John Lennon, Paul McCartney, George Harrison & Ringo Starr - Solo Ballads, Volume 3 (1969-2026) (A Mike Solof Guest Post)

Here's the third and last of three albums collecting ballads from the solo careers of the ex-Beatles John Lennon, Paul McCartney, George Harrison and Ringo Starr. I've also finished posting a similar series of three albums of rockers from them. All of these were put together by guest poster Mike Solof. But we're not quite done. Because McCartney has been so prolific, he gets an extra album of rockers and another extra album of ballads.

Once again, pretty much everything here comes from studio albums. "Mama You've Been on My Mind" is an exception, since it's a demo version that came out as a bonus track. But Mike made new mixes of four songs. A couple of them were at my request. The thinking is some of these songs were a bit too rocking to fully qualify as ballads. So the mixes strip the songs down some more.

This album is one hour long.

31 [I Want To] Come Home (Paul McCartney)
32 King of Broken Hearts [Mike's Mix 2026] (Ringo Starr)
33 Jealous Guy [Ultimate Mix] (John Lennon)
34 Warm and Beautiful (Paul McCartney)
35 Life Itself (George Harrison)
36 Love Is (Ringo Starr)
37 Happy with You (Paul McCartney)
38 Out the Blue (John Lennon)
39 Sat Singing [Mike's Mix 2026] (George Harrison)
40 Early Days (Paul McCartney)
41 Photograph [Mike's Mix 2026] (Ringo Starr)
42 Only Love Remains (Paul McCartney)
43 Imagine [Mike's Mix 2022] (John Lennon & Julian Lennon)
44 Mama You've Been on My Mind [Demo] (George Harrison)
45 As Far as We Can Go (Ringo Starr)
46 Tragedy (Paul McCartney)

https://pixeldrain.com/u/tCJixTR6

alternate:

https://bestfile.io/en/88IHsZeczEOLSre/file

Mike Solof sure does love imagining what the Beatles would have looked like if they all were still alive. Here's another cover image Mike made using an AI program. It's in the same style as the two previous albums in the ballads series.

John Lennon, Paul McCartney, George Harrison & Ringo Starr - Solo Rockers, Volume 1 (1969-2026) (A Mike Solof Guest Post)

In the 1970s, the Beatles remained extremely popular but there was no new Beatles music to sell, so the record companies repackaged their music in different ways. For instance, in 1976, an album called "Rock n' Roll Music" was released, containing all rocking Beatles songs. And in 1977, another one came out called "Love Songs." A similar one came out in most countries but the U.S. in 1980 called "The Beatles Ballads." Guest poster Mike Solof was inspired by these albums to create similar albums, but for the Beatles' solo careers. He's taken roughly equal numbers of songs by the four ex-Beatles and mixed them together. This was enough for three albums of rockers and another three albums of ballads. 

But wait, there's more! Paul McCartney has been prolific, and stubbornly refuses to die. (Ha ha) As a result, Mike also made an extra album each just for more rockers and ballads from him. So here's the first of eight albums. We'll start with some rockers.

Note there's nothing really new here. These are just already released songs, but hopefully repackaged in an interesting way. Just like those 1970s repackaged Beatles albums. By the way, interesting fact: "Rock n' Roll Music" went all the way to Number Two on the U.S. album chart in 1976, and was only kept out of the top spot by the Paul McCartney and Wings album "Wings at the Speed of Sound." 

As usual with Mike's posts, please check out the PDF file he's included with the download zip. 

This album is 54 minutes long. 

01 Save Us (Paul McCartney)
02 Rock and Roll People (John Lennon)
03 Horse to the Water (George Harrison)
04 You're Sixteen [You're Beautiful and You're Mine] (Ringo Starr)
05 The Mess [Reworked] (Paul McCartney)
06 Cleanup Time (John Lennon and Yoko Ono)
07 Cockamamie Business (George Harrison)
08 Lonely Road (Paul McCartney)
09 Snookeroo (Ringo Starr)
10 Cold Turkey (John Lennon)
11 Helen Wheels (Paul McCartney)
12 All Those Years Ago [Paul on Vocals, Ringo on Drums] (George Harrison)
13 After All These Years (Ringo Starr)
14 Big Barn Bed (Paul McCartney)

https://pixeldrain.com/u/tuCsvKEk

alternate: 

https://bestfile.io/en/plP5cXglEj9HZci/file

Mike is more of a fan of making new AI pictures than I am. In 1969, the Beatles played a short concert on top of Abbey Road studios in London. For this one, he asked an AI program to make an image of an imaginary Beatles reunion on that rooftop many decades later. Mike was particularly pleased at how the AI creatively added two big beer bottles at their feet. 

Pat Benatar - Greatest Hits Live (1980-2015) (A Mike Solof Guest Post)

Here's another nice guest post by Mike Solof. It's a collection of the best songs by Pat Benatar - as judged by Mike, who is a big fan. But there's a twist, because he chose all live versions. Well, except for three songs at the end he couldn't bear leaving out, which apparently were never performed live.

This album came to be because I had posted a concert by Joan Jett, and I was planning on posting one by Pat Benatar as well. Those two have always been linked in my mind, since they were pioneering female rock and rollers that became famous at the start of the 1980s. Anyway, since Mike is a bigger Benatar fan than I am, I asked him what would be the best concert recording from her. Instead, he came up with this idea, to make something that contains all of her best known songs, most of them performed within a year or two of being recorded.

The songs are in rough chronological order of when they were first released. But the actual performance dates jump all over, from 1980 to 2015. A little over half of the songs here are from bootlegs, but very excellent sounding ones. The following songs, however, are from official live albums: tracks 8, 9, 10, 12, 17, 20, and 24 through 28. You can find more details in the mp3 tags.

Finally, as always with Mike's posts, check out his PDF for comments from him, as well as some more nice photos of Benatar. He's also included a gapless single file version of the album, for those who like that.

This album is two hours and seven minutes long. 

01 Heartbreaker (Pat Benatar)
02 I Need a Lover (Pat Benatar)
03 We Live for Love (Pat Benatar)
04 Treat Me Right (Pat Benatar)
05 You Better Run (Pat Benatar)
06 Hit Me with Your Best Shot (Pat Benatar)
07 Hell Is for Children (Pat Benatar)
08 Promises in the Dark (Pat Benatar)
09 Fire and Ice (Pat Benatar)
10 Helter Skelter (Pat Benatar)
11 Shadows of the Night (Pat Benatar)
12 Lookin' for a Stranger (Pat Benatar)
13 Anxiety (Pat Benatar)
14 Fight It Out (Pat Benatar)
15 The Victim (Pat Benatar)
16 It's a Little Too Late (Pat Benatar)
17 I Want Out (Pat Benatar)
18 Oh Oh Song (Pat Benatar)
19 Love Is a Battlefield (Pat Benatar)
20 Sex as a Weapon (Pat Benatar & Neil Giraldo)
21 Invincible (Pat Benatar)
22 We Belong (Pat Benatar)
23 Cool Zero (Pat Benatar)
24 All Fired Up (Pat Benatar & Neil Giraldo)
25 True Love (Pat Benatar)
26 Lipstick Lies [Studio] (Pat Benatar)
27 Silent Partner [Studio] (Pat Benatar)
28 Tell It To Her [Studio] (Pat Benatar)

https://pixeldrain.com/u/cBKEwVKq

alternate:

https://bestfile.io/en/2EXi12DYTbXNaf6/file

The cover image was selected by Mike. I don't know when or where it's from, exactly. 

John Carpenter - John Carpenter Presents: Trailers of the Mind... It's All in Your Head! (1974-1994) (A Mike Solof Guest Post)

Here's another guest post by Mike Solof. He really outdid himself this time, with this collection of John Carpenter's movie music. 

Mike is a big fan of the movies of John Carpenter, who is especially renowned in the horror genre. But it turns out Carpenter composed the music for nearly all of his movies, and Mike is a fan of that music as well. His original plan was to collect his favorite songs from most of Carpenter's movies, and post that. However, some of the songs had spoken dialogue from the movies over them, and others did not. I thought that was an imbalance, and asked him if he could add in some more dialogue. Mike took that suggestion and ran with it. He labored many, many hours carefully adding dialogue, until all the songs here are a mix of music and that dialogue. In so doing, he created something new: songs from the movies with dialogue that helps set an ominous mood and reminds you of key movie scenes. He spent a long time getting the timing of the words and music to be to his satisfaction.

