Showing posts with label Butterfield Blues Band. Show all posts
Showing posts with label Butterfield Blues Band. Show all posts

Wednesday, September 3, 2025

Various Artists - Monterey International Pop Festival, Monterey County Fairgrounds, Monterey, CA, 6-17-1967, Afternoon Show

Here's the second out of five albums I'm posting that make up the 1967 Monterey International Pop Festival. As I mentioned in the first album, the festival was broken up into five parts, and one had to buy tickets for each part. This part consisted of the afternoon show on June 17th, the second day of the festival.

Generally speaking, the different parts didn't really have musical themes, except for this one, because most of the musical acts in this part were heavily influenced by the blues.

As I mentioned in the write-up for the first part, I'm mostly just posting what a person named Simon put together in 2022, with some additions based on material made available since then. As with all the parts, I'm including a PDF Simon made that explains the different sourcing for each of the songs.

Also in my write-up for the first part, I mentioned a Wikipedia link that lists the known songs from the festival, including the ones where there's no publicly available recording. It's worth mentioning that link again:

Monterey Pop Festival set list - Wikipedia 

Let's review what's still missing. Canned Heat is known to have played the three songs included here, but also an unknown number of additional songs. The Big Brother and the Holding Company set is complete. This was the concert that turned that band's main lead singer, Janis Joplin, into a big star. In fact, they're the only band to play two sets in the festival. That's because their set here was one of the highlights, but a documentary film crew headed by D.A. Pennebaker failed to record any good footage of the band. So they were brought back to play a few songs on the third and final day.

Al Kooper had been a keyboardist for the Blues Project since 1965, but he quit that band shortly before this festival. The Blues Project got their own spot later in the festival, but Kooper got a solo spot too. (He would go on to form Blood, Sweat and Tears a year later.) According to the Wikipedia set list above, he only played two songs, and one of them is here. But according to a Newsweek article I linked to in the first part, Kooper's set lasted about half an hour, so he probably played more.

There are eight songs here performed by the Butterfield Blues Band, led by Paul Butterfield. Apparently there did more songs. But each act was allowed to up to 40 minutes, and their set already totaled 33 minutes, so there's probably just one or two missing songs. There are just two songs here by the Quicksilver Messenger Service, and they played five. One of the missing ones is a cover of "Who Do You Love," which they usually ended with a long jam.  There are two Steve Miller Band songs here, but they played at least one more, "Living in the U.S.A." 

The last act for this part of the festival was the Electric Flag. This band was formed in the spring of 1967 by guitarist Mike Bloomfield, and it was led by him, Barry Goldberg, and Buddy Miles. This actually was their very first concert. They would put out a studio album in early 1968 called "A Long Time Comin'," but by then the band's sound had already changed, with founder Bloomfield having less of a role. In fact, he left the band just a couple of months after the album was released. This concert is truer to the original vision he had for the band. There are six songs by them here, which actually is two more than the ones on the Wikipedia set list, so I don't know if there are still more missing ones.

I could say a lot more about all the different performances, but I think the music is all good and generally speaks for itself. The sound quality is excellent throughout, especially considering the time period. A lot of that quality is due to the unusually good sound system. Here's what the Wikipedia article on the festival has to say about that:

"Also notable was the festival's innovative sound system, designed and built by audio engineer Abe Jacob, who started his career doing live sound for San Francisco bands and went on to become a leading sound designer for the American theater. Jacob's groundbreaking Monterey sound system was the progenitor of all the large-scale PAs that followed. It was a key factor in the festival's success and it was greatly appreciated by the artists. For instance, in the 'Monterey Pop' film, David Crosby can clearly be seen saying 'Great sound system!' to band mate Chris Hillman at the start of the Byrds' soundcheck."

Note that that, like all the parts from this festival, this sounds even better than what Simon put together, because I boosted the vocals for the songs that needed that, using the UVR5 audio editing program. About half of the songs needed the boost, though there didn't seem to be much rhyme or reason to it. Some musical acts had low vocals across the board, or not, but often that was only the case for certain songs. Perhaps that's because this is a patchwork, put together from many different sources, both released and unreleased. 

By the way, here's a quote about the festival by Steve Miller: "I remember being really happy to be at Monterey, really excited. It was the first event I attended that was organized in such a really first-class way from top to bottom." 

