic lockdown. He's been putting on one home concert per week, every week since the lockdown began. And not short shows either. He typically has played between two and three and a half hours each time!

During these shows, he's systematically played all of his songs from all of his albums, as well as a similar number of cover versions from a wide variety of artists. I plan on posting a lot more of that material in the future, but I wanted to start with his Kinks covers, because he did a concert of nothing but Kinks covers just a couple of days ago. He started by playing the entire classic 1968 album "Village Green Preservation Society," which I'm presenting here. Then he did even more Kinks songs, which I will soon post a separate album for.

As with all his 2020 home concerts, all these songs just feature Pugwash on acoustic guitar. I've removed all the talking between songs, because he tends to ramble a lot, and I don't find his comments that illuminating. However, there's one story he told during this concert that I want to pass on. Although Pugwash hasn't ever hit it big with commercial success, he's made enough notice to be able to meet many of his musical heroes, including Jeff Lynne and Ray Davies, the main singer and songwriter of the Kinks. He related a story in which he did some studio recording with Davies in recent years. Afterwards, he, Davies, and some of his band members retired to a nearby pub for some drinks. After everyone had a few pints, he offered to sing the entire "Village Green Preservation Society" album, start to finish, with Davies and the band members joining along. That's exactly what happened, and apparently Davies had a lot of fun taking part in that. My only comment is, what a lucky bastard, to be able to take part in that!

Anyway, before I finish here, I want to make a couple of caveats. Although Pugwash has put on very long home concerts each week, he's done them in a spontaneous manner, usually singing whatever song that pops into his head. Sometimes he's remembered all the chords and words, and sometimes he hasn't. He's often stopped midway and started again, or sometimes just gave up. He's also forgotten some chords or mangled the lyrics. Furthermore, he's had some health problems in recent years that included him partially losing his hearing, so he's occasionally gone off key without realizing it. Furthermore, he's Irish and speaks and sings with an accent that includes him pronouncing "th" as just "t."

Finally, I find it extremely annoying that he always does these home concerts with his cell phone nearby. And that damn phone rings a LOT! As in every few songs. Why he doesn't just put the phone away for the duration of the concert is beyond me. I've tried my best to fix the cell phone ringing sounds during songs whenever I can. I fixed most of them. However, on this album, there are a few instances I couldn't fix, because they happened during vocals that weren't repeated elsewhere. Mostly this happens in the last few songs. Sorry about those.

Anyway, please take this album in the spirit of someone just having fun winging it, much like singing songs around a campfire. This isn't meant to be a professional, polished sort of thing. If you take it in that spirit, and you enjoy the Kinks, you should enjoy hearing this solo acoustic version of what I consider to be one of the greatest albums of all time.

01 The Village Green Preservation Society (Pugwash)
02 Do You Remember Walter (Pugwash)
03 Picture Book (Pugwash)
04 Johnny Thunder (Pugwash)
05 Last of the Steam Powered Trains (Pugwash)
06 Big Sky (Pugwash)
07 Sitting by the Riverside (Pugwash)
08 Animal Farm (Pugwash)
09 Village Green (Pugwash)
10 Starstruck (Pugwash)
11 Phenomenal Cat (Pugwash)
12 All of My Friends Were There (Pugwash)
13 Wicked Annabella (Pugwash)
14 Monica (Pugwash)
15 People Take Pictures of Each Other (Pugwash)

https://www.upload.ee/files/16697027/PUGWSH2020_HomCncrtDblinIrelnd__6-20-2020__VGPSociety__atse.zip.html

Does the album cover look familiar to you? I hope it does. I took the Kinks' "Village Green Preservation Society" album cover and gave it a Pugwash twist. I added Thomas Walsh's head to the circle of darkness in the middle of the cover, and tilted it red to match the overall look. I also changed the text, including replacing the "Kinks" name at the top with "Pugwash" in the exact same font style and color.

Sunday, June 21, 2020

Joe Walsh - Don Kirshner's Rock Concert, Civic Auditorium, Santa Monica, CA, 11-26-1975

I find it very odd that in Joe Walsh's long solo career, he's only released one live album, "You Can't Argue with a Sick Mind," released in 1976. And that was an unusually short one as live albums go, at only 34 minutes. So I set about to find a good bootleg concert from the 1970s, before he joined the Eagles in 1976.

It turns out I could only find one concert that has truly excellent sound quality. Unfortunately, it turned out to be exactly the same concert that was the source of his lone live album. It was an hour-long appearance on the "Don Kirshner's Rock Concert" TV show. But I'm posting it here because I found some additional songs from that show that almost doubles the length and, in my opinion, makes it into a proper live album.

Specifically, the songs "Welcome to the Club, "Get Back," and "Gimme Some Lovin'" were added. The last two are covers of the famous hits by the Beatles and the Spencer Davis Group respectively. It's disappointing those two weren't included on the official album, since he never recorded them for any studio albums either.

I should also point out that Walsh had a number of prominent musicians helping out for this concert. Don Felder, who had recently joined the Eagle, was part of his band for the entire show. Two more Eagles, Glenn Frey, Don Henley, joined on vocals for the song "Help Me through the Night." Plus, Frey returned for the final song. Also, Jay Ferguson, formerly of the band Spirit, played piano for the show. (A couple of years later, he would have a big solo hit with "Thunder Island.") Dave Mason, formerly of Traffic, played organ.

For this recording, I relied entirely on a bootleg recording, and ignored the official version entirely. That way, the sound was consistent all the way through. But there was one big problem with the bootleg I used. Since it was recorded from the TV show, pretty much all the talking between songs was edited out, and many times even the audience applause after the songs were cut short by announcers talking or commercial breaks. But there was enough applause remaining that I was able to patch in some clapping from the ends of other songs so that all the songs have an appropriate audience response.

Another issue is song order. The order here is based on the bootleg, but it's totally different from the order on the official album. I'm pretty sure this is right and the official album is wrong.

01 Time Out (Joe Walsh)
02 Meadows (Joe Walsh)
03 Walk Away (Joe Walsh)
04 Mother Says (Joe Walsh)
05 Welcome to the Club (Joe Walsh)
06 Help Me through the Night (Joe Walsh & the Eagles)
07 Turn to Stone (Joe Walsh)
08 Rocky Mountain Way (Joe Walsh)
09 talk (Joe Walsh)
10 Get Back (Joe Walsh)
11 Gimme Some Lovin' (Joe Walsh)

https://www.upload.ee/files/15260434/JoeWal_1975_DnKirshnrsRockConcrtCivcAuditoriumSntaMonicaCA__11-26-1975_atse.zip.html

I couldn't find a cover art worthy photo from the exact concert in question. The one I used comes from a concert earlier in the same year held in the Netherlands.