In case you're not familiar with Carpenter's name, you'd probably recognize many of his movies, such as "Halloween," "The Thing," "The Fog," Escape from New York," "Christine," "They Live," and many more. Personally, I'm not into the horror movie genre. But even I found this an interesting listen.  

If you want to know more, as usual, please read the PDF that Mike wrote and added to the download zip. 

01 The Fog [Prologue - The Curtain Rises] (John Carpenter)
02 Dark Star - Hello Bomb [Mike's Mix 2026] (John Carpenter)
03 Assault on Precinct 13 - This Is a Goddamn Seige [Mike's Mix 2026] (John Carpenter)
04 Assault on Precinct 13 - Hey, This Is Regular Vanilla [Mike's Mix 2026] (John Carpenter)
05 Halloween - The Evil Has Gone [Mike's Mix 2026] (John Carpenter)
06 Halloween - Halloween Theme [Death Has Come to Your Little Town] [Mike's Mix 2026] (John Carpenter)
07 The Fog - There's Something in the Fog [Mike's Mix 2026] (John Carpenter)
08 The Fog - We're Honoring Murderers [Mike's Mix 2026] (John Carpenter)
09 Escape from New York - I Heard You Were Dead [Mike's Mix 2026] (John Carpenter)
10 Halloween 2 - You Don't Know What Death Is [Mike's Mix 2026] (John Carpenter)
11 Halloween 3 - The Hills Ran Red with Blood [Mike's Mix 2026] (John Carpenter)
12 The Thing - Weird and Pissed Off [Mike's Mix 2026] (John Carpenter)
13 Christine - Show Me [Mike's Mix 2026] (John Carpenter)
14 Prince of Darkness - This Is Not a Dream [Mike's Mix 2026] (John Carpenter)
15 They Live - I've Got One that Can See [Mike's Mix 2026] (John Carpenter)
16 In the Mouth of Madness - The Curtain Closes [Mike's Mix 2026] (John Carpenter)

https://pixeldrain.com/u/Z6EV9Jbp

alternate: 

https://bestfile.io/en/6HM3OKjRehmqVD2/file

The cover art is a graphic made by someone named Tyler Champion. The original was in just two tones. I colorized it with the help of the Kolorize program. Then I added the text at the top and bottom.

Joan Jett & the Blackhearts - Fireman's Memorial Park, Hempstead, NY, 8-15-1981

I recently saw a TV show about the Runaways, a pioneering 1970s all-female band. That got to interested in taking another look at Joan Jett's solo career, since she had been a key member of the Runaways. That led me to finding this bootleg. It has excellent sound quality from a live radio broadcast.

At the time of this concert, Jett was just starting to turn into a star. After the Runaways broke up in 1978, she had a very hard time getting her solo career started. Record companies at that time weren't interested in female rock and rollers. There had only been a few prominent examples prior to that (Fanny from the early 1970s comes to mind), but it wasn't seen as commercially viable. For her 1980 debut album, "Bad Reputation," over 20 record companies rejected it. She ultimately released it independently. Those sales were so strong that a record company finally picked it up and paid for her to record a second album.

This concert took place while she and her band was recording that second album, "I Love Rock n' Roll." She later said of this time period (June through September 1981): "During the weekdays we'd be in the studio, and during the weekends we'd travel around the New York area, the Northeast, doing gigs. So we were doing both without really stopping. Which was good, I thought, it really kept us together, it kept us sharp." When that album came out in November, it slowly grew and grew into a big hit, thanks mostly to the song "I Love Rock 'n Roll." Not only did that song reach Number One on the U.S. singles chart, it stayed there for seven weeks and became one of the biggest hits of the decade. 

In this concert, I imagine most of the audience didn't know that song, or other songs she would release on that album. ("I Love Rock 'n Roll" wouldn't be released as a single until January 1982.) Furthermore, some cover songs she performed here wouldn't end up being released on any of her studio albums in that time period, such as "Summertime Blues," "Star Star," and "Rebel Rebel." She also did three songs from when she was in the Runaways: "Wait for Me," "You're Too Possessive," and "I Love Playin' with Fire."

Here's her Wikipedia page:

https://en.wikipedia.org/wiki/Joan_Jett 

The bootleg I found of this concert had one problem: the lead vocals were rather low in the mix. So I fixed that using the MVSEP audio editing program. 

This album is an hour and 11 minutes long. 

01 talk by emcee (Joan Jett & the Blackhearts)
02 Bad Reputation (Joan Jett & the Blackhearts)
03 Be Straight (Joan Jett & the Blackhearts)
04 talk (Joan Jett & the Blackhearts)
05 You Don't Know What You've Got (Joan Jett & the Blackhearts)
06 Bits and Pieces (Joan Jett & the Blackhearts)
07 talk (Joan Jett & the Blackhearts)
08 Wait for Me (Joan Jett & the Blackhearts)
09 talk (Joan Jett & the Blackhearts)
10 Summertime Blues (Joan Jett & the Blackhearts)
11 talk (Joan Jett & the Blackhearts)
12 Victim of Circumstance (Joan Jett & the Blackhearts)
13 talk (Joan Jett & the Blackhearts)
14 I Love Rock 'n Roll (Joan Jett & the Blackhearts)
15 talk (Joan Jett & the Blackhearts)
16 Nag (Joan Jett & the Blackhearts)
17 Crimson and Clover (Joan Jett & the Blackhearts)
18 You're Too Possessive (Joan Jett & the Blackhearts)
19 talk (Joan Jett & the Blackhearts)
20 Love Is Pain (Joan Jett & the Blackhearts)
21 talk (Joan Jett & the Blackhearts)
22 Black Leather (Joan Jett & the Blackhearts)
23 Do You Wanna Touch Me [Oh Yeah] (Joan Jett & the Blackhearts)
24 Star Star (Joan Jett & the Blackhearts)
25 talk (Joan Jett & the Blackhearts)
26 Shout (Joan Jett & the Blackhearts)
27 talk (Joan Jett & the Blackhearts)
28 I Love Playin' with Fire (Joan Jett & the Blackhearts)
29 Wooly Bully (Joan Jett & the Blackhearts)
30 talk (Joan Jett & the Blackhearts)
31 talk by emcee (Joan Jett & the Blackhearts)
32 Rebel Rebel (Joan Jett & the Blackhearts)
33 talk by emcee (Joan Jett & the Blackhearts)

https://pixeldrain.com/u/zLBbi46s

alternate:

https://bestfile.io/9qgZIbsmw32tpV4/file

The cover image shows Jett in concert in 1981, details unknown. The original was in black and white, but I colorized it.

The Carpenters - Singles Uncovered, Volume 3: 1976-1981 (A Mike Solof Guest Post)

Here is the third and last volume of "Singles Uncovered," a Carpenters collection curated by guest poster Mike Solof.

In my write up for Volume Two, I gave my thoughts on why Mike chose to include some songs, but not other songs. For this write up, I thought I would go straight to the horse's mouth – I asked him to explain his selection. Here's what he had to say:

"Hi everybody, I hope you’re liking the series so far. As Paul explained in the last post, I started with the theory of doing all the singles, but then hated some of the singles (lol) so I didn’t include them. As for the non-singles that I might of included… Did I do that??? If so, sorry, but they were probably songs that I knew and loved, so consider them singles adjacent and think of them as bonus songs without Paul’s perplexing method of not numbering the bonus songs (lol). Looking forward to your feedback… See you next project which is a fun Jimmy Buffett one, and which also might be posted soon."

This album is one hour and two minutes long.

01 Breaking Up Is Hard to Do (Carpenters)
02 Can't Smile without You (Carpenters)
03 Calling Occupants of Interplanetary Craft (Carpenters)
04 Two Sides (Carpenters)
05 I Just Fall in Love again (Carpenters)
06 The Christmas Song [Merry Christmas to You] (Carpenters)
07 I'll Be Home for Christmas (Carpenters)
08 Little Altar Boy (Carpenters)
09 Leave Yesterday Behind (Carpenters)
10 If I Had You (Carpenters)
11 Touch Me When We're Dancing (Carpenters)
12 Because We Are in Love (Carpenters)
13 Want You Back in My Life Again (Carpenters)
14 Those Good Old Dreams (Carpenters)
15 Your Baby Doesn't Love You Anymore (Carpenters)
16 The Rainbow Connection (Carpenters)

https://pixeldrain.com/u/PdtgCZu1 

alternate:

https://bestfile.io/en/NH0bCyNdcDfuLLs/file

The cover image was chosen by Mike. I don't know the details. But they look pretty young. The original was in black and white, but I colorized it with the use of the Kolorize program.