And here are some quotes about the Big Brother and the Holding Company set, since that was the clear highlight of this part of the festival. Rock critic Keith Altham: "Janis Joplin was the staggering thing I saw on the whole show to me. Because I had never heard a woman sing like that. 'I told her afterwards, "you're the best female rock singer I've ever heard in my life.' She looked me up and down, smiled, and said, 'You get out much, honey?' I thought it was funny. She was very friendly. I liked her."

Record company executive Clive Davis: "When Janis (Joplin) took the stage, it was an unknown group to me totally, Big Brother and the Holding Company, and right from the outset it was something you could never forget. She took the stage, dominated, and was absolutely breathtaking, hypnotic, compelling, and soul shaking. You saw someone who was not only the goods but was doing something that no one else was doing. With that fervor, that intensity, and impact. So yes, that in effect, coupled with everything around me, the way people were dressing, what was going on in Haight Ashbury [the hippie district in San Francisco], the spirit in the air, and the feeling... I just said, 'You know, I am here at a very unique time. I'm feeling it. I'm feeling it in my spine. I'm feeling it in my sense of excitement. I'm feeling it in the impact. It's not only musical changes, but in societal changes.'" 

Davis immediately had the record company he was working for, Columbia Records, sign the band to a record contract, even though they had to buy out the band's existing contract with another company to do so.  

This album is two hours and 27 minutes long. 

01 talk (John Phillips)
02 talk (Canned Heat)
03 Rollin' and Tumblin' (Canned Heat)
04 talk (Canned Heat)
05 Dust My Broom (Canned Heat)
06 talk (Canned Heat)
07 Bullfrog Blues (Canned Heat)
08 talk (Chet Helms)
09 Down on Me (Big Brother & the Holding Company)
10 Combination of the Two (Big Brother & the Holding Company)
11 Harry (Big Brother & the Holding Company)
12 Roadblock (Big Brother & the Holding Company)
13 Ball and Chain (Big Brother & the Holding Company)
14 talk (Country Joe & the Fish)
15 Not So Sweet Martha Lorraine (Country Joe & the Fish)
16 talk (Country Joe & the Fish)
17 I-Feel-like-I'm-Fixin'-to Die Rag (Country Joe & the Fish)
18 talk (Country Joe & the Fish)
19 The Bomb Song (Country Joe & the Fish)
20 Section 43 [Instrumental] (Country Joe & the Fish)
21 Wake Me, Shake Me (Al Kooper)
22 Look Over Yonders Wall (Butterfield Blues Band)
23 Mystery Train (Butterfield Blues Band)
24 Born in Chicago (Butterfield Blues Band)
25 Double Trouble (Butterfield Blues Band)
26 Mary Ann (Butterfield Blues Band)
27 Driftin' Blues (Butterfield Blues Band)
28 One More Heartache (Butterfield Blues Band)
29 Droppin' Out (Butterfield Blues Band)
30 Dino's Song [All I Ever Wanted to Do] (Quicksilver Messenger Service)
31 If You Live (Quicksilver Messenger Service)
32 Mercury Blues (Steve Miller Band)
33 Super Shuffle [Instrumental] (Steve Miller Band)
34 talk (David Crosby)
35 Groovin' Is Easy (Electric Flag)
36 I'm Sick Y'All (Electric Flag)
37 Texas (Electric Flag)
38 talk (Electric Flag)
39 Over-Lovin' You (Electric Flag)
40 Night Time Is the Right Time (Electric Flag)
41 Wine [Drinkin' Wine, Spo-Dee-O-Dee] (Electric Flag)

https://pixeldrain.com/u/1mXxvn3Y

alternate:

https://bestfile.io/en/hpdZuZUHcB1hh9t/file

Like most of the cover art I've made for this festival, I had too many good options to choose from, so I broke the image into four smaller ones. From top left clockwise: Janis Joplin of Big Brother and the Holding Company, Country Joe McDonald of Country Joe and the Fish, Mike Bloomfield of the Electric Flag, and Paul Butterfield of the Butterfield Blues Band.

Friday, December 20, 2024

Foghat and Friends - New York Library Benefit Concert, The Palladium, New York City, 9-30-1977

Here's a very unique concert. It has less to do with Foghat and more their special guests, who were blues and R&B legends like Muddy Waters, John Lee Hooker, Johnny Winter, and Otis Blackwell.