Various Artists - Musical Salad, Volume 2 (1939-2025) (A Fabio from Rio Guest Post)

Here is the second volume of "Musical Salad,"a collection of songs about vegetables. For real. 

As I mentioned with the release of "Musical Salad, Volume 1," this project began as one of Fabio from Rio's eccentric ideas, supported at first by my cautiously skeptical encouragement. But after we finished "Volume 1," I have to admit I was already looking forward to a second helping.

Nearly all of the songs in "Volume 1" were found by Fabio. But for this volume, I went digging and found a majority of these ones. As with the first volume, Fabio really went above and beyond the usual call of duty, making an artistic booklet with text, talking about each song and including an illustration for each song, made by AI. (He wrote all the text however.) I also provided ideas and suggestions for many of the illustrations generated with the help of Fabio's AI-assisted artwork process.

As I have mentioned elsewhere, I have concerns about the use of AI. For instance, I have been careful to never include any music made by AI in this blog. But the AI artwork made for this booklet was just too good not to include. In fact, it's kind of "scary good," since it can do what a human can do for practically no cost in just a tiny fraction of the time.

At any rate, as I mentioned in the write up for the first volume, the songs here had to actually be about vegetables in some way and not just have a fitting title. So for instance, we didn't use the song "Vegetable Man" by Pink Floyd, because all of the lyrics reference clothes and fashion, with just a mysterious line in the chorus, "Vegetable Man, where are you?" That may well refer to someone being a mental vegetable and have nothing to do with actual edible vegetables at all.

But now that we are posting the second volume, if you can think of any fitting songs that are worthy of inclusion for a possible third volume, please let us know. I thought that we had pretty much found all the good ones that fit, but already we've had a few suggestions in the comments for valuable one that look promising. I could easily see a third volume, including more of the fun artwork, if we can just find enough songs that keep up the standards of the first two volumes. 

Also, if you have suggestions for other theme, albums, similar to this one, please let us know. I doubt I would spearhead any project like that (since I have my hands full with so many other albums I want to post already), but there's no telling what kind of off the wall ideas that might appeal to Fabio. In fact, I already get the feeling that he is thinking about other food related albums, so if you have some suggestions for songs along those lines, please let us know about those too.

This album is 50 minutes long.

01 Our Garden (Lucy Kalantari)
02 Life in the Slaw Lane (Kip Addotta)
03 I Love Onions (Jackie Weaver)
04 Cheese and Onions (Rutles)
05 Homegrown Tomatoes (Guy Clark)
06 Solid Potato Salad (Ella Mae Morse)
07 Potato (Cheryl Wheeler)
08 The Potato Stomp (Killin' Jivers)
09 Beans and Cornbread (Louis Jordan)
10 Eat Every Bean and Pea on Your Plate (Daddy A Go-Go)
11 Cornbread and Butterbeans (Carolina Choc Drops)
12 The Spinach Song (Julia Lee)
13 Broccoli (Association)
14 Artichokes (Maps & Atlases)
15 Avocado Woo Woo (The Tin Men)
16 Fruit Salad (Tierra Whack)
17 Coleslaw (Louis Jordan)
18 Vegetables [1993 Live Version] (Beach Boys)

https://pixeldrain.com/u/eN4EguPz

alternate:

https://bestfile.io/khZ7cVB1EQwxUMr/file

The cover image was made by Fabio, using AI. As mentioned above, he also used AI to have illustrations of each of the songs. Here's one that I particularly liked, for the song Avocado Woo Woo." 

Covered: George Harrison, Volume 2: 1972-1989

Here's the second volume out of six "Covered" albums celebrating the songwriting of George Harrison.

When this album starts, in 1972, Harrison was seemingly on top of the world. His 1970 solo album "All Things Must Pass" was a huge critical and commercial success, hitting Number One in the U.S., Britain, and many countries. It surprised many by outselling the solo albums of John Lennon and Paul McCartney. 

For the first half of the 1970s, Harrison maintained a very active musical career. In addition to putting out his own solo albums, he produced and/or played on albums by other musical acts. We can see that here, especially with his help for fellow ex-Beatle Ringo Starr. There are no less than five songs here performed by Starr. 

"Back Off Boogaloo" follows the pattern of "Octopus's Garden" and "It Don't Come Easy" on the previous volume, in that it was solely credited to Starr when in fact it was co-written by Harrison. It was a big hit in 1972, especially in Britain, where it made it all the way to Number Two in the singles chart. But while those two songs I just mentioned are still credited only to Starr, in 2017, the official credits for "Back Off Boogaloo" changed to be a co-write with Harrison.

The same pattern continued for Starr's next big hit, "Photograph," which went all the way to Number One in 1973 in the U.S., Canada, and other countries. But this one was the first one to be officially credited to Starr and Harrison from the very beginning. Like all the other Starr songs mentioned above, it seems Starr started it, but needed a lot of help from Harrison to finish it off. Starr later said he was good at writing a verse or two, and a chorus, but then he often would get stuck. He also said of Harrison helping his songwriting in this era, "I only know three chords and he'd stick four more in, and they'd all think I was a genius."

But Harrison also wrote or co-wrote songs for others during this time period: "The Holdup" by David Bromberg, "So Sad (No Love of His Own)" by Alvin Lee and Mylon Lefevre, "Far East Man" by Ron Wood, and "I'll Still Love You (When Every Song Is Sung)" by Cilla Black. In all those cases, the cover versions included here came first. For "So Sad" and "Far East Man," Harrison released his own versions a year or two later.

Here's a fun fact about the version of "Something" by James Brown. That great song has been covered around 1,000 times, making it one of the most covered songs of all time. But Harrison said that Brown's version was his favorite out of all the covers he'd heard. In an interview many years later, he said, "There are a lot of really good versions of 'Something.' But the one that is just a killer, and nobody even knows about it except for a few friends of mine, is the James Brown version of it. He put it out as the flip side to a revamped version of 'Think.' And you gotta play it, it's just unbelievable." He even sent Brown a postcard complimenting him on it and suggesting that it should be released as an A-side instead.

Unfortunately, in the mid-1970s, Harrison lost a lot of the passion he'd had for his music career up until then. Here's a quote taken from a Wikipedia article: "Writing for Rolling Stone in 2002, Mikal Gilmore commented that 'the crises [Harrison] faced in the mid-1970s changed him,' and that depression was a key factor. Depression permeated many of the songs that Harrison wrote during this period, an issue that was not helped by his continued heavy drinking and cocaine use." As a result, he mostly stopped writing songs for others, and put out fewer albums himself. This trend deepened in the 1980s, when he only put out three studio albums, compared to six in the 1970s (with one of them being a double album).

As a result, Harrison's music didn't get the same attention in the 1980s, so there weren't as many covers. That's especially the case since he did very little to promote his career. The only concert tour he took in the 1970s and 1980s was in 1974. Only the last three songs here are from the 1980s. One of those, by the way, "Run So Far," was written for a 1989 album by Eric Clapton. However, Harrison's own version would be released in 2002.

This album is one hour long. 

01 Back Off Boogaloo (Ringo Starr)
02 What Is Life (Olivia Newton-John)
03 The Holdup (David Bromberg)
04 Photograph (Ringo Starr)
05 Something (James Brown)
06 Don't Let Me Wait Too Long (Rotten to the Core)
07 You and Me [Babe] (Ringo Starr)
08 I'd Have You Anytime (Ralfi Pagan)
09 So Sad [No Love of His Own] (Alvin Lee & Mylon Lefevre)
10 Sunshine Life for Me [Sail Away Raymond] (Ringo Starr)
11 Far East Man (Ron Wood)
12 I'll Still Love You [When Every Song Is Sung] (Cilla Black)
13 Dark Horse (Thomas Harris)
14 Wrack My Brain (Ringo Starr)
15 Cloud Nine (Gary B.B. Coleman)
16 Run So Far (Eric Clapton)

https://pixeldrain.com/u/PETt92E9 

alternate: 

https://bestfile.io/en/dkyCmpiTQNxZADj/file

The cover image is from the 1970s, but I don't know the exact year. 