Foghat is a rock band best known for their 1970s hits "Slow Ride" and "I Just Want to Make Love to You." But the band members were students of the blues. So when the band put together this benefit concert to be broadcast on national TV, they used it as kind of a way to educate the public about blues music. Only the first two songs were performed just by Foghat. After that, the guest stars generally took over, with Foghat only being the backing band. 

All we have of this concert is what made it onto the hour-long TV broadcast. That included some short voice-overs that introduced the guest stars. I just wanted to hear the concert with that, so I cut those bits out whenever possible. When the voice-overs went over the music, I used the UVR5 audio editing program to remove the talking while keeping the underlying music. That's why a few songs have "[Edit]" in their titles.

As the show went on, some of the guests stayed on stage. By the last song, "I Just Want to Make Love to You," pretty much everyone was on stage. The song was originally performed by Muddy Waters, and he dominated the performance. But John Lee Hooker, Foghat, and some others had turns singing some of the lead vocals.

I believe everything from this concert remains officially unreleased. But if you want to see it was well as heard it, you should be able to find the video of it on YouTube.

This album is 47 minutes long.

01 Sweet Home Chicago (Foghat)
02 talk (Foghat)
03 It Hurts Me Too (Foghat)
04 My Baby's Gone [Edit] (Foghat & David 'Honeyboy' Edwards)
05 talk (Foghat)
06 Done Somebody Wrong [Edit] (Foghat & Eddie Kirkland)
07 Love Light [Instrumental] (Foghat & Eddie Kirkland)
08 talk (Foghat)
09 Shake Your Money Maker [Edit] (Foghat & Paul Butterfield)
10 Crawling King Snake (Foghat & John Lee Hooker)
11 talk (Foghat)
12 All Shook Up [Edit] (Foghat & Otis Blackwell)
13 talk (Foghat & Otis Blackwell)
14 Don't Be Cruel (Foghat & Otis Blackwell)
15 talk (Foghat & Johnny Winter)
16 Last Night (Foghat & Johnny Winter)
17 talk (Foghat & Muddy Waters)
18 Hoochie Coochie Man (Foghat & Muddy Waters)
19 I Just Want to Make Love to You (Foghat, Muddy Waters & Everyone)

https://pixeldrain.com/u/etpduLpH

alternate:

https://bestfile.io/en/5biynw2DBpUZmMR/file

The cover comes from this exact concert. I believe that's Dave Peverett, lead vocalist of Foghat, with Muddy Waters looking at him.

Tuesday, November 22, 2022

B. B. King and Friends - A Night of Blistering Blues, Ebony Showcase Theater, Los Angeles, CA, 4-15-1987

Hopefully, if you're a fan of the blues, you'll take a look at the list of artists mentioned on the cover art, say, "Wow!" and download this immediately. This concert mainly features B. B. King, who does all the talking, but his special guests are: Paul Butterfield, Eric Clapton, Phil Collins, Dr. John, Etta James, Albert King, Chaka Khan, Gladys Knight, Billy Ocean, and Stevie Ray Vaughan.

Why did all of these big names of soul and blues get together for this concert? I don't know if there was some special occasion or anniversary, but this show was filmed for a TV special shown on Cinemax, alternately called "A Night of Blistering Blues" or "A Blues Night." I've gone with the former name because it's more interesting.

Generally speaking, King did the lion's share of lead vocals. But he shared vocals with Albert King, Etta James, Billy Ocean, Gladys Knight, and Chaka Khan. I believe Phil Collins played drums on all the songs, along with another drummer. Paul Butterfield did all the harmonica playing. Eric Clapton and Stevie Ray Vaughan played lead guitar, and on more songs than just the ones they're credited on below. B. B. King and Albert King played lots of lead guitar as well.

This really was a once in a lifetime gathering of musical greats, and they rose to the occasion. I don't know why this has never been officially released as an album. The only flaw is that the last song was a blues jam with all the lead guitarists: B. B. King, Albert King, Eric Clapton, and Stevie Ray Vaughan. But unfortunately, it fades out after only a minute of guitar soloing from B. B. King. If you watch the video of this on YouTube, you'll see the credits are rolling and the recording ends when the show finishes.

This album is 56 minutes long.