Klaatu - The Sampler Album (1976-2005) (A Mike Solof Guest Post)

Here's another Mike Solof guest post. This one came about because I was conversing with Mike, and the band Klaatu somehow came up. I mentioned that I'd heard of them, but I'd never gotten around to listening to their music. So Mike volunteered to enlighten me by making a sampler album containing what he considers the cream of their crop.

The band has a very unusual history. Probably their biggest claim to fame is that when their debut album came out in 1976, there was a widespread rumor that their album actually was a secret Beatles reunion album. Of course that wasn't true. But I can understand why some people believed the rumor, because the band had a Beatlesque sound. And I consider that a very good thing. If you like that style of music - and who doesn't? - you should give this a listen.

There's a lot more to this band and their history. But I'm not going to tell it here. For one thing, Mike has written extensive liner notes, which are included in the download zip, as is his wont. And you can also read Wikipedia for more:

Klaatu (band) - Wikipedia

I asked Mike why Woman is only a bonus track. Here's his response. "In case you are all wondering (and I know you all are) why I considered 'Woman' a bonus cut and not part of the main set, here's the answer (taken from Wikipedia): 'The trio very briefly reunited in 1988 at George Martin's AIR Studios in London with John Jones to record a single, "Woman," though no one was particularly happy with the results as the song was written by someone outside of the band (Paul Vincent Gunia) for the German television series Tatort. Initially, Long had wanted to merely use the Klaatu name, but could not get the rest of the band's approval without their involvement. The single was released only in West Germany and did not chart, making it an extremely rare item in the Klaatu catalogue; Draper confirmed that the song was considered for a few rarities compilations, but all three band members had agreed to not include the track.'"

This album is an hour and two minutes long.

01 Calling Occupants of Interplanetary Craft (Klaatu)
02 Anus of Uranus (Klaatu)
03 Sub-Rosa Subway (Klaatu)
04 Doctor Marvello (Klaatu)
05 We're Off You Know (Klaatu)
06 Sir Bodsworth Rugglesby III (Klaatu)
07 Around the Universe in Eighty Days (Klaatu)
08 Little Neutrino (Klaatu)
09 A Routine Day (Klaatu)
10 The Love of a Woman (Klaatu)
11 I Can't Help It (Klaatu)
12 True Life Hero (Klaatu)
13 Knee Deep in Love (Klaatu)
14 I Don't Wanna Go Home (Klaatu)
15 California Jam (Klaatu)
16 All Good Things (Klaatu)

Woman (Klaatu)

https://pixeldrain.com/u/vcsQKLJM

alternate:

https://bestfile.io/473QSPC1alBVbpl/file

Klaatu was a notoriously elusive band. For the band's first few years, there were no publicly available photos of them at all. They finally relented a bit in the early 1980s, when they briefly went on tour. So I think this promo photo dates from that time. The original was in black and white, but I colorized it with the use of the Kolorize program. Also, the background was just blank white. So I took some artwork of the pyramids from one of their album covers and put that in the background to make things look a little more interesting.

Frank Zappa - 1971-1988 Strictly Commercial Live (A Mike Solof Guest Post)

Guest poster Mike Solof has been busily slaving away in the salt mines, coming up with more albums to post at this blog. In particular, he's got a big Beatles project coming that hopefully will knock your socks off. Unfortunately, I've fallen behind getting some things ready to post, but hopefully I'll catch up soon. For this album, he came up with the idea of collecting live versions of all the songs on the Frank Zappa best of collection "Strictly Commercial."

I'll leave most of the explaining to Mike, in his PDF notes included in the download zip. But Zappa was well known for his lead guitar playing, and he's able to stretch some songs out here. For instance, the official album is about an hour and 17 minutes long, whereas this is almost two hours long. A lot of the difference there is with "Don't Eat the Yellow Snow." The official album has the three minute long single version, but this is a 20-minute-long live version of the entire suite. 

As is Mike's style, he's included a gapless single file of the album in the download zip, for those who prefer to hear it that way.

By the way, all the songs here feature Frank Zappa, except for one. His only Top Forty hit in the U.S. was "Valley Girl," in 1982. But that featured his daughter Moon Unit Zappa on lead vocals instead of him, and she was only 14 years old at the time. So it turns out he never performed the song before dying in 1993. But, much later, in 2010, his children Dweezil and Moon Unit performed the song in concert just once. So that's the version included here. But note the sound quality is a bit rough on that compared to everything else. It's one of only two unreleased versions (along with "Sexual Harassment in the Workplace)." All the others were chosen from the many dozens of official live albums.

This album is an hour and 56 minutes long. 

01 Peaches en Regalia (Frank Zappa)
02 Don't Eat the Yellow Snow (Frank Zappa)
03 Dancin' Fool (Frank Zappa)
04 San Ber'dino (Frank Zappa)
05 Let's Make the Water Turn Black (Frank Zappa)
06 Dirty Love (Frank Zappa)
07 My Guitar Wants to Kill Your Mama (Frank Zappa)
08 Cosmik Debris (Frank Zappa)
09 Trouble Every Day (Frank Zappa)
10 Disco Boy (Frank Zappa)
11 Bobby Brown Goes Down (Frank Zappa)
12 I'm the Slime (Frank Zappa)
13 Joe's Garage (Frank Zappa)
14 Fine Girl (Frank Zappa)
15 Planet of the Baritone Women (Frank Zappa)
16 Sexual Harassment in the Workplace [Instrumental] (Frank Zappa)
17 Tell Me You Love Me (Frank Zappa)
18 Montana (Frank Zappa)
19 Be in My Video (Frank Zappa)
20 Valley Girl (Dweezil Zappa & Moon Unit Zappa)
21 Who Are the Brain Police (Frank Zappa)
22 Muffin Man [Extra Guitar Mix] (Frank Zappa) 

https://pixeldrain.com/u/424ohU9v 

alternate: 

https://bestfile.io/WWM2Cx8sAJ0funq/file

The cover art is by Greg Joens. The original version was in black and white. I colorized it (because I hate black and white covers) with the use of the Kolorize program.

The Carpenters - Imaginary Piano Recital, Volume 2: 1976-1983 (A Fabio from Rio Guest Post)

Here's another Fabio from Rio guest post. It's the second and last of two volumes featuring the Carpenters. As I was saying with Volume 1, Fabio and I love Karen Carpenter's voice, and the songs, but we usually don't love the overproduction of most of the Carpenters records. So, for these two volumes, Fabio is presenting the songs stripped down to just vocals and a piano. 

These are all the released studio versions, but edited to remove the other instruments. For the songs with "[Edit]," Fabio did at least some of the editing himself. For the others, he found versions on the Internet where people had already made edits.

There's more to say, but Fabio says that in the liner notes he wrote included in the download zip. Other than that, there's not much more for me to say, except thanks to Fabio for putting these albums together. 

This album is 57 minutes long. 

01 I Have You [Edit] (Carpenters)
02 There's a Kind of Hush [All Over the World] [Edit] (Carpenters)
03 We've Only Just Begun [Edit] (Carpenters)
04 You [Edit] (Carpenters)
05 All You Get from Love Is a Love Song [Edit] (Carpenters)
06 Calling Occupants of Interplanetary Craft [Edit] (Carpenters)
07 I Just Fall in Love Again (Carpenters)
08 Honolulu City Lights [Edit] (Carpenters)
09 I Need to Be in Love (Karen Carpenter)
10 Merry Christmas, Darling (Carpenters)
11 Where Do I Go from Here [Edit] (Carpenters)
12 If We Try [Edit] (Karen Carpenter)
13 Make Believe It's Your First Time [Edit] (Carpenters)
14 When It's Gone [Edit] (Carpenters)
15 Two Lives [Edit] (Karen Carpenter)

https://pixeldrain.com/u/Xn8YmPqA 

alternate:

https://bestfile.io/amevxgiU6IsLSFf/file

As with Volume 1, Fabio and I wanted a photo of Karen singing and Richard playing piano, and nothing else. That's what we got with this one. This one is from September 1971, probably September 23rd. The original was in black and white, but I colorized it with the help of the Kolorize program. 

Joan Baez - Baez Sings Baez, Volume 4: 1977-1983 (A Fabio from Rio Guest Post)

Here's a guest post by Fabio from Rio. It's another volume in the "Baez Sings Baez" series. This is a collection of all the songs written by Joan Baez. Fabio wanted to make that point that although she has been primarily as someone who sings cover songs, she's written a lot of good songs herself.

The first six songs are from studio albums in 1977 and 1979. But after that, it seems she had trouble getting record companies interested in releasing more of her studio albums. New wave, punk, and disco came along and made her style of folk music seem out of fashion. She wouldn't release another studio album until 1987.

But that leads us to some of the more interesting songs here, because around 1980, she recorded material for an album that never got released, and she was backed by the Grateful Dead for all the songs! So there are five songs here with the Dead (tracks 8 through 12), all of them still unreleased.

There's a lot more to say about this Dead connection and other matters. But I'll leave that to Fabio, who wrote more extensive notes that are included in the download zip. 

This album is an hour long. 

01 Luba the Baroness (Joan Baez)
02 The Altar Boy and the Thief (Joan Baez)
03 Honest Lullaby (Joan Baez)
04 Michael (Joan Baez)
05 For Sasha (Joan Baez)
06 Free at Last (Joan Baez)
07 Cambodia (Joan Baez)
08 Don't Blame My Mother (Joan Baez & the Grateful Dead)
09 Happy Birthday Leonid Brejnev (Joan Baez & the Grateful Dead)
10 Lady Di and I (Joan Baez & the Grateful Dead)
11 Marriot U.S.A. (Joan Baez & the Grateful Dead)
12 Lucifer's Eyes (Joan Baez & the Grateful Dead)
13 Children of the Eighties (Joan Baez)

https://pixeldrain.com/u/GjgtvAKU

alternate: 

https://bestfile.io/TACY7VBfYSTtFMj/file

The cover photo is from 1982. Fabio found the picture, so I don't know the details. 

The Carpenters - Full Acappella, Volume 2: 1977-1983 (A Fabio from Rio Guest Post)

Here's the second volume of the Carpenters' "Full Apcappella." Like the first volume, this was mostly put together by musical friend Fabio from Rio, with just a little assistance by me. Again, we get to hear Karen Carpenter's marvelous lead vocals, and sometimes backing vocals, with no instrumental music getting in the way.

This volume deals with the latter half of the Carpenters' musical career. It wasn't as commercially successful as the first half, probably due to Karen Carpenter's self-inflicted declining physical health. Tragically, she died in 1983 at just the age of 32, so this volume ends in that year.

Like Volume 1, Fabio wrote extensive notes talking about the tracks and where they're from. He also explains why some of the songs have edits. That's included in the download zip. 

By the way, note that back in 2018, I posted an album that contained versions of Carpenters that only had vocals, bass, and drums. I called it "Near Acappella," because it was stripped way down, but not fully acappella. Well, Fabio found two more songs for that while he was looking for songs for these two volumes. So I've just updated that album with those two added songs. I also changed the cover image to one I like better. Here's the link:

https://albumsthatshouldexist.blogspot.com/2018/05/the-carpenters-near-acappella-1969-1975.html 

This album is 51 minutes long. Thanks again to Fabio for putting these albums together!

01 All You Get from Love Is a Love Song [Edit] (Carpenters)
02 Calling Occupants Of Interplanetary Craft [Edit] (Carpenters)
03 Knowing When to Leave (Carpenters)
04 Make It Easy on Yourself (Carpenters)
05 Suntory Pop Jingle No. 1 (Carpenters)
06 Suntory Pop Jingle No. 2 (Carpenters)
07 Silent Night (Carpenters)
08 Ave Maria (Carpenters)
09 Where Do I Go from Here [Edit] (Carpenters)
10 Someday (Carpenters)
11 Lovelines [Edit] (Carpenters)
12 The Uninvited Guest (Carpenters)
13 If We Try [Edit] (Karen Carpenter)
14 Make Believe It's Your First Time (Carpenters)
15 When It's Gone [Edit] (Carpenters)
16 Two Lives [Edit] (Karen Carpenter)
17 I Heard the Bells on Christmas Day (Carpenters)
18 Little Altar Boy (Carpenters)

https://pixeldrain.com/u/ZBC5J2CX

alternate:

https://bestfile.io/en/aV3vEIDjOPMuc7c/file

I don't know where or when the cover photo is from. I just thought it was a nice picture of Karen Carpenter. 

Various Artists - Covered: Billy Steinberg & Tom Kelly: 1980-2019

I don't keep a close eye on music news, but yesterday I happened to hear that songwriter Billy Steinberg died. Specifically, he died on February 16, 2026, at the age of 75. That probably doesn't mean anything to most people, because I don't think he's very well known as far as songwriters go. But it meant something to me, because I had already made a "Covered" album of the songs he and songwriting partner Tom Kelly made. (It's one of several dozen "Covered" albums I've made but haven't gotten around to posting yet.) Due to his death, I decided to post this sooner rather than later.

Steinberg and Kelly wrote a lot of hits from the 1980s to the 2000s that you probably know without ever knowing who wrote them. Even though they were male, somehow they had the most success with females covering their songs. They had five Number One hits in the U.S., all sung by women: "Like a Virgin" by Madonna (1984), "True Colors" by Cyndi Lauper (1986), "Eternal Flame" (co-written with Susanna Hoffs and recorded by the Bangles in 1989), "So Emotional" by Whitney Houston (1987), and "Alone" by Heart (1987).

Billy Steinberg was born in Fresno, California, though his family moved to Palm Springs when he was a teenager. After graduating from college, he formed a band called Billy Thermal. However, they didn't have any success, and one album they recorded around 1980 wasn't released until decades later, after he made a name for himself as a songwriter. He had his first songwriting success with "How Do I Make You," which was a hit for Linda Ronstadt in 1980.  

Tom Kelly was born in a small town in Illinois in 1952. He went to a college in that state, but dropped out to pursue a music career. He was a backing musician for Dan Fogelberg in 1976 and 1977. He also did a lot of session work, for instance singing backing vocals on Toto albums. He had his first songwriting success with "Fire and Ice," a minor hit for Pat Benatar in 1981.

Both Steinberg and Kelly independently had songs on Benatar's 1981 album, "Precious Time." They met at a party that year, and soon began writing together. Previously, both of them had written lyrics and music. But they soon fell into a pattern where Steinberg generally wrote the lyrics while Kelly wrote the music. Their really big break as a songwriting team was "Like a Virgin" by Madonna. After that, they were in high demand. What's on this album is just the cream of the crop of the many dozens of songs they wrote for well-known musical acts.

Their partnership continued very fruitfully until the mid-1990s. At that point, Kelly tired of songwriting and dropped out of the music business. He'd already had enough success to live on the royalties he'd made. However, Steinberg kept going with new songwriting partners. From the mid-1990s until the mid-2000s, he mostly wrote with Rick Newels, who already was a successful professional songwriter. From the mid-2000s to about the mid-2010s, he mostly wrote with Josh Alexander.

Steinberg had a lot of songwriting success after he stopped working with Kelly. But I listened to his big hits and, to be honest, didn't like them very much after about 2000. They suffer the same problems as most popular pop music since about 2000: formulaic and forgettable. So I generally didn't include most of those. To be honest, even a lot of their earlier stuff was formulaic and forgettable, but sometimes, in fact many times, they had some real winners.

But in case you're curious, Steinberg's biggest later hits include "I Turn to You" by Melanie C (2000), "Love Doesn't Have to Hurt" by Atomic Kitten (2003), "Too Little Too Late" by JoJo (2006), "Don't Hold Your Breath" by Nicole Scherzinger (2011), and "Give Your Heart a Break" by Demi Lovato (2012). After that, the hits petered out, although some older songs keep getting rerecorded and making the charts again, especially "Alone" and "I Drove All Night." For instance, Alyssa Reid went all the way to Number Two in the British charts with "Alone" in 2012, although it was titled "Alone Again" and had the now practically obligatory rap section.

I'm not a fan of Whitney Houston's version of "So Emotional." But since it was a massive Number One hit, I wanted to include it in some form. I found a radically different cover version by Jon McLaughlin from 2019 that I like much better, so I used that instead. Had it not been for that song, this album would end in 2000.

Here are their Wikipedia pages: 

Billy Steinberg - Wikipedia

Tom Kelly (musician) - Wikipedia  

That album is an hour and ten minutes long. 