01 Why I Sing the Blues (B. B. King, Albert King, Etta James, Billy Ocean, Gladys Knight & Chaka Khan)
02 talk (B. B. King)
03 Please Send Me Someone to Love (B. B. King & Gladys Knight)
04 talk (B. B. King)
05 The Thrill Is Gone (B. B. King with Eric Clapton & Phil Collins)
06 talk (B. B. King)
07 I'd Rather Go Blind (B. B. King, Dr. John & Etta James)
08 talk (B. B. King)
09 When Something Is Wrong with My Baby (B. B. King, Chaka Khan & Billy Ocean)
10 talk (B. B. King)
11 The Sky Is Crying (B. B. King, Paul Butterfield, Albert King & Stevie Ray Vaughan)
12 talk (B. B. King)
13 Something's Got a Hold on Me (B. B. King & Etta James)
14 talk (B. B. King)
15 In the Midnight Hour (B. B. King & Billy Ocean with Paul Butterfield & Stevie Ray Vaughan)
16 talk (B. B. King)
17 Ain't Nobody's Business (B. B. King, Etta James, Chaka Khan & Gladys Knight)
18 talk (B. B. King)
19 Let the Good Times Roll (B. B. King, Albert King & Etta James)
20 Take My Hand, Precious Lord (B. B. King, Etta James, Chaka Khan & Gladys Knight)
21 talk (B. B. King)
22 Blues Jam [Instrumental] (B. B. King)

https://www.upload.ee/files/16687605/BBKNG1987_NghtofBlistrinBlusEbnyShwcseThetr__4-15-1987_atse.zip.html

I haven't seen any good photos from this concert. So I took a screenshot from the YouTube video. The quality is rather low-res, but this is all there is. From right to left, you can see: Stevie Ray Vaughan, B. B. King, Albert King, Eric Clapton, and Etta James.

Friday, November 5, 2021

Paul Butterfield Blues Band - Live at Woodstock (Woodstock Festival, Max Yasgur's Farm, Bethel, NY, 8-18-1969)

A few days ago, an unnamed commenter pointed out that I'd posted a few Woodstock sets a while back, and suggested that I should post some more. I thought that was a good idea, so here's another one. The entire legendary 1969 Woodstock Festival concert was officially released in 2019. But there are a couple of problems with that. For one, it'll cost you a pretty penny, because the box set contains 38 discs! And for another, it was only on sale as a limited edition, with less than 2,000 copies available.

Most of the biggest names from the festival have put out their sets on more affordable single albums, such as Creedence Clearwater Revival, Jefferson Airplane, Santana, and so on. But a few have not, and most of the lesser known acts have not. Here's one that I think has been overlooked.

The Paul Butterfield Blues Band was one of the best blues rock bands of the 1960s, lead by harmonica player and lead singer Paul Butterfield. However, they had a lot of personnel turnover. By the time of the Woodstock Festival in 1969, Butterfield was the only original member left. That said, the replacements were quite talented, including Buzz Feiten on lead guitar and David Sanborn on saxophone, and the band put on an excellent concert. 

Unfortunately, Woodstock didn't give the band a big career boost like it did for some other acts. One big factor was that they were filmed, but they weren't included in the Woodstock movie. The band's fortunes continued to decline, and they broke up in 1971. Butterfield died young, overdosing in 1987.

This album is an hour and eight minutes long, and contains the full set.

01 Born under a Bad Sign (Paul Butterfield Blues Band)
02 No Amount of Loving (Paul Butterfield Blues Band)
03 Driftin' and Driftin' (Paul Butterfield Blues Band)
04 Morning Sunrise (Paul Butterfield Blues Band)
05 All in a Day (Paul Butterfield Blues Band)
06 talk (Paul Butterfield Blues Band)
07 Love March (Paul Butterfield Blues Band)
08 Everything's Gonna Be Alright (Paul Butterfield Blues Band)

https://www.upload.ee/files/15267211/PaulButter_1969_Woodstck__8-18-1969_atse.zip.html

I couldn't find any good photos of the band's Woodstock performance, a sign of how it has sadly been overlooked. But the video of the entire set is available on YouTube, so I took a screenshot of that. I couldn't find a good one of the whole band (there were a lot of them, spread out on stage), so I opted for a close up of Butterfield.