01 How Do I Make You (Linda Ronstadt)
02 Fire and Ice (Pat Benatar)
03 Like a Virgin (Madonna)
04 Sex as a Weapon (Pat Benatar)
05 True Colors (Cyndi Lauper)
06 Eternal Flame (Bangles)
07 Alone (Heart)
08 In Your Room (Bangles)
09 I Touch Myself (Divinyls)
10 My Side of the Bed (Susanna Hoffs)
11 I Drove All Night (Roy Orbison)
12 Night in My Veins (Pretenders)
13 Lucky Love [Acoustic Version] (Ace of Base)
14 I'll Stand by You (Pretenders)
15 Falling into You (Celine Dion)
16 California (Belinda Carlisle)
17 One and One (Edyta Gorniak)
18 Everytime It Rains (Ace of Base)
19 The Consequences of Falling (k.d. lang)
20 So Emotional (Jon McLaughlin)

https://pixeldrain.com/u/d2ZX8iYV

alternate: 

https://bestfile.io/en/mbkA9S64SvICLiu/file

I don't know the details of the cover photo. But that's Tom Kelly on the left and Billy Steinberg on the right. There are patches of white in Steinberg's hair, which went completely white in later photos of him. 

Various Artists - Covered: Tom Waits, Volume 1: 1973-1994 (A Fabio from Rio Guest Post)

It's high time I post more for the "Covered" series, highlighting great singer-songwriters. This time, we're looking at the songs of Tom Waits. Enough material has been found for four volumes. Here's the first one. As with all albums in this series, the focus is on cover versions, instead of versions done by the songwriter.

First off, I've gotta say I wouldn't be posting this now had it not been for the help of musical friend Fabio from Rio. It was he who suggested making Covered albums for Waits. I would have wanted to tackle him eventually, but that probably would have been well into the future. I have an issue with Waits: I can't stand his voice. As a result, even though it's easy for me to see he's a very talented songwriter, I haven't been that familiar with his songs. But Fabio is a big fan. He sent me literally hundreds of Waits cover versions, with recommendations on the best ones. I went through that and narrowed it down quite a lot. Hopefully this will make a strong collection that can turn the curious on to Waits' music.

Fabio from Rio helped with all aspects of putting this together. He even wrote the write-ups for the four volumes for Waits. So first I'm posting the relevant Wikipedia page:

Tom Waits - Wikipedia 

And now, take it away, Fabio (and a big thanks to him for all his work on this!):

For the general public, Tom Waits is "that guy with the raspy wino voice and the weird songs. Wasn't he one of the convicted fellows in that offbeat Jim Jarmusch movie?" A few music aficionados may also know him as the writer of songs like Springsteen's "Jersey Girl" or Rod Stewart's "Downtown Train", but that is usually where the story ends.

What many are not aware of is that Waits is widely recognized by his peers and by musical experts as an exceptional and influential songwriter. He is praised for his unique voice, vivid storytelling, poetic lyrics, and innovative musical style that blends genres like blues, jazz, vaudeville, and experimental rock. Waits is also known for creating three-dimensional characters and detailed narratives, often exploring life on the fringes. His lyrics are celebrated for their specificity, humor, melancholy, and ability to evoke strong moods, often drawing comparisons to Beat poets and Mark Twain.

Waits is a "songwriters' songwriter," with songs covered by literally hundreds of artists, many of them great composers themselves. He has been subject to many tributes. While searching for tracks for that project, I collected about three dozen different albums fully dedicated to his songs, and around 400 assorted covers, adding up to almost 1,200 tracks and 80-plus hours of music!

I initially selected about 220 different tunes (an almost fully comprehensive "Tom Waits songbook" that would comprise about 15 hours) which Paul wisely helped reduce to around 60 tracks across four volumes. We could have another four or eight volumes with additional top-notch Tom Waits songs - there is enough quality material for that - but I feel this reduced version is just the right size for a first dive into Tom Waits vast catalog. I hope you enjoy it!

Some listeners may find Waits' music difficult to approach due to his peculiar tone (which, contrary to popular belief, was not destroyed by booze and cigarettes, but was conscientiously cultivated as a vocal persona, as he mentioned in some interviews). The fact that some of his more experimental work sounds like monkeys loose in a crystal store doesn't help either. For those, a "Covered" collection focusing on his more melodic output is a great starting point, where one may discover the essence of Waits' music (often through soothing, frequently female, voices).

This first volume includes performances from a long range of years (1973 to 1994), but most of the songs here were composed during Waits' early and middle phases (the seventies and early eighties). His first albums feature piano-led ballads, romantic melancholy, and a relatively smooth, crooning voice. The character is that of a late-night drifter, nostalgic and tender. As his career progressed, Waits' voice grew tougher (both literally and figuratively) and his narratives darker and more cinematic. His late seventies and early eighties albums introduced sardonic humor, social misfits, and a sharper sense of irony, while still rooted in jazz, blues, and cabaret traditions.

Waits started as a folk singer/songwriter in the early seventies, with heavy jazz influences, when his voice was still not so rough. You can hear this in the first selection of this collection, "Rosie," from his 1973 first album. It's the only song in these four volumes that is the composer's own interpretation. He also first caught the ear of the public with an early cover of "Ol' 55" by The Eagles (which we skipped in favor of Sarah McLachlan's 1993 version, which both Paul and myself prefer). Other famous interpreters at the first volume are Johnny Cash and Marianne Faithfull (with songs Tom composed specifically for them), and also 10,000 Maniacs, Elvis Costello, Crystal Gayle and Canned Heat, which showcases the full range of styles and performers reached by Waits' compositions.

---

Thanks again, Fabio. I'll just add that there were only a few cases where Waits wrote hit songs, so we weren't tied down much by that factor. ("Downtown Train" is probably his biggest hit, thanks to the 1989 Rod Stewart version, included here.) And often, his songs didn't get a lot of covers until many years after they were written. So if you don't see some of his songs you really like from this era, wait before you judge. There's a good chance those songs could show up on one of the later volumes.

This album is 54 minutes long. 

01 Rosie (Tom Waits)
02 Foreign Affair (Manhattan Transfer)
03 Jersey Girl (Bruce Springsteen)
04 Is There Any Way Out of This Dream (Crystal Gayle)
05 I Hope that I Don't Fall in Love with You (10,000 Maniacs)
06 Strange Weather (Marianne Faithfull)
07 Downtown Train (Rod Stewart)
08 Gun Street Girl (Canned Heat)
09 San Diego Serenade (Nanci Griffith)
10 Tom Traubert's Blues [Waltzing Matilda] (Rod Stewart)
11 More than Rain (Elvis Costello & Brodsky Quartet)
12 Ol' 55 (Sarah McLachlan)
13 Down There by the Train (Johnny Cash)

https://pixeldrain.com/u/Sn7DrCs1

alternate:

https://bestfile.io/en/t3zNaMkqIymk1K6/file

The cover photo was taken in Chicago, Illinois, on May 30, 1986.

Dan Fogelberg - Best of Studio: 1974-1987 (A Mike Solof Guest Post)

Recently, I mentioned to my musical friend Mike Solof that I wasn't very familiar with the music of the band Kansas, other than their big hits. He went and made me a "best of" album, which I've posted here. Then I happened to mention I wasn't familiar with the music of Dan Fogelberg either, again other than the big hits. So boom, once again he made me a "best of." I really need to be careful about what I say around Mike, it seems, or my music collection will keep growing too much! ;)

It turns out Mike is a very big fan of Fogelberg's music, just like he is of the music of Kansas. In fact, he likes Fogelberg's stuff so much that he made two albums. He made a studio album and a live one. As you can see from the title, this is the studio one. The live one will follow shortly.  

As is his habit, Mike has included a PDF to explain his thoughts, as well as provide some good pictures. So please check that out for more information. In this case, the PDF is the same for both the studio and live albums. 

This album is an hour and 12 minutes long. 

01 Nexus (Dan Fogelberg)
02 The Power of Gold (Dan Fogelberg with Tim Weisberg)
03 Lonely in Love (Dan Fogelberg)
04 In the Passage (Dan Fogelberg)
05 Better Change (Dan Fogelberg)
06 Beggar's Game (Dan Fogelberg)
07 Sweet Magnolia [And the Traveling Salesman] (Dan Fogelberg)
08 Tell Me to My Face (Dan Fogelberg with Tim Weisberg)
09 Times like These (Dan Fogelberg)
10 The Reach (Dan Fogelberg)
11 Empty Cages (Dan Fogelberg)
12 Tucson, Arizona [Gazette] (Dan Fogelberg)
13 As the Raven Flies [Alternate Version] (Dan Fogelberg)

https://pixeldrain.com/u/2MFP7NnJ

alternate:

https://bestfile.io/en/ZhEqShKlvNQ1RV8/file

The cover image was selected by Mike. I don't know exactly where or when it's from.

R.E.M. - B&L Warehouse, Athens, GA, 4-24-1981

Here's a really interesting, great sounding concert recording by a very early version of R.E.M. This was so early in their career that they hadn't even released their first single yet. ("Radio Free Europe" would come out as a single in July.) This concert was available as a middling sounding audience boot for a long time. But apparently it was only a few weeks ago when a high-quality soundboard version emerged. That probably makes this the best sounding concert recording from this very early era for the band.

This was sent to me by musical associate Lil Panda. He got it from Rob, who is the person who runs the dB's Repercussion music blog. It's an excellent blog, and one I've mentioned before, but here's the link if you're not aware of it:

https://dbs-repercussion.blogspot.com/

Anyway, Rob wrote some notes about this concert, which I've included in the download zip file. In those notes, he mentions this: "T. Patton Biddle (aka Pat the Wiz) of Athens, GA, is the source for this recording. He was the sound tech for many of R.E.M.'s shows in and around Athens in the early 1980s. This comes from a first-generation analog copy of the master reel, recorded by Pat as he ran sound for R.E.M.'s opening set." So thanks to Lil Panda, Rob, and Pat the Wiz!

This contains all the songs the band performed. (It was a short set, since they were the opening act for XTC.) Unfortunately though, the taper didn't start taping until about a minute into the first song, "Radio Free Europe," and he ran out of tape after about a minute and a half of the last song, "Gardening at Night." So I found different early live versions of those two songs (from a concert in Lawrence, Kansas, in 1982), and used those to fill in the missing portions. I had to make some changes to get them to fit. It was especially noticeable that this version of "Radio Free Europe" was much faster than the 1982 one. Anyway, that's why those two songs have "[Edit]" in their titles.

When I first saw the song list to this concert, I was confused, because I didn't recognize about half of the songs. It turns out the band played some pretty obscure songs, all originals. Four of the songs here remain officially unreleased: "Body Count," "Dangerous Times," "Hey Hey Nadine," and "That Beat." Three more are rarities from the "Dead Letter Office" compilation album: "All the Right Friends," "Burning Down," and "Windout." Another, "Gardening at Night," is from the band's early EP "Chronic Town." That just leaves four songs from the "Murmur" album, which would be released in 1983, and the "Reckoning" album, which would be released in 1984.

This album is 46 minutes long.

01 Radio Free Europe [Edit] (R.E.M.)
02 Burning Down (R.E.M.)
03 Dangerous Times (R.E.M.)
04 All the Right Friends (R.E.M.)
05 Shaking Through (R.E.M.)
06 Body Count (R.E.M.)
07 talk (R.E.M.)
08 Pretty Persuasion (R.E.M.)
09 [Don't Go Back To] Rockville (R.E.M.)
10 Hey Hey Nadine (R.E.M.)
11 talk (R.E.M.)
12 That Beat (R.E.M.)
13 Sitting Still (R.E.M.)
14 talk (R.E.M.)
15 9-9 (R.E.M.)
16 Windout (R.E.M.)
17 Gardening at Night [Edit] (R.E.M.)

https://pixeldrain.com/u/EvPkci2i

alternate: 

https://bestfile.io/xOZB57vKBuvuc2r/file

The cover image is from an advertisement for this exact concert. When I came across it, I saw that it was close to square (I widened it a bit), so I thought it would make a good cover. The only change is that the concert actually featured XTC and R.E.M., with XTC the headlining act. So I erased XTC and made R.E.M. larger to fill in the difference.

Kool & the Gang - BBC In Concert, Rainbow Theatre, London, Britain, 11-7-1981

It seems that, if one looks hard enough, every musical act of note performed for the BBC eventually. For instance, I wasn't expecting to ever find a Kool and the Gang concert, but I came across one the other day. 

Kool in the Gang released their first album in 1969, and had their first big hits in 1973 with "Jungle Boogie" and "Hollywood Swinging." But then their commercial fortunes went steadily down as the 1970s went on. A big problem was they didn't have a great lead singer, so they did a lot of instrumentals. But in 1979, the got a new lead singer, James "J.T." Taylor (not to be confused with the singer-songwriter with the same name), and moved in more of a mainstream pop direction. That resulted in two big hits in 1979, "Ladies' Night" and "Too Hot." Then in 1980 they did even better, getting their first Number One on the main U.S. singles chart with "Celebration." They had another big hit in 1981 with "Get Down on It."

That's the point when this concert happened, in late 1981. They went on to have a few more big hits in the next few years, especially "Joanna," which was the most played song on the radio in 1984. Most of their hits through 1981 were performed here, although I was a bit surprised not to see "Jungle Boogie."

When I first posted this, I didn't have "Ladies' Night." But within hours, musical friend Progsprog saw that omission and sent me the missing song. So thanks for that. 

The music here is unreleased. The sound quality is excellent. 

This album is an hour and nine minutes long. 

01 Take It to the Top (Kool & the Gang)
02 Hangin' Out (Kool & the Gang)
03 Hollywood Swinging (Kool & the Gang)
04 talk (Kool & the Gang)
05 Jones vs. Jones (Kool & the Gang)
06 If You Feel like Dancin' (Kool & the Gang)
07 talk (Kool & the Gang)
08 Steppin' Out (Kool & the Gang)
09 Get Down on It (Kool & the Gang)
10 Take My Heart (Kool & the Gang)
11 Love Festival (Kool & the Gang)
12 Too Hot (Kool & the Gang)
13 Ladies' Night (Kool & the Gang)
14 Celebration (Kool & the Gang)

https://pixeldrain.com/u/Fr24B1Lo

alternate:

https://bestfile.io/CsoA7PL2ivg5vOn/file

The cover photo is from an appearance on the "American Bandstand" TV show in February 1982. I also found a logo of the band's name, and used that at the top. 

Gary U.S. Bonds - BBC In Concert, Hammersmith Odeon, London, Britain, 11-24-1981

Here's a BBC concert by Gary U.S. Bonds. It appears to be the only BBC concert he did, during the brief revival of his career in 1981.

Bonds had a rather strange career, and his strange stage name is a part of that. His real name is Gary Anderson. But early in his career, back around 1960, his record company insist that he call himself "U.S. Bonds." The thinking is that radio stations would mistake his records for obligatory public service announcements for the sale of U.S. bonds, which was a thing at the time, and thus he would get extra exposure. Whether he liked it or not, the name stuck, though he soon at least changed it to "Gary U.S. Bonds."

Bonds had a number of hits, all between 1960 and 1962, with "New Orleans" and "Quarter to Three" being the biggest. But then his career was basically forgotten for a long time. Between 1963 and 1980, he released over 20 singles, and none of them even made the charts. But then, in 1981, everything changed, due to music superstar Bruce Springsteen. Springsteen had long been a fan of Bonds' music, and performed "Quarter to Three" in many concerts. Springsteen was heavily involved in making Bonds' 1981 album, called "Dedication." He wrote three songs for it, including "This Little Girl," which became a Top Ten hit in the U.S. He and/or his E Street Band played on many songs, and he dueted with Bonds on another song, "Jole Blon." That helped the album reach Number 27 on the U.S. album chart. Music critic Dave Marsh later called it "one of the most successful comeback albums in rock and roll history." Springsteen would also be involved in two more albums by Bonds, in 1982 and 2004, though to less commercial success.

This concert leaned heavily on the "Dedication" album. Many of the songs are from it: "Jole Blon," "From a Buick 6" (a Bob Dylan cover),  "Daddy's Come Home," "The Pretender" (a Jackson Browne cover), "It's Only Love," (a Beatles cover), "Dedication," "Way Back When," "Your Love," and "This Little Girl" (those last two being Springsteen covers). In fact, only two songs aren't from the album, "Dear Lady Twist" and "Quarter to Three." Even his big 1960 hit "New Orleans" wasn't included (although that probably was a BBC editing decision, since this almost certainly consists of selections from a longer concert).

This is another album where I had help from a new volunteer named Ed. I gave him a long list of albums to choose to work from, and this was one he picked. Otherwise, I probably wouldn't have posted it for a long time. Ed edited all the files to improve the mix. 

There was one problem with the recording. The last song, "Quarter to Three," ended badly. On the BBC recording, a BBC DJ began talking over the music, announcing that the time allotted for the concert had come to an end. Then the song came to a sudden stop. I used the MVSEP program to wipe the DJ's voice, saving a little more of the music. Then I faded the song out, while adding in a growing amount of crowd noise, to bring the concert to a more satisfying end. That's why that last song has "[Edit]" in its title.

Everything here is unreleased. The sound quality is excellent. 

This album is 57 minutes long. 

01 Jole Blon (Gary U.S. Bonds)
02 From a Buick 6 (Gary U.S. Bonds)
03 talk (Gary U.S. Bonds)
04 Daddy's Come Home (Gary U.S. Bonds)
05 talk (Gary U.S. Bonds)
06 The Pretender (Gary U.S. Bonds)
07 talk (Gary U.S. Bonds)
08 Dear Lady Twist (Gary U.S. Bonds)
09 talk (Gary U.S. Bonds)
10 It's Only Love (Gary U.S. Bonds)
11 talk (Gary U.S. Bonds)
12 Dedication (Gary U.S. Bonds)
13 Way Back When (Gary U.S. Bonds)
14 Your Love (Gary U.S. Bonds)
15 talk (Gary U.S. Bonds)
16 This Little Girl (Gary U.S. Bonds)
17 talk (Gary U.S. Bonds)
18 Quarter to Three [Edit] (Gary U.S. Bonds)

https://pixeldrain.com/u/gth4teJz

alternate:

https://bestfile.io/PExtveOGjFIloHW/file

The cover photo is from a concert at the Hammersmith Odeon in 1981. But I don't know if it's from this exact concert or not, because I saw photos of him at that venue that year in different clothes, so he probably performed more than one concert there. 

Various Artists - Covered: Antonio Carlos Jobim, Volume 1: 1962-1998 (A Fabio from Rio Guest Post)

The next songwriter in my Covered series is a really big one: Antonio Carlos Jobim. He's written more standards than practically anyone, especially for jazz. And he's a rarity in the series in that he wasn't from one of the usual native English speaking countries like the U.S., Britain, or Canada, but from Brazil. And while he mostly wrote in Portuguese, I've selected only English language versions, to give this a wider appeal.

Actually, I should say "we selected." For Jobim, I relied heavily on the work on a new volunteer, who goes by the name "Fabio from Rio." As you can guess from the name, Fabio is a Brazilian, from Rio de Janeiro, so he was the ideal person to help with a Jobim collection. Furthermore, Fabio enjoyed helping to make three volumes of Jobim covers, and has been helping me with other collections, for instance Tom Waits, Bob Dylan, Brian Wilson, Lennon-McCartney, Neil Young, and more. So look for some of those in the near future.

Rather than say more, I've asked Fabio to give the introduction to Jobim for this first volume. Take it away, Fabio:

Since I'm Brazilian, Paul kindly invited me to help him curate this tribute collection of Antonio Carlos ("Tom") Jobim covers. Jobim was, quite literally, my neighbor - my family lived near his home in the Jardim Botanico district of Rio during my teenage years. I even bumped into him once at a local restaurant where he used to go for a drink or two. (There's a photo of the two of us somewhere, probably lost in a box in my mother's basement.) I was also lucky enough to attend a couple of his concerts at the legendary Canecao in the late 1980s and early 1990s. So, working on this project and revisiting his vast body of work has been a real treat.

Jobim's career began in the mid-1940s and lasted until his passing in 1994. He gained international fame in 1962 after a historic concert at Carnegie Hall. From then on, many English-speaking artists - as well as Brazilian musicians with international careers, like Astrud Gilberto and Sergio Mendes - began recording his music. While he's best known for his contributions to bossa nova, Jobim's work spans other genres too, including jazz, soul, and classical music. He even composed a full symphony!

According to his biographers, Jobim wrote between 350 and 400 songs - and at least half of them are considered standards, especially for jazz musicians. For that reason, my initial selection for this project included 97 songs, totaling nearly eight hours of music. Paul wisely suggested we trim it down, and we ultimately arrived at a more manageable set: three albums featuring 37 songs. As per Paul's request, we focused on songs with available English lyrics. Sadly, that meant leaving out some incredible tunes that only exist in Portuguese - but they can be discovered elsewhere. Due to this limitation, the collection is not fully comprehensive, but it serves as a strong introduction and a welcoming entry point for anyone curious to explore Jobim's remarkable legacy. I hope you enjoy the journey!

If you enjoy this collection, there's more! I've posted my Youtube channel a different compilation of Jobim covers, called "The Tom Jobim Songbook." It consists of 74 tracks at five volumes, but arranged by year of composition instead of year of recording. Here are the links:

Volume 1 (1954-1959 songs) -
https://youtube.com/playlist?list=PLZdAlno7O9qY0EjtcIu1yWzVedm2CDUVH&si=wXEDLOVHVxzCuxA9

Volume 2 (1960-1965 songs) -
https://youtube.com/playlist?list=PLZdAlno7O9qbR05RYgOLSjre8ZjATfuSE&si=6rGE19iG467gQy27

Volume 3 (1966-1971 songs) -
https://youtube.com/playlist?list=PLZdAlno7O9qb_K6GUUlXwGFHD5Lq0Qx9e&si=lAjrtD7Zk4wNb4kJ

Volume 4 (1972-1994 songs) -
https://youtube.com/playlist?list=PLZdAlno7O9qYLnNNv1AsqV6tmJsZl7Iim&si=hjqsRtZ1gpkodLYf

Volume 5 (instrumentals) -
https://youtube.com/playlist?list=PLZdAlno7O9qYIFTYOFcS09DDPBSwJFBbO&si=o97Ryn158raeVUC3

Additionally, here's a zip file with all five volumes, plus a bonus:

https://pixeldrain.com/u/QLY5Fh3w

alternate:

https://bestfile.io/izPoztcsjW9CsxZ/file

Due to personal preference, I selected different interpreters than Paul for some of the songs, and also included an 'instrumentals only' volume (although no Portuguese versions). For these reasons, there is little overlap with the Albums That Should Exist version, which I feel is a good thing since these playlists may function as a complementary treat to the official "Covered: Jobim" collection, for those willing to delve further into the Brazilian maestro's music. 

---

Thank you, Fabio from Rio. This is Paul again.  I'll write more about Jobim in the other two volumes. But, for now, here's the Wikipedia link about him:

Antônio Carlos Jobim - Wikipedia 

I will add that although Jobim wrote many classics, his signature song has to be "The Girl from Ipanema." I've included two versions of that for this series, both of which happen to fall into this volume. There's the female perspective version by Astrud Gilberto that was a huge worldwide hit in 1963. But also, near the end of this album, I've chosen a male perspective version by Frank Sinatra in 1981. Sinatra famously did an album with Jobim in 1967 called "Francis Albert Sinatra & Antonio Carlos Jobim." But I accidentally stumbled across a version he did for a TV show in 1981 that I liked better, due to the guitar work of Tony Mottola, so I picked that one. I believe it's unreleased.  

This album is 48 minutes long. 

01 Slightly Out of Tune [Desafinado] (Julie London)
02 The Girl from Ipanema [Garota de Ipanema] (Astrud Gilberto & Stan Getz)
03 Jazz 'n' Samba [So Danco Samba] (Milt Jackson)
04 Dindi (Astrud Gilberto)
05 Quiet Nights of Quiet Stars [Corcovado] (Marvin Gaye)
06 Dreamer [Vivo Sonhando] (Astrud Gilberto)
07 Pardon My English [Samba Torto] (Sylvia Telles)
08 Water to Drink [Agua de Beber] (Sergio Mendes & Brasil '66)
09 Stone Flower (Santana)
10 Triste (Sarah Vaughan)
11 Don't Ever Go Away [Por Causa de Voce] (Ella Fitzgerald)
12 The Girl from Ipanema [Garota de Ipanema] (Frank Sinatra with Tony Mottola)
13 A Felicidade [Happiness] (Susannah McCorkle)
14 Waters of March [Aguas de Marco] (Marisa Monte & David Byrne)
15 How Insensitive [Insensatez] (Sting & Antonio Carlos Jobim)

https://pixeldrain.com/u/yPdJNa5X

alternate: 

https://bestfile.io/en/gbVNLCnCMS2lpgB/file

For the album cover, I used a photo that appeared on the cover of a Jobim album called "World's Greatest Composer." I don't know the exact year, but I picked it because he's obviously quite young in the image.